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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF648E it is the complementary color #509B71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF648E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF648E shade: #B46489, #C5769C, #D688AF, #E79AC2 and #F8ACD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF648E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF648E shade: #AF648E, #9E527B, #8D4068, #7C2E55 and #6B1C42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF648E shade: #AF648E, #AF6479, #AF6465 and #AF6464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF648E shade: #AF648E, #AF64A2, #A764AF, #9364AF and #7F64AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF648E shade matches the following richer shades: #AF648E, #C25190, #D53E92, #E82B95 and #FB1897

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF648E shade: #AF648E, #9C778B, #898A89, #769D87 and #63B085

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF648E shade: #A764AF, #AF64A2, #AF648E, #AF647A and #AF6466

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF648E shade: #7F4164, #9A4F79, #AF648E, #BD7FA2 and #CB9AB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF648E shade: #AF648E, #AF9364 and #64ACAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF648E shade: #AF648E, #8EAF64 and #648EAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF648E shade: #AF648E, #AF9364, #64AF84 and #647FAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF648E shade: #AF648E, #AFAA64, #64AF84 and #6469AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 19 / 31

HEX #AF648E

RGB 175 100 142

HSL 326.4, 0.32%, 0.54%

LAB 52.04, 35.88, -9.96

 

Complementary color

CMYK 48 / 0 / 27 / 39

HEX #509B71

RGB 80 155 113

HSL 146.4, 0.32%, 0.46%

LAB 58.36, -33.33, 14.98

 

CMYK 0 / 44 / 24 / 29

HEX #B46489

RGB 180 100 137

HSL 332.25, 0.35%, 0.55%

LAB 52.54, 36.87, -6.2

 

CMYK 0 / 40 / 21 / 23

HEX #C5769C

RGB 197 118 156

HSL 331.14, 0.41%, 0.62%

LAB 59.18, 36.03, -7.16

 

CMYK 0 / 36 / 18 / 16

HEX #D688AF

RGB 214 136 175

HSL 330, 0.49%, 0.69%

LAB 65.75, 35.23, -8.01

 

CMYK 0 / 33 / 16 / 9

HEX #E79AC2

RGB 231 154 194

HSL 328.83, 0.62%, 0.75%

LAB 72.23, 34.47, -8.77

 

CMYK 0 / 31 / 14 / 3

HEX #F8ACD5

RGB 248 172 213

HSL 327.63, 0.84%, 0.82%

LAB 78.62, 33.76, -9.46

 

CMYK 0 / 43 / 19 / 31

HEX #AF648E

RGB 175 100 142

HSL 326.4, 0.32%, 0.54%

LAB 52.04, 35.88, -9.96

 

CMYK 0 / 48 / 22 / 38

HEX #9E527B

RGB 158 82 123

HSL 327.63, 0.32%, 0.47%

LAB 45.27, 36.71, -8.98

 

CMYK 0 / 55 / 26 / 45

HEX #8D4068

RGB 141 64 104

HSL 328.83, 0.38%, 0.4%

LAB 38.43, 37.49, -7.78

 

CMYK 0 / 63 / 31 / 51

HEX #7C2E55

RGB 124 46 85

HSL 330, 0.46%, 0.33%

LAB 31.57, 38.11, -6.22

 

CMYK 0 / 74 / 38 / 58

HEX #6B1C42

RGB 107 28 66

HSL 331.14, 0.59%, 0.26%

LAB 24.8, 38.25, -4.04

 

CMYK 0 / 43 / 19 / 31

HEX #AF648E

RGB 175 100 142

HSL 326.4, 0.32%, 0.54%

LAB 52.04, 35.88, -9.96

 

CMYK 0 / 43 / 31 / 31

HEX #AF6479

RGB 175 100 121

HSL 343.2, 0.32%, 0.54%

LAB 51.39, 32.79, 1.53

 

CMYK 0 / 43 / 42 / 31

HEX #AF6465

RGB 175 100 101

HSL 359.2, 0.32%, 0.54%

LAB 50.88, 30.29, 12.68

 

CMYK 0 / 43 / 43 / 31

HEX #AF6464

RGB 175 100 100

HSL 0, 0.32%, 0.54%

LAB 50.86, 30.18, 13.24

 

CMYK 0 / 43 / 19 / 31

HEX #AF648E

RGB 175 100 142

HSL 326.4, 0.32%, 0.54%

LAB 52.04, 35.88, -9.96

 

CMYK 0 / 43 / 7 / 31

HEX #AF64A2

RGB 175 100 162

HSL 310.4, 0.32%, 0.54%

LAB 52.77, 39.24, -20.6

 

CMYK 5 / 43 / 0 / 31

HEX #A764AF

RGB 167 100 175

HSL 293.6, 0.32%, 0.54%

LAB 52.31, 39.15, -28.96

 

CMYK 16 / 43 / 0 / 31

HEX #9364AF

RGB 147 100 175

HSL 277.6, 0.32%, 0.54%

LAB 49.99, 33.01, -32.76

 

CMYK 27 / 43 / 0 / 31

HEX #7F64AF

RGB 127 100 175

HSL 261.6, 0.32%, 0.54%

LAB 47.91, 27.04, -36.18

 

CMYK 0 / 43 / 19 / 31

HEX #AF648E

RGB 175 100 142

HSL 326.4, 0.32%, 0.54%

LAB 52.04, 35.88, -9.96

 

CMYK 0 / 58 / 26 / 24

HEX #C25190

RGB 194 81 144

HSL 326.55, 0.48%, 0.54%

LAB 51.11, 51.99, -12.27

 

CMYK 0 / 71 / 31 / 16

HEX #D53E92

RGB 213 62 146

HSL 326.62, 0.64%, 0.54%

LAB 51.46, 65.39, -12.64

 

CMYK 0 / 81 / 36 / 9

HEX #E82B95

RGB 232 43 149

HSL 326.35, 0.8%, 0.54%

LAB 53.01, 75.89, -11.76

 

CMYK 0 / 90 / 40 / 2

HEX #FB1897

RGB 251 24 151

HSL 326.43, 0.97%, 0.54%

LAB 55.48, 83.6, -8.88

 

CMYK 0 / 43 / 19 / 31

HEX #AF648E

RGB 175 100 142

HSL 326.4, 0.32%, 0.54%

LAB 52.04, 35.88, -9.96

 

CMYK 0 / 24 / 11 / 39

HEX #9C778B

RGB 156 119 139

HSL 327.57, 0.16%, 0.54%

LAB 54.16, 17.81, -5.27

 

CMYK 1 / 0 / 1 / 46

HEX #898A89

RGB 137 138 137

HSL 120, 0%, 0.54%

LAB 57.37, -0.56, 0.4

 

CMYK 25 / 0 / 14 / 38

HEX #769D87

RGB 118 157 135

HSL 146.15, 0.17%, 0.54%

LAB 61.41, -18.06, 7.2

 

CMYK 44 / 0 / 24 / 31

HEX #63B085

RGB 99 176 133

HSL 146.49, 0.33%, 0.54%

LAB 66.06, -33.74, 14.73

 

CMYK 5 / 43 / 0 / 31

HEX #A764AF

RGB 167 100 175

HSL 293.6, 0.32%, 0.54%

LAB 52.31, 39.15, -28.96

 

CMYK 0 / 43 / 7 / 31

HEX #AF64A2

RGB 175 100 162

HSL 310.4, 0.32%, 0.54%

LAB 52.77, 39.24, -20.6

 

CMYK 0 / 43 / 19 / 31

HEX #AF648E

RGB 175 100 142

HSL 326.4, 0.32%, 0.54%

LAB 52.04, 35.88, -9.96

 

CMYK 0 / 43 / 30 / 31

HEX #AF647A

RGB 175 100 122

HSL 342.4, 0.32%, 0.54%

LAB 51.42, 32.92, 0.97

 

CMYK 0 / 43 / 42 / 31

HEX #AF6466

RGB 175 100 102

HSL 358.4, 0.32%, 0.54%

LAB 50.91, 30.4, 12.12

 

CMYK 0 / 49 / 21 / 50

HEX #7F4164

RGB 127 65 100

HSL 326.13, 0.32%, 0.38%

LAB 36.39, 31.42, -8.54

 

CMYK 0 / 49 / 21 / 40

HEX #9A4F79

RGB 154 79 121

HSL 326.4, 0.32%, 0.46%

LAB 44.01, 36.62, -9.72

 

CMYK 0 / 43 / 19 / 31

HEX #AF648E

RGB 175 100 142

HSL 326.4, 0.32%, 0.54%

LAB 52.04, 35.88, -9.96

 

CMYK 0 / 33 / 14 / 26

HEX #BD7FA2

RGB 189 127 162

HSL 326.13, 0.32%, 0.62%

LAB 60.43, 29.26, -8.85

 

CMYK 0 / 24 / 11 / 20

HEX #CB9AB5

RGB 203 154 181

HSL 326.94, 0.32%, 0.7%

LAB 68.86, 22.57, -6.88

 

CMYK 0 / 43 / 19 / 31

HEX #AF648E

RGB 175 100 142

HSL 326.4, 0.32%, 0.54%

LAB 52.04, 35.88, -9.96

 

CMYK 0 / 16 / 43 / 31

HEX #AF9364

RGB 175 147 100

HSL 37.6, 0.32%, 0.54%

LAB 62.42, 3.95, 28.76

 

CMYK 43 / 2 / 0 / 31

HEX #64ACAF

RGB 100 172 175

HSL 182.4, 0.32%, 0.54%

LAB 65.99, -21.72, -8.61

 

CMYK 0 / 43 / 19 / 31

HEX #AF648E

RGB 175 100 142

HSL 326.4, 0.32%, 0.54%

LAB 52.04, 35.88, -9.96

 

CMYK 19 / 0 / 43 / 31

HEX #8EAF64

RGB 142 175 100

HSL 86.4, 0.32%, 0.54%

LAB 67.52, -24.24, 34.76

 

CMYK 43 / 19 / 0 / 31

HEX #648EAF

RGB 100 142 175

HSL 206.4, 0.32%, 0.54%

LAB 57.22, -5.55, -21.86

 

CMYK 0 / 43 / 19 / 31

HEX #AF648E

RGB 175 100 142

HSL 326.4, 0.32%, 0.54%

LAB 52.04, 35.88, -9.96

 

CMYK 0 / 16 / 43 / 31

HEX #AF9364

RGB 175 147 100

HSL 37.6, 0.32%, 0.54%

LAB 62.42, 3.95, 28.76

 

CMYK 43 / 0 / 25 / 31

HEX #64AF84

RGB 100 175 132

HSL 145.6, 0.32%, 0.54%

LAB 65.78, -33.19, 14.9

 

CMYK 43 / 27 / 0 / 31

HEX #647FAF

RGB 100 127 175

HSL 218.4, 0.32%, 0.54%

LAB 52.93, 3.14, -28.48

 

CMYK 0 / 43 / 19 / 31

HEX #AF648E

RGB 175 100 142

HSL 326.4, 0.32%, 0.54%

LAB 52.04, 35.88, -9.96

 

CMYK 0 / 3 / 43 / 31

HEX #AFAA64

RGB 175 170 100

HSL 56, 0.32%, 0.54%

LAB 68.59, -8.47, 36.63

 

CMYK 43 / 0 / 25 / 31

HEX #64AF84

RGB 100 175 132

HSL 145.6, 0.32%, 0.54%

LAB 65.78, -33.19, 14.9

 

CMYK 43 / 40 / 0 / 31

HEX #6469AF

RGB 100 105 175

HSL 236, 0.32%, 0.54%

LAB 46.85, 16.45, -38

 

Description

Color code: HEX #AF648E | qconv.com Color code: HEX #AF648E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 100 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 100 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 19 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 19% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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