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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF6882 it is the complementary color #50977D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF6882. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF6882 shade: #B4687D, #C57A90, #D68CA3, #E79EB6 and #F8B0C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF6882. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF6882 shade: #AF6882, #9E566F, #8D445C, #7C3249 and #6B2036

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF6882 shade: #AF6882, #AF686F and #AF6868

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF6882 shade: #AF6882, #AF6895, #AF68A9, #A368AF and #9068AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF6882 shade matches the following richer shades: #AF6882, #C2567D, #D44378, #E73073 and #FA1E6E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF6882 shade: #AF6882, #9D7B87, #8A8D8C, #78A091 and #65B296

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF6882 shade: #AF68A8, #AF6895, #AF6882, #AF686F and #AF7468

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF6882 shade: #81445A, #9C526D, #AF6882, #BE8399 and #CC9EAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF6882 shade: #AF6882, #AFA368 and #689FAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF6882 shade: #AF6882, #82AF68 and #6882AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF6882 shade: #AF6882, #AFA368, #68AF95 and #6874AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF6882 shade: #AF6882, #A6AF68, #68AF95 and #7268AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 26 / 31

HEX #AF6882

RGB 175 104 130

HSL 338.03, 0.31%, 0.55%

LAB 52.54, 31.87, -2.13

 

Complementary color

CMYK 47 / 0 / 17 / 41

HEX #50977D

RGB 80 151 125

HSL 158.03, 0.31%, 0.45%

LAB 57.39, -28.78, 6.84

 

CMYK 0 / 42 / 31 / 29

HEX #B4687D

RGB 180 104 125

HSL 343.42, 0.34%, 0.56%

LAB 53.04, 33, 1.64

 

CMYK 0 / 38 / 27 / 23

HEX #C57A90

RGB 197 122 144

HSL 342.4, 0.39%, 0.63%

LAB 59.71, 32.11, 0.53

 

CMYK 0 / 35 / 24 / 16

HEX #D68CA3

RGB 214 140 163

HSL 341.35, 0.47%, 0.69%

LAB 66.29, 31.28, -0.45

 

CMYK 0 / 32 / 21 / 9

HEX #E79EB6

RGB 231 158 182

HSL 340.27, 0.6%, 0.76%

LAB 72.77, 30.51, -1.33

 

CMYK 0 / 29 / 19 / 3

HEX #F8B0C9

RGB 248 176 201

HSL 339.17, 0.84%, 0.83%

LAB 79.17, 29.8, -2.13

 

CMYK 0 / 41 / 26 / 31

HEX #AF6882

RGB 175 104 130

HSL 338.03, 0.31%, 0.55%

LAB 52.54, 31.87, -2.13

 

CMYK 0 / 46 / 30 / 38

HEX #9E566F

RGB 158 86 111

HSL 339.17, 0.3%, 0.48%

LAB 45.73, 32.77, -1

 

CMYK 0 / 52 / 35 / 45

HEX #8D445C

RGB 141 68 92

HSL 340.27, 0.35%, 0.41%

LAB 38.85, 33.7, 0.37

 

CMYK 0 / 60 / 41 / 51

HEX #7C3249

RGB 124 50 73

HSL 341.35, 0.43%, 0.34%

LAB 31.91, 34.56, 2.1

 

CMYK 0 / 70 / 50 / 58

HEX #6B2036

RGB 107 32 54

HSL 342.4, 0.54%, 0.27%

LAB 25.03, 35.15, 4.47

 

CMYK 0 / 41 / 26 / 31

HEX #AF6882

RGB 175 104 130

HSL 338.03, 0.31%, 0.55%

LAB 52.54, 31.87, -2.13

 

CMYK 0 / 41 / 37 / 31

HEX #AF686F

RGB 175 104 111

HSL 354.08, 0.31%, 0.55%

LAB 52.02, 29.29, 8.36

 

CMYK 0 / 41 / 41 / 31

HEX #AF6868

RGB 175 104 104

HSL 0, 0.31%, 0.55%

LAB 51.85, 28.44, 12.26

 

CMYK 0 / 41 / 26 / 31

HEX #AF6882

RGB 175 104 130

HSL 338.03, 0.31%, 0.55%

LAB 52.54, 31.87, -2.13

 

CMYK 0 / 41 / 15 / 31

HEX #AF6895

RGB 175 104 149

HSL 321.97, 0.31%, 0.55%

LAB 53.15, 34.84, -12.41

 

CMYK 0 / 41 / 3 / 31

HEX #AF68A9

RGB 175 104 169

HSL 305.07, 0.31%, 0.55%

LAB 53.9, 38.35, -22.95

 

CMYK 7 / 41 / 0 / 31

HEX #A368AF

RGB 163 104 175

HSL 289.86, 0.31%, 0.55%

LAB 52.71, 35.7, -28.39

 

CMYK 18 / 41 / 0 / 31

HEX #9068AF

RGB 144 104 175

HSL 273.8, 0.31%, 0.55%

LAB 50.6, 29.79, -31.83

 

CMYK 0 / 41 / 26 / 31

HEX #AF6882

RGB 175 104 130

HSL 338.03, 0.31%, 0.55%

LAB 52.54, 31.87, -2.13

 

CMYK 0 / 56 / 36 / 24

HEX #C2567D

RGB 194 86 125

HSL 338.33, 0.47%, 0.55%

LAB 51.39, 47.21, -0.53

 

CMYK 0 / 68 / 43 / 17

HEX #D44378

RGB 212 67 120

HSL 338.07, 0.63%, 0.55%

LAB 51.11, 60.53, 2.42

 

CMYK 0 / 79 / 50 / 9

HEX #E73073

RGB 231 48 115

HSL 338.03, 0.79%, 0.55%

LAB 52.22, 71.38, 7.47

 

CMYK 0 / 88 / 56 / 2

HEX #FA1E6E

RGB 250 30 110

HSL 338.18, 0.96%, 0.55%

LAB 54.43, 79.39, 14.11

 

CMYK 0 / 41 / 26 / 31

HEX #AF6882

RGB 175 104 130

HSL 338.03, 0.31%, 0.55%

LAB 52.54, 31.87, -2.13

 

CMYK 0 / 22 / 14 / 38

HEX #9D7B87

RGB 157 123 135

HSL 338.82, 0.15%, 0.55%

LAB 55.16, 15.18, -1.46

 

CMYK 2 / 0 / 1 / 45

HEX #8A8D8C

RGB 138 141 140

HSL 160, 0.01%, 0.55%

LAB 58.36, -1.29, 0.14

 

CMYK 25 / 0 / 9 / 37

HEX #78A091

RGB 120 160 145

HSL 157.5, 0.17%, 0.55%

LAB 62.66, -16.87, 3.39

 

CMYK 43 / 0 / 16 / 30

HEX #65B296

RGB 101 178 150

HSL 158.18, 0.33%, 0.55%

LAB 67.13, -30.5, 6.92

 

CMYK 0 / 41 / 4 / 31

HEX #AF68A8

RGB 175 104 168

HSL 305.92, 0.31%, 0.55%

LAB 53.86, 38.17, -22.43

 

CMYK 0 / 41 / 15 / 31

HEX #AF6895

RGB 175 104 149

HSL 321.97, 0.31%, 0.55%

LAB 53.15, 34.84, -12.41

 

CMYK 0 / 41 / 26 / 31

HEX #AF6882

RGB 175 104 130

HSL 338.03, 0.31%, 0.55%

LAB 52.54, 31.87, -2.13

 

CMYK 0 / 41 / 37 / 31

HEX #AF686F

RGB 175 104 111

HSL 354.08, 0.31%, 0.55%

LAB 52.02, 29.29, 8.36

 

CMYK 0 / 34 / 41 / 31

HEX #AF7468

RGB 175 116 104

HSL 10.14, 0.31%, 0.55%

LAB 54.66, 21.75, 16.14

 

CMYK 0 / 47 / 30 / 49

HEX #81445A

RGB 129 68 90

HSL 338.36, 0.31%, 0.39%

LAB 37, 28.93, -1.28

 

CMYK 0 / 47 / 30 / 39

HEX #9C526D

RGB 156 82 109

HSL 338.11, 0.31%, 0.47%

LAB 44.53, 33.94, -1.58

 

CMYK 0 / 41 / 26 / 31

HEX #AF6882

RGB 175 104 130

HSL 338.03, 0.31%, 0.55%

LAB 52.54, 31.87, -2.13

 

CMYK 0 / 31 / 19 / 25

HEX #BE8399

RGB 190 131 153

HSL 337.63, 0.31%, 0.63%

LAB 61.2, 25.96, -2.55

 

CMYK 0 / 23 / 14 / 20

HEX #CC9EAF

RGB 204 158 175

HSL 337.83, 0.31%, 0.71%

LAB 69.74, 19.73, -2.22

 

CMYK 0 / 41 / 26 / 31

HEX #AF6882

RGB 175 104 130

HSL 338.03, 0.31%, 0.55%

LAB 52.54, 31.87, -2.13

 

CMYK 0 / 7 / 41 / 31

HEX #AFA368

RGB 175 163 104

HSL 49.86, 0.31%, 0.55%

LAB 66.75, -4.3, 32.21

 

CMYK 41 / 9 / 0 / 31

HEX #689FAF

RGB 104 159 175

HSL 193.52, 0.31%, 0.55%

LAB 62.37, -13.86, -14.02

 

CMYK 0 / 41 / 26 / 31

HEX #AF6882

RGB 175 104 130

HSL 338.03, 0.31%, 0.55%

LAB 52.54, 31.87, -2.13

 

CMYK 26 / 0 / 41 / 31

HEX #82AF68

RGB 130 175 104

HSL 98.03, 0.31%, 0.55%

LAB 66.83, -28.19, 31.64

 

CMYK 41 / 26 / 0 / 31

HEX #6882AF

RGB 104 130 175

HSL 218.03, 0.31%, 0.55%

LAB 54.03, 2.46, -26.76

 

CMYK 0 / 41 / 26 / 31

HEX #AF6882

RGB 175 104 130

HSL 338.03, 0.31%, 0.55%

LAB 52.54, 31.87, -2.13

 

CMYK 0 / 7 / 41 / 31

HEX #AFA368

RGB 175 163 104

HSL 49.86, 0.31%, 0.55%

LAB 66.75, -4.3, 32.21

 

CMYK 41 / 0 / 15 / 31

HEX #68AF95

RGB 104 175 149

HSL 158.03, 0.31%, 0.55%

LAB 66.35, -28.45, 6.36

 

CMYK 41 / 34 / 0 / 31

HEX #6874AF

RGB 104 116 175

HSL 229.86, 0.31%, 0.55%

LAB 50.13, 10.81, -32.82

 

CMYK 0 / 41 / 26 / 31

HEX #AF6882

RGB 175 104 130

HSL 338.03, 0.31%, 0.55%

LAB 52.54, 31.87, -2.13

 

CMYK 5 / 0 / 41 / 31

HEX #A6AF68

RGB 166 175 104

HSL 67.61, 0.31%, 0.55%

LAB 69.3, -14.31, 35.3

 

CMYK 41 / 0 / 15 / 31

HEX #68AF95

RGB 104 175 149

HSL 158.03, 0.31%, 0.55%

LAB 66.35, -28.45, 6.36

 

CMYK 35 / 41 / 0 / 31

HEX #7268AF

RGB 114 104 175

HSL 248.45, 0.31%, 0.55%

LAB 47.72, 20.89, -36.56

 

Description

Color code: HEX #AF6882 | qconv.com Color code: HEX #AF6882 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 104 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 104 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 26 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 26% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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