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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF6968 it is the complementary color #509697. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF6968. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF6968 shade: #B46963, #C57B76, #D68D89, #E79F9C and #F8B1AF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF6968. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF6968 shade: #AF6968, #9E5755, #8D4542, #7C332F and #6B211C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF6968 shade: #AF6968 and #AF6868

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF6968 shade: #AF6968, #AF7C68, #AF9068, #AFA368 and #A9AF68

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF6968 shade matches the following richer shades: #AF6968, #C25756, #D44543, #E73330 and #FA211E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF6968 shade: #AF6968, #9D7B7B, #8A8D8D, #789FA0 and #65B1B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF6968 shade: #AF688E, #AF687B, #AF6868, #AF7B68 and #AF8E68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF6968 shade: #814544, #9C5352, #AF6968, #BE8483 and #CC9F9E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF6968 shade: #AF6968, #A1AF68 and #6885AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF6968 shade: #AF6968, #68AF68 and #6868AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF6968 shade: #AF6968, #A1AF68, #68AFAF and #7668AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF6968 shade: #AF6968, #8CAF68, #68AFAF and #8C68AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 41 / 31

HEX #AF6968

RGB 175 105 104

HSL 0.85, 0.31%, 0.55%

LAB 52.08, 27.88, 12.57

 

Complementary color

CMYK 47 / 1 / 0 / 41

HEX #509697

RGB 80 150 151

HSL 180.85, 0.31%, 0.45%

LAB 57.8, -21.71, -7.38

 

CMYK 0 / 42 / 45 / 29

HEX #B46963

RGB 180 105 99

HSL 4.44, 0.35%, 0.55%

LAB 52.63, 29.29, 16.37

 

CMYK 0 / 38 / 40 / 23

HEX #C57B76

RGB 197 123 118

HSL 3.8, 0.41%, 0.62%

LAB 59.29, 28.23, 14.89

 

CMYK 0 / 34 / 36 / 16

HEX #D68D89

RGB 214 141 137

HSL 3.12, 0.48%, 0.69%

LAB 65.87, 27.27, 13.59

 

CMYK 0 / 31 / 32 / 9

HEX #E79F9C

RGB 231 159 156

HSL 2.4, 0.61%, 0.76%

LAB 72.35, 26.41, 12.42

 

CMYK 0 / 29 / 29 / 3

HEX #F8B1AF

RGB 248 177 175

HSL 1.64, 0.84%, 0.83%

LAB 78.75, 25.63, 11.36

 

CMYK 0 / 40 / 41 / 31

HEX #AF6968

RGB 175 105 104

HSL 0.85, 0.31%, 0.55%

LAB 52.08, 27.88, 12.57

 

CMYK 0 / 45 / 46 / 38

HEX #9E5755

RGB 158 87 85

HSL 1.64, 0.3%, 0.48%

LAB 45.28, 28.98, 14.14

 

CMYK 0 / 51 / 53 / 45

HEX #8D4542

RGB 141 69 66

HSL 2.4, 0.36%, 0.41%

LAB 38.4, 30.19, 16.02

 

CMYK 0 / 59 / 62 / 51

HEX #7C332F

RGB 124 51 47

HSL 3.12, 0.45%, 0.34%

LAB 31.48, 31.45, 18.36

 

CMYK 0 / 69 / 74 / 58

HEX #6B211C

RGB 107 33 28

HSL 3.8, 0.59%, 0.26%

LAB 24.63, 32.61, 21.39

 

CMYK 0 / 40 / 41 / 31

HEX #AF6968

RGB 175 105 104

HSL 0.85, 0.31%, 0.55%

LAB 52.08, 27.88, 12.57

 

CMYK 0 / 41 / 41 / 31

HEX #AF6868

RGB 175 104 104

HSL 0, 0.31%, 0.55%

LAB 51.85, 28.44, 12.26

 

CMYK 0 / 40 / 41 / 31

HEX #AF6968

RGB 175 105 104

HSL 0.85, 0.31%, 0.55%

LAB 52.08, 27.88, 12.57

 

CMYK 0 / 29 / 41 / 31

HEX #AF7C68

RGB 175 124 104

HSL 16.9, 0.31%, 0.55%

LAB 56.61, 17.25, 18.81

 

CMYK 0 / 18 / 41 / 31

HEX #AF9068

RGB 175 144 104

HSL 33.8, 0.31%, 0.55%

LAB 61.71, 6.06, 25.63

 

CMYK 0 / 7 / 41 / 31

HEX #AFA368

RGB 175 163 104

HSL 49.86, 0.31%, 0.55%

LAB 66.75, -4.3, 32.21

 

CMYK 3 / 0 / 41 / 31

HEX #A9AF68

RGB 169 175 104

HSL 65.07, 0.31%, 0.55%

LAB 69.54, -13.09, 35.65

 

CMYK 0 / 40 / 41 / 31

HEX #AF6968

RGB 175 105 104

HSL 0.85, 0.31%, 0.55%

LAB 52.08, 27.88, 12.57

 

CMYK 0 / 55 / 56 / 24

HEX #C25756

RGB 194 87 86

HSL 0.56, 0.47%, 0.55%

LAB 50.64, 42.81, 21.68

 

CMYK 0 / 67 / 68 / 17

HEX #D44543

RGB 212 69 67

HSL 0.83, 0.63%, 0.55%

LAB 50.29, 55.82, 32.98

 

CMYK 0 / 78 / 79 / 9

HEX #E73330

RGB 231 51 48

HSL 0.98, 0.79%, 0.55%

LAB 51.35, 66.97, 45.73

 

CMYK 0 / 87 / 88 / 2

HEX #FA211E

RGB 250 33 30

HSL 0.82, 0.96%, 0.55%

LAB 53.5, 75.76, 57.72

 

CMYK 0 / 40 / 41 / 31

HEX #AF6968

RGB 175 105 104

HSL 0.85, 0.31%, 0.55%

LAB 52.08, 27.88, 12.57

 

CMYK 0 / 22 / 22 / 38

HEX #9D7B7B

RGB 157 123 123

HSL 0, 0.15%, 0.55%

LAB 54.83, 13.19, 5.05

 

CMYK 2 / 0 / 0 / 45

HEX #8A8D8D

RGB 138 141 141

HSL 180, 0.01%, 0.55%

LAB 58.39, -1.09, -0.39

 

CMYK 25 / 1 / 0 / 37

HEX #789FA0

RGB 120 159 160

HSL 181.5, 0.17%, 0.55%

LAB 62.78, -12.98, -4.87

 

CMYK 43 / 1 / 0 / 30

HEX #65B1B2

RGB 101 177 178

HSL 180.78, 0.33%, 0.55%

LAB 67.59, -23.23, -7.88

 

CMYK 0 / 41 / 19 / 31

HEX #AF688E

RGB 175 104 142

HSL 327.89, 0.31%, 0.55%

LAB 52.91, 33.71, -8.65

 

CMYK 0 / 41 / 30 / 31

HEX #AF687B

RGB 175 104 123

HSL 343.94, 0.31%, 0.55%

LAB 52.34, 30.87, 1.71

 

CMYK 0 / 41 / 41 / 31

HEX #AF6868

RGB 175 104 104

HSL 0, 0.31%, 0.55%

LAB 51.85, 28.44, 12.26

 

CMYK 0 / 30 / 41 / 31

HEX #AF7B68

RGB 175 123 104

HSL 16.06, 0.31%, 0.55%

LAB 56.37, 17.81, 18.47

 

CMYK 0 / 19 / 41 / 31

HEX #AF8E68

RGB 175 142 104

HSL 32.11, 0.31%, 0.55%

LAB 61.18, 7.17, 24.94

 

CMYK 0 / 47 / 47 / 49

HEX #814544

RGB 129 69 68

HSL 0.98, 0.31%, 0.39%

LAB 36.63, 25.53, 12.07

 

CMYK 0 / 47 / 47 / 39

HEX #9C5352

RGB 156 83 82

HSL 0.81, 0.31%, 0.47%

LAB 44.04, 30.08, 14.21

 

CMYK 0 / 40 / 41 / 31

HEX #AF6968

RGB 175 105 104

HSL 0.85, 0.31%, 0.55%

LAB 52.08, 27.88, 12.57

 

CMYK 0 / 31 / 31 / 25

HEX #BE8483

RGB 190 132 131

HSL 1.02, 0.31%, 0.63%

LAB 60.86, 22.19, 9.53

 

CMYK 0 / 22 / 23 / 20

HEX #CC9F9E

RGB 204 159 158

HSL 1.3, 0.31%, 0.71%

LAB 69.54, 16.52, 6.93

 

CMYK 0 / 40 / 41 / 31

HEX #AF6968

RGB 175 105 104

HSL 0.85, 0.31%, 0.55%

LAB 52.08, 27.88, 12.57

 

CMYK 8 / 0 / 41 / 31

HEX #A1AF68

RGB 161 175 104

HSL 71.83, 0.31%, 0.55%

LAB 68.92, -16.31, 34.74

 

CMYK 41 / 24 / 0 / 31

HEX #6885AF

RGB 104 133 175

HSL 215.49, 0.31%, 0.55%

LAB 54.88, 0.71, -25.44

 

CMYK 0 / 40 / 41 / 31

HEX #AF6968

RGB 175 105 104

HSL 0.85, 0.31%, 0.55%

LAB 52.08, 27.88, 12.57

 

CMYK 41 / 0 / 41 / 31

HEX #68AF68

RGB 104 175 104

HSL 120, 0.31%, 0.55%

LAB 65.44, -37.04, 29.57

 

CMYK 41 / 41 / 0 / 31

HEX #6868AF

RGB 104 104 175

HSL 240, 0.31%, 0.55%

LAB 46.89, 18.13, -37.91

 

CMYK 0 / 40 / 41 / 31

HEX #AF6968

RGB 175 105 104

HSL 0.85, 0.31%, 0.55%

LAB 52.08, 27.88, 12.57

 

CMYK 8 / 0 / 41 / 31

HEX #A1AF68

RGB 161 175 104

HSL 71.83, 0.31%, 0.55%

LAB 68.92, -16.31, 34.74

 

CMYK 41 / 0 / 0 / 31

HEX #68AFAF

RGB 104 175 175

HSL 180, 0.31%, 0.55%

LAB 67.05, -22.23, -7.02

 

CMYK 33 / 41 / 0 / 31

HEX #7668AF

RGB 118 104 175

HSL 251.83, 0.31%, 0.55%

LAB 48.07, 22.03, -35.99

 

CMYK 0 / 40 / 41 / 31

HEX #AF6968

RGB 175 105 104

HSL 0.85, 0.31%, 0.55%

LAB 52.08, 27.88, 12.57

 

CMYK 20 / 0 / 41 / 31

HEX #8CAF68

RGB 140 175 104

HSL 89.58, 0.31%, 0.55%

LAB 67.45, -24.49, 32.57

 

CMYK 41 / 0 / 0 / 31

HEX #68AFAF

RGB 104 175 175

HSL 180, 0.31%, 0.55%

LAB 67.05, -22.23, -7.02

 

CMYK 20 / 41 / 0 / 31

HEX #8C68AF

RGB 140 104 175

HSL 270.42, 0.31%, 0.55%

LAB 50.18, 28.57, -32.52

 

Description

Color code: HEX #AF6968 | qconv.com Color code: HEX #AF6968 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 105 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 105 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 41 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 41% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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