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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF6331 it is the complementary color #509CCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF6331. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF6331 shade: #B4632C, #C5753F, #D68752, #E79965 and #F8AB78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF6331. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF6331 shade: #AF6331, #9E511E, #8D3F0B, #7C2D00 and #6B1B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF6331 shade: #AF6331, #AF4131 and #AF3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF6331 shade: #AF6331, #AF8531, #AFA731, #95AF31 and #73AF31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF6331 shade matches the following richer shades: #AF6331, #C15F1F and #D35B0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF6331 shade: #AF6331, #9C6643, #8A6A55, #786E67 and #667279

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF6331 shade: #AF3144, #AF4031, #AF6131, #AF8331 and #AFA431

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF6331 shade: #6E3E1F, #8E5028, #AF6331, #C97640 and #D28D60

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF6331 shade: #AF6331, #65AF31 and #3133AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF6331 shade: #AF6331, #31AF61 and #6131AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF6331 shade: #AF6331, #65AF31, #317EAF and #7A31AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF6331 shade: #AF6331, #40AF31, #317EAF and #A031AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 72 / 31

HEX #AF6331

RGB 175 99 49

HSL 23.81, 0.56%, 0.44%

LAB 49.81, 26.54, 40.74

 

Complementary color

CMYK 61 / 24 / 0 / 19

HEX #509CCE

RGB 80 156 206

HSL 203.81, 0.56%, 0.56%

LAB 61.6, -8.52, -32.67

 

CMYK 0 / 45 / 76 / 29

HEX #B4632C

RGB 180 99 44

HSL 24.26, 0.61%, 0.44%

LAB 50.46, 28.4, 44.13

 

CMYK 0 / 41 / 68 / 23

HEX #C5753F

RGB 197 117 63

HSL 24.18, 0.54%, 0.51%

LAB 57.03, 26.73, 42.41

 

CMYK 0 / 37 / 62 / 16

HEX #D68752

RGB 214 135 82

HSL 24.09, 0.62%, 0.58%

LAB 63.54, 25.25, 40.7

 

CMYK 0 / 34 / 56 / 9

HEX #E79965

RGB 231 153 101

HSL 24, 0.73%, 0.65%

LAB 69.97, 23.96, 39.06

 

CMYK 0 / 31 / 52 / 3

HEX #F8AB78

RGB 248 171 120

HSL 23.91, 0.9%, 0.72%

LAB 76.34, 22.81, 37.53

 

CMYK 0 / 43 / 72 / 31

HEX #AF6331

RGB 175 99 49

HSL 23.81, 0.56%, 0.44%

LAB 49.81, 26.54, 40.74

 

CMYK 0 / 49 / 81 / 38

HEX #9E511E

RGB 158 81 30

HSL 23.91, 0.68%, 0.37%

LAB 43.13, 28.35, 42.4

 

CMYK 0 / 55 / 92 / 45

HEX #8D3F0B

RGB 141 63 11

HSL 24, 0.86%, 0.3%

LAB 36.45, 30.38, 43.3

 

CMYK 0 / 64 / 100 / 51

HEX #7C2D00

RGB 124 45 0

HSL 21.77, 1%, 0.24%

LAB 29.82, 32.5, 41.37

 

CMYK 0 / 75 / 100 / 58

HEX #6B1B00

RGB 107 27 0

HSL 15.14, 1%, 0.21%

LAB 23.37, 34.3, 34.37

 

CMYK 0 / 43 / 72 / 31

HEX #AF6331

RGB 175 99 49

HSL 23.81, 0.56%, 0.44%

LAB 49.81, 26.54, 40.74

 

CMYK 0 / 63 / 72 / 31

HEX #AF4131

RGB 175 65 49

HSL 7.62, 0.56%, 0.44%

LAB 42.94, 43.96, 33.11

 

CMYK 0 / 72 / 72 / 31

HEX #AF3131

RGB 175 49 49

HSL 0, 0.56%, 0.44%

LAB 40.46, 50.67, 30.24

 

CMYK 0 / 43 / 72 / 31

HEX #AF6331

RGB 175 99 49

HSL 23.81, 0.56%, 0.44%

LAB 49.81, 26.54, 40.74

 

CMYK 0 / 24 / 72 / 31

HEX #AF8531

RGB 175 133 49

HSL 40, 0.56%, 0.44%

LAB 58.14, 7.56, 49.5

 

CMYK 0 / 5 / 72 / 31

HEX #AFA731

RGB 175 167 49

HSL 56.19, 0.56%, 0.44%

LAB 67.26, -10.84, 58.57

 

CMYK 15 / 0 / 72 / 31

HEX #95AF31

RGB 149 175 49

HSL 72.38, 0.56%, 0.44%

LAB 67.48, -26.03, 58.09

 

CMYK 34 / 0 / 72 / 31

HEX #73AF31

RGB 115 175 49

HSL 88.57, 0.56%, 0.44%

LAB 65.38, -39.4, 55.3

 

CMYK 0 / 43 / 72 / 31

HEX #AF6331

RGB 175 99 49

HSL 23.81, 0.56%, 0.44%

LAB 49.81, 26.54, 40.74

 

CMYK 0 / 51 / 84 / 24

HEX #C15F1F

RGB 193 95 31

HSL 23.7, 0.72%, 0.44%

LAB 51.41, 35.41, 51.46

 

CMYK 0 / 57 / 94 / 17

HEX #D35B0D

RGB 211 91 13

HSL 23.64, 0.88%, 0.44%

LAB 53.34, 44.09, 59.92

 

CMYK 0 / 43 / 72 / 31

HEX #AF6331

RGB 175 99 49

HSL 23.81, 0.56%, 0.44%

LAB 49.81, 26.54, 40.74

 

CMYK 0 / 35 / 57 / 39

HEX #9C6643

RGB 156 102 67

HSL 23.6, 0.4%, 0.44%

LAB 48.23, 17.92, 28.54

 

CMYK 0 / 23 / 38 / 46

HEX #8A6A55

RGB 138 106 85

HSL 23.77, 0.24%, 0.44%

LAB 47.45, 9.72, 16.7

 

CMYK 0 / 8 / 14 / 53

HEX #786E67

RGB 120 110 103

HSL 24.71, 0.08%, 0.44%

LAB 47.14, 2.6, 5.3

 

CMYK 16 / 6 / 0 / 53

HEX #667279

RGB 102 114 121

HSL 202.11, 0.09%, 0.44%

LAB 47.29, -2.9, -5.39

 

CMYK 0 / 72 / 61 / 31

HEX #AF3144

RGB 175 49 68

HSL 350.95, 0.56%, 0.44%

LAB 40.78, 51.76, 18.99

 

CMYK 0 / 63 / 72 / 31

HEX #AF4031

RGB 175 64 49

HSL 7.14, 0.56%, 0.44%

LAB 42.77, 44.42, 32.91

 

CMYK 0 / 45 / 72 / 31

HEX #AF6131

RGB 175 97 49

HSL 22.86, 0.56%, 0.44%

LAB 49.36, 27.63, 40.25

 

CMYK 0 / 25 / 72 / 31

HEX #AF8331

RGB 175 131 49

HSL 39.05, 0.56%, 0.44%

LAB 57.63, 8.68, 48.97

 

CMYK 0 / 6 / 72 / 31

HEX #AFA431

RGB 175 164 49

HSL 54.76, 0.56%, 0.44%

LAB 66.43, -9.27, 57.76

 

CMYK 0 / 44 / 72 / 57

HEX #6E3E1F

RGB 110 62 31

HSL 23.54, 0.56%, 0.28%

LAB 31.48, 18.05, 27.58

 

CMYK 0 / 44 / 72 / 44

HEX #8E5028

RGB 142 80 40

HSL 23.53, 0.56%, 0.36%

LAB 40.64, 22.45, 34.09

 

CMYK 0 / 43 / 72 / 31

HEX #AF6331

RGB 175 99 49

HSL 23.81, 0.56%, 0.44%

LAB 49.81, 26.54, 40.74

 

CMYK 0 / 41 / 68 / 21

HEX #C97640

RGB 201 118 64

HSL 23.65, 0.56%, 0.52%

LAB 57.79, 27.91, 42.91

 

CMYK 0 / 33 / 54 / 18

HEX #D28D60

RGB 210 141 96

HSL 23.68, 0.56%, 0.6%

LAB 64.64, 21.45, 34.52

 

CMYK 0 / 43 / 72 / 31

HEX #AF6331

RGB 175 99 49

HSL 23.81, 0.56%, 0.44%

LAB 49.81, 26.54, 40.74

 

CMYK 42 / 0 / 72 / 31

HEX #65AF31

RGB 101 175 49

HSL 95.24, 0.56%, 0.44%

LAB 64.68, -44.3, 54.37

 

CMYK 72 / 71 / 0 / 31

HEX #3133AF

RGB 49 51 175

HSL 239.05, 0.56%, 0.44%

LAB 29.7, 40.52, -65.86

 

CMYK 0 / 43 / 72 / 31

HEX #AF6331

RGB 175 99 49

HSL 23.81, 0.56%, 0.44%

LAB 49.81, 26.54, 40.74

 

CMYK 72 / 0 / 45 / 31

HEX #31AF61

RGB 49 175 97

HSL 142.86, 0.56%, 0.44%

LAB 63.49, -51.53, 30.35

 

CMYK 45 / 72 / 0 / 31

HEX #6131AF

RGB 97 49 175

HSL 262.86, 0.56%, 0.44%

LAB 33.63, 48.64, -59.25

 

CMYK 0 / 43 / 72 / 31

HEX #AF6331

RGB 175 99 49

HSL 23.81, 0.56%, 0.44%

LAB 49.81, 26.54, 40.74

 

CMYK 42 / 0 / 72 / 31

HEX #65AF31

RGB 101 175 49

HSL 95.24, 0.56%, 0.44%

LAB 64.68, -44.3, 54.37

 

CMYK 72 / 28 / 0 / 31

HEX #317EAF

RGB 49 126 175

HSL 203.33, 0.56%, 0.44%

LAB 50.3, -7.04, -32.76

 

CMYK 30 / 72 / 0 / 31

HEX #7A31AF

RGB 122 49 175

HSL 274.76, 0.56%, 0.44%

LAB 36.8, 53.37, -53.96

 

CMYK 0 / 43 / 72 / 31

HEX #AF6331

RGB 175 99 49

HSL 23.81, 0.56%, 0.44%

LAB 49.81, 26.54, 40.74

 

CMYK 63 / 0 / 72 / 31

HEX #40AF31

RGB 64 175 49

HSL 112.86, 0.56%, 0.44%

LAB 63.32, -54.77, 52.55

 

CMYK 72 / 28 / 0 / 31

HEX #317EAF

RGB 49 126 175

HSL 203.33, 0.56%, 0.44%

LAB 50.3, -7.04, -32.76

 

CMYK 9 / 72 / 0 / 31

HEX #A031AF

RGB 160 49 175

HSL 292.86, 0.56%, 0.44%

LAB 42.41, 61.32, -44.64

 

Description

Color code: HEX #AF6331 | qconv.com Color code: HEX #AF6331 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 99 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 99 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 72 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 72% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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