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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF63D2 it is the complementary color #509C2D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF63D2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF63D2 shade: #B463CD, #C575E0, #D687F3, #E799FF and #F8ABFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF63D2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF63D2 shade: #AF63D2, #9E51BF, #8D3FAC, #7C2D99 and #6B1B86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF63D2 shade: #AF64D2, #CD64D2, #D264B9, #D2649C and #D2647E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF63D2 shade: #AF64D2, #9264D2, #7464D2 and #6464D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF63D2 shade matches the following richer shades: #AF64D2, #B554E2 and #BB44F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF63D2 shade: #AF64D2, #A974C2, #A385B2, #9D95A1 and #97A591

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF63D2 shade: #7564D2, #9264D2, #AF64D2, #CC64D2 and #D264BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF63D2 shade: #8933B1, #9F44C8, #AF64D2, #C084DB and #D0A4E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF63D2 shade: #AF63D2, #D26471 and #64D283

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF63D2 shade: #AF63D2, #D2AF64 and #64D2AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF63D2 shade: #AF63D2, #D26471, #87D264 and #64D2C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF63D2 shade: #AF63D2, #D27864, #87D264 and #64BED2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 53 / 0 / 18

HEX #AF63D2

RGB 175 99 210

HSL 281.08, 0.55%, 0.61%

LAB 54.75, 49.18, -45.17

 

Complementary color

CMYK 49 / 0 / 71 / 39

HEX #509C2D

RGB 80 156 45

HSL 101.08, 0.55%, 0.39%

LAB 57.72, -43.61, 48.5

 

CMYK 12 / 52 / 0 / 20

HEX #B463CD

RGB 180 99 205

HSL 285.85, 0.51%, 0.6%

LAB 55.11, 49.49, -41.73

 

CMYK 12 / 48 / 0 / 12

HEX #C575E0

RGB 197 117 224

HSL 284.86, 0.63%, 0.67%

LAB 61.63, 48.74, -42.03

 

CMYK 12 / 44 / 0 / 5

HEX #D687F3

RGB 214 135 243

HSL 283.89, 0.82%, 0.74%

LAB 68.09, 47.98, -42.28

 

CMYK 9 / 40 / 0 / 0

HEX #E799FF

RGB 231 153 255

HSL 285.88, 1%, 0.8%

LAB 74.18, 45.83, -39.17

 

CMYK 3 / 33 / 0 / 0

HEX #F8ABFF

RGB 248 171 255

HSL 295, 1%, 0.84%

LAB 79.79, 41.49, -30.36

 

CMYK 17 / 53 / 0 / 18

HEX #AF63D2

RGB 175 99 210

HSL 281.08, 0.55%, 0.61%

LAB 54.75, 49.18, -45.17

 

CMYK 17 / 58 / 0 / 25

HEX #9E51BF

RGB 158 81 191

HSL 282, 0.46%, 0.53%

LAB 48.15, 49.9, -44.88

 

CMYK 18 / 63 / 0 / 33

HEX #8D3FAC

RGB 141 63 172

HSL 282.94, 0.46%, 0.46%

LAB 41.53, 50.47, -44.44

 

CMYK 19 / 71 / 0 / 40

HEX #7C2D99

RGB 124 45 153

HSL 283.89, 0.55%, 0.39%

LAB 34.93, 50.69, -43.74

 

CMYK 20 / 80 / 0 / 47

HEX #6B1B86

RGB 107 27 134

HSL 284.86, 0.66%, 0.32%

LAB 28.46, 50.22, -42.58

 

CMYK 17 / 52 / 0 / 18

HEX #AF64D2

RGB 175 100 210

HSL 280.91, 0.55%, 0.61%

LAB 54.95, 48.66, -44.86

 

CMYK 2 / 52 / 0 / 18

HEX #CD64D2

RGB 205 100 210

HSL 297.27, 0.55%, 0.61%

LAB 58.74, 56.76, -38.63

 

CMYK 0 / 52 / 12 / 18

HEX #D264B9

RGB 210 100 185

HSL 313.64, 0.55%, 0.61%

LAB 58.34, 53.93, -24.97

 

CMYK 0 / 52 / 26 / 18

HEX #D2649C

RGB 210 100 156

HSL 329.45, 0.55%, 0.61%

LAB 57.29, 49.64, -9.81

 

CMYK 0 / 52 / 40 / 18

HEX #D2647E

RGB 210 100 126

HSL 345.82, 0.55%, 0.61%

LAB 56.41, 45.94, 6.44

 

CMYK 17 / 52 / 0 / 18

HEX #AF64D2

RGB 175 100 210

HSL 280.91, 0.55%, 0.61%

LAB 54.95, 48.66, -44.86

 

CMYK 30 / 52 / 0 / 18

HEX #9264D2

RGB 146 100 210

HSL 265.09, 0.55%, 0.61%

LAB 51.7, 41.06, -50.23

 

CMYK 45 / 52 / 0 / 18

HEX #7464D2

RGB 116 100 210

HSL 248.73, 0.55%, 0.61%

LAB 48.86, 33.77, -54.93

 

CMYK 52 / 52 / 0 / 18

HEX #6464D2

RGB 100 100 210

HSL 240, 0.55%, 0.61%

LAB 47.59, 30.28, -57.03

 

CMYK 17 / 52 / 0 / 18

HEX #AF64D2

RGB 175 100 210

HSL 280.91, 0.55%, 0.61%

LAB 54.95, 48.66, -44.86

 

CMYK 20 / 63 / 0 / 11

HEX #B554E2

RGB 181 84 226

HSL 280.99, 0.71%, 0.61%

LAB 53.66, 61.35, -55.93

 

CMYK 23 / 72 / 0 / 5

HEX #BB44F2

RGB 187 68 242

HSL 281.03, 0.87%, 0.61%

LAB 53.07, 72.52, -65.82

 

CMYK 17 / 52 / 0 / 18

HEX #AF64D2

RGB 175 100 210

HSL 280.91, 0.55%, 0.61%

LAB 54.95, 48.66, -44.86

 

CMYK 13 / 40 / 0 / 24

HEX #A974C2

RGB 169 116 194

HSL 280.77, 0.39%, 0.61%

LAB 56.9, 34.86, -32.74

 

CMYK 8 / 25 / 0 / 30

HEX #A385B2

RGB 163 133 178

HSL 280, 0.23%, 0.61%

LAB 59.69, 19.88, -19.38

 

CMYK 2 / 7 / 0 / 37

HEX #9D95A1

RGB 157 149 161

HSL 280, 0.06%, 0.61%

LAB 62.71, 5.24, -5.25

 

CMYK 8 / 0 / 12 / 35

HEX #97A591

RGB 151 165 145

HSL 102, 0.1%, 0.61%

LAB 66.16, -8.76, 8.69

 

CMYK 44 / 52 / 0 / 18

HEX #7564D2

RGB 117 100 210

HSL 249.27, 0.55%, 0.61%

LAB 48.94, 34, -54.79

 

CMYK 30 / 52 / 0 / 18

HEX #9264D2

RGB 146 100 210

HSL 265.09, 0.55%, 0.61%

LAB 51.7, 41.06, -50.23

 

CMYK 17 / 52 / 0 / 18

HEX #AF64D2

RGB 175 100 210

HSL 280.91, 0.55%, 0.61%

LAB 54.95, 48.66, -44.86

 

CMYK 3 / 52 / 0 / 18

HEX #CC64D2

RGB 204 100 210

HSL 296.73, 0.55%, 0.61%

LAB 58.61, 56.49, -38.85

 

CMYK 0 / 52 / 11 / 18

HEX #D264BA

RGB 210 100 186

HSL 313.09, 0.55%, 0.61%

LAB 58.38, 54.09, -25.48

 

CMYK 23 / 71 / 0 / 31

HEX #8933B1

RGB 137 51 177

HSL 280.95, 0.55%, 0.45%

LAB 39.34, 56.02, -50.93

 

CMYK 21 / 66 / 0 / 22

HEX #9F44C8

RGB 159 68 200

HSL 281.36, 0.55%, 0.53%

LAB 46.55, 58.24, -52.65

 

CMYK 17 / 52 / 0 / 18

HEX #AF64D2

RGB 175 100 210

HSL 280.91, 0.55%, 0.61%

LAB 54.95, 48.66, -44.86

 

CMYK 12 / 40 / 0 / 14

HEX #C084DB

RGB 192 132 219

HSL 281.38, 0.55%, 0.69%

LAB 64.02, 38.26, -35.55

 

CMYK 9 / 28 / 0 / 11

HEX #D0A4E4

RGB 208 164 228

HSL 281.25, 0.54%, 0.77%

LAB 73.26, 27.55, -26.11

 

CMYK 17 / 53 / 0 / 18

HEX #AF63D2

RGB 175 99 210

HSL 281.08, 0.55%, 0.61%

LAB 54.75, 49.18, -45.17

 

CMYK 0 / 52 / 46 / 18

HEX #D26471

RGB 210 100 113

HSL 352.91, 0.55%, 0.61%

LAB 56.1, 44.58, 13.61

 

CMYK 52 / 0 / 38 / 18

HEX #64D283

RGB 100 210 131

HSL 136.91, 0.55%, 0.61%

LAB 76.34, -48.74, 29.79

 

CMYK 17 / 53 / 0 / 18

HEX #AF63D2

RGB 175 99 210

HSL 281.08, 0.55%, 0.61%

LAB 54.75, 49.18, -45.17

 

CMYK 0 / 17 / 52 / 18

HEX #D2AF64

RGB 210 175 100

HSL 40.91, 0.55%, 0.61%

LAB 73.08, 3.45, 42.87

 

CMYK 52 / 0 / 17 / 18

HEX #64D2AF

RGB 100 210 175

HSL 160.91, 0.55%, 0.61%

LAB 77.22, -39.91, 7.8

 

CMYK 17 / 53 / 0 / 18

HEX #AF63D2

RGB 175 99 210

HSL 281.08, 0.55%, 0.61%

LAB 54.75, 49.18, -45.17

 

CMYK 0 / 52 / 46 / 18

HEX #D26471

RGB 210 100 113

HSL 352.91, 0.55%, 0.61%

LAB 56.1, 44.58, 13.61

 

CMYK 36 / 0 / 52 / 18

HEX #87D264

RGB 135 210 100

HSL 100.91, 0.55%, 0.61%

LAB 77.38, -42.96, 46.81

 

CMYK 52 / 0 / 6 / 18

HEX #64D2C5

RGB 100 210 197

HSL 172.91, 0.55%, 0.61%

LAB 77.78, -34.64, -3.19

 

CMYK 17 / 53 / 0 / 18

HEX #AF63D2

RGB 175 99 210

HSL 281.08, 0.55%, 0.61%

LAB 54.75, 49.18, -45.17

 

CMYK 0 / 43 / 52 / 18

HEX #D27864

RGB 210 120 100

HSL 10.91, 0.55%, 0.61%

LAB 59.94, 33.08, 26.28

 

CMYK 36 / 0 / 52 / 18

HEX #87D264

RGB 135 210 100

HSL 100.91, 0.55%, 0.61%

LAB 77.38, -42.96, 46.81

 

CMYK 52 / 10 / 0 / 18

HEX #64BED2

RGB 100 190 210

HSL 190.91, 0.55%, 0.61%

LAB 72.35, -21.43, -18.32

 

Description

Color code: HEX #AF63D2 | qconv.com Color code: HEX #AF63D2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 99 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 99 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 53 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 53% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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