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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF7663 it is the complementary color #50899C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF7663. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF7663 shade: #B4765E, #C58871, #D69A84, #E7AC97 and #F8BEAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF7663. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF7663 shade: #AF7663, #9E6450, #8D523D, #7C402A and #6B2E17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF7663 shade: #AF7664 and #AF6464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF7663 shade: #AF7664, #AF8B64, #AF9F64, #AAAF64 and #96AF64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF7663 shade matches the following richer shades: #AF7664, #C26D51, #D5633E, #E85A2B and #FB5018

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF7663 shade: #AF7664, #9C8077, #89898A, #76939D and #639CB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF7663 shade: #AF6479, #AF6465, #AF7664, #AF8A64 and #AF9E64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF7663 shade: #7F5141, #9A624F, #AF7664, #BD8E7F and #CBA69A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF7663 shade: #AF7663, #8DAF64 and #646FAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF7663 shade: #AF7663, #64AF76 and #7664AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF7663 shade: #AF7663, #8DAF64, #649CAF and #8564AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF7663 shade: #AF7663, #76AF64, #649CAF and #9C64AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 43 / 31

HEX #AF7663

RGB 175 118 99

HSL 15, 0.32%, 0.54%

LAB 55.04, 20.05, 19.55

 

Complementary color

CMYK 49 / 12 / 0 / 39

HEX #50899C

RGB 80 137 156

HSL 195, 0.32%, 0.46%

LAB 54.02, -13.35, -15.93

 

CMYK 0 / 34 / 48 / 29

HEX #B4765E

RGB 180 118 94

HSL 16.74, 0.36%, 0.54%

LAB 55.55, 21.57, 23.2

 

CMYK 0 / 31 / 43 / 23

HEX #C58871

RGB 197 136 113

HSL 16.43, 0.42%, 0.61%

LAB 62.23, 20.54, 21.74

 

CMYK 0 / 28 / 38 / 16

HEX #D69A84

RGB 214 154 132

HSL 16.1, 0.5%, 0.68%

LAB 68.8, 19.64, 20.44

 

CMYK 0 / 26 / 35 / 9

HEX #E7AC97

RGB 231 172 151

HSL 15.75, 0.63%, 0.75%

LAB 75.28, 18.84, 19.25

 

CMYK 0 / 23 / 31 / 3

HEX #F8BEAA

RGB 248 190 170

HSL 15.38, 0.85%, 0.82%

LAB 81.67, 18.13, 18.15

 

CMYK 0 / 33 / 43 / 31

HEX #AF7663

RGB 175 118 99

HSL 15, 0.32%, 0.54%

LAB 55.04, 20.05, 19.55

 

CMYK 0 / 37 / 49 / 38

HEX #9E6450

RGB 158 100 80

HSL 15.38, 0.33%, 0.47%

LAB 48.21, 21.14, 21.07

 

CMYK 0 / 42 / 57 / 45

HEX #8D523D

RGB 141 82 61

HSL 15.75, 0.4%, 0.4%

LAB 41.27, 22.41, 22.82

 

CMYK 0 / 48 / 66 / 51

HEX #7C402A

RGB 124 64 42

HSL 16.1, 0.49%, 0.33%

LAB 34.23, 23.89, 24.88

 

CMYK 0 / 57 / 79 / 58

HEX #6B2E17

RGB 107 46 23

HSL 16.43, 0.65%, 0.25%

LAB 27.13, 25.59, 27.25

 

CMYK 0 / 33 / 43 / 31

HEX #AF7664

RGB 175 118 100

HSL 14.4, 0.32%, 0.54%

LAB 55.06, 20.16, 19

 

CMYK 0 / 43 / 43 / 31

HEX #AF6464

RGB 175 100 100

HSL 0, 0.32%, 0.54%

LAB 50.86, 30.18, 13.24

 

CMYK 0 / 33 / 43 / 31

HEX #AF7664

RGB 175 118 100

HSL 14.4, 0.32%, 0.54%

LAB 55.06, 20.16, 19

 

CMYK 0 / 21 / 43 / 31

HEX #AF8B64

RGB 175 139 100

HSL 31.2, 0.32%, 0.54%

LAB 60.34, 8.39, 26.04

 

CMYK 0 / 9 / 43 / 31

HEX #AF9F64

RGB 175 159 100

HSL 47.2, 0.32%, 0.54%

LAB 65.62, -2.6, 32.87

 

CMYK 3 / 0 / 43 / 31

HEX #AAAF64

RGB 170 175 100

HSL 64, 0.32%, 0.54%

LAB 69.56, -13.13, 37.75

 

CMYK 14 / 0 / 43 / 31

HEX #96AF64

RGB 150 175 100

HSL 80, 0.32%, 0.54%

LAB 68.07, -21.14, 35.56

 

CMYK 0 / 33 / 43 / 31

HEX #AF7664

RGB 175 118 100

HSL 14.4, 0.32%, 0.54%

LAB 55.06, 20.16, 19

 

CMYK 0 / 44 / 58 / 24

HEX #C26D51

RGB 194 109 81

HSL 14.87, 0.48%, 0.54%

LAB 55.07, 31.04, 30.29

 

CMYK 0 / 54 / 71 / 16

HEX #D5633E

RGB 213 99 62

HSL 14.7, 0.64%, 0.54%

LAB 55.5, 42.42, 41.84

 

CMYK 0 / 61 / 81 / 9

HEX #E85A2B

RGB 232 90 43

HSL 14.92, 0.8%, 0.54%

LAB 56.73, 52.83, 53.43

 

CMYK 0 / 68 / 90 / 2

HEX #FB5018

RGB 251 80 24

HSL 14.8, 0.97%, 0.54%

LAB 58.33, 62.89, 63.46

 

CMYK 0 / 33 / 43 / 31

HEX #AF7664

RGB 175 118 100

HSL 14.4, 0.32%, 0.54%

LAB 55.06, 20.16, 19

 

CMYK 0 / 18 / 24 / 39

HEX #9C8077

RGB 156 128 119

HSL 14.59, 0.16%, 0.54%

LAB 55.93, 9.3, 8.92

 

CMYK 1 / 1 / 0 / 46

HEX #89898A

RGB 137 137 138

HSL 240, 0%, 0.54%

LAB 57.12, 0.2, -0.54

 

CMYK 25 / 6 / 0 / 38

HEX #76939D

RGB 118 147 157

HSL 195.38, 0.17%, 0.54%

LAB 59.12, -7.79, -8.63

 

CMYK 44 / 11 / 0 / 31

HEX #639CB0

RGB 99 156 176

HSL 195.58, 0.33%, 0.54%

LAB 61.28, -13.28, -16.26

 

CMYK 0 / 43 / 31 / 31

HEX #AF6479

RGB 175 100 121

HSL 343.2, 0.32%, 0.54%

LAB 51.39, 32.79, 1.53

 

CMYK 0 / 43 / 42 / 31

HEX #AF6465

RGB 175 100 101

HSL 359.2, 0.32%, 0.54%

LAB 50.88, 30.29, 12.68

 

CMYK 0 / 33 / 43 / 31

HEX #AF7664

RGB 175 118 100

HSL 14.4, 0.32%, 0.54%

LAB 55.06, 20.16, 19

 

CMYK 0 / 21 / 43 / 31

HEX #AF8A64

RGB 175 138 100

HSL 30.4, 0.32%, 0.54%

LAB 60.08, 8.94, 25.7

 

CMYK 0 / 10 / 43 / 31

HEX #AF9E64

RGB 175 158 100

HSL 46.4, 0.32%, 0.54%

LAB 65.35, -2.06, 32.53

 

CMYK 0 / 36 / 49 / 50

HEX #7F5141

RGB 127 81 65

HSL 15.48, 0.32%, 0.38%

LAB 39.2, 17.32, 17.36

 

CMYK 0 / 36 / 49 / 40

HEX #9A624F

RGB 154 98 79

HSL 15.2, 0.32%, 0.46%

LAB 47.2, 20.49, 20.22

 

CMYK 0 / 33 / 43 / 31

HEX #AF7664

RGB 175 118 100

HSL 14.4, 0.32%, 0.54%

LAB 55.06, 20.16, 19

 

CMYK 0 / 25 / 33 / 26

HEX #BD8E7F

RGB 189 142 127

HSL 14.52, 0.32%, 0.62%

LAB 63.09, 15.72, 14.92

 

CMYK 0 / 18 / 24 / 20

HEX #CBA69A

RGB 203 166 154

HSL 14.69, 0.32%, 0.7%

LAB 71.08, 11.74, 11.31

 

CMYK 0 / 33 / 43 / 31

HEX #AF7663

RGB 175 118 99

HSL 15, 0.32%, 0.54%

LAB 55.04, 20.05, 19.55

 

CMYK 19 / 0 / 43 / 31

HEX #8DAF64

RGB 141 175 100

HSL 87.2, 0.32%, 0.54%

LAB 67.46, -24.63, 34.67

 

CMYK 43 / 37 / 0 / 31

HEX #646FAF

RGB 100 111 175

HSL 231.2, 0.32%, 0.54%

LAB 48.48, 12.77, -35.44

 

CMYK 0 / 33 / 43 / 31

HEX #AF7663

RGB 175 118 99

HSL 15, 0.32%, 0.54%

LAB 55.04, 20.05, 19.55

 

CMYK 43 / 0 / 33 / 31

HEX #64AF76

RGB 100 175 118

HSL 134.4, 0.32%, 0.54%

LAB 65.5, -35.88, 22.14

 

CMYK 33 / 43 / 0 / 31

HEX #7664AF

RGB 118 100 175

HSL 254.4, 0.32%, 0.54%

LAB 47.05, 24.45, -37.58

 

CMYK 0 / 33 / 43 / 31

HEX #AF7663

RGB 175 118 99

HSL 15, 0.32%, 0.54%

LAB 55.04, 20.05, 19.55

 

CMYK 19 / 0 / 43 / 31

HEX #8DAF64

RGB 141 175 100

HSL 87.2, 0.32%, 0.54%

LAB 67.46, -24.63, 34.67

 

CMYK 43 / 11 / 0 / 31

HEX #649CAF

RGB 100 156 175

HSL 195.2, 0.32%, 0.54%

LAB 61.29, -13.3, -15.67

 

CMYK 24 / 43 / 0 / 31

HEX #8564AF

RGB 133 100 175

HSL 266.4, 0.32%, 0.54%

LAB 48.51, 28.8, -35.2

 

CMYK 0 / 33 / 43 / 31

HEX #AF7663

RGB 175 118 99

HSL 15, 0.32%, 0.54%

LAB 55.04, 20.05, 19.55

 

CMYK 33 / 0 / 43 / 31

HEX #76AF64

RGB 118 175 100

HSL 105.6, 0.32%, 0.54%

LAB 66.08, -33.02, 32.63

 

CMYK 43 / 11 / 0 / 31

HEX #649CAF

RGB 100 156 175

HSL 195.2, 0.32%, 0.54%

LAB 61.29, -13.3, -15.67

 

CMYK 11 / 43 / 0 / 31

HEX #9C64AF

RGB 156 100 175

HSL 284.8, 0.32%, 0.54%

LAB 51.01, 35.76, -31.09

 

Description

Color code: HEX #AF7663 | qconv.com Color code: HEX #AF7663 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 118 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 118 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 43 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 43% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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