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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF7743 it is the complementary color #5088BC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF7743. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF7743 shade: #B4773E, #C58951, #D69B64, #E7AD77 and #F8BF8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF7743. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF7743 shade: #AF7743, #9E6530, #8D531D, #7C410A and #6B2F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF7743 shade: #AD7541, #AD5841 and #AD4141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF7743 shade: #AD7541, #AD9241, #ABAD41, #8EAD41 and #71AD41

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF7743 shade matches the following richer shades: #AD7541, #C1752E, #D4741B and #E77307

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF7743 shade: #AD7541, #9A7655, #867768, #73787C and #60788F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF7743 shade: #AD4149, #AD5741, #AD7441, #AD9141 and #ADAD41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF7743 shade: #714D2B, #8F6136, #AD7541, #C08A58 and #CB9F76

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF7743 shade: #AF7743, #65AD41 and #4941AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF7743 shade: #AF7743, #41AD74 and #7441AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF7743 shade: #AF7743, #65AD41, #417BAD and #8941AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF7743 shade: #AF7743, #45AD41, #417BAD and #AA41AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 62 / 31

HEX #AF7743

RGB 175 119 67

HSL 28.89, 0.45%, 0.47%

LAB 54.78, 16.52, 37.02

 

Complementary color

CMYK 57 / 28 / 0 / 26

HEX #5088BC

RGB 80 136 188

HSL 208.89, 0.45%, 0.53%

LAB 55.02, -2.92, -32.77

 

CMYK 0 / 34 / 66 / 29

HEX #B4773E

RGB 180 119 62

HSL 28.98, 0.49%, 0.47%

LAB 55.32, 18.34, 40.41

 

CMYK 0 / 30 / 59 / 23

HEX #C58951

RGB 197 137 81

HSL 28.97, 0.5%, 0.55%

LAB 61.96, 17, 38.84

 

CMYK 0 / 28 / 53 / 16

HEX #D69B64

RGB 214 155 100

HSL 28.95, 0.58%, 0.62%

LAB 68.5, 15.85, 37.33

 

CMYK 0 / 25 / 48 / 9

HEX #E7AD77

RGB 231 173 119

HSL 28.93, 0.7%, 0.69%

LAB 74.96, 14.85, 35.91

 

CMYK 0 / 23 / 44 / 3

HEX #F8BF8A

RGB 248 191 138

HSL 28.91, 0.89%, 0.76%

LAB 81.32, 13.98, 34.57

 

CMYK 0 / 32 / 62 / 31

HEX #AF7743

RGB 175 119 67

HSL 28.89, 0.45%, 0.47%

LAB 54.78, 16.52, 37.02

 

CMYK 0 / 36 / 70 / 38

HEX #9E6530

RGB 158 101 48

HSL 28.91, 0.53%, 0.4%

LAB 47.99, 17.99, 38.62

 

CMYK 0 / 41 / 79 / 45

HEX #8D531D

RGB 141 83 29

HSL 28.93, 0.66%, 0.33%

LAB 41.12, 19.73, 40.06

 

CMYK 0 / 48 / 92 / 51

HEX #7C410A

RGB 124 65 10

HSL 28.95, 0.85%, 0.26%

LAB 34.16, 21.82, 40.69

 

CMYK 0 / 56 / 100 / 58

HEX #6B2F00

RGB 107 47 0

HSL 26.36, 1%, 0.21%

LAB 27.18, 24.25, 37.96

 

CMYK 0 / 32 / 62 / 32

HEX #AD7541

RGB 173 117 65

HSL 28.89, 0.45%, 0.47%

LAB 54.01, 16.63, 37.12

 

CMYK 0 / 49 / 62 / 32

HEX #AD5841

RGB 173 88 65

HSL 12.78, 0.45%, 0.47%

LAB 47.29, 32.67, 29.03

 

CMYK 0 / 62 / 62 / 32

HEX #AD4141

RGB 173 65 65

HSL 0, 0.45%, 0.47%

LAB 42.83, 44.19, 23.43

 

CMYK 0 / 32 / 62 / 32

HEX #AD7541

RGB 173 117 65

HSL 28.89, 0.45%, 0.47%

LAB 54.01, 16.63, 37.12

 

CMYK 0 / 16 / 62 / 32

HEX #AD9241

RGB 173 146 65

HSL 45, 0.45%, 0.47%

LAB 61.5, 0.47, 45.68

 

CMYK 1 / 0 / 62 / 32

HEX #ABAD41

RGB 171 173 65

HSL 61.11, 0.45%, 0.47%

LAB 68.7, -14.75, 53.48

 

CMYK 18 / 0 / 62 / 32

HEX #8EAD41

RGB 142 173 65

HSL 77.22, 0.45%, 0.47%

LAB 66.53, -26.85, 50.51

 

CMYK 35 / 0 / 62 / 32

HEX #71AD41

RGB 113 173 65

HSL 93.33, 0.45%, 0.47%

LAB 64.79, -37.97, 48.09

 

CMYK 0 / 32 / 62 / 32

HEX #AD7541

RGB 173 117 65

HSL 28.89, 0.45%, 0.47%

LAB 54.01, 16.63, 37.12

 

CMYK 0 / 39 / 76 / 24

HEX #C1752E

RGB 193 117 46

HSL 28.98, 0.62%, 0.47%

LAB 56.34, 24.18, 49.71

 

CMYK 0 / 45 / 87 / 17

HEX #D4741B

RGB 212 116 27

HSL 28.86, 0.77%, 0.47%

LAB 58.57, 32.09, 59.97

 

CMYK 0 / 50 / 97 / 9

HEX #E77307

RGB 231 115 7

HSL 28.93, 0.94%, 0.47%

LAB 61.02, 39.98, 67.5

 

CMYK 0 / 32 / 62 / 32

HEX #AD7541

RGB 173 117 65

HSL 28.89, 0.45%, 0.47%

LAB 54.01, 16.63, 37.12

 

CMYK 0 / 23 / 45 / 40

HEX #9A7655

RGB 154 118 85

HSL 28.7, 0.29%, 0.47%

LAB 52.38, 9.65, 23.58

 

CMYK 0 / 11 / 22 / 47

HEX #867768

RGB 134 119 104

HSL 30, 0.13%, 0.47%

LAB 50.99, 3.22, 10.37

 

CMYK 7 / 3 / 0 / 51

HEX #73787C

RGB 115 120 124

HSL 206.67, 0.04%, 0.47%

LAB 50.14, -1.03, -2.84

 

CMYK 33 / 16 / 0 / 44

HEX #60788F

RGB 96 120 143

HSL 209.36, 0.2%, 0.47%

LAB 49.38, -2.89, -15.32

 

CMYK 0 / 62 / 58 / 32

HEX #AD4149

RGB 173 65 73

HSL 355.56, 0.45%, 0.47%

LAB 42.98, 44.77, 18.74

 

CMYK 0 / 50 / 62 / 32

HEX #AD5741

RGB 173 87 65

HSL 12.22, 0.45%, 0.47%

LAB 47.08, 33.2, 28.77

 

CMYK 0 / 33 / 62 / 32

HEX #AD7441

RGB 173 116 65

HSL 28.33, 0.45%, 0.47%

LAB 53.77, 17.2, 36.83

 

CMYK 0 / 16 / 62 / 32

HEX #AD9141

RGB 173 145 65

HSL 44.44, 0.45%, 0.47%

LAB 61.23, 1.02, 45.38

 

CMYK 0 / 0 / 62 / 32

HEX #ADAD41

RGB 173 173 65

HSL 60, 0.45%, 0.47%

LAB 68.86, -13.9, 53.7

 

CMYK 0 / 32 / 62 / 56

HEX #714D2B

RGB 113 77 43

HSL 29.14, 0.45%, 0.31%

LAB 35.97, 11.24, 26.02

 

CMYK 0 / 32 / 62 / 44

HEX #8F6136

RGB 143 97 54

HSL 28.99, 0.45%, 0.39%

LAB 45.16, 14, 31.69

 

CMYK 0 / 32 / 62 / 32

HEX #AD7541

RGB 173 117 65

HSL 28.89, 0.45%, 0.47%

LAB 54.01, 16.63, 37.12

 

CMYK 0 / 28 / 54 / 25

HEX #C08A58

RGB 192 138 88

HSL 28.85, 0.45%, 0.55%

LAB 61.73, 14.91, 34.73

 

CMYK 0 / 22 / 42 / 20

HEX #CB9F76

RGB 203 159 118

HSL 28.94, 0.45%, 0.63%

LAB 68.61, 10.93, 27.62

 

CMYK 0 / 32 / 62 / 31

HEX #AF7743

RGB 175 119 67

HSL 28.89, 0.45%, 0.47%

LAB 54.78, 16.52, 37.02

 

CMYK 42 / 0 / 62 / 32

HEX #65AD41

RGB 101 173 65

HSL 100, 0.45%, 0.47%

LAB 64.19, -42.11, 47.26

 

CMYK 58 / 62 / 0 / 32

HEX #4941AD

RGB 73 65 173

HSL 244.44, 0.45%, 0.47%

LAB 34.43, 34.74, -56.87

 

CMYK 0 / 32 / 62 / 31

HEX #AF7743

RGB 175 119 67

HSL 28.89, 0.45%, 0.47%

LAB 54.78, 16.52, 37.02

 

CMYK 62 / 0 / 33 / 32

HEX #41AD74

RGB 65 173 116

HSL 148.33, 0.45%, 0.47%

LAB 63.57, -44.2, 20.39

 

CMYK 33 / 62 / 0 / 32

HEX #7441AD

RGB 116 65 173

HSL 268.33, 0.45%, 0.47%

LAB 38.74, 43.72, -49.67

 

CMYK 0 / 32 / 62 / 31

HEX #AF7743

RGB 175 119 67

HSL 28.89, 0.45%, 0.47%

LAB 54.78, 16.52, 37.02

 

CMYK 42 / 0 / 62 / 32

HEX #65AD41

RGB 101 173 65

HSL 100, 0.45%, 0.47%

LAB 64.19, -42.11, 47.26

 

CMYK 62 / 29 / 0 / 32

HEX #417BAD

RGB 65 123 173

HSL 207.78, 0.45%, 0.47%

LAB 49.87, -3.27, -32.24

 

CMYK 21 / 62 / 0 / 32

HEX #8941AD

RGB 137 65 173

HSL 280, 0.45%, 0.47%

LAB 41.4, 48.74, -45.26

 

CMYK 0 / 32 / 62 / 31

HEX #AF7743

RGB 175 119 67

HSL 28.89, 0.45%, 0.47%

LAB 54.78, 16.52, 37.02

 

CMYK 60 / 0 / 62 / 32

HEX #45AD41

RGB 69 173 65

HSL 117.78, 0.45%, 0.47%

LAB 62.96, -51.34, 45.53

 

CMYK 62 / 29 / 0 / 32

HEX #417BAD

RGB 65 123 173

HSL 207.78, 0.45%, 0.47%

LAB 49.87, -3.27, -32.24

 

CMYK 2 / 62 / 0 / 32

HEX #AA41AD

RGB 170 65 173

HSL 298.33, 0.45%, 0.47%

LAB 46.1, 56.94, -37.5

 

Description

Color code: HEX #AF7743 | qconv.com Color code: HEX #AF7743 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 119 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 119 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 62 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 62% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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