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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF783F it is the complementary color #5087C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF783F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF783F shade: #B4783A, #C58A4D, #D69C60, #E7AE73 and #F8C086

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF783F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF783F shade: #AF783F, #9E662C, #8D5419, #7C4206 and #6B3000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF783F shade: #B0783F, #B05A3F and #B03F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF783F shade: #B0783F, #B0973F, #AAB03F, #8CB03F and #6DB03F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF783F shade matches the following richer shades: #B0783F, #C3792C, #D67918 and #EA7905

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF783F shade: #B0783F, #9C7852, #897866, #767779 and #62778D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF783F shade: #B03F43, #B0593F, #B0773F, #B0953F and #ACB03F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF783F shade: #734F29, #916434, #B0783F, #C28D56 and #CDA174

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF783F shade: #AF783F, #61B03F and #4A3FB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF783F shade: #AF783F, #3FB077 and #773FB0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF783F shade: #AF783F, #61B03F, #3F77B0 and #8E3FB0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF783F shade: #AF783F, #3FB03F, #3F77B0 and #B03FB0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 64 / 31

HEX #AF783F

RGB 175 120 63

HSL 30.54, 0.47%, 0.47%

LAB 54.98, 15.68, 39.34

 

Complementary color

CMYK 58 / 30 / 0 / 25

HEX #5087C0

RGB 80 135 192

HSL 210.54, 0.47%, 0.53%

LAB 54.91, -1.04, -35.22

 

CMYK 0 / 33 / 68 / 29

HEX #B4783A

RGB 180 120 58

HSL 30.49, 0.51%, 0.47%

LAB 55.52, 17.53, 42.66

 

CMYK 0 / 30 / 61 / 23

HEX #C58A4D

RGB 197 138 77

HSL 30.5, 0.51%, 0.54%

LAB 62.15, 16.15, 41.15

 

CMYK 0 / 27 / 55 / 16

HEX #D69C60

RGB 214 156 96

HSL 30.51, 0.59%, 0.61%

LAB 68.69, 14.97, 39.65

 

CMYK 0 / 25 / 50 / 9

HEX #E7AE73

RGB 231 174 115

HSL 30.52, 0.71%, 0.68%

LAB 75.14, 13.95, 38.23

 

CMYK 0 / 23 / 46 / 3

HEX #F8C086

RGB 248 192 134

HSL 30.53, 0.89%, 0.75%

LAB 81.5, 13.06, 36.88

 

CMYK 0 / 31 / 64 / 31

HEX #AF783F

RGB 175 120 63

HSL 30.54, 0.47%, 0.47%

LAB 54.98, 15.68, 39.34

 

CMYK 0 / 35 / 72 / 38

HEX #9E662C

RGB 158 102 44

HSL 30.53, 0.56%, 0.4%

LAB 48.2, 17.19, 40.85

 

CMYK 0 / 40 / 82 / 45

HEX #8D5419

RGB 141 84 25

HSL 30.52, 0.7%, 0.33%

LAB 41.33, 18.99, 42.04

 

CMYK 0 / 47 / 95 / 51

HEX #7C4206

RGB 124 66 6

HSL 30.51, 0.91%, 0.25%

LAB 34.39, 21.15, 42.22

 

CMYK 0 / 55 / 100 / 58

HEX #6B3000

RGB 107 48 0

HSL 26.92, 1%, 0.21%

LAB 27.41, 23.68, 38.16

 

CMYK 0 / 32 / 64 / 31

HEX #B0783F

RGB 176 120 63

HSL 30.27, 0.47%, 0.47%

LAB 55.09, 16.11, 39.51

 

CMYK 0 / 49 / 64 / 31

HEX #B05A3F

RGB 176 90 63

HSL 14.34, 0.47%, 0.47%

LAB 48.14, 32.66, 31.3

 

CMYK 0 / 64 / 64 / 31

HEX #B03F3F

RGB 176 63 63

HSL 0, 0.47%, 0.47%

LAB 42.98, 46.02, 24.93

 

CMYK 0 / 32 / 64 / 31

HEX #B0783F

RGB 176 120 63

HSL 30.27, 0.47%, 0.47%

LAB 55.09, 16.11, 39.51

 

CMYK 0 / 14 / 64 / 31

HEX #B0973F

RGB 176 151 63

HSL 46.73, 0.47%, 0.47%

LAB 63.11, -1.07, 48.48

 

CMYK 3 / 0 / 64 / 31

HEX #AAB03F

RGB 170 176 63

HSL 63.19, 0.47%, 0.47%

LAB 69.44, -16.84, 55.08

 

CMYK 20 / 0 / 64 / 31

HEX #8CB03F

RGB 140 176 63

HSL 79.12, 0.47%, 0.47%

LAB 67.27, -29.26, 52.12

 

CMYK 38 / 0 / 64 / 31

HEX #6DB03F

RGB 109 176 63

HSL 95.58, 0.47%, 0.47%

LAB 65.48, -40.87, 49.67

 

CMYK 0 / 32 / 64 / 31

HEX #B0783F

RGB 176 120 63

HSL 30.27, 0.47%, 0.47%

LAB 55.09, 16.11, 39.51

 

CMYK 0 / 38 / 77 / 24

HEX #C3792C

RGB 195 121 44

HSL 30.6, 0.63%, 0.47%

LAB 57.52, 22.77, 51.83

 

CMYK 0 / 43 / 89 / 16

HEX #D67918

RGB 214 121 24

HSL 30.63, 0.8%, 0.47%

LAB 59.92, 30.22, 62.03

 

CMYK 0 / 48 / 98 / 8

HEX #EA7905

RGB 234 121 5

HSL 30.39, 0.96%, 0.47%

LAB 62.66, 38.12, 69.07

 

CMYK 0 / 32 / 64 / 31

HEX #B0783F

RGB 176 120 63

HSL 30.27, 0.47%, 0.47%

LAB 55.09, 16.11, 39.51

 

CMYK 0 / 23 / 47 / 39

HEX #9C7852

RGB 156 120 82

HSL 30.81, 0.31%, 0.47%

LAB 53.07, 9.05, 26.22

 

CMYK 0 / 12 / 26 / 46

HEX #897866

RGB 137 120 102

HSL 30.86, 0.15%, 0.47%

LAB 51.51, 3.56, 12.3

 

CMYK 2 / 2 / 0 / 53

HEX #767779

RGB 118 119 121

HSL 220, 0.01%, 0.47%

LAB 50.01, 0.03, -1.23

 

CMYK 30 / 16 / 0 / 45

HEX #62778D

RGB 98 119 141

HSL 210.7, 0.18%, 0.47%

LAB 49.15, -2.21, -14.48

 

CMYK 0 / 64 / 62 / 31

HEX #B03F43

RGB 176 63 67

HSL 357.88, 0.47%, 0.47%

LAB 43.05, 46.28, 22.59

 

CMYK 0 / 49 / 64 / 31

HEX #B0593F

RGB 176 89 63

HSL 13.81, 0.47%, 0.47%

LAB 47.92, 33.2, 31.04

 

CMYK 0 / 32 / 64 / 31

HEX #B0773F

RGB 176 119 63

HSL 29.73, 0.47%, 0.47%

LAB 54.85, 16.67, 39.23

 

CMYK 0 / 15 / 64 / 31

HEX #B0953F

RGB 176 149 63

HSL 45.66, 0.47%, 0.47%

LAB 62.58, 0.02, 47.89

 

CMYK 2 / 0 / 64 / 31

HEX #ACB03F

RGB 172 176 63

HSL 62.12, 0.47%, 0.47%

LAB 69.6, -15.99, 55.3

 

CMYK 0 / 31 / 64 / 55

HEX #734F29

RGB 115 79 41

HSL 30.81, 0.47%, 0.31%

LAB 36.74, 10.8, 28.13

 

CMYK 0 / 31 / 64 / 43

HEX #916434

RGB 145 100 52

HSL 30.97, 0.47%, 0.39%

LAB 46.15, 13, 34

 

CMYK 0 / 32 / 64 / 31

HEX #B0783F

RGB 176 120 63

HSL 30.27, 0.47%, 0.47%

LAB 55.09, 16.11, 39.51

 

CMYK 0 / 27 / 56 / 24

HEX #C28D56

RGB 194 141 86

HSL 30.56, 0.47%, 0.55%

LAB 62.67, 13.93, 37

 

CMYK 0 / 21 / 43 / 20

HEX #CDA174

RGB 205 161 116

HSL 30.34, 0.47%, 0.63%

LAB 69.28, 10.45, 29.62

 

CMYK 0 / 31 / 64 / 31

HEX #AF783F

RGB 175 120 63

HSL 30.54, 0.47%, 0.47%

LAB 54.98, 15.68, 39.34

 

CMYK 45 / 0 / 64 / 31

HEX #61B03F

RGB 97 176 63

HSL 101.95, 0.47%, 0.47%

LAB 64.92, -44.86, 48.9

 

CMYK 58 / 64 / 0 / 31

HEX #4A3FB0

RGB 74 63 176

HSL 245.84, 0.47%, 0.47%

LAB 34.28, 37.11, -58.88

 

CMYK 0 / 31 / 64 / 31

HEX #AF783F

RGB 175 120 63

HSL 30.54, 0.47%, 0.47%

LAB 54.98, 15.68, 39.34

 

CMYK 64 / 0 / 32 / 31

HEX #3FB077

RGB 63 176 119

HSL 149.73, 0.47%, 0.47%

LAB 64.52, -45.23, 20.04

 

CMYK 32 / 64 / 0 / 31

HEX #773FB0

RGB 119 63 176

HSL 269.73, 0.47%, 0.47%

LAB 38.92, 46.22, -51.15

 

CMYK 0 / 31 / 64 / 31

HEX #AF783F

RGB 175 120 63

HSL 30.54, 0.47%, 0.47%

LAB 54.98, 15.68, 39.34

 

CMYK 45 / 0 / 64 / 31

HEX #61B03F

RGB 97 176 63

HSL 101.95, 0.47%, 0.47%

LAB 64.92, -44.86, 48.9

 

CMYK 64 / 32 / 0 / 31

HEX #3F77B0

RGB 63 119 176

HSL 210.27, 0.47%, 0.47%

LAB 48.74, -0.23, -35.75

 

CMYK 19 / 64 / 0 / 31

HEX #8E3FB0

RGB 142 63 176

HSL 281.95, 0.47%, 0.47%

LAB 41.91, 51.56, -46.19

 

CMYK 0 / 31 / 64 / 31

HEX #AF783F

RGB 175 120 63

HSL 30.54, 0.47%, 0.47%

LAB 54.98, 15.68, 39.34

 

CMYK 64 / 0 / 64 / 31

HEX #3FB03F

RGB 63 176 63

HSL 120, 0.47%, 0.47%

LAB 63.73, -54.03, 47.24

 

CMYK 64 / 32 / 0 / 31

HEX #3F77B0

RGB 63 119 176

HSL 210.27, 0.47%, 0.47%

LAB 48.74, -0.23, -35.75

 

CMYK 0 / 64 / 0 / 31

HEX #B03FB0

RGB 176 63 176

HSL 300, 0.47%, 0.47%

LAB 46.87, 59.79, -37.99

 

Description

Color code: HEX #AF783F | qconv.com Color code: HEX #AF783F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 120 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 120 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 64 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 64% 31% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

32% - Jubin Confiseur
Link: http://jubin-confiseur.ch

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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