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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF7845 it is the complementary color #5087BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF7845. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF7845 shade: #B47840, #C58A53, #D69C66, #E7AE79 and #F8C08C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF7845. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF7845 shade: #AF7845, #9E6632, #8D541F, #7C420C and #6B3000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF7845 shade: #AF7845, #AF5C45 and #AF4545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF7845 shade: #AF7845, #AF9445, #ACAF45, #90AF45 and #74AF45

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF7845 shade matches the following richer shades: #AF7845, #C27731, #D6761E and #EA760A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF7845 shade: #AF7845, #9B7959, #87796D, #737A81 and #5F7B94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF7845 shade: #AF454C, #AF5A45, #AF7645, #AF9245 and #AFAF45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF7845 shade: #744F2E, #91643A, #AF7845, #BF8D5E and #CAA27C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF7845 shade: #AF7845, #68AF45 and #4C45AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF7845 shade: #AF7845, #45AF76 and #7645AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF7845 shade: #AF7845, #68AF45, #457DAF and #8B45AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF7845 shade: #AF7845, #49AF45, #457DAF and #AB45AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 61 / 31

HEX #AF7845

RGB 175 120 69

HSL 28.87, 0.43%, 0.48%

LAB 55.05, 16.11, 36.28

 

Complementary color

CMYK 57 / 27 / 0 / 27

HEX #5087BA

RGB 80 135 186

HSL 208.87, 0.43%, 0.52%

LAB 54.64, -2.99, -32.22

 

CMYK 0 / 33 / 64 / 29

HEX #B47840

RGB 180 120 64

HSL 28.97, 0.48%, 0.48%

LAB 55.59, 17.92, 39.69

 

CMYK 0 / 30 / 58 / 23

HEX #C58A53

RGB 197 138 83

HSL 28.95, 0.5%, 0.55%

LAB 62.23, 16.61, 38.12

 

CMYK 0 / 27 / 52 / 16

HEX #D69C66

RGB 214 156 102

HSL 28.93, 0.58%, 0.62%

LAB 68.77, 15.49, 36.62

 

CMYK 0 / 25 / 48 / 9

HEX #E7AE79

RGB 231 174 121

HSL 28.91, 0.7%, 0.69%

LAB 75.23, 14.51, 35.21

 

CMYK 0 / 23 / 44 / 3

HEX #F8C08C

RGB 248 192 140

HSL 28.89, 0.89%, 0.76%

LAB 81.59, 13.66, 33.89

 

CMYK 0 / 31 / 61 / 31

HEX #AF7845

RGB 175 120 69

HSL 28.87, 0.43%, 0.48%

LAB 55.05, 16.11, 36.28

 

CMYK 0 / 35 / 68 / 38

HEX #9E6632

RGB 158 102 50

HSL 28.89, 0.52%, 0.41%

LAB 48.26, 17.54, 37.89

 

CMYK 0 / 40 / 78 / 45

HEX #8D541F

RGB 141 84 31

HSL 28.91, 0.64%, 0.34%

LAB 41.38, 19.24, 39.38

 

CMYK 0 / 47 / 90 / 51

HEX #7C420C

RGB 124 66 12

HSL 28.93, 0.82%, 0.27%

LAB 34.41, 21.29, 40.2

 

CMYK 0 / 55 / 100 / 58

HEX #6B3000

RGB 107 48 0

HSL 26.92, 1%, 0.21%

LAB 27.41, 23.68, 38.16

 

CMYK 0 / 31 / 61 / 31

HEX #AF7845

RGB 175 120 69

HSL 28.87, 0.43%, 0.48%

LAB 55.05, 16.11, 36.28

 

CMYK 0 / 47 / 61 / 31

HEX #AF5C45

RGB 175 92 69

HSL 13.02, 0.43%, 0.48%

LAB 48.51, 31.62, 28.3

 

CMYK 0 / 61 / 61 / 31

HEX #AF4545

RGB 175 69 69

HSL 0, 0.43%, 0.48%

LAB 43.94, 43.32, 22.5

 

CMYK 0 / 31 / 61 / 31

HEX #AF7845

RGB 175 120 69

HSL 28.87, 0.43%, 0.48%

LAB 55.05, 16.11, 36.28

 

CMYK 0 / 15 / 61 / 31

HEX #AF9445

RGB 175 148 69

HSL 44.72, 0.43%, 0.48%

LAB 62.27, 0.54, 44.68

 

CMYK 2 / 0 / 61 / 31

HEX #ACAF45

RGB 172 175 69

HSL 61.7, 0.43%, 0.48%

LAB 69.37, -15.08, 52.48

 

CMYK 18 / 0 / 61 / 31

HEX #90AF45

RGB 144 175 69

HSL 77.55, 0.43%, 0.48%

LAB 67.29, -26.69, 49.6

 

CMYK 34 / 0 / 61 / 31

HEX #74AF45

RGB 116 175 69

HSL 93.4, 0.43%, 0.48%

LAB 65.59, -37.41, 47.24

 

CMYK 0 / 31 / 61 / 31

HEX #AF7845

RGB 175 120 69

HSL 28.87, 0.43%, 0.48%

LAB 55.05, 16.11, 36.28

 

CMYK 0 / 39 / 75 / 24

HEX #C27731

RGB 194 119 49

HSL 28.97, 0.6%, 0.48%

LAB 56.96, 23.65, 49.02

 

CMYK 0 / 45 / 86 / 16

HEX #D6761E

RGB 214 118 30

HSL 28.7, 0.75%, 0.48%

LAB 59.29, 31.93, 59.7

 

CMYK 0 / 50 / 96 / 8

HEX #EA760A

RGB 234 118 10

HSL 28.93, 0.92%, 0.48%

LAB 62.06, 39.68, 67.9

 

CMYK 0 / 31 / 61 / 31

HEX #AF7845

RGB 175 120 69

HSL 28.87, 0.43%, 0.48%

LAB 55.05, 16.11, 36.28

 

CMYK 0 / 22 / 43 / 39

HEX #9B7959

RGB 155 121 89

HSL 29.09, 0.27%, 0.48%

LAB 53.35, 8.82, 22.6

 

CMYK 0 / 10 / 19 / 47

HEX #87796D

RGB 135 121 109

HSL 27.69, 0.11%, 0.48%

LAB 51.76, 3.29, 8.54

 

CMYK 11 / 5 / 0 / 49

HEX #737A81

RGB 115 122 129

HSL 210, 0.06%, 0.48%

LAB 50.86, -1.1, -4.72

 

CMYK 36 / 17 / 0 / 42

HEX #5F7B94

RGB 95 123 148

HSL 208.3, 0.22%, 0.48%

LAB 50.38, -3.59, -16.74

 

CMYK 0 / 61 / 57 / 31

HEX #AF454C

RGB 175 69 76

HSL 356.04, 0.43%, 0.48%

LAB 44.08, 43.85, 18.42

 

CMYK 0 / 49 / 61 / 31

HEX #AF5A45

RGB 175 90 69

HSL 11.89, 0.43%, 0.48%

LAB 48.08, 32.69, 27.76

 

CMYK 0 / 33 / 61 / 31

HEX #AF7645

RGB 175 118 69

HSL 27.74, 0.43%, 0.48%

LAB 54.55, 17.23, 35.69

 

CMYK 0 / 17 / 61 / 31

HEX #AF9245

RGB 175 146 69

HSL 43.58, 0.43%, 0.48%

LAB 61.74, 1.64, 44.07

 

CMYK 0 / 0 / 61 / 31

HEX #AFAF45

RGB 175 175 69

HSL 60, 0.43%, 0.48%

LAB 69.61, -13.8, 52.82

 

CMYK 0 / 32 / 60 / 55

HEX #744F2E

RGB 116 79 46

HSL 28.29, 0.43%, 0.32%

LAB 36.93, 11.69, 25.53

 

CMYK 0 / 31 / 60 / 43

HEX #91643A

RGB 145 100 58

HSL 28.97, 0.43%, 0.4%

LAB 46.23, 13.47, 30.82

 

CMYK 0 / 31 / 61 / 31

HEX #AF7845

RGB 175 120 69

HSL 28.87, 0.43%, 0.48%

LAB 55.05, 16.11, 36.28

 

CMYK 0 / 26 / 51 / 25

HEX #BF8D5E

RGB 191 141 94

HSL 29.07, 0.43%, 0.56%

LAB 62.45, 13.38, 32.38

 

CMYK 0 / 20 / 39 / 21

HEX #CAA27C

RGB 202 162 124

HSL 29.23, 0.42%, 0.64%

LAB 69.36, 9.58, 25.36

 

CMYK 0 / 31 / 61 / 31

HEX #AF7845

RGB 175 120 69

HSL 28.87, 0.43%, 0.48%

LAB 55.05, 16.11, 36.28

 

CMYK 41 / 0 / 61 / 31

HEX #68AF45

RGB 104 175 69

HSL 100.19, 0.43%, 0.48%

LAB 64.99, -41.57, 46.39

 

CMYK 57 / 61 / 0 / 31

HEX #4C45AF

RGB 76 69 175

HSL 243.96, 0.43%, 0.48%

LAB 35.77, 33.46, -55.87

 

CMYK 0 / 31 / 61 / 31

HEX #AF7845

RGB 175 120 69

HSL 28.87, 0.43%, 0.48%

LAB 55.05, 16.11, 36.28

 

CMYK 61 / 0 / 33 / 31

HEX #45AF76

RGB 69 175 118

HSL 147.74, 0.43%, 0.48%

LAB 64.35, -43.8, 20.39

 

CMYK 33 / 61 / 0 / 31

HEX #7645AF

RGB 118 69 175

HSL 267.74, 0.43%, 0.48%

LAB 39.92, 42.53, -48.95

 

CMYK 0 / 31 / 61 / 31

HEX #AF7845

RGB 175 120 69

HSL 28.87, 0.43%, 0.48%

LAB 55.05, 16.11, 36.28

 

CMYK 41 / 0 / 61 / 31

HEX #68AF45

RGB 104 175 69

HSL 100.19, 0.43%, 0.48%

LAB 64.99, -41.57, 46.39

 

CMYK 61 / 29 / 0 / 31

HEX #457DAF

RGB 69 125 175

HSL 208.3, 0.43%, 0.48%

LAB 50.72, -3, -32.05

 

CMYK 21 / 61 / 0 / 31

HEX #8B45AF

RGB 139 69 175

HSL 279.62, 0.43%, 0.48%

LAB 42.52, 47.67, -44.64

 

CMYK 0 / 31 / 61 / 31

HEX #AF7845

RGB 175 120 69

HSL 28.87, 0.43%, 0.48%

LAB 55.05, 16.11, 36.28

 

CMYK 58 / 0 / 61 / 31

HEX #49AF45

RGB 73 175 69

HSL 117.74, 0.43%, 0.48%

LAB 63.76, -50.66, 44.66

 

CMYK 61 / 29 / 0 / 31

HEX #457DAF

RGB 69 125 175

HSL 208.3, 0.43%, 0.48%

LAB 50.72, -3, -32.05

 

CMYK 2 / 61 / 0 / 31

HEX #AB45AF

RGB 171 69 175

HSL 297.74, 0.43%, 0.48%

LAB 46.99, 55.81, -37.27

 

Description

Color code: HEX #AF7845 | qconv.com Color code: HEX #AF7845 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 120 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 120 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 61 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 61% 31% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

16% - Floor Sanding Perth....
Link: http://www.bettafloorsperth.com.au

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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