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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF7107 it is the complementary color #508EF8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF7107. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF7107 shade: #B47102, #C58315, #D69528, #E7A73B and #F8B94E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF7107. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF7107 shade: #AF7107, #9E5F00, #8D4D00, #7C3B00 and #6B2900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF7107 shade: #B07107, #B04407, #B01607 and #B00707

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF7107 shade: #B07107, #B09F07, #93B007, #65B007 and #38B007

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF7107 shade matches the following richer shades: #B07107

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF7107 shade: #B07107, #A16E16, #926A25, #836633 and #746242

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF7107 shade: #B01507, #B04207, #B06F07, #B09C07 and #96B007

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF7107 shade: #613E04, #885805, #B07107, #D78B08 and #F5A214

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF7107 shade: #AF7107, #26B007 and #2B07B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF7107 shade: #AF7107, #07B06F and #6F07B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF7107 shade: #AF7107, #26B007, #0748B0 and #9107B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF7107 shade: #AF7107, #07B01B, #0748B0 and #B0079C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 96 / 31

HEX #AF7107

RGB 175 113 7

HSL 37.86, 0.92%, 0.36%

LAB 52.88, 17.45, 58.37

 

Complementary color

CMYK 68 / 43 / 0 / 3

HEX #508EF8

RGB 80 142 248

HSL 217.86, 0.92%, 0.64%

LAB 59.73, 13.71, -58.91

 

CMYK 0 / 37 / 99 / 29

HEX #B47102

RGB 180 113 2

HSL 37.42, 0.98%, 0.36%

LAB 53.51, 19.62, 60.07

 

CMYK 0 / 34 / 89 / 23

HEX #C58315

RGB 197 131 21

HSL 37.5, 0.81%, 0.43%

LAB 60.03, 17.48, 61.96

 

CMYK 0 / 30 / 81 / 16

HEX #D69528

RGB 214 149 40

HSL 37.59, 0.69%, 0.5%

LAB 66.48, 15.6, 62.48

 

CMYK 0 / 28 / 74 / 9

HEX #E7A73B

RGB 231 167 59

HSL 37.67, 0.78%, 0.57%

LAB 72.85, 13.97, 62.05

 

CMYK 0 / 25 / 69 / 3

HEX #F8B94E

RGB 248 185 78

HSL 37.76, 0.92%, 0.64%

LAB 79.16, 12.55, 61.15

 

CMYK 0 / 35 / 96 / 31

HEX #AF7107

RGB 175 113 7

HSL 37.86, 0.92%, 0.36%

LAB 52.88, 17.45, 58.37

 

CMYK 0 / 40 / 100 / 38

HEX #9E5F00

RGB 158 95 0

HSL 36.08, 1%, 0.31%

LAB 46.25, 19.84, 54.35

 

CMYK 0 / 45 / 100 / 45

HEX #8D4D00

RGB 141 77 0

HSL 32.77, 1%, 0.28%

LAB 39.53, 22.41, 48.9

 

CMYK 0 / 52 / 100 / 51

HEX #7C3B00

RGB 124 59 0

HSL 28.55, 1%, 0.24%

LAB 32.73, 25.02, 43.41

 

CMYK 0 / 62 / 100 / 58

HEX #6B2900

RGB 107 41 0

HSL 22.99, 1%, 0.21%

LAB 25.9, 27.55, 36.81

 

CMYK 0 / 36 / 96 / 31

HEX #B07107

RGB 176 113 7

HSL 37.63, 0.92%, 0.36%

LAB 53.01, 17.9, 58.52

 

CMYK 0 / 61 / 96 / 31

HEX #B04407

RGB 176 68 7

HSL 21.66, 0.92%, 0.36%

LAB 43.33, 41.71, 52.02

 

CMYK 0 / 88 / 96 / 31

HEX #B01607

RGB 176 22 7

HSL 5.33, 0.92%, 0.36%

LAB 37.52, 57.68, 48.57

 

CMYK 0 / 96 / 96 / 31

HEX #B00707

RGB 176 7 7

HSL 0, 0.92%, 0.36%

LAB 36.74, 59.91, 48.15

 

CMYK 0 / 36 / 96 / 31

HEX #B07107

RGB 176 113 7

HSL 37.63, 0.92%, 0.36%

LAB 53.01, 17.9, 58.52

 

CMYK 0 / 10 / 96 / 31

HEX #B09F07

RGB 176 159 7

HSL 53.96, 0.92%, 0.36%

LAB 65, -7.4, 67.21

 

CMYK 16 / 0 / 96 / 31

HEX #93B007

RGB 147 176 7

HSL 70.3, 0.92%, 0.36%

LAB 67.48, -28.73, 68.07

 

CMYK 43 / 0 / 96 / 31

HEX #65B007

RGB 101 176 7

HSL 86.63, 0.92%, 0.36%

LAB 64.83, -46.47, 64.86

 

CMYK 68 / 0 / 96 / 31

HEX #38B007

RGB 56 176 7

HSL 102.6, 0.92%, 0.36%

LAB 63.27, -58.88, 62.94

 

CMYK 0 / 36 / 96 / 31

HEX #B07107

RGB 176 113 7

HSL 37.63, 0.92%, 0.36%

LAB 53.01, 17.9, 58.52

 

CMYK 0 / 36 / 96 / 31

HEX #B07107

RGB 176 113 7

HSL 37.63, 0.92%, 0.36%

LAB 53.01, 17.9, 58.52

 

CMYK 0 / 32 / 86 / 37

HEX #A16E16

RGB 161 110 22

HSL 37.99, 0.76%, 0.36%

LAB 50.44, 13.09, 52.13

 

CMYK 0 / 27 / 75 / 43

HEX #926A25

RGB 146 106 37

HSL 37.98, 0.6%, 0.36%

LAB 47.69, 9.06, 43.15

 

CMYK 0 / 22 / 61 / 49

HEX #836633

RGB 131 102 51

HSL 38.25, 0.44%, 0.36%

LAB 45.04, 5.36, 32.82

 

CMYK 0 / 16 / 43 / 55

HEX #746242

RGB 116 98 66

HSL 38.4, 0.27%, 0.36%

LAB 42.52, 2.37, 20.89

 

CMYK 0 / 88 / 96 / 31

HEX #B01507

RGB 176 21 7

HSL 4.97, 0.92%, 0.36%

LAB 37.45, 57.87, 48.54

 

CMYK 0 / 63 / 96 / 31

HEX #B04207

RGB 176 66 7

HSL 20.95, 0.92%, 0.36%

LAB 42.98, 42.65, 51.8

 

CMYK 0 / 37 / 96 / 31

HEX #B06F07

RGB 176 111 7

HSL 36.92, 0.92%, 0.36%

LAB 52.52, 19.02, 58.18

 

CMYK 0 / 11 / 96 / 31

HEX #B09C07

RGB 176 156 7

HSL 52.9, 0.92%, 0.36%

LAB 64.18, -5.81, 66.61

 

CMYK 15 / 0 / 96 / 31

HEX #96B007

RGB 150 176 7

HSL 69.23, 0.92%, 0.36%

LAB 67.69, -27.47, 68.33

 

CMYK 0 / 36 / 96 / 62

HEX #613E04

RGB 97 62 4

HSL 37.42, 0.92%, 0.2%

LAB 29.4, 10.59, 37.53

 

CMYK 0 / 35 / 96 / 47

HEX #885805

RGB 136 88 5

HSL 38.02, 0.93%, 0.28%

LAB 41.57, 13.82, 48.48

 

CMYK 0 / 36 / 96 / 31

HEX #B07107

RGB 176 113 7

HSL 37.63, 0.92%, 0.36%

LAB 53.01, 17.9, 58.52

 

CMYK 0 / 35 / 96 / 16

HEX #D78B08

RGB 215 139 8

HSL 37.97, 0.93%, 0.44%

LAB 64.1, 20.79, 68.35

 

CMYK 0 / 34 / 92 / 4

HEX #F5A214

RGB 245 162 20

HSL 37.87, 0.92%, 0.52%

LAB 73.09, 21.5, 74.51

 

CMYK 0 / 35 / 96 / 31

HEX #AF7107

RGB 175 113 7

HSL 37.86, 0.92%, 0.36%

LAB 52.88, 17.45, 58.37

 

CMYK 78 / 0 / 96 / 31

HEX #26B007

RGB 38 176 7

HSL 108.99, 0.92%, 0.36%

LAB 62.91, -61.98, 62.5

 

CMYK 76 / 96 / 0 / 31

HEX #2B07B0

RGB 43 7 176

HSL 252.78, 0.92%, 0.36%

LAB 23, 59.02, -77.58

 

CMYK 0 / 35 / 96 / 31

HEX #AF7107

RGB 175 113 7

HSL 37.86, 0.92%, 0.36%

LAB 52.88, 17.45, 58.37

 

CMYK 96 / 0 / 37 / 31

HEX #07B06F

RGB 7 176 111

HSL 156.92, 0.92%, 0.36%

LAB 63.54, -53.19, 22.91

 

CMYK 37 / 96 / 0 / 31

HEX #6F07B0

RGB 111 7 176

HSL 276.92, 0.92%, 0.36%

LAB 31.03, 64.23, -64.03

 

CMYK 0 / 35 / 96 / 31

HEX #AF7107

RGB 175 113 7

HSL 37.86, 0.92%, 0.36%

LAB 52.88, 17.45, 58.37

 

CMYK 78 / 0 / 96 / 31

HEX #26B007

RGB 38 176 7

HSL 108.99, 0.92%, 0.36%

LAB 62.91, -61.98, 62.5

 

CMYK 96 / 59 / 0 / 31

HEX #0748B0

RGB 7 72 176

HSL 216.92, 0.92%, 0.36%

LAB 33.59, 24.16, -60.13

 

CMYK 18 / 96 / 0 / 31

HEX #9107B0

RGB 145 7 176

HSL 288.99, 0.92%, 0.36%

LAB 36.57, 68.76, -54.77

 

CMYK 0 / 35 / 96 / 31

HEX #AF7107

RGB 175 113 7

HSL 37.86, 0.92%, 0.36%

LAB 52.88, 17.45, 58.37

 

CMYK 96 / 0 / 85 / 31

HEX #07B01B

RGB 7 176 27

HSL 127.1, 0.92%, 0.36%

LAB 62.66, -64.05, 58.58

 

CMYK 96 / 59 / 0 / 31

HEX #0748B0

RGB 7 72 176

HSL 216.92, 0.92%, 0.36%

LAB 33.59, 24.16, -60.13

 

CMYK 0 / 96 / 11 / 31

HEX #B0079C

RGB 176 7 156

HSL 307.1, 0.92%, 0.36%

LAB 40.87, 70.83, -35.56

 

Description

Color code: HEX #AF7107 | qconv.com Color code: HEX #AF7107 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 113 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 113 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 96 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 96% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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