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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF7B96 it is the complementary color #508469. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF7B96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF7B96 shade: #B47B91, #C58DA4, #D69FB7, #E7B1CA and #F8C3DD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF7B96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF7B96 shade: #AF7B96, #9E6983, #8D5770, #7C455D and #6B334A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF7B96 shade: #AE7994, #AE7986 and #AE7979

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF7B96 shade: #AE7994, #AE79A3, #AB79AE, #9D79AE and #8E79AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF7B96 shade matches the following richer shades: #AE7994, #C06795, #D15696, #E24596 and #F33397

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF7B96 shade: #AE7994, #9D8A94, #8C9B93, #7AAD92 and #69BE92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF7B96 shade: #AB79AE, #AE79A3, #AE7995, #AE7987 and #AE7979

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF7B96 shade: #854F6B, #9F5F80, #AE7994, #BE92A9 and #CDACBD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF7B96 shade: #AF7B96, #AE9C79 and #79ABAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF7B96 shade: #AF7B96, #95AE79 and #7995AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF7B96 shade: #AF7B96, #AE9C79, #79AE92 and #798AAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF7B96 shade: #AF7B96, #AEAC79, #79AE92 and #797AAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 14 / 31

HEX #AF7B96

RGB 175 123 150

HSL 328.85, 0.25%, 0.58%

LAB 57.54, 24.45, -6.42

 

Complementary color

CMYK 39 / 0 / 20 / 48

HEX #508469

RGB 80 132 105

HSL 148.85, 0.25%, 0.42%

LAB 50.95, -23.85, 9.17

 

CMYK 0 / 32 / 19 / 29

HEX #B47B91

RGB 180 123 145

HSL 336.84, 0.28%, 0.59%

LAB 57.95, 25.46, -2.86

 

CMYK 0 / 28 / 17 / 23

HEX #C58DA4

RGB 197 141 164

HSL 335.36, 0.33%, 0.66%

LAB 64.64, 24.74, -3.65

 

CMYK 0 / 26 / 14 / 16

HEX #D69FB7

RGB 214 159 183

HSL 333.82, 0.4%, 0.73%

LAB 71.22, 24.08, -4.37

 

CMYK 0 / 23 / 13 / 9

HEX #E7B1CA

RGB 231 177 202

HSL 332.22, 0.53%, 0.8%

LAB 77.7, 23.47, -5.04

 

CMYK 0 / 21 / 11 / 3

HEX #F8C3DD

RGB 248 195 221

HSL 330.57, 0.79%, 0.87%

LAB 84.07, 22.91, -5.68

 

CMYK 0 / 30 / 14 / 31

HEX #AF7B96

RGB 175 123 150

HSL 328.85, 0.25%, 0.58%

LAB 57.54, 24.45, -6.42

 

CMYK 0 / 34 / 17 / 38

HEX #9E6983

RGB 158 105 131

HSL 330.57, 0.21%, 0.52%

LAB 50.7, 25.2, -5.67

 

CMYK 0 / 38 / 21 / 45

HEX #8D5770

RGB 141 87 112

HSL 332.22, 0.24%, 0.45%

LAB 43.73, 26.02, -4.83

 

CMYK 0 / 44 / 25 / 51

HEX #7C455D

RGB 124 69 93

HSL 333.82, 0.28%, 0.38%

LAB 36.62, 26.91, -3.83

 

CMYK 0 / 52 / 31 / 58

HEX #6B334A

RGB 107 51 74

HSL 335.36, 0.35%, 0.31%

LAB 29.38, 27.84, -2.58

 

CMYK 0 / 30 / 15 / 32

HEX #AE7994

RGB 174 121 148

HSL 329.43, 0.25%, 0.58%

LAB 56.89, 24.87, -6.24

 

CMYK 0 / 30 / 23 / 32

HEX #AE7986

RGB 174 121 134

HSL 345.28, 0.25%, 0.58%

LAB 56.48, 22.62, 1.28

 

CMYK 0 / 30 / 30 / 32

HEX #AE7979

RGB 174 121 121

HSL 0, 0.25%, 0.58%

LAB 56.14, 20.72, 8.34

 

CMYK 0 / 30 / 15 / 32

HEX #AE7994

RGB 174 121 148

HSL 329.43, 0.25%, 0.58%

LAB 56.89, 24.87, -6.24

 

CMYK 0 / 30 / 6 / 32

HEX #AE79A3

RGB 174 121 163

HSL 312.45, 0.25%, 0.58%

LAB 57.38, 27.51, -14.17

 

CMYK 2 / 30 / 0 / 32

HEX #AB79AE

RGB 171 121 174

HSL 296.6, 0.25%, 0.58%

LAB 57.45, 28.57, -20.43

 

CMYK 10 / 30 / 0 / 32

HEX #9D79AE

RGB 157 121 174

HSL 280.75, 0.25%, 0.58%

LAB 55.99, 23.91, -22.8

 

CMYK 18 / 30 / 0 / 32

HEX #8E79AE

RGB 142 121 174

HSL 263.77, 0.25%, 0.58%

LAB 54.53, 19.01, -25.16

 

CMYK 0 / 30 / 15 / 32

HEX #AE7994

RGB 174 121 148

HSL 329.43, 0.25%, 0.58%

LAB 56.89, 24.87, -6.24

 

CMYK 0 / 46 / 22 / 25

HEX #C06795

RGB 192 103 149

HSL 328.99, 0.41%, 0.58%

LAB 55.15, 41.2, -9.18

 

CMYK 0 / 59 / 28 / 18

HEX #D15696

RGB 209 86 150

HSL 328.78, 0.57%, 0.58%

LAB 54.46, 55.1, -10.55

 

CMYK 0 / 69 / 34 / 11

HEX #E24596

RGB 226 69 150

HSL 329.04, 0.73%, 0.58%

LAB 54.69, 66.86, -9.93

 

CMYK 0 / 79 / 38 / 5

HEX #F33397

RGB 243 51 151

HSL 328.75, 0.89%, 0.58%

LAB 55.74, 76.77, -8.64

 

CMYK 0 / 30 / 15 / 32

HEX #AE7994

RGB 174 121 148

HSL 329.43, 0.25%, 0.58%

LAB 56.89, 24.87, -6.24

 

CMYK 0 / 12 / 6 / 38

HEX #9D8A94

RGB 157 138 148

HSL 328.42, 0.09%, 0.58%

LAB 59.42, 8.95, -2.7

 

CMYK 10 / 0 / 5 / 39

HEX #8C9B93

RGB 140 155 147

HSL 148, 0.07%, 0.58%

LAB 62.61, -6.94, 2.37

 

CMYK 29 / 0 / 16 / 32

HEX #7AAD92

RGB 122 173 146

HSL 148.24, 0.24%, 0.58%

LAB 66.6, -22.7, 8.5

 

CMYK 45 / 0 / 23 / 25

HEX #69BE92

RGB 105 190 146

HSL 148.94, 0.4%, 0.58%

LAB 70.81, -35.91, 14.34

 

CMYK 2 / 30 / 0 / 32

HEX #AB79AE

RGB 171 121 174

HSL 296.6, 0.25%, 0.58%

LAB 57.45, 28.57, -20.43

 

CMYK 0 / 30 / 6 / 32

HEX #AE79A3

RGB 174 121 163

HSL 312.45, 0.25%, 0.58%

LAB 57.38, 27.51, -14.17

 

CMYK 0 / 30 / 14 / 32

HEX #AE7995

RGB 174 121 149

HSL 328.3, 0.25%, 0.58%

LAB 56.92, 25.04, -6.77

 

CMYK 0 / 30 / 22 / 32

HEX #AE7987

RGB 174 121 135

HSL 344.15, 0.25%, 0.58%

LAB 56.51, 22.77, 0.74

 

CMYK 0 / 30 / 30 / 32

HEX #AE7979

RGB 174 121 121

HSL 0, 0.25%, 0.58%

LAB 56.14, 20.72, 8.34

 

CMYK 0 / 41 / 20 / 48

HEX #854F6B

RGB 133 79 107

HSL 328.89, 0.25%, 0.42%

LAB 40.64, 26.81, -6.46

 

CMYK 0 / 40 / 19 / 38

HEX #9F5F80

RGB 159 95 128

HSL 329.06, 0.25%, 0.5%

LAB 48.4, 30.72, -7.29

 

CMYK 0 / 30 / 15 / 32

HEX #AE7994

RGB 174 121 148

HSL 329.43, 0.25%, 0.58%

LAB 56.89, 24.87, -6.24

 

CMYK 0 / 23 / 11 / 25

HEX #BE92A9

RGB 190 146 169

HSL 328.64, 0.25%, 0.66%

LAB 65.25, 20.28, -5.65

 

CMYK 0 / 16 / 8 / 20

HEX #CDACBD

RGB 205 172 189

HSL 329.09, 0.25%, 0.74%

LAB 73.65, 14.82, -4.2

 

CMYK 0 / 30 / 14 / 31

HEX #AF7B96

RGB 175 123 150

HSL 328.85, 0.25%, 0.58%

LAB 57.54, 24.45, -6.42

 

CMYK 0 / 10 / 30 / 32

HEX #AE9C79

RGB 174 156 121

HSL 39.62, 0.25%, 0.58%

LAB 65.09, 1.18, 20.77

 

CMYK 30 / 2 / 0 / 32

HEX #79ABAE

RGB 121 171 174

HSL 183.4, 0.25%, 0.58%

LAB 66.71, -15.73, -6.88

 

CMYK 0 / 30 / 14 / 31

HEX #AF7B96

RGB 175 123 150

HSL 328.85, 0.25%, 0.58%

LAB 57.54, 24.45, -6.42

 

CMYK 14 / 0 / 30 / 32

HEX #95AE79

RGB 149 174 121

HSL 88.3, 0.25%, 0.58%

LAB 68.05, -18.19, 24.44

 

CMYK 30 / 14 / 0 / 32

HEX #7995AE

RGB 121 149 174

HSL 208.3, 0.25%, 0.58%

LAB 60.44, -3.78, -16.27

 

CMYK 0 / 30 / 14 / 31

HEX #AF7B96

RGB 175 123 150

HSL 328.85, 0.25%, 0.58%

LAB 57.54, 24.45, -6.42

 

CMYK 0 / 10 / 30 / 32

HEX #AE9C79

RGB 174 156 121

HSL 39.62, 0.25%, 0.58%

LAB 65.09, 1.18, 20.77

 

CMYK 30 / 0 / 16 / 32

HEX #79AE92

RGB 121 174 146

HSL 148.3, 0.25%, 0.58%

LAB 66.83, -23.52, 8.83

 

CMYK 30 / 21 / 0 / 32

HEX #798AAE

RGB 121 138 174

HSL 220.75, 0.25%, 0.58%

LAB 57.36, 2.47, -20.96

 

CMYK 0 / 30 / 14 / 31

HEX #AF7B96

RGB 175 123 150

HSL 328.85, 0.25%, 0.58%

LAB 57.54, 24.45, -6.42

 

CMYK 0 / 1 / 30 / 32

HEX #AEAC79

RGB 174 172 121

HSL 57.74, 0.25%, 0.58%

LAB 69.39, -7.43, 26.56

 

CMYK 30 / 0 / 16 / 32

HEX #79AE92

RGB 121 174 146

HSL 148.3, 0.25%, 0.58%

LAB 66.83, -23.52, 8.83

 

CMYK 30 / 30 / 0 / 32

HEX #797AAE

RGB 121 122 174

HSL 238.87, 0.25%, 0.58%

LAB 52.99, 11.85, -27.69

 

Description

Color code: HEX #AF7B96 | qconv.com Color code: HEX #AF7B96 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 123 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 123 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 14 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 14% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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