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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF7E13 it is the complementary color #5081EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF7E13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF7E13 shade: #B47E0E, #C59021, #D6A234, #E7B447 and #F8C65A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF7E13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF7E13 shade: #AF7E13, #9E6C00, #8D5A00, #7C4800 and #6B3600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF7E13 shade: #AE7D13, #AE5313, #AE2A13 and #AE1313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF7E13 shade: #AE7D13, #AEA713, #8BAE13, #61AE13 and #37AE13

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF7E13 shade matches the following richer shades: #AE7D13 and #BE8303

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF7E13 shade: #AE7D13, #9E7723, #8F7232, #7F6C42 and #6F6652

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF7E13 shade: #AE2A13, #AE5313, #AE7D13, #AEA613 and #8CAE13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF7E13 shade: #64480B, #89620F, #AE7D13, #D39817 and #E7AC2C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF7E13 shade: #AF7E13, #25AE13 and #3F13AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF7E13 shade: #AF7E13, #13AE7D and #7D13AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF7E13 shade: #AF7E13, #25AE13, #1344AE and #9C13AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF7E13 shade: #AF7E13, #13AE2F, #1344AE and #AE1391

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 89 / 31

HEX #AF7E13

RGB 175 126 19

HSL 41.15, 0.8%, 0.38%

LAB 56.17, 10.38, 58.32

 

Complementary color

CMYK 66 / 45 / 0 / 7

HEX #5081EC

RGB 80 129 236

HSL 221.15, 0.8%, 0.62%

LAB 55.55, 17.43, -58.98

 

CMYK 0 / 30 / 92 / 29

HEX #B47E0E

RGB 180 126 14

HSL 40.48, 0.86%, 0.38%

LAB 56.74, 12.54, 60.14

 

CMYK 0 / 27 / 83 / 23

HEX #C59021

RGB 197 144 33

HSL 40.61, 0.71%, 0.45%

LAB 63.28, 10.66, 61.24

 

CMYK 0 / 24 / 76 / 16

HEX #D6A234

RGB 214 162 52

HSL 40.74, 0.66%, 0.52%

LAB 69.74, 9.04, 61.14

 

CMYK 0 / 22 / 69 / 9

HEX #E7B447

RGB 231 180 71

HSL 40.88, 0.77%, 0.59%

LAB 76.12, 7.66, 60.42

 

CMYK 0 / 20 / 64 / 3

HEX #F8C65A

RGB 248 198 90

HSL 41.01, 0.92%, 0.66%

LAB 82.42, 6.46, 59.4

 

CMYK 0 / 28 / 89 / 31

HEX #AF7E13

RGB 175 126 19

HSL 41.15, 0.8%, 0.38%

LAB 56.17, 10.38, 58.32

 

CMYK 0 / 32 / 100 / 38

HEX #9E6C00

RGB 158 108 0

HSL 41.01, 1%, 0.31%

LAB 49.49, 12.43, 56.47

 

CMYK 0 / 36 / 100 / 45

HEX #8D5A00

RGB 141 90 0

HSL 38.3, 1%, 0.28%

LAB 42.73, 14.9, 50.94

 

CMYK 0 / 42 / 100 / 51

HEX #7C4800

RGB 124 72 0

HSL 34.84, 1%, 0.24%

LAB 35.83, 17.49, 45.33

 

CMYK 0 / 50 / 100 / 58

HEX #6B3600

RGB 107 54 0

HSL 30.28, 1%, 0.21%

LAB 28.81, 20.19, 39.32

 

CMYK 0 / 28 / 89 / 32

HEX #AE7D13

RGB 174 125 19

HSL 41.03, 0.8%, 0.38%

LAB 55.8, 10.48, 57.98

 

CMYK 0 / 52 / 89 / 32

HEX #AE5313

RGB 174 83 19

HSL 24.77, 0.8%, 0.38%

LAB 45.95, 33.63, 50.22

 

CMYK 0 / 76 / 89 / 32

HEX #AE2A13

RGB 174 42 19

HSL 8.9, 0.8%, 0.38%

LAB 39.07, 51.86, 44.85

 

CMYK 0 / 89 / 89 / 32

HEX #AE1313

RGB 174 19 19

HSL 0, 0.8%, 0.38%

LAB 36.95, 57.86, 43.21

 

CMYK 0 / 28 / 89 / 32

HEX #AE7D13

RGB 174 125 19

HSL 41.03, 0.8%, 0.38%

LAB 55.8, 10.48, 57.98

 

CMYK 0 / 4 / 89 / 32

HEX #AEA713

RGB 174 167 19

HSL 57.29, 0.8%, 0.38%

LAB 67.04, -12.31, 66.88

 

CMYK 20 / 0 / 89 / 32

HEX #8BAE13

RGB 139 174 19

HSL 73.55, 0.8%, 0.38%

LAB 66.37, -30.89, 65.23

 

CMYK 44 / 0 / 89 / 32

HEX #61AE13

RGB 97 174 19

HSL 89.81, 0.8%, 0.38%

LAB 64.05, -46.73, 62.35

 

CMYK 68 / 0 / 89 / 32

HEX #37AE13

RGB 55 174 19

HSL 106.06, 0.8%, 0.38%

LAB 62.62, -58.11, 60.57

 

CMYK 0 / 28 / 89 / 32

HEX #AE7D13

RGB 174 125 19

HSL 41.03, 0.8%, 0.38%

LAB 55.8, 10.48, 57.98

 

CMYK 0 / 31 / 98 / 25

HEX #BE8303

RGB 190 131 3

HSL 41.07, 0.97%, 0.38%

LAB 59.15, 14.12, 64.29

 

CMYK 0 / 28 / 89 / 32

HEX #AE7D13

RGB 174 125 19

HSL 41.03, 0.8%, 0.38%

LAB 55.8, 10.48, 57.98

 

CMYK 0 / 25 / 78 / 38

HEX #9E7723

RGB 158 119 35

HSL 40.98, 0.64%, 0.38%

LAB 52.49, 7.05, 49.16

 

CMYK 0 / 20 / 65 / 44

HEX #8F7232

RGB 143 114 50

HSL 41.29, 0.48%, 0.38%

LAB 49.62, 3.85, 38.91

 

CMYK 0 / 15 / 48 / 50

HEX #7F6C42

RGB 127 108 66

HSL 41.31, 0.32%, 0.38%

LAB 46.49, 1.45, 26.21

 

CMYK 0 / 8 / 26 / 56

HEX #6F6652

RGB 111 102 82

HSL 41.38, 0.15%, 0.38%

LAB 43.49, 0.04, 12.61

 

CMYK 0 / 76 / 89 / 32

HEX #AE2A13

RGB 174 42 19

HSL 8.9, 0.8%, 0.38%

LAB 39.07, 51.86, 44.85

 

CMYK 0 / 52 / 89 / 32

HEX #AE5313

RGB 174 83 19

HSL 24.77, 0.8%, 0.38%

LAB 45.95, 33.63, 50.22

 

CMYK 0 / 28 / 89 / 32

HEX #AE7D13

RGB 174 125 19

HSL 41.03, 0.8%, 0.38%

LAB 55.8, 10.48, 57.98

 

CMYK 0 / 5 / 89 / 32

HEX #AEA613

RGB 174 166 19

HSL 56.9, 0.8%, 0.38%

LAB 66.76, -11.79, 66.67

 

CMYK 20 / 0 / 89 / 32

HEX #8CAE13

RGB 140 174 19

HSL 73.16, 0.8%, 0.38%

LAB 66.44, -30.48, 65.32

 

CMYK 0 / 28 / 89 / 61

HEX #64480B

RGB 100 72 11

HSL 41.12, 0.8%, 0.22%

LAB 32.63, 6.11, 37.71

 

CMYK 0 / 28 / 89 / 46

HEX #89620F

RGB 137 98 15

HSL 40.82, 0.8%, 0.3%

LAB 44.36, 8.65, 48.05

 

CMYK 0 / 28 / 89 / 32

HEX #AE7D13

RGB 174 125 19

HSL 41.03, 0.8%, 0.38%

LAB 55.8, 10.48, 57.98

 

CMYK 0 / 28 / 89 / 17

HEX #D39817

RGB 211 152 23

HSL 41.17, 0.8%, 0.46%

LAB 66.8, 12.24, 67.44

 

CMYK 0 / 26 / 81 / 9

HEX #E7AC2C

RGB 231 172 44

HSL 41.07, 0.8%, 0.54%

LAB 73.98, 10.77, 68.49

 

CMYK 0 / 28 / 89 / 31

HEX #AF7E13

RGB 175 126 19

HSL 41.15, 0.8%, 0.38%

LAB 56.17, 10.38, 58.32

 

CMYK 79 / 0 / 89 / 32

HEX #25AE13

RGB 37 174 19

HSL 113.03, 0.8%, 0.38%

LAB 62.26, -61.17, 60.12

 

CMYK 64 / 89 / 0 / 32

HEX #3F13AE

RGB 63 19 174

HSL 257.03, 0.8%, 0.38%

LAB 25.5, 56.56, -72.17

 

CMYK 0 / 28 / 89 / 31

HEX #AF7E13

RGB 175 126 19

HSL 41.15, 0.8%, 0.38%

LAB 56.17, 10.38, 58.32

 

CMYK 89 / 0 / 28 / 32

HEX #13AE7D

RGB 19 174 125

HSL 161.03, 0.8%, 0.38%

LAB 63.25, -48.71, 14.91

 

CMYK 28 / 89 / 0 / 32

HEX #7D13AE

RGB 125 19 174

HSL 281.03, 0.8%, 0.38%

LAB 33.74, 63.59, -58.33

 

CMYK 0 / 28 / 89 / 31

HEX #AF7E13

RGB 175 126 19

HSL 41.15, 0.8%, 0.38%

LAB 56.17, 10.38, 58.32

 

CMYK 79 / 0 / 89 / 32

HEX #25AE13

RGB 37 174 19

HSL 113.03, 0.8%, 0.38%

LAB 62.26, -61.17, 60.12

 

CMYK 89 / 61 / 0 / 32

HEX #1344AE

RGB 19 68 174

HSL 221.03, 0.8%, 0.38%

LAB 32.54, 26.61, -60.65

 

CMYK 10 / 89 / 0 / 32

HEX #9C13AE

RGB 156 19 174

HSL 293.03, 0.8%, 0.38%

LAB 38.88, 68.49, -49.74

 

CMYK 0 / 28 / 89 / 31

HEX #AF7E13

RGB 175 126 19

HSL 41.15, 0.8%, 0.38%

LAB 56.17, 10.38, 58.32

 

CMYK 89 / 0 / 73 / 32

HEX #13AE2F

RGB 19 174 47

HSL 130.84, 0.8%, 0.38%

LAB 62.18, -61.39, 51.88

 

CMYK 89 / 61 / 0 / 32

HEX #1344AE

RGB 19 68 174

HSL 221.03, 0.8%, 0.38%

LAB 32.54, 26.61, -60.65

 

CMYK 0 / 89 / 17 / 32

HEX #AE1391

RGB 174 19 145

HSL 311.23, 0.8%, 0.38%

LAB 40.42, 67.46, -29.61

 

Description

Color code: HEX #AF7E13 | qconv.com Color code: HEX #AF7E13 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 126 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 126 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 89 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 89% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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