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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF854F it is the complementary color #507AB0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF854F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF854F shade: #B4854A, #C5975D, #D6A970, #E7BB83 and #F8CD96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF854F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF854F shade: #AF854F, #9E733C, #8D6129, #7C4F16 and #6B3D03

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF854F shade: #AF854F, #AF6B4F, #AF514F and #AF4F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF854F shade: #AF854F, #AF9F4F, #A6AF4F, #8BAF4F and #71AF4F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF854F shade matches the following richer shades: #AF854F, #C4883A, #D98A25 and #ED8D11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF854F shade: #AF854F, #9B8263, #868078, #727D8C and #5D7BA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF854F shade: #AF504F, #AF6A4F, #AF844F, #AF9E4F and #A7AF4F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF854F shade: #775A35, #936F42, #AF854F, #BC996B and #C9AC87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF854F shade: #AF854F, #67AF4F and #5D4FAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF854F shade: #AF854F, #4FAF84 and #844FAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF854F shade: #AF854F, #67AF4F, #4F7AAF and #974FAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF854F shade: #AF854F, #4FAF53, #4F7AAF and #AF4FAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 55 / 31

HEX #AF854F

RGB 175 133 79

HSL 33.75, 0.38%, 0.5%

LAB 58.47, 9.64, 35.09

 

Complementary color

CMYK 55 / 31 / 0 / 31

HEX #507AB0

RGB 80 122 176

HSL 213.75, 0.38%, 0.5%

LAB 50.4, 1.46, -33.08

 

CMYK 0 / 26 / 59 / 29

HEX #B4854A

RGB 180 133 74

HSL 33.4, 0.42%, 0.5%

LAB 58.95, 11.39, 38.43

 

CMYK 0 / 23 / 53 / 23

HEX #C5975D

RGB 197 151 93

HSL 33.46, 0.47%, 0.57%

LAB 65.59, 10.32, 36.98

 

CMYK 0 / 21 / 48 / 16

HEX #D6A970

RGB 214 169 112

HSL 33.53, 0.55%, 0.64%

LAB 72.12, 9.41, 35.6

 

CMYK 0 / 19 / 43 / 9

HEX #E7BB83

RGB 231 187 131

HSL 33.6, 0.68%, 0.71%

LAB 78.56, 8.62, 34.3

 

CMYK 0 / 17 / 40 / 3

HEX #F8CD96

RGB 248 205 150

HSL 33.67, 0.88%, 0.78%

LAB 84.91, 7.93, 33.07

 

CMYK 0 / 24 / 55 / 31

HEX #AF854F

RGB 175 133 79

HSL 33.75, 0.38%, 0.5%

LAB 58.47, 9.64, 35.09

 

CMYK 0 / 27 / 62 / 38

HEX #9E733C

RGB 158 115 60

HSL 33.67, 0.45%, 0.43%

LAB 51.67, 10.79, 36.57

 

CMYK 0 / 31 / 71 / 45

HEX #8D6129

RGB 141 97 41

HSL 33.6, 0.55%, 0.36%

LAB 44.76, 12.2, 38.02

 

CMYK 0 / 36 / 82 / 51

HEX #7C4F16

RGB 124 79 22

HSL 33.53, 0.7%, 0.29%

LAB 37.73, 13.94, 39.13

 

CMYK 0 / 43 / 97 / 58

HEX #6B3D03

RGB 107 61 3

HSL 33.46, 0.95%, 0.22%

LAB 30.57, 16.08, 39.45

 

CMYK 0 / 24 / 55 / 31

HEX #AF854F

RGB 175 133 79

HSL 33.75, 0.38%, 0.5%

LAB 58.47, 9.64, 35.09

 

CMYK 0 / 39 / 55 / 31

HEX #AF6B4F

RGB 175 107 79

HSL 17.5, 0.38%, 0.5%

LAB 52.06, 24.21, 27.07

 

CMYK 0 / 54 / 55 / 31

HEX #AF514F

RGB 175 81 79

HSL 1.25, 0.38%, 0.5%

LAB 46.4, 38.2, 19.69

 

CMYK 0 / 55 / 55 / 31

HEX #AF4F4F

RGB 175 79 79

HSL 0, 0.38%, 0.5%

LAB 46, 39.21, 19.17

 

CMYK 0 / 24 / 55 / 31

HEX #AF854F

RGB 175 133 79

HSL 33.75, 0.38%, 0.5%

LAB 58.47, 9.64, 35.09

 

CMYK 0 / 9 / 55 / 31

HEX #AF9F4F

RGB 175 159 79

HSL 50, 0.38%, 0.5%

LAB 65.34, -4.62, 43.32

 

CMYK 5 / 0 / 55 / 31

HEX #A6AF4F

RGB 166 175 79

HSL 65.63, 0.38%, 0.5%

LAB 68.99, -16.82, 47.36

 

CMYK 21 / 0 / 55 / 31

HEX #8BAF4F

RGB 139 175 79

HSL 82.5, 0.38%, 0.5%

LAB 67.06, -27.77, 44.63

 

CMYK 35 / 0 / 55 / 31

HEX #71AF4F

RGB 113 175 79

HSL 98.75, 0.38%, 0.5%

LAB 65.54, -37.43, 42.46

 

CMYK 0 / 24 / 55 / 31

HEX #AF854F

RGB 175 133 79

HSL 33.75, 0.38%, 0.5%

LAB 58.47, 9.64, 35.09

 

CMYK 0 / 31 / 70 / 23

HEX #C4883A

RGB 196 136 58

HSL 33.91, 0.54%, 0.5%

LAB 61.35, 15.63, 49.52

 

CMYK 0 / 36 / 83 / 15

HEX #D98A25

RGB 217 138 37

HSL 33.67, 0.71%, 0.5%

LAB 64.21, 22.73, 61.65

 

CMYK 0 / 41 / 93 / 7

HEX #ED8D11

RGB 237 141 17

HSL 33.82, 0.87%, 0.5%

LAB 67.35, 29.14, 70.49

 

CMYK 0 / 24 / 55 / 31

HEX #AF854F

RGB 175 133 79

HSL 33.75, 0.38%, 0.5%

LAB 58.47, 9.64, 35.09

 

CMYK 0 / 16 / 36 / 39

HEX #9B8263

RGB 155 130 99

HSL 33.21, 0.22%, 0.5%

LAB 55.92, 4.93, 20.36

 

CMYK 0 / 4 / 10 / 47

HEX #868078

RGB 134 128 120

HSL 34.29, 0.06%, 0.5%

LAB 53.88, 0.78, 5.14

 

CMYK 19 / 11 / 0 / 45

HEX #727D8C

RGB 114 125 140

HSL 214.62, 0.1%, 0.5%

LAB 51.99, -0.69, -9.49

 

CMYK 42 / 24 / 0 / 37

HEX #5D7BA1

RGB 93 123 161

HSL 213.53, 0.27%, 0.5%

LAB 50.76, -0.49, -23.76

 

CMYK 0 / 54 / 55 / 31

HEX #AF504F

RGB 175 80 79

HSL 0.62, 0.38%, 0.5%

LAB 46.2, 38.71, 19.43

 

CMYK 0 / 39 / 55 / 31

HEX #AF6A4F

RGB 175 106 79

HSL 16.88, 0.38%, 0.5%

LAB 51.82, 24.76, 26.77

 

CMYK 0 / 25 / 55 / 31

HEX #AF844F

RGB 175 132 79

HSL 33.13, 0.38%, 0.5%

LAB 58.21, 10.2, 34.77

 

CMYK 0 / 10 / 55 / 31

HEX #AF9E4F

RGB 175 158 79

HSL 49.38, 0.38%, 0.5%

LAB 65.07, -4.08, 43

 

CMYK 5 / 0 / 55 / 31

HEX #A7AF4F

RGB 167 175 79

HSL 65, 0.38%, 0.5%

LAB 69.07, -16.4, 47.47

 

CMYK 0 / 24 / 55 / 53

HEX #775A35

RGB 119 90 53

HSL 33.64, 0.38%, 0.34%

LAB 40.4, 7.09, 25.81

 

CMYK 0 / 24 / 55 / 42

HEX #936F42

RGB 147 111 66

HSL 33.33, 0.38%, 0.42%

LAB 49.45, 8.68, 30.37

 

CMYK 0 / 24 / 55 / 31

HEX #AF854F

RGB 175 133 79

HSL 33.75, 0.38%, 0.5%

LAB 58.47, 9.64, 35.09

 

CMYK 0 / 19 / 43 / 26

HEX #BC996B

RGB 188 153 107

HSL 34.07, 0.38%, 0.58%

LAB 65.39, 6.85, 29.06

 

CMYK 0 / 14 / 33 / 21

HEX #C9AC87

RGB 201 172 135

HSL 33.64, 0.38%, 0.66%

LAB 72.01, 5.12, 22.95

 

CMYK 0 / 24 / 55 / 31

HEX #AF854F

RGB 175 133 79

HSL 33.75, 0.38%, 0.5%

LAB 58.47, 9.64, 35.09

 

CMYK 41 / 0 / 55 / 31

HEX #67AF4F

RGB 103 175 79

HSL 105, 0.38%, 0.5%

LAB 65.05, -40.8, 41.75

 

CMYK 47 / 55 / 0 / 31

HEX #5D4FAF

RGB 93 79 175

HSL 248.75, 0.38%, 0.5%

LAB 39.6, 30.82, -49.59

 

CMYK 0 / 24 / 55 / 31

HEX #AF854F

RGB 175 133 79

HSL 33.75, 0.38%, 0.5%

LAB 58.47, 9.64, 35.09

 

CMYK 55 / 0 / 25 / 31

HEX #4FAF84

RGB 79 175 132

HSL 153.13, 0.38%, 0.5%

LAB 64.95, -38.63, 13.63

 

CMYK 25 / 55 / 0 / 31

HEX #844FAF

RGB 132 79 175

HSL 273.13, 0.38%, 0.5%

LAB 43.64, 40.56, -42.9

 

CMYK 0 / 24 / 55 / 31

HEX #AF854F

RGB 175 133 79

HSL 33.75, 0.38%, 0.5%

LAB 58.47, 9.64, 35.09

 

CMYK 41 / 0 / 55 / 31

HEX #67AF4F

RGB 103 175 79

HSL 105, 0.38%, 0.5%

LAB 65.05, -40.8, 41.75

 

CMYK 55 / 30 / 0 / 31

HEX #4F7AAF

RGB 79 122 175

HSL 213.13, 0.38%, 0.5%

LAB 50.31, 0.91, -32.66

 

CMYK 14 / 55 / 0 / 31

HEX #974FAF

RGB 151 79 175

HSL 285, 0.38%, 0.5%

LAB 46, 45.68, -39.02

 

CMYK 0 / 24 / 55 / 31

HEX #AF854F

RGB 175 133 79

HSL 33.75, 0.38%, 0.5%

LAB 58.47, 9.64, 35.09

 

CMYK 55 / 0 / 53 / 31

HEX #4FAF53

RGB 79 175 83

HSL 122.5, 0.38%, 0.5%

LAB 64.12, -47.37, 38.45

 

CMYK 55 / 30 / 0 / 31

HEX #4F7AAF

RGB 79 122 175

HSL 213.13, 0.38%, 0.5%

LAB 50.31, 0.91, -32.66

 

CMYK 0 / 55 / 2 / 31

HEX #AF4FAB

RGB 175 79 171

HSL 302.5, 0.38%, 0.5%

LAB 49.06, 51.55, -31.62

 

Description

Color code: HEX #AF854F | qconv.com Color code: HEX #AF854F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 133 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 133 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 55 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 55% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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