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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF897E it is the complementary color #507681. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF897E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF897E shade: #B48979, #C59B8C, #D6AD9F, #E7BFB2 and #F8D1C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF897E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF897E shade: #AF897E, #9E776B, #8D6558, #7C5345 and #6B4132

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF897E shade: #AE897E and #AE7E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF897E shade: #AE897E, #AE967E, #AEA37E, #ACAE7E and #9FAE7E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF897E shade matches the following richer shades: #AE897E, #BF7F6D, #D0765C, #E16D4B and #F2633A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF897E shade: #AE897E, #9D928F, #8C9BA0, #7BA5B1 and #6AAEC2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF897E shade: #AE7E8D, #AE7E80, #AE887E, #AE957E and #AEA27E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF897E shade: #865F54, #9E7165, #AE897E, #BEA097 and #CEB7B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF897E shade: #AF897E, #9AAE7E and #7E87AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF897E shade: #AF897E, #7EAE88 and #887EAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF897E shade: #AF897E, #9AAE7E, #7EA4AE and #927EAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF897E shade: #AF897E, #8CAE7E, #7EA4AE and #A07EAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 28 / 31

HEX #AF897E

RGB 175 137 126

HSL 13.47, 0.23%, 0.59%

LAB 60.35, 12.82, 11.43

 

Complementary color

CMYK 38 / 9 / 0 / 49

HEX #507681

RGB 80 118 129

HSL 193.47, 0.23%, 0.41%

LAB 47.3, -10.36, -10.29

 

CMYK 0 / 24 / 33 / 29

HEX #B48979

RGB 180 137 121

HSL 16.27, 0.28%, 0.59%

LAB 60.76, 14.12, 14.92

 

CMYK 0 / 21 / 29 / 23

HEX #C59B8C

RGB 197 155 140

HSL 15.79, 0.33%, 0.66%

LAB 67.43, 13.45, 13.83

 

CMYK 0 / 19 / 26 / 16

HEX #D6AD9F

RGB 214 173 159

HSL 15.27, 0.4%, 0.73%

LAB 73.99, 12.85, 12.83

 

CMYK 0 / 17 / 23 / 9

HEX #E7BFB2

RGB 231 191 178

HSL 14.72, 0.52%, 0.8%

LAB 80.44, 12.32, 11.91

 

CMYK 0 / 16 / 21 / 3

HEX #F8D1C5

RGB 248 209 197

HSL 14.12, 0.78%, 0.87%

LAB 86.79, 11.85, 11.03

 

CMYK 0 / 22 / 28 / 31

HEX #AF897E

RGB 175 137 126

HSL 13.47, 0.23%, 0.59%

LAB 60.35, 12.82, 11.43

 

CMYK 0 / 25 / 32 / 38

HEX #9E776B

RGB 158 119 107

HSL 14.12, 0.21%, 0.52%

LAB 53.52, 13.51, 12.52

 

CMYK 0 / 28 / 38 / 45

HEX #8D6558

RGB 141 101 88

HSL 14.72, 0.23%, 0.45%

LAB 46.54, 14.31, 13.73

 

CMYK 0 / 33 / 44 / 51

HEX #7C5345

RGB 124 83 69

HSL 15.27, 0.28%, 0.38%

LAB 39.41, 15.28, 15.13

 

CMYK 0 / 39 / 53 / 58

HEX #6B4132

RGB 107 65 50

HSL 15.79, 0.36%, 0.31%

LAB 32.12, 16.46, 16.78

 

CMYK 0 / 21 / 28 / 32

HEX #AE897E

RGB 174 137 126

HSL 13.75, 0.23%, 0.59%

LAB 60.25, 12.42, 11.27

 

CMYK 0 / 28 / 28 / 32

HEX #AE7E7E

RGB 174 126 126

HSL 0, 0.23%, 0.59%

LAB 57.49, 18.61, 7.36

 

CMYK 0 / 21 / 28 / 32

HEX #AE897E

RGB 174 137 126

HSL 13.75, 0.23%, 0.59%

LAB 60.25, 12.42, 11.27

 

CMYK 0 / 14 / 28 / 32

HEX #AE967E

RGB 174 150 126

HSL 30, 0.23%, 0.59%

LAB 63.6, 5.17, 15.96

 

CMYK 0 / 6 / 28 / 32

HEX #AEA37E

RGB 174 163 126

HSL 46.25, 0.23%, 0.59%

LAB 67.05, -1.94, 20.7

 

CMYK 1 / 0 / 28 / 32

HEX #ACAE7E

RGB 172 174 126

HSL 62.5, 0.23%, 0.59%

LAB 69.86, -8.6, 24.48

 

CMYK 9 / 0 / 28 / 32

HEX #9FAE7E

RGB 159 174 126

HSL 78.75, 0.23%, 0.59%

LAB 68.86, -13.64, 22.96

 

CMYK 0 / 21 / 28 / 32

HEX #AE897E

RGB 174 137 126

HSL 13.75, 0.23%, 0.59%

LAB 60.25, 12.42, 11.27

 

CMYK 0 / 34 / 43 / 25

HEX #BF7F6D

RGB 191 127 109

HSL 13.17, 0.39%, 0.59%

LAB 59.31, 22.65, 19.93

 

CMYK 0 / 43 / 56 / 18

HEX #D0765C

RGB 208 118 92

HSL 13.45, 0.55%, 0.59%

LAB 59.1, 32.68, 29.64

 

CMYK 0 / 52 / 67 / 12

HEX #E16D4B

RGB 225 109 75

HSL 13.6, 0.71%, 0.59%

LAB 59.39, 42.7, 39.86

 

CMYK 0 / 59 / 76 / 5

HEX #F2633A

RGB 242 99 58

HSL 13.37, 0.88%, 0.59%

LAB 59.98, 52.84, 50.05

 

CMYK 0 / 21 / 28 / 32

HEX #AE897E

RGB 174 137 126

HSL 13.75, 0.23%, 0.59%

LAB 60.25, 12.42, 11.27

 

CMYK 0 / 7 / 9 / 38

HEX #9D928F

RGB 157 146 143

HSL 12.86, 0.07%, 0.59%

LAB 61.4, 3.52, 3.04

 

CMYK 13 / 3 / 0 / 37

HEX #8C9BA0

RGB 140 155 160

HSL 195, 0.1%, 0.59%

LAB 62.97, -4.26, -4.43

 

CMYK 31 / 7 / 0 / 31

HEX #7BA5B1

RGB 123 165 177

HSL 193.33, 0.26%, 0.59%

LAB 65.2, -11.23, -10.79

 

CMYK 45 / 10 / 0 / 24

HEX #6AAEC2

RGB 106 174 194

HSL 193.64, 0.42%, 0.59%

LAB 67.45, -16.2, -16.93

 

CMYK 0 / 28 / 19 / 32

HEX #AE7E8D

RGB 174 126 141

HSL 341.25, 0.23%, 0.59%

LAB 57.89, 20.9, -0.72

 

CMYK 0 / 28 / 26 / 32

HEX #AE7E80

RGB 174 126 128

HSL 357.5, 0.23%, 0.59%

LAB 57.54, 18.9, 6.28

 

CMYK 0 / 22 / 28 / 32

HEX #AE887E

RGB 174 136 126

HSL 12.5, 0.23%, 0.59%

LAB 59.99, 12.98, 10.91

 

CMYK 0 / 14 / 28 / 32

HEX #AE957E

RGB 174 149 126

HSL 28.75, 0.23%, 0.59%

LAB 63.34, 5.73, 15.6

 

CMYK 0 / 7 / 28 / 32

HEX #AEA27E

RGB 174 162 126

HSL 45, 0.23%, 0.59%

LAB 66.78, -1.4, 20.34

 

CMYK 0 / 29 / 37 / 47

HEX #865F54

RGB 134 95 84

HSL 13.2, 0.23%, 0.43%

LAB 44.08, 14.35, 12.6

 

CMYK 0 / 28 / 36 / 38

HEX #9E7165

RGB 158 113 101

HSL 12.63, 0.23%, 0.51%

LAB 51.86, 16.14, 13.71

 

CMYK 0 / 21 / 28 / 32

HEX #AE897E

RGB 174 137 126

HSL 13.75, 0.23%, 0.59%

LAB 60.25, 12.42, 11.27

 

CMYK 0 / 16 / 21 / 25

HEX #BEA097

RGB 190 160 151

HSL 13.85, 0.23%, 0.67%

LAB 68.26, 9.6, 8.79

 

CMYK 0 / 11 / 14 / 19

HEX #CEB7B1

RGB 206 183 177

HSL 12.41, 0.23%, 0.75%

LAB 76.17, 7.21, 6.04

 

CMYK 0 / 22 / 28 / 31

HEX #AF897E

RGB 175 137 126

HSL 13.47, 0.23%, 0.59%

LAB 60.35, 12.82, 11.43

 

CMYK 11 / 0 / 28 / 32

HEX #9AAE7E

RGB 154 174 126

HSL 85, 0.23%, 0.59%

LAB 68.5, -15.55, 22.4

 

CMYK 28 / 22 / 0 / 32

HEX #7E87AE

RGB 126 135 174

HSL 228.75, 0.23%, 0.59%

LAB 56.9, 5.75, -21.64

 

CMYK 0 / 22 / 28 / 31

HEX #AF897E

RGB 175 137 126

HSL 13.47, 0.23%, 0.59%

LAB 60.35, 12.82, 11.43

 

CMYK 28 / 0 / 22 / 32

HEX #7EAE88

RGB 126 174 136

HSL 132.5, 0.23%, 0.59%

LAB 66.89, -23.86, 14.46

 

CMYK 22 / 28 / 0 / 32

HEX #887EAE

RGB 136 126 174

HSL 252.5, 0.23%, 0.59%

LAB 55.29, 14.16, -24.04

 

CMYK 0 / 22 / 28 / 31

HEX #AF897E

RGB 175 137 126

HSL 13.47, 0.23%, 0.59%

LAB 60.35, 12.82, 11.43

 

CMYK 11 / 0 / 28 / 32

HEX #9AAE7E

RGB 154 174 126

HSL 85, 0.23%, 0.59%

LAB 68.5, -15.55, 22.4

 

CMYK 28 / 6 / 0 / 32

HEX #7EA4AE

RGB 126 164 174

HSL 192.5, 0.23%, 0.59%

LAB 65, -10.52, -9.39

 

CMYK 16 / 28 / 0 / 32

HEX #927EAE

RGB 146 126 174

HSL 265, 0.23%, 0.59%

LAB 56.18, 17.4, -22.6

 

CMYK 0 / 22 / 28 / 31

HEX #AF897E

RGB 175 137 126

HSL 13.47, 0.23%, 0.59%

LAB 60.35, 12.82, 11.43

 

CMYK 20 / 0 / 28 / 32

HEX #8CAE7E

RGB 140 174 126

HSL 102.5, 0.23%, 0.59%

LAB 67.54, -20.73, 20.95

 

CMYK 28 / 6 / 0 / 32

HEX #7EA4AE

RGB 126 164 174

HSL 192.5, 0.23%, 0.59%

LAB 65, -10.52, -9.39

 

CMYK 8 / 28 / 0 / 32

HEX #A07EAE

RGB 160 126 174

HSL 282.5, 0.23%, 0.59%

LAB 57.51, 22.04, -20.44

 

Description

Color code: HEX #AF897E | qconv.com Color code: HEX #AF897E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 137 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 137 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 28 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 28% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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