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Color name
HEX #AF818D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF818D it is the complementary color #507E72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF818D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF818D shade: #B48188, #C5939B, #D6A5AE, #E7B7C1 and #F8C9D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF818D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF818D shade: #AF818D, #9E6F7A, #8D5D67, #7C4B54 and #6B3941

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF818D shade: #AF828E and #AF8282

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF818D shade: #AF828E, #AF829A, #AF82A6, #AC82AF and #A082AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF818D shade matches the following richer shades: #AF828E, #BF7286, #D0617E, #E05176 and #F1406E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF818D shade: #AF828E, #9E9396, #8EA39E, #7DB4A5 and #6DC4AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF818D shade: #AF82A6, #AF829A, #AF828E, #AF8282 and #AF8E82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF818D shade: #885763, #9F6977, #AF828E, #BF9BA5 and #CFB4BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF818D shade: #AF818D, #AFAC82 and #82A0AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF818D shade: #AF818D, #8EAF82 and #828EAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF818D shade: #AF818D, #AFAC82, #82AFA3 and #8285AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF818D shade: #AF818D, #A4AF82, #82AFA3 and #8D82AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 19 / 31

HEX #AF818D

RGB 175 129 141

HSL 344.35, 0.22%, 0.6%

LAB 58.73, 19.59, 0.52

 

Complementary color

CMYK 37 / 0 / 10 / 51

HEX #507E72

RGB 80 126 114

HSL 164.35, 0.22%, 0.4%

LAB 49.3, -18.65, 1.55

 

CMYK 0 / 28 / 24 / 29

HEX #B48188

RGB 180 129 136

HSL 351.76, 0.25%, 0.61%

LAB 59.14, 20.72, 4.06

 

CMYK 0 / 25 / 21 / 23

HEX #C5939B

RGB 197 147 155

HSL 350.4, 0.3%, 0.67%

LAB 65.83, 20.02, 3.16

 

CMYK 0 / 23 / 19 / 16

HEX #D6A5AE

RGB 214 165 174

HSL 348.98, 0.37%, 0.74%

LAB 72.4, 19.4, 2.33

 

CMYK 0 / 21 / 16 / 9

HEX #E7B7C1

RGB 231 183 193

HSL 347.5, 0.5%, 0.81%

LAB 78.87, 18.83, 1.56

 

CMYK 0 / 19 / 15 / 3

HEX #F8C9D4

RGB 248 201 212

HSL 345.96, 0.77%, 0.88%

LAB 85.24, 18.31, 0.84

 

CMYK 0 / 26 / 19 / 31

HEX #AF818D

RGB 175 129 141

HSL 344.35, 0.22%, 0.6%

LAB 58.73, 19.59, 0.52

 

CMYK 0 / 30 / 23 / 38

HEX #9E6F7A

RGB 158 111 122

HSL 345.96, 0.2%, 0.53%

LAB 51.89, 20.31, 1.39

 

CMYK 0 / 34 / 27 / 45

HEX #8D5D67

RGB 141 93 103

HSL 347.5, 0.21%, 0.46%

LAB 44.9, 21.11, 2.38

 

CMYK 0 / 40 / 32 / 51

HEX #7C4B54

RGB 124 75 84

HSL 348.98, 0.25%, 0.39%

LAB 37.77, 22.03, 3.52

 

CMYK 0 / 47 / 39 / 58

HEX #6B3941

RGB 107 57 65

HSL 350.4, 0.3%, 0.32%

LAB 30.48, 23.08, 4.91

 

CMYK 0 / 26 / 19 / 31

HEX #AF828E

RGB 175 130 142

HSL 344, 0.22%, 0.6%

LAB 59, 19.19, 0.34

 

CMYK 0 / 26 / 26 / 31

HEX #AF8282

RGB 175 130 130

HSL 0, 0.22%, 0.6%

LAB 58.69, 17.33, 6.78

 

CMYK 0 / 26 / 19 / 31

HEX #AF828E

RGB 175 130 142

HSL 344, 0.22%, 0.6%

LAB 59, 19.19, 0.34

 

CMYK 0 / 26 / 12 / 31

HEX #AF829A

RGB 175 130 154

HSL 328, 0.22%, 0.6%

LAB 59.35, 21.19, -6.04

 

CMYK 0 / 26 / 5 / 31

HEX #AF82A6

RGB 175 130 166

HSL 312, 0.22%, 0.6%

LAB 59.74, 23.35, -12.34

 

CMYK 2 / 26 / 0 / 31

HEX #AC82AF

RGB 172 130 175

HSL 296, 0.22%, 0.6%

LAB 59.74, 24.03, -17.51

 

CMYK 9 / 26 / 0 / 31

HEX #A082AF

RGB 160 130 175

HSL 280, 0.22%, 0.6%

LAB 58.54, 19.96, -19.44

 

CMYK 0 / 26 / 19 / 31

HEX #AF828E

RGB 175 130 142

HSL 344, 0.22%, 0.6%

LAB 59, 19.19, 0.34

 

CMYK 0 / 40 / 30 / 25

HEX #BF7286

RGB 191 114 134

HSL 344.42, 0.38%, 0.6%

LAB 56.91, 32.86, 2.16

 

CMYK 0 / 53 / 39 / 18

HEX #D0617E

RGB 208 97 126

HSL 344.32, 0.54%, 0.6%

LAB 55.55, 46.72, 5.17

 

CMYK 0 / 64 / 47 / 12

HEX #E05176

RGB 224 81 118

HSL 344.48, 0.7%, 0.6%

LAB 55.11, 58.4, 9.61

 

CMYK 0 / 73 / 54 / 5

HEX #F1406E

RGB 241 64 110

HSL 344.41, 0.86%, 0.6%

LAB 55.58, 69.03, 15.44

 

CMYK 0 / 26 / 19 / 31

HEX #AF828E

RGB 175 130 142

HSL 344, 0.22%, 0.6%

LAB 59, 19.19, 0.34

 

CMYK 0 / 7 / 5 / 38

HEX #9E9396

RGB 158 147 150

HSL 343.64, 0.05%, 0.6%

LAB 61.95, 4.61, -0.13

 

CMYK 13 / 0 / 3 / 36

HEX #8EA39E

RGB 142 163 158

HSL 165.71, 0.1%, 0.6%

LAB 65.29, -8.36, 0.1

 

CMYK 31 / 0 / 8 / 29

HEX #7DB4A5

RGB 125 180 165

HSL 163.64, 0.27%, 0.6%

LAB 69.27, -21.27, 1.89

 

CMYK 44 / 0 / 12 / 23

HEX #6DC4AD

RGB 109 196 173

HSL 164.14, 0.42%, 0.6%

LAB 73.38, -31.76, 3.39

 

CMYK 0 / 26 / 5 / 31

HEX #AF82A6

RGB 175 130 166

HSL 312, 0.22%, 0.6%

LAB 59.74, 23.35, -12.34

 

CMYK 0 / 26 / 12 / 31

HEX #AF829A

RGB 175 130 154

HSL 328, 0.22%, 0.6%

LAB 59.35, 21.19, -6.04

 

CMYK 0 / 26 / 19 / 31

HEX #AF828E

RGB 175 130 142

HSL 344, 0.22%, 0.6%

LAB 59, 19.19, 0.34

 

CMYK 0 / 26 / 26 / 31

HEX #AF8282

RGB 175 130 130

HSL 0, 0.22%, 0.6%

LAB 58.69, 17.33, 6.78

 

CMYK 0 / 19 / 26 / 31

HEX #AF8E82

RGB 175 142 130

HSL 16, 0.22%, 0.6%

LAB 61.72, 10.6, 11.09

 

CMYK 0 / 36 / 27 / 47

HEX #885763

RGB 136 87 99

HSL 345.31, 0.22%, 0.44%

LAB 42.69, 22.03, 1.53

 

CMYK 0 / 34 / 25 / 38

HEX #9F6977

RGB 159 105 119

HSL 344.44, 0.22%, 0.52%

LAB 50.46, 23.66, 1.11

 

CMYK 0 / 26 / 19 / 31

HEX #AF828E

RGB 175 130 142

HSL 344, 0.22%, 0.6%

LAB 59, 19.19, 0.34

 

CMYK 0 / 19 / 14 / 25

HEX #BF9BA5

RGB 191 155 165

HSL 343.33, 0.22%, 0.68%

LAB 67.45, 14.98, -0.16

 

CMYK 0 / 13 / 10 / 19

HEX #CFB4BB

RGB 207 180 187

HSL 344.44, 0.22%, 0.76%

LAB 75.76, 10.85, 0.01

 

CMYK 0 / 26 / 19 / 31

HEX #AF818D

RGB 175 129 141

HSL 344.35, 0.22%, 0.6%

LAB 58.73, 19.59, 0.52

 

CMYK 0 / 2 / 26 / 31

HEX #AFAC82

RGB 175 172 130

HSL 56, 0.22%, 0.6%

LAB 69.63, -5.81, 22.05

 

CMYK 26 / 9 / 0 / 31

HEX #82A0AF

RGB 130 160 175

HSL 200, 0.22%, 0.6%

LAB 64.15, -6.87, -11.2

 

CMYK 0 / 26 / 19 / 31

HEX #AF818D

RGB 175 129 141

HSL 344.35, 0.22%, 0.6%

LAB 58.73, 19.59, 0.52

 

CMYK 19 / 0 / 26 / 31

HEX #8EAF82

RGB 142 175 130

HSL 104, 0.22%, 0.6%

LAB 68.04, -19.86, 19.47

 

CMYK 26 / 19 / 0 / 31

HEX #828EAF

RGB 130 142 175

HSL 224, 0.22%, 0.6%

LAB 59.15, 3.21, -18.75

 

CMYK 0 / 26 / 19 / 31

HEX #AF818D

RGB 175 129 141

HSL 344.35, 0.22%, 0.6%

LAB 58.73, 19.59, 0.52

 

CMYK 0 / 2 / 26 / 31

HEX #AFAC82

RGB 175 172 130

HSL 56, 0.22%, 0.6%

LAB 69.63, -5.81, 22.05

 

CMYK 26 / 0 / 7 / 31

HEX #82AFA3

RGB 130 175 163

HSL 164, 0.22%, 0.6%

LAB 68.06, -17.6, 1.27

 

CMYK 26 / 24 / 0 / 31

HEX #8285AF

RGB 130 133 175

HSL 236, 0.22%, 0.6%

LAB 56.7, 8.41, -22.49

 

CMYK 0 / 26 / 19 / 31

HEX #AF818D

RGB 175 129 141

HSL 344.35, 0.22%, 0.6%

LAB 58.73, 19.59, 0.52

 

CMYK 6 / 0 / 26 / 31

HEX #A4AF82

RGB 164 175 130

HSL 74.67, 0.22%, 0.6%

LAB 69.59, -11.66, 21.84

 

CMYK 26 / 0 / 7 / 31

HEX #82AFA3

RGB 130 175 163

HSL 164, 0.22%, 0.6%

LAB 68.06, -17.6, 1.27

 

CMYK 19 / 26 / 0 / 31

HEX #8D82AF

RGB 141 130 175

HSL 254.67, 0.22%, 0.6%

LAB 56.8, 13.67, -22.25

 

Description

Color code: HEX #AF818D | qconv.com Color code: HEX #AF818D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 129 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 129 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 19 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 19% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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