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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF8231 it is the complementary color #507DCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF8231. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF8231 shade: #B4822C, #C5943F, #D6A652, #E7B865 and #F8CA78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF8231. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF8231 shade: #AF8231, #9E701E, #8D5E0B, #7C4C00 and #6B3A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF8231 shade: #AF8231, #AF6031, #AF3E31 and #AF3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF8231 shade: #AF8231, #AFA431, #98AF31, #76AF31 and #54AF31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF8231 shade matches the following richer shades: #AF8231, #C1871F and #D38C0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF8231 shade: #AF8231, #9C7C43, #8A7755, #787267 and #666D79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF8231 shade: #AF3D31, #AF5F31, #AF8031, #AFA231 and #9AAF31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF8231 shade: #6E521F, #8E6A28, #AF8231, #C99840 and #D2A960

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF8231 shade: #AF8231, #46AF31 and #4E31AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF8231 shade: #AF8231, #31AF80 and #8031AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF8231 shade: #AF8231, #46AF31, #315FAF and #9A31AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF8231 shade: #AF8231, #31AF42, #315FAF and #AF319E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 72 / 31

HEX #AF8231

RGB 175 130 49

HSL 38.57, 0.56%, 0.44%

LAB 57.37, 9.23, 48.7

 

Complementary color

CMYK 61 / 39 / 0 / 19

HEX #507DCE

RGB 80 125 206

HSL 218.57, 0.56%, 0.56%

LAB 52.76, 9.59, -46.56

 

CMYK 0 / 28 / 76 / 29

HEX #B4822C

RGB 180 130 44

HSL 37.94, 0.61%, 0.44%

LAB 57.89, 11.22, 51.57

 

CMYK 0 / 25 / 68 / 23

HEX #C5943F

RGB 197 148 63

HSL 38.06, 0.54%, 0.51%

LAB 64.49, 9.77, 50.6

 

CMYK 0 / 22 / 62 / 16

HEX #D6A652

RGB 214 166 82

HSL 38.18, 0.62%, 0.58%

LAB 70.99, 8.54, 49.37

 

CMYK 0 / 20 / 56 / 9

HEX #E7B865

RGB 231 184 101

HSL 38.31, 0.73%, 0.65%

LAB 77.41, 7.49, 48.07

 

CMYK 0 / 19 / 52 / 3

HEX #F8CA78

RGB 248 202 120

HSL 38.44, 0.9%, 0.72%

LAB 83.73, 6.58, 46.76

 

CMYK 0 / 26 / 72 / 31

HEX #AF8231

RGB 175 130 49

HSL 38.57, 0.56%, 0.44%

LAB 57.37, 9.23, 48.7

 

CMYK 0 / 29 / 81 / 38

HEX #9E701E

RGB 158 112 30

HSL 38.44, 0.68%, 0.37%

LAB 50.63, 10.84, 49.38

 

CMYK 0 / 33 / 92 / 45

HEX #8D5E0B

RGB 141 94 11

HSL 38.31, 0.86%, 0.3%

LAB 43.79, 12.78, 48.89

 

CMYK 0 / 39 / 100 / 51

HEX #7C4C00

RGB 124 76 0

HSL 36.77, 1%, 0.24%

LAB 36.84, 15.12, 45.99

 

CMYK 0 / 46 / 100 / 58

HEX #6B3A00

RGB 107 58 0

HSL 32.52, 1%, 0.21%

LAB 29.79, 17.8, 40.09

 

CMYK 0 / 26 / 72 / 31

HEX #AF8231

RGB 175 130 49

HSL 38.57, 0.56%, 0.44%

LAB 57.37, 9.23, 48.7

 

CMYK 0 / 45 / 72 / 31

HEX #AF6031

RGB 175 96 49

HSL 22.38, 0.56%, 0.44%

LAB 49.13, 28.18, 40.01

 

CMYK 0 / 65 / 72 / 31

HEX #AF3E31

RGB 175 62 49

HSL 6.19, 0.56%, 0.44%

LAB 42.43, 45.32, 32.53

 

CMYK 0 / 72 / 72 / 31

HEX #AF3131

RGB 175 49 49

HSL 0, 0.56%, 0.44%

LAB 40.46, 50.67, 30.24

 

CMYK 0 / 26 / 72 / 31

HEX #AF8231

RGB 175 130 49

HSL 38.57, 0.56%, 0.44%

LAB 57.37, 9.23, 48.7

 

CMYK 0 / 6 / 72 / 31

HEX #AFA431

RGB 175 164 49

HSL 54.76, 0.56%, 0.44%

LAB 66.43, -9.27, 57.76

 

CMYK 13 / 0 / 72 / 31

HEX #98AF31

RGB 152 175 49

HSL 70.95, 0.56%, 0.44%

LAB 67.69, -24.78, 58.37

 

CMYK 33 / 0 / 72 / 31

HEX #76AF31

RGB 118 175 49

HSL 87.14, 0.56%, 0.44%

LAB 65.54, -38.29, 55.52

 

CMYK 52 / 0 / 72 / 31

HEX #54AF31

RGB 84 175 49

HSL 103.33, 0.56%, 0.44%

LAB 63.97, -49.6, 53.42

 

CMYK 0 / 26 / 72 / 31

HEX #AF8231

RGB 175 130 49

HSL 38.57, 0.56%, 0.44%

LAB 57.37, 9.23, 48.7

 

CMYK 0 / 30 / 84 / 24

HEX #C1871F

RGB 193 135 31

HSL 38.52, 0.72%, 0.44%

LAB 60.57, 13.76, 59.37

 

CMYK 0 / 34 / 94 / 17

HEX #D38C0D

RGB 211 140 13

HSL 38.48, 0.88%, 0.44%

LAB 63.86, 18.58, 67.21

 

CMYK 0 / 26 / 72 / 31

HEX #AF8231

RGB 175 130 49

HSL 38.57, 0.56%, 0.44%

LAB 57.37, 9.23, 48.7

 

CMYK 0 / 21 / 57 / 39

HEX #9C7C43

RGB 156 124 67

HSL 38.43, 0.4%, 0.44%

LAB 53.91, 5.34, 35.46

 

CMYK 0 / 14 / 38 / 46

HEX #8A7755

RGB 138 119 85

HSL 38.49, 0.24%, 0.44%

LAB 50.98, 2.18, 21.43

 

CMYK 0 / 5 / 14 / 53

HEX #787267

RGB 120 114 103

HSL 38.82, 0.08%, 0.44%

LAB 48.27, 0.27, 6.92

 

CMYK 16 / 10 / 0 / 53

HEX #666D79

RGB 102 109 121

HSL 217.89, 0.09%, 0.44%

LAB 45.83, 0.04, -7.57

 

CMYK 0 / 65 / 72 / 31

HEX #AF3D31

RGB 175 61 49

HSL 5.71, 0.56%, 0.44%

LAB 42.27, 45.76, 32.34

 

CMYK 0 / 46 / 72 / 31

HEX #AF5F31

RGB 175 95 49

HSL 21.9, 0.56%, 0.44%

LAB 48.91, 28.72, 39.77

 

CMYK 0 / 27 / 72 / 31

HEX #AF8031

RGB 175 128 49

HSL 37.62, 0.56%, 0.44%

LAB 56.85, 10.35, 48.18

 

CMYK 0 / 7 / 72 / 31

HEX #AFA231

RGB 175 162 49

HSL 53.81, 0.56%, 0.44%

LAB 65.89, -8.21, 57.23

 

CMYK 12 / 0 / 72 / 31

HEX #9AAF31

RGB 154 175 49

HSL 70, 0.56%, 0.44%

LAB 67.84, -23.95, 58.56

 

CMYK 0 / 25 / 72 / 57

HEX #6E521F

RGB 110 82 31

HSL 38.73, 0.56%, 0.28%

LAB 36.83, 5.89, 33.43

 

CMYK 0 / 25 / 72 / 44

HEX #8E6A28

RGB 142 106 40

HSL 38.82, 0.56%, 0.36%

LAB 47.25, 7.37, 41.17

 

CMYK 0 / 26 / 72 / 31

HEX #AF8231

RGB 175 130 49

HSL 38.57, 0.56%, 0.44%

LAB 57.37, 9.23, 48.7

 

CMYK 0 / 24 / 68 / 21

HEX #C99840

RGB 201 152 64

HSL 38.54, 0.56%, 0.52%

LAB 65.94, 9.39, 51.82

 

CMYK 0 / 20 / 54 / 18

HEX #D2A960

RGB 210 169 96

HSL 38.42, 0.56%, 0.6%

LAB 71.5, 6.31, 42.98

 

CMYK 0 / 26 / 72 / 31

HEX #AF8231

RGB 175 130 49

HSL 38.57, 0.56%, 0.44%

LAB 57.37, 9.23, 48.7

 

CMYK 60 / 0 / 72 / 31

HEX #46AF31

RGB 70 175 49

HSL 110, 0.56%, 0.44%

LAB 63.49, -53.35, 52.78

 

CMYK 55 / 72 / 0 / 31

HEX #4E31AF

RGB 78 49 175

HSL 253.81, 0.56%, 0.44%

LAB 31.6, 45.49, -62.65

 

CMYK 0 / 26 / 72 / 31

HEX #AF8231

RGB 175 130 49

HSL 38.57, 0.56%, 0.44%

LAB 57.37, 9.23, 48.7

 

CMYK 72 / 0 / 27 / 31

HEX #31AF80

RGB 49 175 128

HSL 157.62, 0.56%, 0.44%

LAB 64.06, -45.25, 14.45

 

CMYK 27 / 72 / 0 / 31

HEX #8031AF

RGB 128 49 175

HSL 277.62, 0.56%, 0.44%

LAB 37.63, 54.58, -52.58

 

CMYK 0 / 26 / 72 / 31

HEX #AF8231

RGB 175 130 49

HSL 38.57, 0.56%, 0.44%

LAB 57.37, 9.23, 48.7

 

CMYK 60 / 0 / 72 / 31

HEX #46AF31

RGB 70 175 49

HSL 110, 0.56%, 0.44%

LAB 63.49, -53.35, 52.78

 

CMYK 72 / 46 / 0 / 31

HEX #315FAF

RGB 49 95 175

HSL 218.1, 0.56%, 0.44%

LAB 41.11, 12.09, -47.32

 

CMYK 12 / 72 / 0 / 31

HEX #9A31AF

RGB 154 49 175

HSL 290, 0.56%, 0.44%

LAB 41.47, 60.02, -46.19

 

CMYK 0 / 26 / 72 / 31

HEX #AF8231

RGB 175 130 49

HSL 38.57, 0.56%, 0.44%

LAB 57.37, 9.23, 48.7

 

CMYK 72 / 0 / 62 / 31

HEX #31AF42

RGB 49 175 66

HSL 128.1, 0.56%, 0.44%

LAB 63.1, -56.06, 45.11

 

CMYK 72 / 46 / 0 / 31

HEX #315FAF

RGB 49 95 175

HSL 218.1, 0.56%, 0.44%

LAB 41.11, 12.09, -47.32

 

CMYK 0 / 72 / 10 / 31

HEX #AF319E

RGB 175 49 158

HSL 308.1, 0.56%, 0.44%

LAB 43.91, 61.89, -31.97

 

Description

Color code: HEX #AF8231 | qconv.com Color code: HEX #AF8231 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 130 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 130 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 72 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 72% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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