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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF9484 it is the complementary color #506B7B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF9484. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF9484 shade: #B4947F, #C5A692, #D6B8A5, #E7CAB8 and #F8DCCB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF9484. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF9484 shade: #AF9484, #9E8271, #8D705E, #7C5E4B and #6B4C38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF9484 shade: #AE9383, #AE8783 and #AE8383

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF9484 shade: #AE9383, #AE9F83, #AEAA83, #A6AE83 and #9BAE83

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF9484 shade matches the following richer shades: #AE9383, #BE8F73, #CF8B62, #DF8652 and #F08241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF9484 shade: #AE9383, #9D9794, #8D9BA4, #7CA0B5 and #6CA4C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF9484 shade: #AE838A, #AE8783, #AE9383, #AE9E83 and #AEAA83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF9484 shade: #876958, #9E7D6A, #AE9383, #BEA99C and #CFBEB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF9484 shade: #AF9484, #96AE83 and #8385AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF9484 shade: #AF9484, #83AE93 and #9383AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF9484 shade: #AF9484, #96AE83, #839EAE and #9B83AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF9484 shade: #AF9484, #89AE83, #839EAE and #A883AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 25 / 31

HEX #AF9484

RGB 175 148 132

HSL 22.33, 0.21%, 0.6%

LAB 63.31, 7.55, 12.2

 

Complementary color

CMYK 35 / 13 / 0 / 52

HEX #506B7B

RGB 80 107 123

HSL 202.33, 0.21%, 0.4%

LAB 43.73, -5.64, -12.08

 

CMYK 0 / 18 / 29 / 29

HEX #B4947F

RGB 180 148 127

HSL 23.77, 0.26%, 0.6%

LAB 63.68, 8.81, 15.6

 

CMYK 0 / 16 / 26 / 23

HEX #C5A692

RGB 197 166 146

HSL 23.53, 0.31%, 0.67%

LAB 70.33, 8.28, 14.57

 

CMYK 0 / 14 / 23 / 16

HEX #D6B8A5

RGB 214 184 165

HSL 23.27, 0.37%, 0.74%

LAB 76.86, 7.81, 13.62

 

CMYK 0 / 13 / 20 / 9

HEX #E7CAB8

RGB 231 202 184

HSL 22.98, 0.49%, 0.81%

LAB 83.28, 7.39, 12.72

 

CMYK 0 / 11 / 18 / 3

HEX #F8DCCB

RGB 248 220 203

HSL 22.67, 0.76%, 0.88%

LAB 89.61, 7.01, 11.88

 

CMYK 0 / 15 / 25 / 31

HEX #AF9484

RGB 175 148 132

HSL 22.33, 0.21%, 0.6%

LAB 63.31, 7.55, 12.2

 

CMYK 0 / 18 / 28 / 38

HEX #9E8271

RGB 158 130 113

HSL 22.67, 0.19%, 0.53%

LAB 56.51, 8.08, 13.23

 

CMYK 0 / 21 / 33 / 45

HEX #8D705E

RGB 141 112 94

HSL 22.98, 0.2%, 0.46%

LAB 49.57, 8.7, 14.35

 

CMYK 0 / 24 / 40 / 51

HEX #7C5E4B

RGB 124 94 75

HSL 23.27, 0.25%, 0.39%

LAB 42.46, 9.45, 15.61

 

CMYK 0 / 29 / 48 / 58

HEX #6B4C38

RGB 107 76 56

HSL 23.53, 0.31%, 0.32%

LAB 35.16, 10.38, 17.05

 

CMYK 0 / 16 / 25 / 32

HEX #AE9383

RGB 174 147 131

HSL 22.33, 0.21%, 0.6%

LAB 62.93, 7.56, 12.22

 

CMYK 0 / 22 / 25 / 32

HEX #AE8783

RGB 174 135 131

HSL 5.58, 0.21%, 0.6%

LAB 59.86, 14.28, 7.87

 

CMYK 0 / 25 / 25 / 32

HEX #AE8383

RGB 174 131 131

HSL 0, 0.21%, 0.6%

LAB 58.85, 16.53, 6.43

 

CMYK 0 / 16 / 25 / 32

HEX #AE9383

RGB 174 147 131

HSL 22.33, 0.21%, 0.6%

LAB 62.93, 7.56, 12.22

 

CMYK 0 / 9 / 25 / 32

HEX #AE9F83

RGB 174 159 131

HSL 39.07, 0.21%, 0.6%

LAB 66.08, 0.95, 16.62

 

CMYK 0 / 2 / 25 / 32

HEX #AEAA83

RGB 174 170 131

HSL 54.42, 0.21%, 0.6%

LAB 69.03, -4.99, 20.67

 

CMYK 5 / 0 / 25 / 32

HEX #A6AE83

RGB 166 174 131

HSL 71.16, 0.21%, 0.6%

LAB 69.48, -10.22, 21.19

 

CMYK 11 / 0 / 25 / 32

HEX #9BAE83

RGB 155 174 131

HSL 86.51, 0.21%, 0.6%

LAB 68.66, -14.4, 19.93

 

CMYK 0 / 16 / 25 / 32

HEX #AE9383

RGB 174 147 131

HSL 22.33, 0.21%, 0.6%

LAB 62.93, 7.56, 12.22

 

CMYK 0 / 25 / 39 / 25

HEX #BE8F73

RGB 190 143 115

HSL 22.4, 0.37%, 0.6%

LAB 63.2, 14.08, 21.81

 

CMYK 0 / 33 / 53 / 19

HEX #CF8B62

RGB 207 139 98

HSL 22.57, 0.53%, 0.6%

LAB 63.85, 21.48, 32.37

 

CMYK 0 / 40 / 63 / 13

HEX #DF8652

RGB 223 134 82

HSL 22.13, 0.69%, 0.6%

LAB 64.44, 29.46, 42.05

 

CMYK 0 / 46 / 73 / 6

HEX #F08241

RGB 240 130 65

HSL 22.29, 0.85%, 0.6%

LAB 65.65, 37.39, 52.48

 

CMYK 0 / 16 / 25 / 32

HEX #AE9383

RGB 174 147 131

HSL 22.33, 0.21%, 0.6%

LAB 62.93, 7.56, 12.22

 

CMYK 0 / 4 / 6 / 38

HEX #9D9794

RGB 157 151 148

HSL 20, 0.04%, 0.6%

LAB 62.88, 1.64, 2.35

 

CMYK 14 / 5 / 0 / 36

HEX #8D9BA4

RGB 141 155 164

HSL 203.48, 0.11%, 0.6%

LAB 63.17, -3.06, -6.4

 

CMYK 31 / 12 / 0 / 29

HEX #7CA0B5

RGB 124 160 181

HSL 202.11, 0.28%, 0.6%

LAB 63.97, -7.22, -14.86

 

CMYK 45 / 17 / 0 / 23

HEX #6CA4C5

RGB 108 164 197

HSL 202.25, 0.43%, 0.6%

LAB 64.78, -9.51, -22.65

 

CMYK 0 / 25 / 21 / 32

HEX #AE838A

RGB 174 131 138

HSL 350.23, 0.21%, 0.6%

LAB 59.04, 17.6, 2.68

 

CMYK 0 / 22 / 25 / 32

HEX #AE8783

RGB 174 135 131

HSL 5.58, 0.21%, 0.6%

LAB 59.86, 14.28, 7.87

 

CMYK 0 / 16 / 25 / 32

HEX #AE9383

RGB 174 147 131

HSL 22.33, 0.21%, 0.6%

LAB 62.93, 7.56, 12.22

 

CMYK 0 / 9 / 25 / 32

HEX #AE9E83

RGB 174 158 131

HSL 37.67, 0.21%, 0.6%

LAB 65.82, 1.5, 16.25

 

CMYK 0 / 2 / 25 / 32

HEX #AEAA83

RGB 174 170 131

HSL 54.42, 0.21%, 0.6%

LAB 69.03, -4.99, 20.67

 

CMYK 0 / 22 / 35 / 47

HEX #876958

RGB 135 105 88

HSL 21.7, 0.21%, 0.44%

LAB 46.92, 9.42, 14.14

 

CMYK 0 / 21 / 33 / 38

HEX #9E7D6A

RGB 158 125 106

HSL 21.92, 0.21%, 0.52%

LAB 55.05, 9.94, 15.22

 

CMYK 0 / 16 / 25 / 32

HEX #AE9383

RGB 174 147 131

HSL 22.33, 0.21%, 0.6%

LAB 62.93, 7.56, 12.22

 

CMYK 0 / 11 / 18 / 25

HEX #BEA99C

RGB 190 169 156

HSL 22.94, 0.21%, 0.68%

LAB 70.68, 5.47, 9.48

 

CMYK 0 / 8 / 13 / 19

HEX #CFBEB5

RGB 207 190 181

HSL 20.77, 0.21%, 0.76%

LAB 78.13, 4.49, 6.7

 

CMYK 0 / 15 / 25 / 31

HEX #AF9484

RGB 175 148 132

HSL 22.33, 0.21%, 0.6%

LAB 63.31, 7.55, 12.2

 

CMYK 14 / 0 / 25 / 32

HEX #96AE83

RGB 150 174 131

HSL 93.49, 0.21%, 0.6%

LAB 68.31, -16.26, 19.39

 

CMYK 25 / 24 / 0 / 32

HEX #8385AE

RGB 131 133 174

HSL 237.21, 0.21%, 0.6%

LAB 56.74, 8.48, -21.85

 

CMYK 0 / 15 / 25 / 31

HEX #AF9484

RGB 175 148 132

HSL 22.33, 0.21%, 0.6%

LAB 63.31, 7.55, 12.2

 

CMYK 25 / 0 / 16 / 32

HEX #83AE93

RGB 131 174 147

HSL 142.33, 0.21%, 0.6%

LAB 67.43, -20.08, 9.21

 

CMYK 16 / 25 / 0 / 32

HEX #9383AE

RGB 147 131 174

HSL 262.33, 0.21%, 0.6%

LAB 57.55, 14.82, -20.49

 

CMYK 0 / 15 / 25 / 31

HEX #AF9484

RGB 175 148 132

HSL 22.33, 0.21%, 0.6%

LAB 63.31, 7.55, 12.2

 

CMYK 14 / 0 / 25 / 32

HEX #96AE83

RGB 150 174 131

HSL 93.49, 0.21%, 0.6%

LAB 68.31, -16.26, 19.39

 

CMYK 25 / 9 / 0 / 32

HEX #839EAE

RGB 131 158 174

HSL 202.33, 0.21%, 0.6%

LAB 63.62, -5.7, -11.42

 

CMYK 11 / 25 / 0 / 32

HEX #9B83AE

RGB 155 131 174

HSL 273.49, 0.21%, 0.6%

LAB 58.28, 17.49, -19.31

 

CMYK 0 / 15 / 25 / 31

HEX #AF9484

RGB 175 148 132

HSL 22.33, 0.21%, 0.6%

LAB 63.31, 7.55, 12.2

 

CMYK 21 / 0 / 25 / 32

HEX #89AE83

RGB 137 174 131

HSL 111.63, 0.21%, 0.6%

LAB 67.45, -20.97, 18.07

 

CMYK 25 / 9 / 0 / 32

HEX #839EAE

RGB 131 158 174

HSL 202.33, 0.21%, 0.6%

LAB 63.62, -5.7, -11.42

 

CMYK 3 / 25 / 0 / 32

HEX #A883AE

RGB 168 131 174

HSL 291.63, 0.21%, 0.6%

LAB 59.54, 21.9, -17.28

 

Description

Color code: HEX #AF9484 | qconv.com Color code: HEX #AF9484 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 148 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 148 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 25 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 25% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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