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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF954A it is the complementary color #506AB5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF954A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF954A shade: #B49545, #C5A758, #D6B96B, #E7CB7E and #F8DD91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF954A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF954A shade: #AF954A, #9E8337, #8D7124, #7C5F11 and #6B4D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF954A shade: #B09549, #B07A49, #B05E49 and #B04949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF954A shade: #B09549, #AEB049, #93B049, #77B049 and #5CB049

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF954A shade matches the following richer shades: #B09549, #C49F35, #D8A921 and #ECB30D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF954A shade: #B09549, #9B8B5D, #878272, #737886 and #5F6E9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF954A shade: #B05E49, #B07949, #B09449, #B0B049 and #94B049

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF954A shade: #766431, #937D3D, #B09549, #BEA764 and #CAB781

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF954A shade: #AF954A, #50B049 and #6B49B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF954A shade: #AF954A, #49B094 and #9449B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF954A shade: #AF954A, #50B049, #4965B0 and #A949B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF954A shade: #AF954A, #49B061, #4965B0 and #B04998

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 58 / 31

HEX #AF954A

RGB 175 149 74

HSL 44.55, 0.41%, 0.49%

LAB 62.59, 0.38, 42.59

 

Complementary color

CMYK 56 / 41 / 0 / 29

HEX #506AB5

RGB 80 106 181

HSL 224.55, 0.41%, 0.51%

LAB 46.11, 12.91, -42.76

 

CMYK 0 / 17 / 62 / 29

HEX #B49545

RGB 180 149 69

HSL 43.24, 0.45%, 0.49%

LAB 63.03, 2.19, 45.67

 

CMYK 0 / 15 / 55 / 23

HEX #C5A758

RGB 197 167 88

HSL 43.49, 0.48%, 0.56%

LAB 69.62, 1.24, 44.42

 

CMYK 0 / 14 / 50 / 16

HEX #D6B96B

RGB 214 185 107

HSL 43.74, 0.57%, 0.63%

LAB 76.1, 0.44, 43.14

 

CMYK 0 / 12 / 45 / 9

HEX #E7CB7E

RGB 231 203 126

HSL 44, 0.69%, 0.7%

LAB 82.49, -0.24, 41.89

 

CMYK 0 / 11 / 42 / 3

HEX #F8DD91

RGB 248 221 145

HSL 44.27, 0.88%, 0.77%

LAB 88.79, -0.83, 40.67

 

CMYK 0 / 15 / 58 / 31

HEX #AF954A

RGB 175 149 74

HSL 44.55, 0.41%, 0.49%

LAB 62.59, 0.38, 42.59

 

CMYK 0 / 17 / 65 / 38

HEX #9E8337

RGB 158 131 55

HSL 44.27, 0.48%, 0.42%

LAB 55.86, 1.39, 43.8

 

CMYK 0 / 20 / 74 / 45

HEX #8D7124

RGB 141 113 36

HSL 44, 0.59%, 0.35%

LAB 49.01, 2.65, 44.73

 

CMYK 0 / 23 / 86 / 51

HEX #7C5F11

RGB 124 95 17

HSL 43.74, 0.76%, 0.28%

LAB 42.02, 4.24, 44.85

 

CMYK 0 / 28 / 100 / 58

HEX #6B4D00

RGB 107 77 0

HSL 43.18, 1%, 0.21%

LAB 34.87, 6.22, 43.59

 

CMYK 0 / 15 / 59 / 31

HEX #B09549

RGB 176 149 73

HSL 44.27, 0.41%, 0.49%

LAB 62.68, 0.74, 43.21

 

CMYK 0 / 31 / 59 / 31

HEX #B07A49

RGB 176 122 73

HSL 28.54, 0.41%, 0.49%

LAB 55.72, 15.73, 34.97

 

CMYK 0 / 47 / 59 / 31

HEX #B05E49

RGB 176 94 73

HSL 12.23, 0.41%, 0.49%

LAB 49.15, 31.25, 26.83

 

CMYK 0 / 59 / 59 / 31

HEX #B04949

RGB 176 73 73

HSL 0, 0.41%, 0.49%

LAB 44.91, 42.07, 21.37

 

CMYK 0 / 15 / 59 / 31

HEX #B09549

RGB 176 149 73

HSL 44.27, 0.41%, 0.49%

LAB 62.68, 0.74, 43.21

 

CMYK 1 / 0 / 59 / 31

HEX #AEB049

RGB 174 176 73

HSL 61.17, 0.41%, 0.49%

LAB 69.85, -14.45, 51.26

 

CMYK 16 / 0 / 59 / 31

HEX #93B049

RGB 147 176 73

HSL 76.89, 0.41%, 0.49%

LAB 67.82, -25.64, 48.45

 

CMYK 32 / 0 / 59 / 31

HEX #77B049

RGB 119 176 73

HSL 93.2, 0.41%, 0.49%

LAB 66.1, -36.38, 46.03

 

CMYK 48 / 0 / 59 / 31

HEX #5CB049

RGB 92 176 73

HSL 108.93, 0.41%, 0.49%

LAB 64.81, -45.37, 44.2

 

CMYK 0 / 15 / 59 / 31

HEX #B09549

RGB 176 149 73

HSL 44.27, 0.41%, 0.49%

LAB 62.68, 0.74, 43.21

 

CMYK 0 / 19 / 73 / 23

HEX #C49F35

RGB 196 159 53

HSL 44.48, 0.57%, 0.49%

LAB 67.12, 2.84, 57.56

 

CMYK 0 / 22 / 85 / 15

HEX #D8A921

RGB 216 169 33

HSL 44.59, 0.73%, 0.49%

LAB 71.61, 5.55, 69.07

 

CMYK 0 / 24 / 94 / 7

HEX #ECB30D

RGB 236 179 13

HSL 44.66, 0.9%, 0.49%

LAB 76.13, 8.61, 77.32

 

CMYK 0 / 15 / 59 / 31

HEX #B09549

RGB 176 149 73

HSL 44.27, 0.41%, 0.49%

LAB 62.68, 0.74, 43.21

 

CMYK 0 / 10 / 40 / 39

HEX #9B8B5D

RGB 155 139 93

HSL 44.52, 0.25%, 0.49%

LAB 58.25, -0.86, 26.8

 

CMYK 0 / 4 / 16 / 47

HEX #878272

RGB 135 130 114

HSL 45.71, 0.08%, 0.49%

LAB 54.38, -1.02, 9.34

 

CMYK 14 / 10 / 0 / 47

HEX #737886

RGB 115 120 134

HSL 224.21, 0.08%, 0.49%

LAB 50.45, 1.18, -8.27

 

CMYK 38 / 29 / 0 / 40

HEX #5F6E9A

RGB 95 110 154

HSL 224.75, 0.24%, 0.49%

LAB 46.87, 5.83, -25.67

 

CMYK 0 / 47 / 59 / 31

HEX #B05E49

RGB 176 94 73

HSL 12.23, 0.41%, 0.49%

LAB 49.15, 31.25, 26.83

 

CMYK 0 / 31 / 59 / 31

HEX #B07949

RGB 176 121 73

HSL 27.96, 0.41%, 0.49%

LAB 55.47, 16.29, 34.67

 

CMYK 0 / 16 / 59 / 31

HEX #B09449

RGB 176 148 73

HSL 43.69, 0.41%, 0.49%

LAB 62.42, 1.28, 42.9

 

CMYK 0 / 0 / 59 / 31

HEX #B0B049

RGB 176 176 73

HSL 60, 0.41%, 0.49%

LAB 70.01, -13.6, 51.49

 

CMYK 16 / 0 / 59 / 31

HEX #94B049

RGB 148 176 73

HSL 76.31, 0.41%, 0.49%

LAB 67.89, -25.23, 48.54

 

CMYK 0 / 15 / 58 / 54

HEX #766431

RGB 118 100 49

HSL 44.35, 0.41%, 0.33%

LAB 43.04, 0.33, 31.21

 

CMYK 0 / 15 / 59 / 42

HEX #937D3D

RGB 147 125 61

HSL 44.65, 0.41%, 0.41%

LAB 53.18, 0.25, 37.49

 

CMYK 0 / 15 / 59 / 31

HEX #B09549

RGB 176 149 73

HSL 44.27, 0.41%, 0.49%

LAB 62.68, 0.74, 43.21

 

CMYK 0 / 12 / 47 / 25

HEX #BEA764

RGB 190 167 100

HSL 44.67, 0.41%, 0.57%

LAB 69.12, -0.63, 37.57

 

CMYK 0 / 9 / 36 / 21

HEX #CAB781

RGB 202 183 129

HSL 44.38, 0.41%, 0.65%

LAB 74.83, -1.08, 29.95

 

CMYK 0 / 15 / 58 / 31

HEX #AF954A

RGB 175 149 74

HSL 44.55, 0.41%, 0.49%

LAB 62.59, 0.38, 42.59

 

CMYK 55 / 0 / 59 / 31

HEX #50B049

RGB 80 176 73

HSL 115.92, 0.41%, 0.49%

LAB 64.35, -48.77, 43.56

 

CMYK 39 / 59 / 0 / 31

HEX #6B49B0

RGB 107 73 176

HSL 259.81, 0.41%, 0.49%

LAB 39.62, 37.94, -50.08

 

CMYK 0 / 15 / 58 / 31

HEX #AF954A

RGB 175 149 74

HSL 44.55, 0.41%, 0.49%

LAB 62.59, 0.38, 42.59

 

CMYK 59 / 0 / 16 / 31

HEX #49B094

RGB 73 176 148

HSL 163.69, 0.41%, 0.49%

LAB 65.44, -36.69, 5.46

 

CMYK 16 / 59 / 0 / 31

HEX #9449B0

RGB 148 73 176

HSL 283.69, 0.41%, 0.49%

LAB 44.51, 48.16, -41.98

 

CMYK 0 / 15 / 58 / 31

HEX #AF954A

RGB 175 149 74

HSL 44.55, 0.41%, 0.49%

LAB 62.59, 0.38, 42.59

 

CMYK 55 / 0 / 59 / 31

HEX #50B049

RGB 80 176 73

HSL 115.92, 0.41%, 0.49%

LAB 64.35, -48.77, 43.56

 

CMYK 59 / 43 / 0 / 31

HEX #4965B0

RGB 73 101 176

HSL 223.69, 0.41%, 0.49%

LAB 44.03, 12.88, -43.17

 

CMYK 4 / 59 / 0 / 31

HEX #A949B0

RGB 169 73 176

HSL 295.92, 0.41%, 0.49%

LAB 47.41, 53.65, -37.21

 

CMYK 0 / 15 / 58 / 31

HEX #AF954A

RGB 175 149 74

HSL 44.55, 0.41%, 0.49%

LAB 62.59, 0.38, 42.59

 

CMYK 59 / 0 / 45 / 31

HEX #49B061

RGB 73 176 97

HSL 133.98, 0.41%, 0.49%

LAB 64.43, -47.16, 31.68

 

CMYK 59 / 43 / 0 / 31

HEX #4965B0

RGB 73 101 176

HSL 223.69, 0.41%, 0.49%

LAB 44.03, 12.88, -43.17

 

CMYK 0 / 59 / 14 / 31

HEX #B04998

RGB 176 73 152

HSL 313.98, 0.41%, 0.49%

LAB 47.32, 51.47, -23.08

 

Description

Color code: HEX #AF954A | qconv.com Color code: HEX #AF954A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 149 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 149 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 58 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 58% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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