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Color name
HEX #AF9621

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF9621 it is the complementary color #5069DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF9621. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF9621 shade: #B4961C, #C5A82F, #D6BA42, #E7CC55 and #F8DE68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF9621. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF9621 shade: #AF9621, #9E840E, #8D7200, #7C6000 and #6B4E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF9621 shade: #AF9621, #AF7021, #AF4921, #AF2321 and #AF2121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF9621 shade: #AF9621, #A2AF21, #7BAF21, #55AF21 and #2FAF21

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF9621 shade matches the following richer shades: #AF9621 and #C0A110

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF9621 shade: #AF9621, #9E8B32, #8D8043, #7C7554 and #6B6A65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF9621 shade: #AF4921, #AF6F21, #AF9521, #A3AF21 and #7DAF21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF9621 shade: #6A5B14, #8C781A, #AF9621, #D2B428 and #DCC147

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF9621 shade: #AF9621, #21AF23 and #5C21AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF9621 shade: #AF9621, #21AF95 and #9521AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF9621 shade: #AF9621, #21AF23, #213BAF and #AF21AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF9621 shade: #AF9621, #21AF4E, #213BAF and #AF2182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 81 / 31

HEX #AF9621

RGB 175 150 33

HSL 49.44, 0.68%, 0.41%

LAB 62.54, -2.46, 59.69

 

Complementary color

CMYK 64 / 53 / 0 / 13

HEX #5069DE

RGB 80 105 222

HSL 229.44, 0.68%, 0.59%

LAB 48.36, 27.43, -62.68

 

CMYK 0 / 17 / 84 / 29

HEX #B4961C

RGB 180 150 28

HSL 48.16, 0.73%, 0.41%

LAB 63.01, -0.36, 61.76

 

CMYK 0 / 15 / 76 / 23

HEX #C5A82F

RGB 197 168 47

HSL 48.4, 0.61%, 0.48%

LAB 69.53, -1.8, 62.16

 

CMYK 0 / 13 / 69 / 16

HEX #D6BA42

RGB 214 186 66

HSL 48.65, 0.64%, 0.55%

LAB 75.95, -3, 61.78

 

CMYK 0 / 12 / 63 / 9

HEX #E7CC55

RGB 231 204 85

HSL 48.9, 0.75%, 0.62%

LAB 82.29, -4.02, 60.98

 

CMYK 0 / 10 / 58 / 3

HEX #F8DE68

RGB 248 222 104

HSL 49.17, 0.91%, 0.69%

LAB 88.54, -4.89, 59.98

 

CMYK 0 / 14 / 81 / 31

HEX #AF9621

RGB 175 150 33

HSL 49.44, 0.68%, 0.41%

LAB 62.54, -2.46, 59.69

 

CMYK 0 / 16 / 91 / 38

HEX #9E840E

RGB 158 132 14

HSL 49.17, 0.84%, 0.34%

LAB 55.89, -0.88, 58.43

 

CMYK 0 / 19 / 100 / 45

HEX #8D7200

RGB 141 114 0

HSL 48.51, 1%, 0.28%

LAB 49.13, 1, 55.29

 

CMYK 0 / 23 / 100 / 51

HEX #7C6000

RGB 124 96 0

HSL 46.45, 1%, 0.24%

LAB 42.23, 3.23, 49.61

 

CMYK 0 / 27 / 100 / 58

HEX #6B4E00

RGB 107 78 0

HSL 43.74, 1%, 0.21%

LAB 35.15, 5.61, 43.79

 

CMYK 0 / 14 / 81 / 31

HEX #AF9621

RGB 175 150 33

HSL 49.44, 0.68%, 0.41%

LAB 62.54, -2.46, 59.69

 

CMYK 0 / 36 / 81 / 31

HEX #AF7021

RGB 175 112 33

HSL 33.38, 0.68%, 0.41%

LAB 52.74, 18.61, 50.92

 

CMYK 0 / 58 / 81 / 31

HEX #AF4921

RGB 175 73 33

HSL 16.9, 0.68%, 0.41%

LAB 44.22, 39.5, 42.97

 

CMYK 0 / 80 / 81 / 31

HEX #AF2321

RGB 175 35 33

HSL 0.85, 0.68%, 0.41%

LAB 38.6, 54.72, 37.49

 

CMYK 0 / 81 / 81 / 31

HEX #AF2121

RGB 175 33 33

HSL 0, 0.68%, 0.41%

LAB 38.4, 55.29, 37.29

 

CMYK 0 / 14 / 81 / 31

HEX #AF9621

RGB 175 150 33

HSL 49.44, 0.68%, 0.41%

LAB 62.54, -2.46, 59.69

 

CMYK 7 / 0 / 81 / 31

HEX #A2AF21

RGB 162 175 33

HSL 65.49, 0.68%, 0.41%

LAB 68.35, -21.25, 64.36

 

CMYK 30 / 0 / 81 / 31

HEX #7BAF21

RGB 123 175 33

HSL 81.97, 0.68%, 0.41%

LAB 65.73, -37.27, 61.04

 

CMYK 51 / 0 / 81 / 31

HEX #55AF21

RGB 85 175 33

HSL 98.03, 0.68%, 0.41%

LAB 63.92, -50.33, 58.71

 

CMYK 73 / 0 / 81 / 31

HEX #2FAF21

RGB 47 175 33

HSL 114.08, 0.68%, 0.41%

LAB 62.82, -59.28, 57.29

 

CMYK 0 / 14 / 81 / 31

HEX #AF9621

RGB 175 150 33

HSL 49.44, 0.68%, 0.41%

LAB 62.54, -2.46, 59.69

 

CMYK 0 / 16 / 92 / 25

HEX #C0A110

RGB 192 161 16

HSL 49.43, 0.85%, 0.41%

LAB 67.08, -1.16, 68.17

 

CMYK 0 / 14 / 81 / 31

HEX #AF9621

RGB 175 150 33

HSL 49.44, 0.68%, 0.41%

LAB 62.54, -2.46, 59.69

 

CMYK 0 / 12 / 68 / 38

HEX #9E8B32

RGB 158 139 50

HSL 49.44, 0.52%, 0.41%

LAB 58, -3.35, 48.36

 

CMYK 0 / 9 / 52 / 45

HEX #8D8043

RGB 141 128 67

HSL 49.46, 0.36%, 0.41%

LAB 53.5, -3.58, 34.61

 

CMYK 0 / 6 / 32 / 51

HEX #7C7554

RGB 124 117 84

HSL 49.5, 0.19%, 0.41%

LAB 49.07, -2.81, 19.22

 

CMYK 0 / 1 / 6 / 58

HEX #6B6A65

RGB 107 106 101

HSL 50, 0.03%, 0.41%

LAB 44.76, -0.61, 2.94

 

CMYK 0 / 58 / 81 / 31

HEX #AF4921

RGB 175 73 33

HSL 16.9, 0.68%, 0.41%

LAB 44.22, 39.5, 42.97

 

CMYK 0 / 37 / 81 / 31

HEX #AF6F21

RGB 175 111 33

HSL 32.96, 0.68%, 0.41%

LAB 52.5, 19.17, 50.7

 

CMYK 0 / 15 / 81 / 31

HEX #AF9521

RGB 175 149 33

HSL 49.01, 0.68%, 0.41%

LAB 62.27, -1.92, 59.46

 

CMYK 7 / 0 / 81 / 31

HEX #A3AF21

RGB 163 175 33

HSL 65.07, 0.68%, 0.41%

LAB 68.43, -20.82, 64.46

 

CMYK 29 / 0 / 81 / 31

HEX #7DAF21

RGB 125 175 33

HSL 81.13, 0.68%, 0.41%

LAB 65.85, -36.5, 61.19

 

CMYK 0 / 14 / 81 / 58

HEX #6A5B14

RGB 106 91 20

HSL 49.53, 0.68%, 0.25%

LAB 38.89, -2.06, 40.25

 

CMYK 0 / 14 / 81 / 45

HEX #8C781A

RGB 140 120 26

HSL 49.47, 0.69%, 0.33%

LAB 50.78, -2.24, 50.21

 

CMYK 0 / 14 / 81 / 31

HEX #AF9621

RGB 175 150 33

HSL 49.44, 0.68%, 0.41%

LAB 62.54, -2.46, 59.69

 

CMYK 0 / 14 / 81 / 18

HEX #D2B428

RGB 210 180 40

HSL 49.41, 0.68%, 0.49%

LAB 73.87, -2.68, 68.8

 

CMYK 0 / 12 / 68 / 14

HEX #DCC147

RGB 220 193 71

HSL 49.13, 0.68%, 0.57%

LAB 78.35, -3.81, 62.39

 

CMYK 0 / 14 / 81 / 31

HEX #AF9621

RGB 175 150 33

HSL 49.44, 0.68%, 0.41%

LAB 62.54, -2.46, 59.69

 

CMYK 81 / 0 / 80 / 31

HEX #21AF23

RGB 33 175 35

HSL 120.85, 0.68%, 0.41%

LAB 62.6, -61.21, 56.41

 

CMYK 47 / 81 / 0 / 31

HEX #5C21AF

RGB 92 33 175

HSL 264.93, 0.68%, 0.41%

LAB 30.54, 54.98, -64.34

 

CMYK 0 / 14 / 81 / 31

HEX #AF9621

RGB 175 150 33

HSL 49.44, 0.68%, 0.41%

LAB 62.54, -2.46, 59.69

 

CMYK 81 / 0 / 15 / 31

HEX #21AF95

RGB 33 175 149

HSL 169.01, 0.68%, 0.41%

LAB 64.28, -41.96, 3.13

 

CMYK 15 / 81 / 0 / 31

HEX #9521AF

RGB 149 33 175

HSL 289.01, 0.68%, 0.41%

LAB 38.85, 64.28, -50.45

 

CMYK 0 / 14 / 81 / 31

HEX #AF9621

RGB 175 150 33

HSL 49.44, 0.68%, 0.41%

LAB 62.54, -2.46, 59.69

 

CMYK 81 / 0 / 80 / 31

HEX #21AF23

RGB 33 175 35

HSL 120.85, 0.68%, 0.41%

LAB 62.6, -61.21, 56.41

 

CMYK 81 / 66 / 0 / 31

HEX #213BAF

RGB 33 59 175

HSL 229.01, 0.68%, 0.41%

LAB 30.75, 33.97, -64.17

 

CMYK 0 / 81 / 1 / 31

HEX #AF21AD

RGB 175 33 173

HSL 300.85, 0.68%, 0.41%

LAB 43.09, 68.89, -42.22

 

CMYK 0 / 14 / 81 / 31

HEX #AF9621

RGB 175 150 33

HSL 49.44, 0.68%, 0.41%

LAB 62.54, -2.46, 59.69

 

CMYK 81 / 0 / 55 / 31

HEX #21AF4E

RGB 33 175 78

HSL 139.01, 0.68%, 0.41%

LAB 62.96, -56.79, 39.24

 

CMYK 81 / 66 / 0 / 31

HEX #213BAF

RGB 33 59 175

HSL 229.01, 0.68%, 0.41%

LAB 30.75, 33.97, -64.17

 

CMYK 0 / 81 / 26 / 31

HEX #AF2182

RGB 175 33 130

HSL 319.01, 0.68%, 0.41%

LAB 40.92, 62.83, -19.63

 

Description

Color code: HEX #AF9621 | qconv.com Color code: HEX #AF9621 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 150 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 150 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 81 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 81% 31% C M Y K

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Provide designers and agencies with accurate color values.

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