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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF97B9 it is the complementary color #506846. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF97B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF97B9 shade: #B497B4, #C5A9C7, #D6BBDA, #E7CDED and #F8DFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF97B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF97B9 shade: #AF97B9, #9E85A6, #8D7393, #7C6180 and #6B4F6D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF97B9 shade: #AF96B9, #B896B9, #B996B1, #B996A7 and #B9969E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF97B9 shade: #AF96B9, #A696B9, #9C96B9 and #9696B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF97B9 shade matches the following richer shades: #AF96B9, #B588C7, #BA7AD5, #C06CE3 and #C65EF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF97B9 shade: #AF96B9, #A9A4AB, #A3B39D, #9EC18F and #98CF81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF97B9 shade: #9C96B9, #A596B9, #AF96B9, #B896B9 and #B996B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF97B9 shade: #896598, #9C7EA9, #AF96B9, #C2AFCA and #D5C8DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF97B9 shade: #AF97B9, #B9969A and #96B9A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF97B9 shade: #AF97B9, #B9AF96 and #96B9AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF97B9 shade: #AF97B9, #B9969A, #A1B996 and #96B9B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF97B9 shade: #AF97B9, #B99D96, #A1B996 and #96B2B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 18 / 0 / 27

HEX #AF97B9

RGB 175 151 185

HSL 282.35, 0.2%, 0.66%

LAB 65.55, 15.2, -14.34

 

Complementary color

CMYK 23 / 0 / 33 / 59

HEX #506846

RGB 80 104 70

HSL 102.35, 0.2%, 0.34%

LAB 41.29, -16.02, 16.34

 

CMYK 0 / 16 / 0 / 29

HEX #B497B4

RGB 180 151 180

HSL 300, 0.16%, 0.65%

LAB 65.85, 15.95, -11.04

 

CMYK 1 / 15 / 0 / 22

HEX #C5A9C7

RGB 197 169 199

HSL 296, 0.21%, 0.72%

LAB 72.47, 15.49, -11.51

 

CMYK 2 / 14 / 0 / 15

HEX #D6BBDA

RGB 214 187 218

HSL 292.26, 0.3%, 0.79%

LAB 78.98, 15.07, -11.97

 

CMYK 3 / 14 / 0 / 7

HEX #E7CDED

RGB 231 205 237

HSL 288.75, 0.47%, 0.87%

LAB 85.39, 14.68, -12.42

 

CMYK 3 / 13 / 0 / 0

HEX #F8DFFF

RGB 248 223 255

HSL 286.88, 1%, 0.94%

LAB 91.66, 14.13, -12.38

 

CMYK 5 / 18 / 0 / 27

HEX #AF97B9

RGB 175 151 185

HSL 282.35, 0.2%, 0.66%

LAB 65.55, 15.2, -14.34

 

CMYK 5 / 20 / 0 / 35

HEX #9E85A6

RGB 158 133 166

HSL 285.45, 0.16%, 0.59%

LAB 58.79, 15.68, -13.94

 

CMYK 4 / 22 / 0 / 42

HEX #8D7393

RGB 141 115 147

HSL 288.75, 0.13%, 0.51%

LAB 51.87, 16.21, -13.54

 

CMYK 3 / 24 / 0 / 50

HEX #7C6180

RGB 124 97 128

HSL 292.26, 0.14%, 0.44%

LAB 44.79, 16.8, -13.13

 

CMYK 2 / 28 / 0 / 57

HEX #6B4F6D

RGB 107 79 109

HSL 296, 0.16%, 0.37%

LAB 37.52, 17.46, -12.71

 

CMYK 5 / 19 / 0 / 27

HEX #AF96B9

RGB 175 150 185

HSL 282.86, 0.2%, 0.66%

LAB 65.3, 15.77, -14.71

 

CMYK 1 / 19 / 0 / 27

HEX #B896B9

RGB 184 150 185

HSL 298.29, 0.2%, 0.66%

LAB 66.14, 18.85, -13.37

 

CMYK 0 / 19 / 4 / 27

HEX #B996B1

RGB 185 150 177

HSL 313.71, 0.2%, 0.66%

LAB 65.98, 17.69, -9.11

 

CMYK 0 / 19 / 10 / 27

HEX #B996A7

RGB 185 150 167

HSL 330.86, 0.2%, 0.66%

LAB 65.68, 15.9, -3.94

 

CMYK 0 / 19 / 15 / 27

HEX #B9969E

RGB 185 150 158

HSL 346.29, 0.2%, 0.66%

LAB 65.43, 14.36, 0.75

 

CMYK 5 / 19 / 0 / 27

HEX #AF96B9

RGB 175 150 185

HSL 282.86, 0.2%, 0.66%

LAB 65.3, 15.77, -14.71

 

CMYK 10 / 19 / 0 / 27

HEX #A696B9

RGB 166 150 185

HSL 267.43, 0.2%, 0.66%

LAB 64.5, 12.72, -16

 

CMYK 16 / 19 / 0 / 27

HEX #9C96B9

RGB 156 150 185

HSL 250.29, 0.2%, 0.66%

LAB 63.66, 9.39, -17.36

 

CMYK 19 / 19 / 0 / 27

HEX #9696B9

RGB 150 150 185

HSL 240, 0.2%, 0.66%

LAB 63.18, 7.43, -18.13

 

CMYK 5 / 19 / 0 / 27

HEX #AF96B9

RGB 175 150 185

HSL 282.86, 0.2%, 0.66%

LAB 65.3, 15.77, -14.71

 

CMYK 9 / 32 / 0 / 22

HEX #B588C7

RGB 181 136 199

HSL 282.86, 0.36%, 0.66%

LAB 62.97, 28.48, -26.07

 

CMYK 13 / 43 / 0 / 16

HEX #BA7AD5

RGB 186 122 213

HSL 282.2, 0.52%, 0.66%

LAB 60.92, 40.67, -37.07

 

CMYK 15 / 52 / 0 / 11

HEX #C06CE3

RGB 192 108 227

HSL 282.35, 0.68%, 0.66%

LAB 59.41, 52.63, -47.25

 

CMYK 18 / 61 / 0 / 5

HEX #C65EF1

RGB 198 94 241

HSL 282.45, 0.84%, 0.66%

LAB 58.38, 63.74, -56.66

 

CMYK 5 / 19 / 0 / 27

HEX #AF96B9

RGB 175 150 185

HSL 282.86, 0.2%, 0.66%

LAB 65.3, 15.77, -14.71

 

CMYK 1 / 4 / 0 / 33

HEX #A9A4AB

RGB 169 164 171

HSL 282.86, 0.04%, 0.66%

LAB 67.97, 3.12, -2.98

 

CMYK 9 / 0 / 12 / 30

HEX #A3B39D

RGB 163 179 157

HSL 103.64, 0.13%, 0.66%

LAB 71.19, -9.71, 9.35

 

CMYK 18 / 0 / 26 / 24

HEX #9EC18F

RGB 158 193 143

HSL 102, 0.29%, 0.66%

LAB 74.44, -21.07, 21.42

 

CMYK 27 / 0 / 38 / 19

HEX #98CF81

RGB 152 207 129

HSL 102.31, 0.45%, 0.66%

LAB 77.81, -32.09, 33.19

 

CMYK 16 / 19 / 0 / 27

HEX #9C96B9

RGB 156 150 185

HSL 250.29, 0.2%, 0.66%

LAB 63.66, 9.39, -17.36

 

CMYK 11 / 19 / 0 / 27

HEX #A596B9

RGB 165 150 185

HSL 265.71, 0.2%, 0.66%

LAB 64.42, 12.38, -16.14

 

CMYK 5 / 19 / 0 / 27

HEX #AF96B9

RGB 175 150 185

HSL 282.86, 0.2%, 0.66%

LAB 65.3, 15.77, -14.71

 

CMYK 1 / 19 / 0 / 27

HEX #B896B9

RGB 184 150 185

HSL 298.29, 0.2%, 0.66%

LAB 66.14, 18.85, -13.37

 

CMYK 0 / 19 / 4 / 27

HEX #B996B1

RGB 185 150 177

HSL 313.71, 0.2%, 0.66%

LAB 65.98, 17.69, -9.11

 

CMYK 10 / 34 / 0 / 40

HEX #896598

RGB 137 101 152

HSL 282.35, 0.2%, 0.5%

LAB 48.12, 24.12, -22.24

 

CMYK 8 / 25 / 0 / 34

HEX #9C7EA9

RGB 156 126 169

HSL 281.86, 0.2%, 0.58%

LAB 56.93, 19.64, -18.49

 

CMYK 5 / 19 / 0 / 27

HEX #AF96B9

RGB 175 150 185

HSL 282.86, 0.2%, 0.66%

LAB 65.3, 15.77, -14.71

 

CMYK 4 / 13 / 0 / 21

HEX #C2AFCA

RGB 194 175 202

HSL 282.22, 0.2%, 0.74%

LAB 73.8, 11.76, -11.2

 

CMYK 2 / 8 / 0 / 15

HEX #D5C8DA

RGB 213 200 218

HSL 283.33, 0.2%, 0.82%

LAB 82.12, 7.77, -7.31

 

CMYK 5 / 18 / 0 / 27

HEX #AF97B9

RGB 175 151 185

HSL 282.35, 0.2%, 0.66%

LAB 65.55, 15.2, -14.34

 

CMYK 0 / 19 / 17 / 27

HEX #B9969A

RGB 185 150 154

HSL 353.14, 0.2%, 0.66%

LAB 65.33, 13.7, 2.84

 

CMYK 19 / 0 / 13 / 27

HEX #96B9A1

RGB 150 185 161

HSL 138.86, 0.2%, 0.66%

LAB 72.06, -16.62, 8.3

 

CMYK 5 / 18 / 0 / 27

HEX #AF97B9

RGB 175 151 185

HSL 282.35, 0.2%, 0.66%

LAB 65.55, 15.2, -14.34

 

CMYK 0 / 5 / 19 / 27

HEX #B9AF96

RGB 185 175 150

HSL 42.86, 0.2%, 0.66%

LAB 71.67, -0.6, 14.11

 

CMYK 19 / 0 / 5 / 27

HEX #96B9AF

RGB 150 185 175

HSL 162.86, 0.2%, 0.66%

LAB 72.41, -13.84, 1.16

 

CMYK 5 / 18 / 0 / 27

HEX #AF97B9

RGB 175 151 185

HSL 282.35, 0.2%, 0.66%

LAB 65.55, 15.2, -14.34

 

CMYK 0 / 19 / 17 / 27

HEX #B9969A

RGB 185 150 154

HSL 353.14, 0.2%, 0.66%

LAB 65.33, 13.7, 2.84

 

CMYK 13 / 0 / 19 / 27

HEX #A1B996

RGB 161 185 150

HSL 101.14, 0.2%, 0.66%

LAB 72.55, -14.78, 15.06

 

CMYK 19 / 0 / 2 / 27

HEX #96B9B6

RGB 150 185 182

HSL 174.86, 0.2%, 0.66%

LAB 72.6, -12.37, -2.39

 

CMYK 5 / 18 / 0 / 27

HEX #AF97B9

RGB 175 151 185

HSL 282.35, 0.2%, 0.66%

LAB 65.55, 15.2, -14.34

 

CMYK 0 / 15 / 19 / 27

HEX #B99D96

RGB 185 157 150

HSL 12, 0.2%, 0.66%

LAB 67, 9.19, 7.49

 

CMYK 13 / 0 / 19 / 27

HEX #A1B996

RGB 161 185 150

HSL 101.14, 0.2%, 0.66%

LAB 72.55, -14.78, 15.06

 

CMYK 19 / 4 / 0 / 27

HEX #96B2B9

RGB 150 178 185

HSL 192, 0.2%, 0.66%

LAB 70.75, -8.01, -6.77

 

Description

Color code: HEX #AF97B9 | qconv.com Color code: HEX #AF97B9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 151 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 151 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 18 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 18% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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