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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF9C68 it is the complementary color #506397. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF9C68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF9C68 shade: #B49C63, #C5AE76, #D6C089, #E7D29C and #F8E4AF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF9C68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF9C68 shade: #AF9C68, #9E8A55, #8D7842, #7C662F and #6B541C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF9C68 shade: #AF9C68, #AF8968, #AF7668 and #AF6868

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF9C68 shade: #AF9C68, #AFAF68, #9CAF68, #89AF68 and #76AF68

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF9C68 shade matches the following richer shades: #AF9C68, #C2A556, #D4AE43, #E7B630 and #FABF1E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF9C68 shade: #AF9C68, #9D947B, #8A8B8D, #7882A0 and #657AB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF9C68 shade: #AF7568, #AF8868, #AF9B68, #AFAE68 and #9EAF68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF9C68 shade: #817144, #9C8852, #AF9C68, #BEAE83 and #CCC09E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF9C68 shade: #AF9C68, #6EAF68 and #7F68AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF9C68 shade: #AF9C68, #68AF9B and #9B68AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF9C68 shade: #AF9C68, #6EAF68, #687CAF and #A968AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF9C68 shade: #AF9C68, #68AF78, #687CAF and #AF68A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 41 / 31

HEX #AF9C68

RGB 175 156 104

HSL 43.94, 0.31%, 0.55%

LAB 64.88, -0.53, 29.78

 

Complementary color

CMYK 47 / 34 / 0 / 41

HEX #506397

RGB 80 99 151

HSL 223.94, 0.31%, 0.45%

LAB 42.56, 7.55, -30.69

 

CMYK 0 / 13 / 45 / 29

HEX #B49C63

RGB 180 156 99

HSL 42.22, 0.35%, 0.55%

LAB 65.26, 1.01, 33.05

 

CMYK 0 / 12 / 40 / 23

HEX #C5AE76

RGB 197 174 118

HSL 42.53, 0.41%, 0.62%

LAB 71.86, 0.41, 31.78

 

CMYK 0 / 10 / 36 / 16

HEX #D6C089

RGB 214 192 137

HSL 42.86, 0.48%, 0.69%

LAB 78.35, -0.11, 30.59

 

CMYK 0 / 9 / 32 / 9

HEX #E7D29C

RGB 231 210 156

HSL 43.2, 0.61%, 0.76%

LAB 84.73, -0.55, 29.46

 

CMYK 0 / 8 / 29 / 3

HEX #F8E4AF

RGB 248 228 175

HSL 43.56, 0.84%, 0.83%

LAB 91.03, -0.94, 28.39

 

CMYK 0 / 11 / 41 / 31

HEX #AF9C68

RGB 175 156 104

HSL 43.94, 0.31%, 0.55%

LAB 64.88, -0.53, 29.78

 

CMYK 0 / 13 / 46 / 38

HEX #9E8A55

RGB 158 138 85

HSL 43.56, 0.3%, 0.48%

LAB 58.13, 0.08, 31.07

 

CMYK 0 / 15 / 53 / 45

HEX #8D7842

RGB 141 120 66

HSL 43.2, 0.36%, 0.41%

LAB 51.25, 0.84, 32.43

 

CMYK 0 / 18 / 62 / 51

HEX #7C662F

RGB 124 102 47

HSL 42.86, 0.45%, 0.34%

LAB 44.22, 1.79, 33.8

 

CMYK 0 / 21 / 74 / 58

HEX #6B541C

RGB 107 84 28

HSL 42.53, 0.59%, 0.26%

LAB 37.02, 3.03, 35

 

CMYK 0 / 11 / 41 / 31

HEX #AF9C68

RGB 175 156 104

HSL 43.94, 0.31%, 0.55%

LAB 64.88, -0.53, 29.78

 

CMYK 0 / 22 / 41 / 31

HEX #AF8968

RGB 175 137 104

HSL 27.89, 0.31%, 0.55%

LAB 59.89, 9.96, 23.23

 

CMYK 0 / 33 / 41 / 31

HEX #AF7668

RGB 175 118 104

HSL 11.83, 0.31%, 0.55%

LAB 55.14, 20.63, 16.81

 

CMYK 0 / 41 / 41 / 31

HEX #AF6868

RGB 175 104 104

HSL 0, 0.31%, 0.55%

LAB 51.85, 28.44, 12.26

 

CMYK 0 / 11 / 41 / 31

HEX #AF9C68

RGB 175 156 104

HSL 43.94, 0.31%, 0.55%

LAB 64.88, -0.53, 29.78

 

CMYK 0 / 0 / 41 / 31

HEX #AFAF68

RGB 175 175 104

HSL 60, 0.31%, 0.55%

LAB 70.02, -10.65, 36.36

 

CMYK 11 / 0 / 41 / 31

HEX #9CAF68

RGB 156 175 104

HSL 76.06, 0.31%, 0.55%

LAB 68.55, -18.3, 34.2

 

CMYK 22 / 0 / 41 / 31

HEX #89AF68

RGB 137 175 104

HSL 92.11, 0.31%, 0.55%

LAB 67.26, -25.61, 32.28

 

CMYK 33 / 0 / 41 / 31

HEX #76AF68

RGB 118 175 104

HSL 108.17, 0.31%, 0.55%

LAB 66.14, -32.44, 30.62

 

CMYK 0 / 11 / 41 / 31

HEX #AF9C68

RGB 175 156 104

HSL 43.94, 0.31%, 0.55%

LAB 64.88, -0.53, 29.78

 

CMYK 0 / 15 / 56 / 24

HEX #C2A556

RGB 194 165 86

HSL 43.89, 0.47%, 0.55%

LAB 68.79, 0.87, 44.36

 

CMYK 0 / 18 / 68 / 17

HEX #D4AE43

RGB 212 174 67

HSL 44.28, 0.63%, 0.55%

LAB 72.68, 2.5, 57.94

 

CMYK 0 / 21 / 79 / 9

HEX #E7B630

RGB 231 182 48

HSL 43.93, 0.79%, 0.55%

LAB 76.47, 5.62, 69.42

 

CMYK 0 / 24 / 88 / 2

HEX #FABF1E

RGB 250 191 30

HSL 43.91, 0.96%, 0.55%

LAB 80.56, 8.6, 78.44

 

CMYK 0 / 11 / 41 / 31

HEX #AF9C68

RGB 175 156 104

HSL 43.94, 0.31%, 0.55%

LAB 64.88, -0.53, 29.78

 

CMYK 0 / 6 / 22 / 38

HEX #9D947B

RGB 157 148 123

HSL 44.12, 0.15%, 0.55%

LAB 61.46, -0.92, 14.43

 

CMYK 2 / 1 / 0 / 45

HEX #8A8B8D

RGB 138 139 141

HSL 220, 0.01%, 0.55%

LAB 57.84, 0.03, -1.2

 

CMYK 25 / 19 / 0 / 37

HEX #7882A0

RGB 120 130 160

HSL 225, 0.17%, 0.55%

LAB 54.55, 3.24, -17.22

 

CMYK 43 / 31 / 0 / 30

HEX #657AB2

RGB 101 122 178

HSL 223.64, 0.33%, 0.55%

LAB 51.72, 7.27, -32.09

 

CMYK 0 / 33 / 41 / 31

HEX #AF7568

RGB 175 117 104

HSL 10.99, 0.31%, 0.55%

LAB 54.9, 21.19, 16.47

 

CMYK 0 / 22 / 41 / 31

HEX #AF8868

RGB 175 136 104

HSL 27.04, 0.31%, 0.55%

LAB 59.64, 10.52, 22.88

 

CMYK 0 / 11 / 41 / 31

HEX #AF9B68

RGB 175 155 104

HSL 43.1, 0.31%, 0.55%

LAB 64.61, 0.02, 29.43

 

CMYK 0 / 1 / 41 / 31

HEX #AFAE68

RGB 175 174 104

HSL 59.15, 0.31%, 0.55%

LAB 69.74, -10.13, 36.01

 

CMYK 10 / 0 / 41 / 31

HEX #9EAF68

RGB 158 175 104

HSL 74.37, 0.31%, 0.55%

LAB 68.7, -17.51, 34.41

 

CMYK 0 / 12 / 47 / 49

HEX #817144

RGB 129 113 68

HSL 44.26, 0.31%, 0.39%

LAB 48.13, -0.32, 27.2

 

CMYK 0 / 13 / 47 / 39

HEX #9C8852

RGB 156 136 82

HSL 43.78, 0.31%, 0.47%

LAB 57.35, 0.02, 31.67

 

CMYK 0 / 11 / 41 / 31

HEX #AF9C68

RGB 175 156 104

HSL 43.94, 0.31%, 0.55%

LAB 64.88, -0.53, 29.78

 

CMYK 0 / 8 / 31 / 25

HEX #BEAE83

RGB 190 174 131

HSL 43.73, 0.31%, 0.63%

LAB 71.46, -0.83, 24.2

 

CMYK 0 / 6 / 23 / 20

HEX #CCC09E

RGB 204 192 158

HSL 44.35, 0.31%, 0.71%

LAB 77.88, -1.23, 18.68

 

CMYK 0 / 11 / 41 / 31

HEX #AF9C68

RGB 175 156 104

HSL 43.94, 0.31%, 0.55%

LAB 64.88, -0.53, 29.78

 

CMYK 37 / 0 / 41 / 31

HEX #6EAF68

RGB 110 175 104

HSL 114.93, 0.31%, 0.55%

LAB 65.73, -35.12, 30

 

CMYK 27 / 41 / 0 / 31

HEX #7F68AF

RGB 127 104 175

HSL 259.44, 0.31%, 0.55%

LAB 48.89, 24.66, -34.63

 

CMYK 0 / 11 / 41 / 31

HEX #AF9C68

RGB 175 156 104

HSL 43.94, 0.31%, 0.55%

LAB 64.88, -0.53, 29.78

 

CMYK 41 / 0 / 11 / 31

HEX #68AF9B

RGB 104 175 155

HSL 163.1, 0.31%, 0.55%

LAB 66.5, -27.09, 3.26

 

CMYK 11 / 41 / 0 / 31

HEX #9B68AF

RGB 155 104 175

HSL 283.1, 0.31%, 0.55%

LAB 51.8, 33.2, -29.88

 

CMYK 0 / 11 / 41 / 31

HEX #AF9C68

RGB 175 156 104

HSL 43.94, 0.31%, 0.55%

LAB 64.88, -0.53, 29.78

 

CMYK 37 / 0 / 41 / 31

HEX #6EAF68

RGB 110 175 104

HSL 114.93, 0.31%, 0.55%

LAB 65.73, -35.12, 30

 

CMYK 41 / 29 / 0 / 31

HEX #687CAF

RGB 104 124 175

HSL 223.1, 0.31%, 0.55%

LAB 52.35, 6.01, -29.37

 

CMYK 3 / 41 / 0 / 31

HEX #A968AF

RGB 169 104 175

HSL 294.93, 0.31%, 0.55%

LAB 53.42, 37.59, -27.23

 

CMYK 0 / 11 / 41 / 31

HEX #AF9C68

RGB 175 156 104

HSL 43.94, 0.31%, 0.55%

LAB 64.88, -0.53, 29.78

 

CMYK 41 / 0 / 31 / 31

HEX #68AF78

RGB 104 175 120

HSL 133.52, 0.31%, 0.55%

LAB 65.72, -34.33, 21.38

 

CMYK 41 / 29 / 0 / 31

HEX #687CAF

RGB 104 124 175

HSL 223.1, 0.31%, 0.55%

LAB 52.35, 6.01, -29.37

 

CMYK 0 / 41 / 9 / 31

HEX #AF68A0

RGB 175 104 160

HSL 312.68, 0.31%, 0.55%

LAB 53.55, 36.73, -18.24

 

Description

Color code: HEX #AF9C68 | qconv.com Color code: HEX #AF9C68 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 156 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 156 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 41 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 41% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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