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Color name
HEX #AFA616

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFA616 it is the complementary color #5059E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFA616. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFA616 shade: #B4A611, #C5B824, #D6CA37, #E7DC4A and #F8EE5D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFA616. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFA616 shade: #AFA616, #9E9403, #8D8200, #7C7000 and #6B5E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFA616 shade: #B1A715, #B17E15, #B15415, #B12A15 and #B11515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFA616 shade: #B1A715, #90B115, #66B115, #3CB115 and #15B118

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFA616 shade matches the following richer shades: #B1A715 and #C1B605

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFA616 shade: #B1A715, #A09925, #908B36, #807D46 and #706F56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFA616 shade: #B15315, #B17D15, #B1A615, #91B115 and #68B115

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFA616 shade: #67620C, #8C8511, #B1A715, #D5CA1A and #E5DB33

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFA616 shade: #AFA616, #15B12A and #6815B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFA616 shade: #AFA616, #15B1A6 and #A615B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFA616 shade: #AFA616, #15B12A, #1520B1 and #B1159C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFA616 shade: #AFA616, #15B159, #1520B1 and #B1156D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 87 / 31

HEX #AFA616

RGB 175 166 22

HSL 56.47, 0.78%, 0.39%

LAB 66.86, -11.28, 66.18

 

Complementary color

CMYK 66 / 62 / 0 / 9

HEX #5059E9

RGB 80 89 233

HSL 236.47, 0.78%, 0.61%

LAB 45.27, 40.99, -73.93

 

CMYK 0 / 8 / 91 / 29

HEX #B4A611

RGB 180 166 17

HSL 54.85, 0.83%, 0.39%

LAB 67.29, -9.15, 67.67

 

CMYK 0 / 7 / 82 / 23

HEX #C5B824

RGB 197 184 36

HSL 55.16, 0.69%, 0.46%

LAB 73.73, -10.55, 69.33

 

CMYK 0 / 6 / 74 / 16

HEX #D6CA37

RGB 214 202 55

HSL 55.47, 0.66%, 0.53%

LAB 80.07, -11.72, 69.84

 

CMYK 0 / 5 / 68 / 9

HEX #E7DC4A

RGB 231 220 74

HSL 55.8, 0.77%, 0.6%

LAB 86.34, -12.72, 69.64

 

CMYK 0 / 4 / 63 / 3

HEX #F8EE5D

RGB 248 238 93

HSL 56.13, 0.92%, 0.67%

LAB 92.53, -13.57, 69.04

 

CMYK 0 / 5 / 87 / 31

HEX #AFA616

RGB 175 166 22

HSL 56.47, 0.78%, 0.39%

LAB 66.86, -11.28, 66.18

 

CMYK 0 / 6 / 98 / 38

HEX #9E9403

RGB 158 148 3

HSL 56.13, 0.96%, 0.32%

LAB 60.3, -9.77, 63.56

 

CMYK 0 / 8 / 100 / 45

HEX #8D8200

RGB 141 130 0

HSL 55.32, 1%, 0.28%

LAB 53.63, -7.94, 58.49

 

CMYK 0 / 10 / 100 / 51

HEX #7C7000

RGB 124 112 0

HSL 54.19, 1%, 0.24%

LAB 46.81, -6, 52.84

 

CMYK 0 / 12 / 100 / 58

HEX #6B5E00

RGB 107 94 0

HSL 52.71, 1%, 0.21%

LAB 39.8, -3.96, 47.04

 

CMYK 0 / 6 / 88 / 31

HEX #B1A715

RGB 177 167 21

HSL 56.15, 0.79%, 0.39%

LAB 67.31, -10.93, 66.82

 

CMYK 0 / 29 / 88 / 31

HEX #B17E15

RGB 177 126 21

HSL 40.38, 0.79%, 0.39%

LAB 56.41, 11.33, 58.09

 

CMYK 0 / 53 / 88 / 31

HEX #B15415

RGB 177 84 21

HSL 24.23, 0.79%, 0.39%

LAB 46.63, 34.38, 50.26

 

CMYK 0 / 76 / 88 / 31

HEX #B12A15

RGB 177 42 21

HSL 8.08, 0.79%, 0.39%

LAB 39.68, 52.85, 44.7

 

CMYK 0 / 88 / 88 / 31

HEX #B11515

RGB 177 21 21

HSL 0, 0.79%, 0.39%

LAB 37.73, 58.35, 43.14

 

CMYK 0 / 6 / 88 / 31

HEX #B1A715

RGB 177 167 21

HSL 56.15, 0.79%, 0.39%

LAB 67.31, -10.93, 66.82

 

CMYK 19 / 0 / 88 / 31

HEX #90B115

RGB 144 177 21

HSL 72.69, 0.79%, 0.39%

LAB 67.6, -30.2, 66

 

CMYK 42 / 0 / 88 / 31

HEX #66B115

RGB 102 177 21

HSL 88.85, 0.79%, 0.39%

LAB 65.22, -46.2, 63.05

 

CMYK 66 / 0 / 88 / 31

HEX #3CB115

RGB 60 177 21

HSL 105, 0.79%, 0.39%

LAB 63.72, -57.98, 61.17

 

CMYK 88 / 0 / 86 / 31

HEX #15B118

RGB 21 177 24

HSL 121.15, 0.79%, 0.39%

LAB 63.07, -63.61, 59.7

 

CMYK 0 / 6 / 88 / 31

HEX #B1A715

RGB 177 167 21

HSL 56.15, 0.79%, 0.39%

LAB 67.31, -10.93, 66.82

 

CMYK 0 / 6 / 97 / 24

HEX #C1B605

RGB 193 182 5

HSL 56.49, 0.95%, 0.39%

LAB 72.76, -11.86, 73.89

 

CMYK 0 / 6 / 88 / 31

HEX #B1A715

RGB 177 167 21

HSL 56.15, 0.79%, 0.39%

LAB 67.31, -10.93, 66.82

 

CMYK 0 / 4 / 77 / 37

HEX #A09925

RGB 160 153 37

HSL 56.59, 0.62%, 0.39%

LAB 61.99, -10.66, 57.38

 

CMYK 0 / 3 / 63 / 44

HEX #908B36

RGB 144 139 54

HSL 56.67, 0.45%, 0.39%

LAB 56.74, -9.37, 44.84

 

CMYK 0 / 2 / 45 / 50

HEX #807D46

RGB 128 125 70

HSL 56.9, 0.29%, 0.39%

LAB 51.49, -7.34, 30.29

 

CMYK 0 / 1 / 23 / 56

HEX #706F56

RGB 112 111 86

HSL 57.69, 0.13%, 0.39%

LAB 46.29, -4.15, 14.1

 

CMYK 0 / 53 / 88 / 31

HEX #B15315

RGB 177 83 21

HSL 23.85, 0.79%, 0.39%

LAB 46.43, 34.9, 50.1

 

CMYK 0 / 29 / 88 / 31

HEX #B17D15

RGB 177 125 21

HSL 40, 0.79%, 0.39%

LAB 56.16, 11.89, 57.89

 

CMYK 0 / 6 / 88 / 31

HEX #B1A615

RGB 177 166 21

HSL 55.77, 0.79%, 0.39%

LAB 67.03, -10.41, 66.6

 

CMYK 18 / 0 / 88 / 31

HEX #91B115

RGB 145 177 21

HSL 72.31, 0.79%, 0.39%

LAB 67.66, -29.78, 66.08

 

CMYK 41 / 0 / 88 / 31

HEX #68B115

RGB 104 177 21

HSL 88.08, 0.79%, 0.39%

LAB 65.31, -45.52, 63.16

 

CMYK 0 / 5 / 88 / 60

HEX #67620C

RGB 103 98 12

HSL 56.7, 0.79%, 0.23%

LAB 40.65, -7.91, 44.31

 

CMYK 0 / 5 / 88 / 45

HEX #8C8511

RGB 140 133 17

HSL 56.59, 0.78%, 0.31%

LAB 54.44, -9.71, 55.89

 

CMYK 0 / 6 / 88 / 31

HEX #B1A715

RGB 177 167 21

HSL 56.15, 0.79%, 0.39%

LAB 67.31, -10.93, 66.82

 

CMYK 0 / 5 / 88 / 16

HEX #D5CA1A

RGB 213 202 26

HSL 56.47, 0.78%, 0.47%

LAB 79.88, -13.03, 77.2

 

CMYK 0 / 4 / 78 / 10

HEX #E5DB33

RGB 229 219 51

HSL 56.63, 0.77%, 0.55%

LAB 85.79, -14.05, 76.75

 

CMYK 0 / 5 / 87 / 31

HEX #AFA616

RGB 175 166 22

HSL 56.47, 0.78%, 0.39%

LAB 66.86, -11.28, 66.18

 

CMYK 88 / 0 / 76 / 31

HEX #15B12A

RGB 21 177 42

HSL 128.08, 0.79%, 0.39%

LAB 63.15, -62.54, 54.65

 

CMYK 41 / 88 / 0 / 31

HEX #6815B1

RGB 104 21 177

HSL 271.92, 0.79%, 0.39%

LAB 31.01, 60.9, -64.71

 

CMYK 0 / 5 / 87 / 31

HEX #AFA616

RGB 175 166 22

HSL 56.47, 0.78%, 0.39%

LAB 66.86, -11.28, 66.18

 

CMYK 88 / 0 / 6 / 31

HEX #15B1A6

RGB 21 177 166

HSL 175.77, 0.79%, 0.39%

LAB 65.24, -39, -4.93

 

CMYK 6 / 88 / 0 / 31

HEX #A615B1

RGB 166 21 177

HSL 295.77, 0.79%, 0.39%

LAB 40.92, 70.36, -48.15

 

CMYK 0 / 5 / 87 / 31

HEX #AFA616

RGB 175 166 22

HSL 56.47, 0.78%, 0.39%

LAB 66.86, -11.28, 66.18

 

CMYK 88 / 0 / 76 / 31

HEX #15B12A

RGB 21 177 42

HSL 128.08, 0.79%, 0.39%

LAB 63.15, -62.54, 54.65

 

CMYK 88 / 82 / 0 / 31

HEX #1520B1

RGB 21 32 177

HSL 235.77, 0.79%, 0.39%

LAB 24.85, 49.79, -75.13

 

CMYK 0 / 88 / 12 / 31

HEX #B1159C

RGB 177 21 156

HSL 308.08, 0.79%, 0.39%

LAB 41.66, 69.23, -34.29

 

CMYK 0 / 5 / 87 / 31

HEX #AFA616

RGB 175 166 22

HSL 56.47, 0.78%, 0.39%

LAB 66.86, -11.28, 66.18

 

CMYK 88 / 0 / 50 / 31

HEX #15B159

RGB 21 177 89

HSL 146.15, 0.79%, 0.39%

LAB 63.61, -56.9, 34.54

 

CMYK 88 / 82 / 0 / 31

HEX #1520B1

RGB 21 32 177

HSL 235.77, 0.79%, 0.39%

LAB 24.85, 49.79, -75.13

 

CMYK 0 / 88 / 38 / 31

HEX #B1156D

RGB 177 21 109

HSL 326.15, 0.79%, 0.39%

LAB 39.56, 63.56, -8.58

 

Description

Color code: HEX #AFA616 | qconv.com Color code: HEX #AFA616 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 166 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 166 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 87 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 87% 31% C M Y K

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