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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFA14F it is the complementary color #505EB0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFA14F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFA14F shade: #B4A14A, #C5B35D, #D6C570, #E7D783 and #F8E996

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFA14F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFA14F shade: #AFA14F, #9E8F3C, #8D7D29, #7C6B16 and #6B5903

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFA14F shade: #AFA14F, #AF874F, #AF6D4F, #AF534F and #AF4F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFA14F shade: #AFA14F, #A3AF4F, #89AF4F, #6FAF4F and #55AF4F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFA14F shade matches the following richer shades: #AFA14F, #C4B03A, #D9BF25 and #EDCD11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFA14F shade: #AFA14F, #9B9363, #868478, #72758C and #5D67A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFA14F shade: #AF6D4F, #AF874F, #AFA14F, #A4AF4F and #8AAF4F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFA14F shade: #776D35, #938742, #AFA14F, #BCB06B and #C9BF87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFA14F shade: #AFA14F, #4FAF53 and #7A4FAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFA14F shade: #AFA14F, #4FAFA1 and #A14FAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFA14F shade: #AFA14F, #4FAF53, #4F5DAF and #AF4FAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFA14F shade: #AFA14F, #4FAF70, #4F5DAF and #AF4F8E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 55 / 31

HEX #AFA14F

RGB 175 161 79

HSL 51.25, 0.38%, 0.5%

LAB 65.88, -5.69, 43.95

 

Complementary color

CMYK 55 / 47 / 0 / 31

HEX #505EB0

RGB 80 94 176

HSL 231.25, 0.38%, 0.5%

LAB 42.53, 18.8, -45.54

 

CMYK 0 / 11 / 59 / 29

HEX #B4A14A

RGB 180 161 74

HSL 49.25, 0.42%, 0.5%

LAB 66.28, -3.93, 46.95

 

CMYK 0 / 9 / 53 / 23

HEX #C5B35D

RGB 197 179 93

HSL 49.62, 0.47%, 0.57%

LAB 72.83, -4.71, 45.76

 

CMYK 0 / 8 / 48 / 16

HEX #D6C570

RGB 214 197 112

HSL 50, 0.55%, 0.64%

LAB 79.27, -5.35, 44.54

 

CMYK 0 / 7 / 43 / 9

HEX #E7D783

RGB 231 215 131

HSL 50.4, 0.68%, 0.71%

LAB 85.62, -5.9, 43.33

 

CMYK 0 / 6 / 40 / 3

HEX #F8E996

RGB 248 233 150

HSL 50.82, 0.88%, 0.78%

LAB 91.88, -6.37, 42.15

 

CMYK 0 / 8 / 55 / 31

HEX #AFA14F

RGB 175 161 79

HSL 51.25, 0.38%, 0.5%

LAB 65.88, -5.69, 43.95

 

CMYK 0 / 9 / 62 / 38

HEX #9E8F3C

RGB 158 143 60

HSL 50.82, 0.45%, 0.43%

LAB 59.2, -4.88, 45.09

 

CMYK 0 / 11 / 71 / 45

HEX #8D7D29

RGB 141 125 41

HSL 50.4, 0.55%, 0.36%

LAB 52.39, -3.87, 45.97

 

CMYK 0 / 14 / 82 / 51

HEX #7C6B16

RGB 124 107 22

HSL 50, 0.7%, 0.29%

LAB 45.44, -2.57, 46.17

 

CMYK 0 / 17 / 97 / 58

HEX #6B5903

RGB 107 89 3

HSL 49.62, 0.95%, 0.22%

LAB 38.34, -0.93, 45.09

 

CMYK 0 / 8 / 55 / 31

HEX #AFA14F

RGB 175 161 79

HSL 51.25, 0.38%, 0.5%

LAB 65.88, -5.69, 43.95

 

CMYK 0 / 23 / 55 / 31

HEX #AF874F

RGB 175 135 79

HSL 35, 0.38%, 0.5%

LAB 58.98, 8.53, 35.71

 

CMYK 0 / 38 / 55 / 31

HEX #AF6D4F

RGB 175 109 79

HSL 18.75, 0.38%, 0.5%

LAB 52.53, 23.09, 27.67

 

CMYK 0 / 53 / 55 / 31

HEX #AF534F

RGB 175 83 79

HSL 2.5, 0.38%, 0.5%

LAB 46.8, 37.17, 20.22

 

CMYK 0 / 55 / 55 / 31

HEX #AF4F4F

RGB 175 79 79

HSL 0, 0.38%, 0.5%

LAB 46, 39.21, 19.17

 

CMYK 0 / 8 / 55 / 31

HEX #AFA14F

RGB 175 161 79

HSL 51.25, 0.38%, 0.5%

LAB 65.88, -5.69, 43.95

 

CMYK 7 / 0 / 55 / 31

HEX #A3AF4F

RGB 163 175 79

HSL 67.5, 0.38%, 0.5%

LAB 68.76, -18.07, 47.03

 

CMYK 22 / 0 / 55 / 31

HEX #89AF4F

RGB 137 175 79

HSL 83.75, 0.38%, 0.5%

LAB 66.93, -28.55, 44.44

 

CMYK 37 / 0 / 55 / 31

HEX #6FAF4F

RGB 111 175 79

HSL 100, 0.38%, 0.5%

LAB 65.44, -38.12, 42.31

 

CMYK 51 / 0 / 55 / 31

HEX #55AF4F

RGB 85 175 79

HSL 116.25, 0.38%, 0.5%

LAB 64.29, -46.27, 40.66

 

CMYK 0 / 8 / 55 / 31

HEX #AFA14F

RGB 175 161 79

HSL 51.25, 0.38%, 0.5%

LAB 65.88, -5.69, 43.95

 

CMYK 0 / 10 / 70 / 23

HEX #C4B03A

RGB 196 176 58

HSL 51.3, 0.54%, 0.5%

LAB 71.62, -5.94, 60.05

 

CMYK 0 / 12 / 83 / 15

HEX #D9BF25

RGB 217 191 37

HSL 51.33, 0.71%, 0.5%

LAB 77.37, -5.44, 72.88

 

CMYK 0 / 14 / 93 / 7

HEX #EDCD11

RGB 237 205 17

HSL 51.27, 0.87%, 0.5%

LAB 82.76, -4.38, 81.74

 

CMYK 0 / 8 / 55 / 31

HEX #AFA14F

RGB 175 161 79

HSL 51.25, 0.38%, 0.5%

LAB 65.88, -5.69, 43.95

 

CMYK 0 / 5 / 36 / 39

HEX #9B9363

RGB 155 147 99

HSL 51.43, 0.22%, 0.5%

LAB 60.55, -4.53, 26.51

 

CMYK 0 / 1 / 10 / 47

HEX #868478

RGB 134 132 120

HSL 51.43, 0.06%, 0.5%

LAB 55, -1.5, 6.74

 

CMYK 19 / 16 / 0 / 45

HEX #72758C

RGB 114 117 140

HSL 233.08, 0.1%, 0.5%

LAB 49.73, 4, -12.9

 

CMYK 42 / 36 / 0 / 37

HEX #5D67A1

RGB 93 103 161

HSL 231.18, 0.27%, 0.5%

LAB 45.08, 11.62, -32.6

 

CMYK 0 / 38 / 55 / 31

HEX #AF6D4F

RGB 175 109 79

HSL 18.75, 0.38%, 0.5%

LAB 52.53, 23.09, 27.67

 

CMYK 0 / 23 / 55 / 31

HEX #AF874F

RGB 175 135 79

HSL 35, 0.38%, 0.5%

LAB 58.98, 8.53, 35.71

 

CMYK 0 / 8 / 55 / 31

HEX #AFA14F

RGB 175 161 79

HSL 51.25, 0.38%, 0.5%

LAB 65.88, -5.69, 43.95

 

CMYK 6 / 0 / 55 / 31

HEX #A4AF4F

RGB 164 175 79

HSL 66.88, 0.38%, 0.5%

LAB 68.84, -17.65, 47.14

 

CMYK 21 / 0 / 55 / 31

HEX #8AAF4F

RGB 138 175 79

HSL 83.13, 0.38%, 0.5%

LAB 67, -28.16, 44.53

 

CMYK 0 / 8 / 55 / 53

HEX #776D35

RGB 119 109 53

HSL 50.91, 0.38%, 0.34%

LAB 45.79, -4.07, 32.33

 

CMYK 0 / 8 / 55 / 42

HEX #938742

RGB 147 135 66

HSL 51.11, 0.38%, 0.42%

LAB 56.01, -4.9, 38.25

 

CMYK 0 / 8 / 55 / 31

HEX #AFA14F

RGB 175 161 79

HSL 51.25, 0.38%, 0.5%

LAB 65.88, -5.69, 43.95

 

CMYK 0 / 6 / 43 / 26

HEX #BCB06B

RGB 188 176 107

HSL 51.11, 0.38%, 0.58%

LAB 71.42, -5.53, 36.81

 

CMYK 0 / 5 / 33 / 21

HEX #C9BF87

RGB 201 191 135

HSL 50.91, 0.38%, 0.66%

LAB 76.94, -4.95, 29.57

 

CMYK 0 / 8 / 55 / 31

HEX #AFA14F

RGB 175 161 79

HSL 51.25, 0.38%, 0.5%

LAB 65.88, -5.69, 43.95

 

CMYK 55 / 0 / 53 / 31

HEX #4FAF53

RGB 79 175 83

HSL 122.5, 0.38%, 0.5%

LAB 64.12, -47.37, 38.45

 

CMYK 30 / 55 / 0 / 31

HEX #7A4FAF

RGB 122 79 175

HSL 266.88, 0.38%, 0.5%

LAB 42.5, 37.93, -44.79

 

CMYK 0 / 8 / 55 / 31

HEX #AFA14F

RGB 175 161 79

HSL 51.25, 0.38%, 0.5%

LAB 65.88, -5.69, 43.95

 

CMYK 55 / 0 / 8 / 31

HEX #4FAFA1

RGB 79 175 161

HSL 171.25, 0.38%, 0.5%

LAB 65.67, -31.71, -1.4

 

CMYK 8 / 55 / 0 / 31

HEX #A14FAF

RGB 161 79 175

HSL 291.25, 0.38%, 0.5%

LAB 47.32, 48.42, -36.84

 

CMYK 0 / 8 / 55 / 31

HEX #AFA14F

RGB 175 161 79

HSL 51.25, 0.38%, 0.5%

LAB 65.88, -5.69, 43.95

 

CMYK 55 / 0 / 53 / 31

HEX #4FAF53

RGB 79 175 83

HSL 122.5, 0.38%, 0.5%

LAB 64.12, -47.37, 38.45

 

CMYK 55 / 47 / 0 / 31

HEX #4F5DAF

RGB 79 93 175

HSL 231.25, 0.38%, 0.5%

LAB 42.13, 18.89, -45.59

 

CMYK 0 / 55 / 2 / 31

HEX #AF4FAB

RGB 175 79 171

HSL 302.5, 0.38%, 0.5%

LAB 49.06, 51.55, -31.62

 

CMYK 0 / 8 / 55 / 31

HEX #AFA14F

RGB 175 161 79

HSL 51.25, 0.38%, 0.5%

LAB 65.88, -5.69, 43.95

 

CMYK 55 / 0 / 36 / 31

HEX #4FAF70

RGB 79 175 112

HSL 140.63, 0.38%, 0.5%

LAB 64.56, -42.68, 23.96

 

CMYK 55 / 47 / 0 / 31

HEX #4F5DAF

RGB 79 93 175

HSL 231.25, 0.38%, 0.5%

LAB 42.13, 18.89, -45.59

 

CMYK 0 / 55 / 19 / 31

HEX #AF4F8E

RGB 175 79 142

HSL 320.63, 0.38%, 0.5%

LAB 47.83, 46.76, -16.33

 

Description

Color code: HEX #AFA14F | qconv.com Color code: HEX #AFA14F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 161 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 161 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 55 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 55% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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