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Color name
HEX #AFB4C1

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFB4C1 it is the complementary color #504B3E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFB4C1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFB4C1 shade: #B4B4BC, #C5C6CF, #D6D8E2, #E7EAF5 and #F8FCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFB4C1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFB4C1 shade: #AFB4C1, #9EA2AE, #8D909B, #7C7E88 and #6B6C75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFB4C1 shade: #AEB3C0, #AEAEC0, #B3AEC0, #B8AEC0 and #BDAEC0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFB4C1 shade: #AEB3C0, #AEAEC0 and #AEAEC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFB4C1 shade matches the following richer shades: #AEB3C0, #A2AECC, #97A9D7, #8BA4E3 and #809EEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFB4C1 shade: #AEB3C0, #B9B8B5, #C5BDA9, #D0C29E and #DCC892

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFB4C1 shade: #AEBDC0, #AEB8C0, #AEB3C0, #AEAEC0 and #B2AEC0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFB4C1 shade: #7F879C, #979DAE, #AEB3C0, #C5C9D2 and #DCDFE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFB4C1 shade: #AFB4C1, #BFAEC0 and #BBC0AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFB4C1 shade: #AFB4C1, #C0AEB3 and #B3C0AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFB4C1 shade: #AFB4C1, #BFAEC0, #C0BBAE and #AFC0AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFB4C1 shade: #AFB4C1, #C0AEBC, #C0BBAE and #AEC0B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 7 / 0 / 24

HEX #AFB4C1

RGB 175 180 193

HSL 223.33, 0.13%, 0.72%

LAB 73.29, 0.82, -7.2

 

Complementary color

CMYK 0 / 6 / 23 / 69

HEX #504B3E

RGB 80 75 62

HSL 43.33, 0.13%, 0.28%

LAB 32, -0.42, 8.51

 

CMYK 4 / 4 / 0 / 26

HEX #B4B4BC

RGB 180 180 188

HSL 240, 0.06%, 0.72%

LAB 73.53, 1.53, -4.06

 

CMYK 5 / 4 / 0 / 19

HEX #C5C6CF

RGB 197 198 207

HSL 234, 0.09%, 0.79%

LAB 80.05, 1.35, -4.61

 

CMYK 5 / 4 / 0 / 11

HEX #D6D8E2

RGB 214 216 226

HSL 230, 0.17%, 0.86%

LAB 86.45, 1.19, -5.15

 

CMYK 6 / 4 / 0 / 4

HEX #E7EAF5

RGB 231 234 245

HSL 227.14, 0.41%, 0.93%

LAB 92.76, 1.02, -5.67

 

CMYK 3 / 1 / 0 / 0

HEX #F8FCFF

RGB 248 252 255

HSL 205.71, 1%, 0.99%

LAB 98.75, -0.77, -1.9

 

CMYK 9 / 7 / 0 / 24

HEX #AFB4C1

RGB 175 180 193

HSL 223.33, 0.13%, 0.72%

LAB 73.29, 0.82, -7.2

 

CMYK 9 / 7 / 0 / 32

HEX #9EA2AE

RGB 158 162 174

HSL 225, 0.09%, 0.65%

LAB 66.65, 0.99, -6.7

 

CMYK 9 / 7 / 0 / 39

HEX #8D909B

RGB 141 144 155

HSL 227.14, 0.07%, 0.58%

LAB 59.87, 1.16, -6.19

 

CMYK 9 / 7 / 0 / 47

HEX #7C7E88

RGB 124 126 136

HSL 230, 0.05%, 0.51%

LAB 52.93, 1.34, -5.67

 

CMYK 9 / 8 / 0 / 54

HEX #6B6C75

RGB 107 108 117

HSL 234, 0.04%, 0.44%

LAB 45.82, 1.54, -5.14

 

CMYK 9 / 7 / 0 / 25

HEX #AEB3C0

RGB 174 179 192

HSL 223.33, 0.13%, 0.72%

LAB 72.92, 0.82, -7.21

 

CMYK 9 / 9 / 0 / 25

HEX #AEAEC0

RGB 174 174 192

HSL 240, 0.13%, 0.72%

LAB 71.61, 3.54, -9.16

 

CMYK 7 / 9 / 0 / 25

HEX #B3AEC0

RGB 179 174 192

HSL 256.67, 0.13%, 0.72%

LAB 72, 5.23, -8.53

 

CMYK 4 / 9 / 0 / 25

HEX #B8AEC0

RGB 184 174 192

HSL 273.33, 0.13%, 0.72%

LAB 72.41, 6.94, -7.88

 

CMYK 2 / 9 / 0 / 25

HEX #BDAEC0

RGB 189 174 192

HSL 290, 0.13%, 0.72%

LAB 72.82, 8.67, -7.22

 

CMYK 9 / 7 / 0 / 25

HEX #AEB3C0

RGB 174 179 192

HSL 223.33, 0.13%, 0.72%

LAB 72.92, 0.82, -7.21

 

CMYK 9 / 9 / 0 / 25

HEX #AEAEC0

RGB 174 174 192

HSL 240, 0.13%, 0.72%

LAB 71.61, 3.54, -9.16

 

CMYK 9 / 9 / 0 / 25

HEX #AEAEC0

RGB 174 174 192

HSL 240, 0.13%, 0.72%

LAB 71.61, 3.54, -9.16

 

CMYK 9 / 7 / 0 / 25

HEX #AEB3C0

RGB 174 179 192

HSL 223.33, 0.13%, 0.72%

LAB 72.92, 0.82, -7.21

 

CMYK 21 / 15 / 0 / 20

HEX #A2AECC

RGB 162 174 204

HSL 222.86, 0.29%, 0.72%

LAB 71.09, 2.22, -16.63

 

CMYK 30 / 21 / 0 / 16

HEX #97A9D7

RGB 151 169 215

HSL 223.13, 0.44%, 0.72%

LAB 69.37, 4.25, -25.35

 

CMYK 39 / 28 / 0 / 11

HEX #8BA4E3

RGB 139 164 227

HSL 222.95, 0.61%, 0.72%

LAB 67.71, 6.82, -34.57

 

CMYK 46 / 34 / 0 / 6

HEX #809EEF

RGB 128 158 239

HSL 223.78, 0.78%, 0.72%

LAB 65.96, 10.84, -43.94

 

CMYK 9 / 7 / 0 / 25

HEX #AEB3C0

RGB 174 179 192

HSL 223.33, 0.13%, 0.72%

LAB 72.92, 0.82, -7.21

 

CMYK 0 / 1 / 2 / 27

HEX #B9B8B5

RGB 185 184 181

HSL 45, 0.03%, 0.72%

LAB 74.78, -0.2, 1.64

 

CMYK 0 / 4 / 14 / 23

HEX #C5BDA9

RGB 197 189 169

HSL 42.86, 0.19%, 0.72%

LAB 76.76, -0.58, 11.11

 

CMYK 0 / 7 / 24 / 18

HEX #D0C29E

RGB 208 194 158

HSL 43.2, 0.35%, 0.72%

LAB 78.73, -0.76, 19.91

 

CMYK 0 / 9 / 34 / 14

HEX #DCC892

RGB 220 200 146

HSL 43.78, 0.51%, 0.72%

LAB 81.07, -0.85, 29.6

 

CMYK 9 / 2 / 0 / 25

HEX #AEBDC0

RGB 174 189 192

HSL 190, 0.13%, 0.72%

LAB 75.58, -4.54, -3.29

 

CMYK 9 / 4 / 0 / 25

HEX #AEB8C0

RGB 174 184 192

HSL 206.67, 0.13%, 0.72%

LAB 74.24, -1.87, -5.25

 

CMYK 9 / 7 / 0 / 25

HEX #AEB3C0

RGB 174 179 192

HSL 223.33, 0.13%, 0.72%

LAB 72.92, 0.82, -7.21

 

CMYK 9 / 9 / 0 / 25

HEX #AEAEC0

RGB 174 174 192

HSL 240, 0.13%, 0.72%

LAB 71.61, 3.54, -9.16

 

CMYK 7 / 9 / 0 / 25

HEX #B2AEC0

RGB 178 174 192

HSL 253.33, 0.13%, 0.72%

LAB 71.92, 4.89, -8.66

 

CMYK 19 / 13 / 0 / 39

HEX #7F879C

RGB 127 135 156

HSL 223.45, 0.13%, 0.55%

LAB 56.33, 1.69, -12.17

 

CMYK 13 / 10 / 0 / 32

HEX #979DAE

RGB 151 157 174

HSL 224.35, 0.12%, 0.64%

LAB 64.76, 1.38, -9.56

 

CMYK 9 / 7 / 0 / 25

HEX #AEB3C0

RGB 174 179 192

HSL 223.33, 0.13%, 0.72%

LAB 72.92, 0.82, -7.21

 

CMYK 6 / 4 / 0 / 18

HEX #C5C9D2

RGB 197 201 210

HSL 221.54, 0.13%, 0.8%

LAB 80.9, 0.34, -4.96

 

CMYK 4 / 2 / 0 / 11

HEX #DCDFE4

RGB 220 223 228

HSL 217.5, 0.13%, 0.88%

LAB 88.73, -0.09, -2.8

 

CMYK 9 / 7 / 0 / 24

HEX #AFB4C1

RGB 175 180 193

HSL 223.33, 0.13%, 0.72%

LAB 73.29, 0.82, -7.2

 

CMYK 1 / 9 / 0 / 25

HEX #BFAEC0

RGB 191 174 192

HSL 296.67, 0.13%, 0.72%

LAB 72.99, 9.36, -6.95

 

CMYK 3 / 0 / 9 / 25

HEX #BBC0AE

RGB 187 192 174

HSL 76.67, 0.13%, 0.72%

LAB 76.87, -4.97, 8.47

 

CMYK 9 / 7 / 0 / 24

HEX #AFB4C1

RGB 175 180 193

HSL 223.33, 0.13%, 0.72%

LAB 73.29, 0.82, -7.2

 

CMYK 0 / 9 / 7 / 25

HEX #C0AEB3

RGB 192 174 179

HSL 343.33, 0.13%, 0.72%

LAB 72.72, 7.33, -0.21

 

CMYK 7 / 0 / 9 / 25

HEX #B3C0AE

RGB 179 192 174

HSL 103.33, 0.13%, 0.72%

LAB 76.28, -7.82, 7.54

 

CMYK 9 / 7 / 0 / 24

HEX #AFB4C1

RGB 175 180 193

HSL 223.33, 0.13%, 0.72%

LAB 73.29, 0.82, -7.2

 

CMYK 1 / 9 / 0 / 25

HEX #BFAEC0

RGB 191 174 192

HSL 296.67, 0.13%, 0.72%

LAB 72.99, 9.36, -6.95

 

CMYK 0 / 3 / 9 / 25

HEX #C0BBAE

RGB 192 187 174

HSL 43.33, 0.13%, 0.72%

LAB 75.95, -0.52, 7.2

 

CMYK 9 / 0 / 9 / 25

HEX #AFC0AE

RGB 175 192 174

HSL 116.67, 0.13%, 0.72%

LAB 75.99, -9.22, 7.09

 

CMYK 9 / 7 / 0 / 24

HEX #AFB4C1

RGB 175 180 193

HSL 223.33, 0.13%, 0.72%

LAB 73.29, 0.82, -7.2

 

CMYK 0 / 9 / 2 / 25

HEX #C0AEBC

RGB 192 174 188

HSL 313.33, 0.13%, 0.72%

LAB 72.96, 8.96, -4.79

 

CMYK 0 / 3 / 9 / 25

HEX #C0BBAE

RGB 192 187 174

HSL 43.33, 0.13%, 0.72%

LAB 75.95, -0.52, 7.2

 

CMYK 9 / 0 / 7 / 25

HEX #AEC0B2

RGB 174 192 178

HSL 133.33, 0.13%, 0.72%

LAB 76.02, -8.83, 4.95

 

Description

Color code: HEX #AFB4C1 | qconv.com Color code: HEX #AFB4C1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 180 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 180 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 7 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 7% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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