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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFB0A4 it is the complementary color #504F5B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFB0A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFB0A4 shade: #B4B09F, #C5C2B2, #D6D4C5, #E7E6D8 and #F8F8EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFB0A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFB0A4 shade: #AFB0A4, #9E9E91, #8D8C7E, #7C7A6B and #6B6858

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFB0A4 shade: #AFB0A4, #B0AEA4, #B0ABA4, #B0A8A4 and #B0A5A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFB0A4 shade: #AFB0A4, #ACB0A4, #A9B0A4, #A6B0A4 and #A4B0A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFB0A4 shade matches the following richer shades: #AFB0A4, #BBBE97, #C6CB89, #D1D97C and #DDE76E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFB0A4 shade: #AFB0A4, #A4A3B2, #9995C0, #8D87CD and #827ADB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFB0A4 shade: #B0ABA4, #B0AEA4, #AFB0A4, #ACB0A4 and #A9B0A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFB0A4 shade: #888A78, #9C9D8E, #AFB0A4, #C3C3BB and #D6D7D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFB0A4 shade: #AFB0A4, #A4B0A8 and #ADA4B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFB0A4 shade: #AFB0A4, #A4AFB0 and #B0A4AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFB0A4 shade: #AFB0A4, #A4B0A8, #A5A4B0 and #B0A4AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFB0A4 shade: #AFB0A4, #A4B0AB, #A5A4B0 and #B0A4A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 7 / 31

HEX #AFB0A4

RGB 175 176 164

HSL 65, 0.07%, 0.67%

LAB 71.45, -2.54, 6.01

 

Complementary color

CMYK 12 / 13 / 0 / 64

HEX #504F5B

RGB 80 79 91

HSL 245, 0.07%, 0.33%

LAB 34.09, 3.14, -6.87

 

CMYK 0 / 2 / 12 / 29

HEX #B4B09F

RGB 180 176 159

HSL 48.57, 0.12%, 0.66%

LAB 71.73, -1.57, 9.21

 

CMYK 0 / 2 / 10 / 23

HEX #C5C2B2

RGB 197 194 178

HSL 50.53, 0.14%, 0.74%

LAB 78.27, -1.75, 8.41

 

CMYK 0 / 1 / 8 / 16

HEX #D6D4C5

RGB 214 212 197

HSL 52.94, 0.17%, 0.81%

LAB 84.7, -1.92, 7.65

 

CMYK 0 / 0 / 6 / 9

HEX #E7E6D8

RGB 231 230 216

HSL 56, 0.24%, 0.88%

LAB 91.03, -2.08, 6.93

 

CMYK 0 / 0 / 5 / 3

HEX #F8F8EB

RGB 248 248 235

HSL 60, 0.48%, 0.95%

LAB 97.26, -2.23, 6.23

 

CMYK 1 / 0 / 7 / 31

HEX #AFB0A4

RGB 175 176 164

HSL 65, 0.07%, 0.67%

LAB 71.45, -2.54, 6.01

 

CMYK 0 / 0 / 8 / 38

HEX #9E9E91

RGB 158 158 145

HSL 60, 0.06%, 0.59%

LAB 64.78, -2.39, 6.79

 

CMYK 0 / 1 / 11 / 45

HEX #8D8C7E

RGB 141 140 126

HSL 56, 0.06%, 0.52%

LAB 57.97, -2.23, 7.61

 

CMYK 0 / 2 / 14 / 51

HEX #7C7A6B

RGB 124 122 107

HSL 52.94, 0.07%, 0.45%

LAB 51, -2.04, 8.49

 

CMYK 0 / 3 / 18 / 58

HEX #6B6858

RGB 107 104 88

HSL 50.53, 0.1%, 0.38%

LAB 43.84, -1.83, 9.44

 

CMYK 1 / 0 / 7 / 31

HEX #AFB0A4

RGB 175 176 164

HSL 65, 0.07%, 0.67%

LAB 71.45, -2.54, 6.01

 

CMYK 0 / 1 / 7 / 31

HEX #B0AEA4

RGB 176 174 164

HSL 50, 0.07%, 0.67%

LAB 71, -1.1, 5.37

 

CMYK 0 / 3 / 7 / 31

HEX #B0ABA4

RGB 176 171 164

HSL 35, 0.07%, 0.67%

LAB 70.2, 0.52, 4.22

 

CMYK 0 / 5 / 7 / 31

HEX #B0A8A4

RGB 176 168 164

HSL 20, 0.07%, 0.67%

LAB 69.41, 2.15, 3.08

 

CMYK 0 / 6 / 7 / 31

HEX #B0A5A4

RGB 176 165 164

HSL 5, 0.07%, 0.67%

LAB 68.62, 3.79, 1.94

 

CMYK 1 / 0 / 7 / 31

HEX #AFB0A4

RGB 175 176 164

HSL 65, 0.07%, 0.67%

LAB 71.45, -2.54, 6.01

 

CMYK 2 / 0 / 7 / 31

HEX #ACB0A4

RGB 172 176 164

HSL 80, 0.07%, 0.67%

LAB 71.22, -3.62, 5.65

 

CMYK 4 / 0 / 7 / 31

HEX #A9B0A4

RGB 169 176 164

HSL 95, 0.07%, 0.67%

LAB 70.99, -4.7, 5.28

 

CMYK 6 / 0 / 7 / 31

HEX #A6B0A4

RGB 166 176 164

HSL 110, 0.07%, 0.67%

LAB 70.76, -5.77, 4.93

 

CMYK 7 / 0 / 6 / 31

HEX #A4B0A6

RGB 164 176 166

HSL 130, 0.07%, 0.67%

LAB 70.66, -6.11, 3.67

 

CMYK 1 / 0 / 7 / 31

HEX #AFB0A4

RGB 175 176 164

HSL 65, 0.07%, 0.67%

LAB 71.45, -2.54, 6.01

 

CMYK 2 / 0 / 21 / 25

HEX #BBBE97

RGB 187 190 151

HSL 64.62, 0.23%, 0.67%

LAB 75.84, -7.63, 19.39

 

CMYK 2 / 0 / 33 / 20

HEX #C6CB89

RGB 198 203 137

HSL 64.55, 0.39%, 0.67%

LAB 79.91, -12.06, 32.41

 

CMYK 4 / 0 / 43 / 15

HEX #D1D97C

RGB 209 217 124

HSL 65.16, 0.55%, 0.67%

LAB 84.3, -16.3, 44.75

 

CMYK 4 / 0 / 52 / 9

HEX #DDE76E

RGB 221 231 110

HSL 64.96, 0.72%, 0.67%

LAB 88.76, -19.76, 56.95

 

CMYK 1 / 0 / 7 / 31

HEX #AFB0A4

RGB 175 176 164

HSL 65, 0.07%, 0.67%

LAB 71.45, -2.54, 6.01

 

CMYK 8 / 8 / 0 / 30

HEX #A4A3B2

RGB 164 163 178

HSL 244, 0.09%, 0.67%

LAB 67.5, 3.32, -7.61

 

CMYK 20 / 22 / 0 / 25

HEX #9995C0

RGB 153 149 192

HSL 245.58, 0.25%, 0.67%

LAB 63.4, 10.58, -21.7

 

CMYK 31 / 34 / 0 / 20

HEX #8D87CD

RGB 141 135 205

HSL 245.14, 0.41%, 0.67%

LAB 59.34, 18.19, -35.36

 

CMYK 41 / 44 / 0 / 14

HEX #827ADB

RGB 130 122 219

HSL 244.95, 0.57%, 0.67%

LAB 55.87, 26.65, -48.77

 

CMYK 0 / 3 / 7 / 31

HEX #B0ABA4

RGB 176 171 164

HSL 35, 0.07%, 0.67%

LAB 70.2, 0.52, 4.22

 

CMYK 0 / 1 / 7 / 31

HEX #B0AEA4

RGB 176 174 164

HSL 50, 0.07%, 0.67%

LAB 71, -1.1, 5.37

 

CMYK 1 / 0 / 7 / 31

HEX #AFB0A4

RGB 175 176 164

HSL 65, 0.07%, 0.67%

LAB 71.45, -2.54, 6.01

 

CMYK 2 / 0 / 7 / 31

HEX #ACB0A4

RGB 172 176 164

HSL 80, 0.07%, 0.67%

LAB 71.22, -3.62, 5.65

 

CMYK 4 / 0 / 7 / 31

HEX #A9B0A4

RGB 169 176 164

HSL 95, 0.07%, 0.67%

LAB 70.99, -4.7, 5.28

 

CMYK 1 / 0 / 13 / 46

HEX #888A78

RGB 136 138 120

HSL 66.67, 0.07%, 0.51%

LAB 56.85, -4.09, 9.4

 

CMYK 1 / 0 / 10 / 38

HEX #9C9D8E

RGB 156 157 142

HSL 64, 0.07%, 0.59%

LAB 64.27, -3.12, 7.72

 

CMYK 1 / 0 / 7 / 31

HEX #AFB0A4

RGB 175 176 164

HSL 65, 0.07%, 0.67%

LAB 71.45, -2.54, 6.01

 

CMYK 0 / 0 / 4 / 24

HEX #C3C3BB

RGB 195 195 187

HSL 60, 0.06%, 0.75%

LAB 78.59, -1.44, 4.01

 

CMYK 0 / 0 / 3 / 16

HEX #D6D7D1

RGB 214 215 209

HSL 70, 0.07%, 0.83%

LAB 85.76, -1.41, 2.83

 

CMYK 1 / 0 / 7 / 31

HEX #AFB0A4

RGB 175 176 164

HSL 65, 0.07%, 0.67%

LAB 71.45, -2.54, 6.01

 

CMYK 7 / 0 / 5 / 31

HEX #A4B0A8

RGB 164 176 168

HSL 140, 0.07%, 0.67%

LAB 70.71, -5.73, 2.64

 

CMYK 2 / 7 / 0 / 31

HEX #ADA4B0

RGB 173 164 176

HSL 285, 0.07%, 0.67%

LAB 68.44, 5.5, -5.03

 

CMYK 1 / 0 / 7 / 31

HEX #AFB0A4

RGB 175 176 164

HSL 65, 0.07%, 0.67%

LAB 71.45, -2.54, 6.01

 

CMYK 7 / 1 / 0 / 31

HEX #A4AFB0

RGB 164 175 176

HSL 185, 0.07%, 0.67%

LAB 70.65, -3.64, -1.85

 

CMYK 0 / 7 / 1 / 31

HEX #B0A4AF

RGB 176 164 175

HSL 305, 0.07%, 0.67%

LAB 68.66, 6.36, -4.11

 

CMYK 1 / 0 / 7 / 31

HEX #AFB0A4

RGB 175 176 164

HSL 65, 0.07%, 0.67%

LAB 71.45, -2.54, 6.01

 

CMYK 7 / 0 / 5 / 31

HEX #A4B0A8

RGB 164 176 168

HSL 140, 0.07%, 0.67%

LAB 70.71, -5.73, 2.64

 

CMYK 6 / 7 / 0 / 31

HEX #A5A4B0

RGB 165 164 176

HSL 245, 0.07%, 0.67%

LAB 67.79, 2.7, -6.06

 

CMYK 0 / 7 / 2 / 31

HEX #B0A4AD

RGB 176 164 173

HSL 315, 0.07%, 0.67%

LAB 68.6, 5.99, -3.09

 

CMYK 1 / 0 / 7 / 31

HEX #AFB0A4

RGB 175 176 164

HSL 65, 0.07%, 0.67%

LAB 71.45, -2.54, 6.01

 

CMYK 7 / 0 / 3 / 31

HEX #A4B0AB

RGB 164 176 171

HSL 155, 0.07%, 0.67%

LAB 70.79, -5.15, 1.11

 

CMYK 6 / 7 / 0 / 31

HEX #A5A4B0

RGB 165 164 176

HSL 245, 0.07%, 0.67%

LAB 67.79, 2.7, -6.06

 

CMYK 0 / 7 / 4 / 31

HEX #B0A4A9

RGB 176 164 169

HSL 335, 0.07%, 0.67%

LAB 68.49, 5.24, -1.03

 

Description

Color code: HEX #AFB0A4 | qconv.com Color code: HEX #AFB0A4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 176 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 176 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 7 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 7% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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