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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFBF49 it is the complementary color #5040B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFBF49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFBF49 shade: #B4BF44, #C5D157, #D6E36A, #E7F57D and #F8FF90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFBF49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFBF49 shade: #AFBF49, #9EAD36, #8D9B23, #7C8910 and #6B7700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFBF49 shade: #AFBF49, #BFAF49, #BF8F49, #BF7049 and #BF5049

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFBF49 shade: #AFBF49, #8FBF49, #70BF49, #50BF49 and #49BF63

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFBF49 shade matches the following richer shades: #AFBF49, #BDD336, #CCE622 and #DAFA0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFBF49 shade: #AFBF49, #A0AB5D, #929771, #848385 and #757099

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFBF49 shade: #BF9049, #BFAF49, #AFBF49, #90BF49 and #71BF49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFBF49 shade: #7B872F, #97A53A, #AFBF49, #BCCA68 and #CAD486

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFBF49 shade: #AFBF49, #49BF71 and #A049BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFBF49 shade: #AFBF49, #49AFBF and #BF49AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFBF49 shade: #AFBF49, #49BF71, #5949BF and #BF4998

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFBF49 shade: #AFBF49, #49BF94, #5949BF and #BF4974

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 62 / 25

HEX #AFBF49

RGB 175 191 73

HSL 68.14, 0.48%, 0.52%

LAB 74.1, -21.59, 55.93

 

Complementary color

CMYK 56 / 65 / 0 / 29

HEX #5040B6

RGB 80 64 182

HSL 248.14, 0.48%, 0.48%

LAB 35.5, 39.45, -60.44

 

CMYK 6 / 0 / 64 / 25

HEX #B4BF44

RGB 180 191 68

HSL 65.37, 0.49%, 0.51%

LAB 74.43, -19.86, 58.5

 

CMYK 6 / 0 / 58 / 18

HEX #C5D157

RGB 197 209 87

HSL 65.9, 0.57%, 0.58%

LAB 80.83, -20.44, 57.72

 

CMYK 6 / 0 / 53 / 11

HEX #D6E36A

RGB 214 227 106

HSL 66.45, 0.68%, 0.65%

LAB 87.13, -20.92, 56.74

 

CMYK 6 / 0 / 49 / 4

HEX #E7F57D

RGB 231 245 125

HSL 67, 0.86%, 0.73%

LAB 93.35, -21.3, 55.68

 

CMYK 3 / 0 / 44 / 0

HEX #F8FF90

RGB 248 255 144

HSL 63.78, 1%, 0.78%

LAB 97.43, -17.8, 52.04

 

CMYK 8 / 0 / 62 / 25

HEX #AFBF49

RGB 175 191 73

HSL 68.14, 0.48%, 0.52%

LAB 74.1, -21.59, 55.93

 

CMYK 9 / 0 / 69 / 32

HEX #9EAD36

RGB 158 173 54

HSL 67.56, 0.52%, 0.45%

LAB 67.59, -20.98, 56.53

 

CMYK 9 / 0 / 77 / 39

HEX #8D9B23

RGB 141 155 35

HSL 67, 0.63%, 0.37%

LAB 60.98, -20.2, 56.54

 

CMYK 9 / 0 / 88 / 46

HEX #7C8910

RGB 124 137 16

HSL 66.45, 0.79%, 0.3%

LAB 54.25, -19.17, 55.41

 

CMYK 10 / 0 / 100 / 53

HEX #6B7700

RGB 107 119 0

HSL 66.05, 1%, 0.23%

LAB 47.39, -17.89, 52.58

 

CMYK 8 / 0 / 62 / 25

HEX #AFBF49

RGB 175 191 73

HSL 68.14, 0.48%, 0.52%

LAB 74.1, -21.59, 55.93

 

CMYK 0 / 8 / 62 / 25

HEX #BFAF49

RGB 191 175 73

HSL 51.86, 0.48%, 0.52%

LAB 71.02, -6.69, 52.97

 

CMYK 0 / 25 / 62 / 25

HEX #BF8F49

RGB 191 143 73

HSL 35.59, 0.48%, 0.52%

LAB 62.68, 10.55, 43.61

 

CMYK 0 / 41 / 62 / 25

HEX #BF7049

RGB 191 112 73

HSL 19.83, 0.48%, 0.52%

LAB 55.22, 27.6, 34.81

 

CMYK 0 / 58 / 62 / 25

HEX #BF5049

RGB 191 80 73

HSL 3.56, 0.48%, 0.52%

LAB 48.63, 44.15, 26.65

 

CMYK 8 / 0 / 62 / 25

HEX #AFBF49

RGB 175 191 73

HSL 68.14, 0.48%, 0.52%

LAB 74.1, -21.59, 55.93

 

CMYK 25 / 0 / 62 / 25

HEX #8FBF49

RGB 143 191 73

HSL 84.41, 0.48%, 0.52%

LAB 71.95, -34.32, 52.97

 

CMYK 41 / 0 / 62 / 25

HEX #70BF49

RGB 112 191 73

HSL 100.17, 0.48%, 0.52%

LAB 70.31, -45.31, 50.69

 

CMYK 58 / 0 / 62 / 25

HEX #50BF49

RGB 80 191 73

HSL 116.44, 0.48%, 0.52%

LAB 69.07, -54.48, 48.97

 

CMYK 62 / 0 / 48 / 25

HEX #49BF63

RGB 73 191 99

HSL 133.22, 0.48%, 0.52%

LAB 69.17, -52.71, 36.67

 

CMYK 8 / 0 / 62 / 25

HEX #AFBF49

RGB 175 191 73

HSL 68.14, 0.48%, 0.52%

LAB 74.1, -21.59, 55.93

 

CMYK 10 / 0 / 74 / 17

HEX #BDD336

RGB 189 211 54

HSL 68.41, 0.64%, 0.52%

LAB 80.56, -26.65, 69.92

 

CMYK 11 / 0 / 85 / 10

HEX #CCE622

RGB 204 230 34

HSL 67.96, 0.8%, 0.52%

LAB 86.77, -30.19, 80.99

 

CMYK 13 / 0 / 94 / 2

HEX #DAFA0E

RGB 218 250 14

HSL 68.14, 0.96%, 0.52%

LAB 93.15, -34.11, 89.29

 

CMYK 8 / 0 / 62 / 25

HEX #AFBF49

RGB 175 191 73

HSL 68.14, 0.48%, 0.52%

LAB 74.1, -21.59, 55.93

 

CMYK 6 / 0 / 46 / 33

HEX #A0AB5D

RGB 160 171 93

HSL 68.46, 0.32%, 0.52%

LAB 67.57, -15.9, 38.68

 

CMYK 3 / 0 / 25 / 41

HEX #929771

RGB 146 151 113

HSL 67.89, 0.15%, 0.52%

LAB 61.16, -8.44, 19.47

 

CMYK 1 / 2 / 0 / 48

HEX #848385

RGB 132 131 133

HSL 270, 0.01%, 0.52%

LAB 54.9, 0.77, -0.95

 

CMYK 24 / 27 / 0 / 40

HEX #757099

RGB 117 112 153

HSL 247.32, 0.17%, 0.52%

LAB 49.09, 11.16, -21.5

 

CMYK 0 / 25 / 62 / 25

HEX #BF9049

RGB 191 144 73

HSL 36.1, 0.48%, 0.52%

LAB 62.93, 10, 43.9

 

CMYK 0 / 8 / 62 / 25

HEX #BFAF49

RGB 191 175 73

HSL 51.86, 0.48%, 0.52%

LAB 71.02, -6.69, 52.97

 

CMYK 8 / 0 / 62 / 25

HEX #AFBF49

RGB 175 191 73

HSL 68.14, 0.48%, 0.52%

LAB 74.1, -21.59, 55.93

 

CMYK 25 / 0 / 62 / 25

HEX #90BF49

RGB 144 191 73

HSL 83.9, 0.48%, 0.52%

LAB 72.01, -33.94, 53.05

 

CMYK 41 / 0 / 62 / 25

HEX #71BF49

RGB 113 191 73

HSL 99.66, 0.48%, 0.52%

LAB 70.35, -44.98, 50.75

 

CMYK 9 / 0 / 65 / 47

HEX #7B872F

RGB 123 135 47

HSL 68.18, 0.48%, 0.36%

LAB 53.75, -17.06, 44.28

 

CMYK 8 / 0 / 65 / 35

HEX #97A53A

RGB 151 165 58

HSL 67.85, 0.48%, 0.44%

LAB 64.8, -19.67, 51.85

 

CMYK 8 / 0 / 62 / 25

HEX #AFBF49

RGB 175 191 73

HSL 68.14, 0.48%, 0.52%

LAB 74.1, -21.59, 55.93

 

CMYK 7 / 0 / 49 / 21

HEX #BCCA68

RGB 188 202 104

HSL 68.57, 0.48%, 0.6%

LAB 78.42, -19.15, 46.93

 

CMYK 5 / 0 / 37 / 17

HEX #CAD486

RGB 202 212 134

HSL 67.69, 0.48%, 0.68%

LAB 82.57, -15.42, 37.47

 

CMYK 8 / 0 / 62 / 25

HEX #AFBF49

RGB 175 191 73

HSL 68.14, 0.48%, 0.52%

LAB 74.1, -21.59, 55.93

 

CMYK 62 / 0 / 41 / 25

HEX #49BF71

RGB 73 191 113

HSL 140.34, 0.48%, 0.52%

LAB 69.38, -50.41, 29.78

 

CMYK 16 / 62 / 0 / 25

HEX #A049BF

RGB 160 73 191

HSL 284.24, 0.48%, 0.52%

LAB 46.97, 54.31, -46.74

 

CMYK 8 / 0 / 62 / 25

HEX #AFBF49

RGB 175 191 73

HSL 68.14, 0.48%, 0.52%

LAB 74.1, -21.59, 55.93

 

CMYK 62 / 8 / 0 / 25

HEX #49AFBF

RGB 73 175 191

HSL 188.14, 0.48%, 0.52%

LAB 66.4, -24.53, -16.99

 

CMYK 0 / 62 / 8 / 25

HEX #BF49AF

RGB 191 73 175

HSL 308.14, 0.48%, 0.52%

LAB 50.61, 59.28, -31.37

 

CMYK 8 / 0 / 62 / 25

HEX #AFBF49

RGB 175 191 73

HSL 68.14, 0.48%, 0.52%

LAB 74.1, -21.59, 55.93

 

CMYK 62 / 0 / 41 / 25

HEX #49BF71

RGB 73 191 113

HSL 140.34, 0.48%, 0.52%

LAB 69.38, -50.41, 29.78

 

CMYK 53 / 62 / 0 / 25

HEX #5949BF

RGB 89 73 191

HSL 248.14, 0.48%, 0.52%

LAB 38.99, 38.53, -60.02

 

CMYK 0 / 62 / 20 / 25

HEX #BF4998

RGB 191 73 152

HSL 319.83, 0.48%, 0.52%

LAB 49.63, 55.79, -19.33

 

CMYK 8 / 0 / 62 / 25

HEX #AFBF49

RGB 175 191 73

HSL 68.14, 0.48%, 0.52%

LAB 74.1, -21.59, 55.93

 

CMYK 62 / 0 / 23 / 25

HEX #49BF94

RGB 73 191 148

HSL 158.14, 0.48%, 0.52%

LAB 70.05, -43.33, 12.03

 

CMYK 53 / 62 / 0 / 25

HEX #5949BF

RGB 89 73 191

HSL 248.14, 0.48%, 0.52%

LAB 38.99, 38.53, -60.02

 

CMYK 0 / 62 / 39 / 25

HEX #BF4974

RGB 191 73 116

HSL 338.14, 0.48%, 0.52%

LAB 48.39, 51.23, 0.44

 

Description

Color code: HEX #AFBF49 | qconv.com Color code: HEX #AFBF49 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 191 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 191 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 62 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 62% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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