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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFC45E it is the complementary color #503BA1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFC45E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFC45E shade: #B4C459, #C5D66C, #D6E87F, #E7FA92 and #F8FFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFC45E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFC45E shade: #AFC45E, #9EB24B, #8DA038, #7C8E25 and #6B7C12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFC45E shade: #AFC35E, #C3BD5E, #C3A25E, #C3865E and #C36B5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFC45E shade: #AFC35E, #93C35E, #78C35E, #5EC360 and #5EC37B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFC45E shade matches the following richer shades: #AFC35E, #B9D54D, #C3E73B and #CEF929

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFC45E shade: #AFC35E, #A4B270, #9AA082, #8F8E94 and #857CA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFC45E shade: #C3A25E, #C3BD5E, #AFC35E, #94C35E and #79C35E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFC45E shade: #849738, #9EB643, #AFC35E, #BECE7D and #CDDA9B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFC45E shade: #AFC45E, #5EC387 and #AF5EC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFC45E shade: #AFC45E, #5EAFC3 and #C35EAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFC45E shade: #AFC45E, #5EC387, #735EC3 and #C35E9B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFC45E shade: #AFC45E, #5EC3A5, #735EC3 and #C35E7D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 52 / 23

HEX #AFC45E

RGB 175 196 94

HSL 72.35, 0.46%, 0.57%

LAB 75.7, -22.33, 48.24

 

Complementary color

CMYK 50 / 63 / 0 / 37

HEX #503BA1

RGB 80 59 161

HSL 252.35, 0.46%, 0.43%

LAB 32.72, 35.92, -52.42

 

CMYK 8 / 0 / 55 / 23

HEX #B4C459

RGB 180 196 89

HSL 68.97, 0.48%, 0.56%

LAB 76.01, -20.77, 51.04

 

CMYK 8 / 0 / 50 / 16

HEX #C5D66C

RGB 197 214 108

HSL 69.62, 0.56%, 0.63%

LAB 82.4, -21.12, 49.95

 

CMYK 8 / 0 / 45 / 9

HEX #D6E87F

RGB 214 232 127

HSL 70.29, 0.7%, 0.7%

LAB 88.71, -21.4, 48.83

 

CMYK 8 / 0 / 42 / 2

HEX #E7FA92

RGB 231 250 146

HSL 70.96, 0.91%, 0.78%

LAB 94.92, -21.63, 47.7

 

CMYK 3 / 0 / 35 / 0

HEX #F8FFA5

RGB 248 255 165

HSL 64.67, 1%, 0.82%

LAB 97.71, -15.57, 42.27

 

CMYK 11 / 0 / 52 / 23

HEX #AFC45E

RGB 175 196 94

HSL 72.35, 0.46%, 0.57%

LAB 75.7, -22.33, 48.24

 

CMYK 11 / 0 / 58 / 30

HEX #9EB24B

RGB 158 178 75

HSL 71.65, 0.41%, 0.5%

LAB 69.2, -21.98, 49.29

 

CMYK 12 / 0 / 65 / 37

HEX #8DA038

RGB 141 160 56

HSL 70.96, 0.48%, 0.42%

LAB 62.58, -21.52, 50.14

 

CMYK 13 / 0 / 74 / 44

HEX #7C8E25

RGB 124 142 37

HSL 70.29, 0.59%, 0.35%

LAB 55.85, -20.89, 50.53

 

CMYK 14 / 0 / 85 / 51

HEX #6B7C12

RGB 107 124 18

HSL 69.62, 0.75%, 0.28%

LAB 48.99, -20.02, 49.94

 

CMYK 10 / 0 / 52 / 24

HEX #AFC35E

RGB 175 195 94

HSL 71.88, 0.46%, 0.57%

LAB 75.42, -21.83, 47.92

 

CMYK 0 / 3 / 52 / 24

HEX #C3BD5E

RGB 195 189 94

HSL 56.44, 0.46%, 0.57%

LAB 75.33, -10.65, 48.19

 

CMYK 0 / 17 / 52 / 24

HEX #C3A25E

RGB 195 162 94

HSL 40.4, 0.46%, 0.57%

LAB 68.21, 3.59, 39.64

 

CMYK 0 / 31 / 52 / 24

HEX #C3865E

RGB 195 134 94

HSL 23.76, 0.46%, 0.57%

LAB 61.19, 18.91, 30.87

 

CMYK 0 / 45 / 52 / 24

HEX #C36B5E

RGB 195 107 94

HSL 7.72, 0.46%, 0.57%

LAB 55, 33.6, 22.81

 

CMYK 10 / 0 / 52 / 24

HEX #AFC35E

RGB 175 195 94

HSL 71.88, 0.46%, 0.57%

LAB 75.42, -21.83, 47.92

 

CMYK 25 / 0 / 52 / 24

HEX #93C35E

RGB 147 195 94

HSL 88.51, 0.46%, 0.57%

LAB 73.57, -32.66, 45.27

 

CMYK 38 / 0 / 52 / 24

HEX #78C35E

RGB 120 195 94

HSL 104.55, 0.46%, 0.57%

LAB 72.12, -42.12, 43.17

 

CMYK 52 / 0 / 51 / 24

HEX #5EC360

RGB 94 195 96

HSL 121.19, 0.46%, 0.57%

LAB 71.05, -49.62, 40.64

 

CMYK 52 / 0 / 37 / 24

HEX #5EC37B

RGB 94 195 123

HSL 137.23, 0.46%, 0.57%

LAB 71.45, -45.4, 27.41

 

CMYK 10 / 0 / 52 / 24

HEX #AFC35E

RGB 175 195 94

HSL 71.88, 0.46%, 0.57%

LAB 75.42, -21.83, 47.92

 

CMYK 13 / 0 / 64 / 16

HEX #B9D54D

RGB 185 213 77

HSL 72.35, 0.62%, 0.57%

LAB 80.98, -27.92, 61.84

 

CMYK 16 / 0 / 74 / 9

HEX #C3E73B

RGB 195 231 59

HSL 72.56, 0.78%, 0.57%

LAB 86.54, -33.38, 74.11

 

CMYK 17 / 0 / 84 / 2

HEX #CEF929

RGB 206 249 41

HSL 72.4, 0.95%, 0.57%

LAB 92.15, -37.88, 84.11

 

CMYK 10 / 0 / 52 / 24

HEX #AFC35E

RGB 175 195 94

HSL 71.88, 0.46%, 0.57%

LAB 75.42, -21.83, 47.92

 

CMYK 8 / 0 / 37 / 30

HEX #A4B270

RGB 164 178 112

HSL 72.73, 0.3%, 0.57%

LAB 70.11, -15.68, 32.14

 

CMYK 4 / 0 / 19 / 37

HEX #9AA082

RGB 154 160 130

HSL 72, 0.14%, 0.57%

LAB 64.66, -7.53, 14.94

 

CMYK 3 / 4 / 0 / 42

HEX #8F8E94

RGB 143 142 148

HSL 250, 0.03%, 0.57%

LAB 59.27, 1.56, -3.06

 

CMYK 19 / 25 / 0 / 35

HEX #857CA5

RGB 133 124 165

HSL 253.17, 0.19%, 0.57%

LAB 54.15, 12.2, -20.62

 

CMYK 0 / 17 / 52 / 24

HEX #C3A25E

RGB 195 162 94

HSL 40.4, 0.46%, 0.57%

LAB 68.21, 3.59, 39.64

 

CMYK 0 / 3 / 52 / 24

HEX #C3BD5E

RGB 195 189 94

HSL 56.44, 0.46%, 0.57%

LAB 75.33, -10.65, 48.19

 

CMYK 10 / 0 / 52 / 24

HEX #AFC35E

RGB 175 195 94

HSL 71.88, 0.46%, 0.57%

LAB 75.42, -21.83, 47.92

 

CMYK 24 / 0 / 52 / 24

HEX #94C35E

RGB 148 195 94

HSL 87.92, 0.46%, 0.57%

LAB 73.63, -32.29, 45.35

 

CMYK 38 / 0 / 52 / 24

HEX #79C35E

RGB 121 195 94

HSL 103.96, 0.46%, 0.57%

LAB 72.16, -41.79, 43.24

 

CMYK 13 / 0 / 63 / 41

HEX #849738

RGB 132 151 56

HSL 72, 0.46%, 0.41%

LAB 59.27, -20.77, 46.39

 

CMYK 13 / 0 / 63 / 29

HEX #9EB643

RGB 158 182 67

HSL 72.52, 0.46%, 0.49%

LAB 70.27, -24.58, 54

 

CMYK 10 / 0 / 52 / 24

HEX #AFC35E

RGB 175 195 94

HSL 71.88, 0.46%, 0.57%

LAB 75.42, -21.83, 47.92

 

CMYK 8 / 0 / 39 / 19

HEX #BECE7D

RGB 190 206 125

HSL 71.85, 0.45%, 0.65%

LAB 79.94, -18.11, 38.46

 

CMYK 6 / 0 / 29 / 15

HEX #CDDA9B

RGB 205 218 155

HSL 72.38, 0.46%, 0.73%

LAB 84.73, -14.63, 29.62

 

CMYK 11 / 0 / 52 / 23

HEX #AFC45E

RGB 175 196 94

HSL 72.35, 0.46%, 0.57%

LAB 75.7, -22.33, 48.24

 

CMYK 52 / 0 / 31 / 24

HEX #5EC387

RGB 94 195 135

HSL 144.36, 0.46%, 0.57%

LAB 71.66, -43.18, 21.36

 

CMYK 10 / 52 / 0 / 24

HEX #AF5EC3

RGB 175 94 195

HSL 288.12, 0.46%, 0.57%

LAB 53.01, 48.66, -39.35

 

CMYK 11 / 0 / 52 / 23

HEX #AFC45E

RGB 175 196 94

HSL 72.35, 0.46%, 0.57%

LAB 75.7, -22.33, 48.24

 

CMYK 52 / 10 / 0 / 24

HEX #5EAFC3

RGB 94 175 195

HSL 191.88, 0.46%, 0.57%

LAB 67.26, -19.23, -17.82

 

CMYK 0 / 52 / 10 / 24

HEX #C35EAF

RGB 195 94 175

HSL 311.88, 0.46%, 0.57%

LAB 54.76, 50.77, -24.88

 

CMYK 11 / 0 / 52 / 23

HEX #AFC45E

RGB 175 196 94

HSL 72.35, 0.46%, 0.57%

LAB 75.7, -22.33, 48.24

 

CMYK 52 / 0 / 31 / 24

HEX #5EC387

RGB 94 195 135

HSL 144.36, 0.46%, 0.57%

LAB 71.66, -43.18, 21.36

 

CMYK 41 / 52 / 0 / 24

HEX #735EC3

RGB 115 94 195

HSL 252.48, 0.46%, 0.57%

LAB 46.43, 32.8, -50.21

 

CMYK 0 / 52 / 21 / 24

HEX #C35E9B

RGB 195 94 155

HSL 323.76, 0.46%, 0.57%

LAB 54, 47.65, -14.39

 

CMYK 11 / 0 / 52 / 23

HEX #AFC45E

RGB 175 196 94

HSL 72.35, 0.46%, 0.57%

LAB 75.7, -22.33, 48.24

 

CMYK 52 / 0 / 15 / 24

HEX #5EC3A5

RGB 94 195 165

HSL 162.18, 0.46%, 0.57%

LAB 72.31, -36.77, 6.12

 

CMYK 41 / 52 / 0 / 24

HEX #735EC3

RGB 115 94 195

HSL 252.48, 0.46%, 0.57%

LAB 46.43, 32.8, -50.21

 

CMYK 0 / 52 / 36 / 24

HEX #C35E7D

RGB 195 94 125

HSL 341.58, 0.46%, 0.57%

LAB 53.05, 43.61, 1.9

 

Description

Color code: HEX #AFC45E | qconv.com Color code: HEX #AFC45E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 196 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 196 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 52 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 52% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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