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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFC3D4 it is the complementary color #503C2B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFC3D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFC3D4 shade: #B4C3CF, #C5D5E2, #D6E7F5, #E7F9FF and #F8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFC3D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFC3D4 shade: #AFC3D4, #9EB1C1, #8D9FAE, #7C8D9B and #6B7B88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFC3D4 shade: #AFC3D4, #AFB9D4, #AFAFD4, #B9AFD4 and #C3AFD4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFC3D4 shade: #AFC3D4, #AFB9D4, #AFAFD4 and #AFAFD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFC3D4 shade matches the following richer shades: #AFC3D4, #A5C4DE, #9BC4E7, #91C5F1 and #87C6FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFC3D4 shade: #AFC3D4, #B9C2CA, #C3C1C0, #CDC0B6 and #D7C0AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFC3D4 shade: #AFD4D1, #AFCDD4, #AFC3D4, #AFB9D4 and #AFB0D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFC3D4 shade: #799BB7, #94AFC5, #AFC3D4, #CAD7E2 and #E5EBF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFC3D4 shade: #AFC3D4, #C7AFD4 and #D2D4AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFC3D4 shade: #AFC3D4, #D4AFC3 and #C3D4AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFC3D4 shade: #AFC3D4, #C7AFD4, #D4BFAF and #BCD4AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFC3D4 shade: #AFC3D4, #D2AFD4, #D4BFAF and #B1D4AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 8 / 0 / 17

HEX #AFC3D4

RGB 175 195 212

HSL 207.57, 0.3%, 0.76%

LAB 77.81, -3.24, -10.79

 

Complementary color

CMYK 0 / 25 / 46 / 69

HEX #503C2B

RGB 80 60 43

HSL 27.57, 0.3%, 0.24%

LAB 27.05, 6.18, 13.89

 

CMYK 13 / 6 / 0 / 19

HEX #B4C3CF

RGB 180 195 207

HSL 206.67, 0.22%, 0.76%

LAB 78.02, -2.69, -7.76

 

CMYK 13 / 6 / 0 / 11

HEX #C5D5E2

RGB 197 213 226

HSL 206.9, 0.33%, 0.83%

LAB 84.46, -2.79, -8.24

 

CMYK 13 / 6 / 0 / 4

HEX #D6E7F5

RGB 214 231 245

HSL 207.1, 0.61%, 0.9%

LAB 90.8, -2.89, -8.71

 

CMYK 9 / 2 / 0 / 0

HEX #E7F9FF

RGB 231 249 255

HSL 195, 1%, 0.95%

LAB 96.8, -4.73, -4.9

 

CMYK 3 / 0 / 0 / 0

HEX #F8FFFF

RGB 248 255 255

HSL 180, 1%, 0.99%

LAB 99.49, -2.29, -0.81

 

CMYK 17 / 8 / 0 / 17

HEX #AFC3D4

RGB 175 195 212

HSL 207.57, 0.3%, 0.76%

LAB 77.81, -3.24, -10.79

 

CMYK 18 / 8 / 0 / 24

HEX #9EB1C1

RGB 158 177 193

HSL 207.43, 0.22%, 0.69%

LAB 71.26, -3.15, -10.36

 

CMYK 19 / 9 / 0 / 32

HEX #8D9FAE

RGB 141 159 174

HSL 207.27, 0.17%, 0.62%

LAB 64.58, -3.05, -9.92

 

CMYK 20 / 9 / 0 / 39

HEX #7C8D9B

RGB 124 141 155

HSL 207.1, 0.13%, 0.55%

LAB 57.75, -2.96, -9.48

 

CMYK 21 / 10 / 0 / 47

HEX #6B7B88

RGB 107 123 136

HSL 206.9, 0.12%, 0.48%

LAB 50.77, -2.86, -9.04

 

CMYK 17 / 8 / 0 / 17

HEX #AFC3D4

RGB 175 195 212

HSL 207.57, 0.3%, 0.76%

LAB 77.81, -3.24, -10.79

 

CMYK 17 / 13 / 0 / 17

HEX #AFB9D4

RGB 175 185 212

HSL 223.78, 0.3%, 0.76%

LAB 75.18, 2.12, -14.74

 

CMYK 17 / 17 / 0 / 17

HEX #AFAFD4

RGB 175 175 212

HSL 240, 0.3%, 0.76%

LAB 72.58, 7.58, -18.66

 

CMYK 13 / 17 / 0 / 17

HEX #B9AFD4

RGB 185 175 212

HSL 256.22, 0.3%, 0.76%

LAB 73.37, 10.8, -17.39

 

CMYK 8 / 17 / 0 / 17

HEX #C3AFD4

RGB 195 175 212

HSL 272.43, 0.3%, 0.76%

LAB 74.2, 14.08, -16.06

 

CMYK 17 / 8 / 0 / 17

HEX #AFC3D4

RGB 175 195 212

HSL 207.57, 0.3%, 0.76%

LAB 77.81, -3.24, -10.79

 

CMYK 17 / 13 / 0 / 17

HEX #AFB9D4

RGB 175 185 212

HSL 223.78, 0.3%, 0.76%

LAB 75.18, 2.12, -14.74

 

CMYK 17 / 17 / 0 / 17

HEX #AFAFD4

RGB 175 175 212

HSL 240, 0.3%, 0.76%

LAB 72.58, 7.58, -18.66

 

CMYK 17 / 17 / 0 / 17

HEX #AFAFD4

RGB 175 175 212

HSL 240, 0.3%, 0.76%

LAB 72.58, 7.58, -18.66

 

CMYK 17 / 8 / 0 / 17

HEX #AFC3D4

RGB 175 195 212

HSL 207.57, 0.3%, 0.76%

LAB 77.81, -3.24, -10.79

 

CMYK 26 / 12 / 0 / 13

HEX #A5C4DE

RGB 165 196 222

HSL 207.37, 0.46%, 0.76%

LAB 77.73, -4.61, -16.38

 

CMYK 33 / 15 / 0 / 9

HEX #9BC4E7

RGB 155 196 231

HSL 207.63, 0.61%, 0.76%

LAB 77.41, -5.34, -21.77

 

CMYK 40 / 18 / 0 / 5

HEX #91C5F1

RGB 145 197 241

HSL 207.5, 0.77%, 0.76%

LAB 77.46, -6.01, -27.12

 

CMYK 46 / 21 / 0 / 2

HEX #87C6FB

RGB 135 198 251

HSL 207.41, 0.94%, 0.76%

LAB 77.58, -6.31, -32.34

 

CMYK 17 / 8 / 0 / 17

HEX #AFC3D4

RGB 175 195 212

HSL 207.57, 0.3%, 0.76%

LAB 77.81, -3.24, -10.79

 

CMYK 8 / 4 / 0 / 21

HEX #B9C2CA

RGB 185 194 202

HSL 208.24, 0.14%, 0.76%

LAB 77.97, -1.53, -5.08

 

CMYK 0 / 1 / 2 / 24

HEX #C3C1C0

RGB 195 193 192

HSL 20, 0.02%, 0.76%

LAB 78.2, 0.52, 0.74

 

CMYK 0 / 6 / 11 / 20

HEX #CDC0B6

RGB 205 192 182

HSL 26.09, 0.19%, 0.76%

LAB 78.49, 2.86, 6.67

 

CMYK 0 / 11 / 20 / 16

HEX #D7C0AC

RGB 215 192 172

HSL 27.91, 0.35%, 0.76%

LAB 79.11, 4.96, 13.05

 

CMYK 17 / 0 / 1 / 17

HEX #AFD4D1

RGB 175 212 209

HSL 175.14, 0.3%, 0.76%

LAB 82.27, -12.75, -2.58

 

CMYK 17 / 3 / 0 / 17

HEX #AFCDD4

RGB 175 205 212

HSL 191.35, 0.3%, 0.76%

LAB 80.48, -8.5, -6.83

 

CMYK 17 / 8 / 0 / 17

HEX #AFC3D4

RGB 175 195 212

HSL 207.57, 0.3%, 0.76%

LAB 77.81, -3.24, -10.79

 

CMYK 17 / 13 / 0 / 17

HEX #AFB9D4

RGB 175 185 212

HSL 223.78, 0.3%, 0.76%

LAB 75.18, 2.12, -14.74

 

CMYK 17 / 17 / 0 / 17

HEX #AFB0D4

RGB 175 176 212

HSL 238.38, 0.3%, 0.76%

LAB 72.84, 7.03, -18.27

 

CMYK 34 / 15 / 0 / 28

HEX #799BB7

RGB 121 155 183

HSL 207.1, 0.3%, 0.6%

LAB 62.45, -4.83, -18.31

 

CMYK 25 / 11 / 0 / 23

HEX #94AFC5

RGB 148 175 197

HSL 206.94, 0.3%, 0.68%

LAB 70.17, -4.3, -14.26

 

CMYK 17 / 8 / 0 / 17

HEX #AFC3D4

RGB 175 195 212

HSL 207.57, 0.3%, 0.76%

LAB 77.81, -3.24, -10.79

 

CMYK 11 / 5 / 0 / 11

HEX #CAD7E2

RGB 202 215 226

HSL 207.5, 0.29%, 0.84%

LAB 85.33, -2.22, -6.91

 

CMYK 5 / 2 / 0 / 5

HEX #E5EBF1

RGB 229 235 241

HSL 210, 0.3%, 0.92%

LAB 92.76, -0.89, -3.6

 

CMYK 17 / 8 / 0 / 17

HEX #AFC3D4

RGB 175 195 212

HSL 207.57, 0.3%, 0.76%

LAB 77.81, -3.24, -10.79

 

CMYK 6 / 17 / 0 / 17

HEX #C7AFD4

RGB 199 175 212

HSL 278.92, 0.3%, 0.76%

LAB 74.54, 15.41, -15.5

 

CMYK 1 / 0 / 17 / 17

HEX #D2D4AF

RGB 210 212 175

HSL 63.24, 0.3%, 0.76%

LAB 83.91, -6.87, 18.12

 

CMYK 17 / 8 / 0 / 17

HEX #AFC3D4

RGB 175 195 212

HSL 207.57, 0.3%, 0.76%

LAB 77.81, -3.24, -10.79

 

CMYK 0 / 17 / 8 / 17

HEX #D4AFC3

RGB 212 175 195

HSL 327.57, 0.3%, 0.76%

LAB 75.2, 16.7, -5.12

 

CMYK 8 / 0 / 17 / 17

HEX #C3D4AF

RGB 195 212 175

HSL 87.57, 0.3%, 0.76%

LAB 82.8, -12.29, 16.4

 

CMYK 17 / 8 / 0 / 17

HEX #AFC3D4

RGB 175 195 212

HSL 207.57, 0.3%, 0.76%

LAB 77.81, -3.24, -10.79

 

CMYK 6 / 17 / 0 / 17

HEX #C7AFD4

RGB 199 175 212

HSL 278.92, 0.3%, 0.76%

LAB 74.54, 15.41, -15.5

 

CMYK 0 / 10 / 17 / 17

HEX #D4BFAF

RGB 212 191 175

HSL 25.95, 0.3%, 0.76%

LAB 78.67, 4.84, 10.76

 

CMYK 11 / 0 / 17 / 17

HEX #BCD4AF

RGB 188 212 175

HSL 98.92, 0.3%, 0.76%

LAB 82.31, -14.76, 15.65

 

CMYK 17 / 8 / 0 / 17

HEX #AFC3D4

RGB 175 195 212

HSL 207.57, 0.3%, 0.76%

LAB 77.81, -3.24, -10.79

 

CMYK 1 / 17 / 0 / 17

HEX #D2AFD4

RGB 210 175 212

HSL 296.76, 0.3%, 0.76%

LAB 75.52, 19.09, -13.93

 

CMYK 0 / 10 / 17 / 17

HEX #D4BFAF

RGB 212 191 175

HSL 25.95, 0.3%, 0.76%

LAB 78.67, 4.84, 10.76

 

CMYK 17 / 0 / 17 / 17

HEX #B1D4AF

RGB 177 212 175

HSL 116.76, 0.3%, 0.76%

LAB 81.58, -18.57, 14.52

 

Description

Color code: HEX #AFC3D4 | qconv.com Color code: HEX #AFC3D4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 195 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 195 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 8 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 8% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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