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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFCC80 it is the complementary color #50337F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFCC80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFCC80 shade: #B4CC7B, #C5DE8E, #D6F0A1, #E7FFB4 and #F8FFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFCC80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFCC80 shade: #AFCC80, #9EBA6D, #8DA85A, #7C9647 and #6B8434

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFCC80 shade: #AECC7F, #C3CC7F, #CCC07F, #CCAB7F and #CC967F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFCC80 shade: #AECC7F, #9ACC7F, #85CC7F, #7FCC8D and #7FCCA2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFCC80 shade matches the following richer shades: #AECC7F, #B2DA70, #B5E962 and #B9F754

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFCC80 shade: #AECC7F, #ABBD8D, #A8AF9C, #A4A0AA and #A192B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFCC80 shade: #CCBF7F, #C4CC7F, #AFCC7F, #9BCC7F and #87CC7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFCC80 shade: #89B246, #9CC061, #AECC7F, #C1D79C and #D3E3BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFCC80 shade: #AFCC80, #7FCCAA and #C97FCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFCC80 shade: #AFCC80, #7FAFCC and #CC7FAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFCC80 shade: #AFCC80, #7FCCAA, #9B7FCC and #CC7FA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFCC80 shade: #AFCC80, #7FCCC1, #9B7FCC and #CC7F89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 37 / 20

HEX #AFCC80

RGB 175 204 128

HSL 82.89, 0.43%, 0.65%

LAB 78.38, -22.47, 34.72

 

Complementary color

CMYK 37 / 60 / 0 / 50

HEX #50337F

RGB 80 51 127

HSL 262.89, 0.43%, 0.35%

LAB 28.39, 30.68, -38.5

 

CMYK 12 / 0 / 40 / 20

HEX #B4CC7B

RGB 180 204 123

HSL 77.78, 0.44%, 0.64%

LAB 78.65, -21.2, 37.68

 

CMYK 11 / 0 / 36 / 13

HEX #C5DE8E

RGB 197 222 142

HSL 78.75, 0.55%, 0.71%

LAB 85.03, -21.28, 36.54

 

CMYK 11 / 0 / 33 / 6

HEX #D6F0A1

RGB 214 240 161

HSL 79.75, 0.72%, 0.79%

LAB 91.32, -21.34, 35.44

 

CMYK 9 / 0 / 29 / 0

HEX #E7FFB4

RGB 231 255 180

HSL 79.2, 1%, 0.85%

LAB 96.74, -19.93, 33.34

 

CMYK 3 / 0 / 22 / 0

HEX #F8FFC7

RGB 248 255 199

HSL 67.5, 1%, 0.89%

LAB 98.27, -11.25, 26.05

 

CMYK 14 / 0 / 37 / 20

HEX #AFCC80

RGB 175 204 128

HSL 82.89, 0.43%, 0.65%

LAB 78.38, -22.47, 34.72

 

CMYK 15 / 0 / 41 / 27

HEX #9EBA6D

RGB 158 186 109

HSL 81.82, 0.36%, 0.58%

LAB 71.89, -22.43, 35.89

 

CMYK 16 / 0 / 46 / 34

HEX #8DA85A

RGB 141 168 90

HSL 80.77, 0.31%, 0.51%

LAB 65.28, -22.36, 37.08

 

CMYK 17 / 0 / 53 / 41

HEX #7C9647

RGB 124 150 71

HSL 79.75, 0.36%, 0.43%

LAB 58.56, -22.22, 38.27

 

CMYK 19 / 0 / 61 / 48

HEX #6B8434

RGB 107 132 52

HSL 78.75, 0.43%, 0.36%

LAB 51.7, -21.99, 39.37

 

CMYK 15 / 0 / 38 / 20

HEX #AECC7F

RGB 174 204 127

HSL 83.38, 0.43%, 0.65%

LAB 78.3, -22.97, 35.11

 

CMYK 4 / 0 / 38 / 20

HEX #C3CC7F

RGB 195 204 127

HSL 67.01, 0.43%, 0.65%

LAB 79.8, -14.94, 37.34

 

CMYK 0 / 6 / 38 / 20

HEX #CCC07F

RGB 204 192 127

HSL 50.65, 0.43%, 0.65%

LAB 77.32, -5.24, 34.29

 

CMYK 0 / 16 / 38 / 20

HEX #CCAB7F

RGB 204 171 127

HSL 34.29, 0.43%, 0.65%

LAB 71.89, 5.88, 27.15

 

CMYK 0 / 26 / 38 / 20

HEX #CC967F

RGB 204 150 127

HSL 17.92, 0.43%, 0.65%

LAB 66.66, 17.27, 20.09

 

CMYK 15 / 0 / 38 / 20

HEX #AECC7F

RGB 174 204 127

HSL 83.38, 0.43%, 0.65%

LAB 78.3, -22.97, 35.11

 

CMYK 25 / 0 / 38 / 20

HEX #9ACC7F

RGB 154 204 127

HSL 98.96, 0.43%, 0.65%

LAB 77.03, -30.26, 33.23

 

CMYK 35 / 0 / 38 / 20

HEX #85CC7F

RGB 133 204 127

HSL 115.32, 0.43%, 0.65%

LAB 75.89, -37.36, 31.51

 

CMYK 38 / 0 / 31 / 20

HEX #7FCC8D

RGB 127 204 141

HSL 130.91, 0.43%, 0.65%

LAB 75.84, -36.94, 24.1

 

CMYK 38 / 0 / 21 / 20

HEX #7FCCA2

RGB 127 204 162

HSL 147.27, 0.43%, 0.65%

LAB 76.26, -33.02, 13.53

 

CMYK 15 / 0 / 38 / 20

HEX #AECC7F

RGB 174 204 127

HSL 83.38, 0.43%, 0.65%

LAB 78.3, -22.97, 35.11

 

CMYK 18 / 0 / 49 / 15

HEX #B2DA70

RGB 178 218 112

HSL 82.64, 0.59%, 0.65%

LAB 82.26, -29.96, 47.57

 

CMYK 22 / 0 / 58 / 9

HEX #B5E962

RGB 181 233 98

HSL 83.11, 0.75%, 0.65%

LAB 86.5, -37.09, 58.98

 

CMYK 25 / 0 / 66 / 3

HEX #B9F754

RGB 185 247 84

HSL 82.82, 0.91%, 0.65%

LAB 90.54, -42.9, 69.15

 

CMYK 15 / 0 / 38 / 20

HEX #AECC7F

RGB 174 204 127

HSL 83.38, 0.43%, 0.65%

LAB 78.3, -22.97, 35.11

 

CMYK 10 / 0 / 25 / 26

HEX #ABBD8D

RGB 171 189 141

HSL 82.5, 0.27%, 0.65%

LAB 74.17, -14.61, 22.27

 

CMYK 4 / 0 / 11 / 31

HEX #A8AF9C

RGB 168 175 156

HSL 82.11, 0.11%, 0.65%

LAB 70.44, -5.96, 8.9

 

CMYK 4 / 6 / 0 / 33

HEX #A4A0AA

RGB 164 160 170

HSL 264, 0.06%, 0.65%

LAB 66.47, 3.37, -4.67

 

CMYK 13 / 21 / 0 / 27

HEX #A192B9

RGB 161 146 185

HSL 263.08, 0.22%, 0.65%

LAB 63.04, 13.31, -18.25

 

CMYK 0 / 6 / 38 / 20

HEX #CCBF7F

RGB 204 191 127

HSL 49.87, 0.43%, 0.65%

LAB 77.06, -4.72, 33.95

 

CMYK 4 / 0 / 38 / 20

HEX #C4CC7F

RGB 196 204 127

HSL 66.23, 0.43%, 0.65%

LAB 79.87, -14.55, 37.46

 

CMYK 14 / 0 / 38 / 20

HEX #AFCC7F

RGB 175 204 127

HSL 82.6, 0.43%, 0.65%

LAB 78.36, -22.6, 35.21

 

CMYK 24 / 0 / 38 / 20

HEX #9BCC7F

RGB 155 204 127

HSL 98.18, 0.43%, 0.65%

LAB 77.09, -29.9, 33.32

 

CMYK 34 / 0 / 38 / 20

HEX #87CC7F

RGB 135 204 127

HSL 113.77, 0.43%, 0.65%

LAB 75.99, -36.71, 31.66

 

CMYK 23 / 0 / 61 / 30

HEX #89B246

RGB 137 178 70

HSL 82.78, 0.44%, 0.49%

LAB 67.73, -30.82, 49.51

 

CMYK 19 / 0 / 49 / 25

HEX #9CC061

RGB 156 192 97

HSL 82.74, 0.43%, 0.57%

LAB 73.3, -27.52, 43.63

 

CMYK 15 / 0 / 38 / 20

HEX #AECC7F

RGB 174 204 127

HSL 83.38, 0.43%, 0.65%

LAB 78.3, -22.97, 35.11

 

CMYK 10 / 0 / 27 / 16

HEX #C1D79C

RGB 193 215 156

HSL 82.37, 0.42%, 0.73%

LAB 83.09, -17.42, 26.75

 

CMYK 7 / 0 / 18 / 11

HEX #D3E3BA

RGB 211 227 186

HSL 83.41, 0.42%, 0.81%

LAB 88.13, -12.43, 18.26

 

CMYK 14 / 0 / 37 / 20

HEX #AFCC80

RGB 175 204 128

HSL 82.89, 0.43%, 0.65%

LAB 78.38, -22.47, 34.72

 

CMYK 38 / 0 / 17 / 20

HEX #7FCCAA

RGB 127 204 170

HSL 153.51, 0.43%, 0.65%

LAB 76.44, -31.38, 9.5

 

CMYK 1 / 38 / 0 / 20

HEX #C97FCC

RGB 201 127 204

HSL 297.66, 0.43%, 0.65%

LAB 63.31, 40.73, -28.19

 

CMYK 14 / 0 / 37 / 20

HEX #AFCC80

RGB 175 204 128

HSL 82.89, 0.43%, 0.65%

LAB 78.38, -22.47, 34.72

 

CMYK 38 / 14 / 0 / 20

HEX #7FAFCC

RGB 127 175 204

HSL 202.6, 0.43%, 0.65%

LAB 69.13, -8.64, -19.8

 

CMYK 0 / 38 / 14 / 20

HEX #CC7FAF

RGB 204 127 175

HSL 322.6, 0.43%, 0.65%

LAB 62.6, 36.61, -12.84

 

CMYK 14 / 0 / 37 / 20

HEX #AFCC80

RGB 175 204 128

HSL 82.89, 0.43%, 0.65%

LAB 78.38, -22.47, 34.72

 

CMYK 38 / 0 / 17 / 20

HEX #7FCCAA

RGB 127 204 170

HSL 153.51, 0.43%, 0.65%

LAB 76.44, -31.38, 9.5

 

CMYK 24 / 38 / 0 / 20

HEX #9B7FCC

RGB 155 127 204

HSL 261.82, 0.43%, 0.65%

LAB 58.52, 26.67, -36

 

CMYK 0 / 38 / 22 / 20

HEX #CC7FA0

RGB 204 127 160

HSL 334.29, 0.43%, 0.65%

LAB 62.13, 34.26, -5

 

CMYK 14 / 0 / 37 / 20

HEX #AFCC80

RGB 175 204 128

HSL 82.89, 0.43%, 0.65%

LAB 78.38, -22.47, 34.72

 

CMYK 38 / 0 / 5 / 20

HEX #7FCCC1

RGB 127 204 193

HSL 171.43, 0.43%, 0.65%

LAB 77.01, -26.3, -2.04

 

CMYK 24 / 38 / 0 / 20

HEX #9B7FCC

RGB 155 127 204

HSL 261.82, 0.43%, 0.65%

LAB 58.52, 26.67, -36

 

CMYK 0 / 38 / 33 / 20

HEX #CC7F89

RGB 204 127 137

HSL 352.21, 0.43%, 0.65%

LAB 61.5, 31.05, 7.24

 

Description

Color code: HEX #AFCC80 | qconv.com Color code: HEX #AFCC80 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 204 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 204 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 37 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 37% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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