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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFD97D it is the complementary color #502682. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFD97D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFD97D shade: #B4D978, #C5EB8B, #D6FD9E, #E7FFB1 and #F8FFC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFD97D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFD97D shade: #AFD97D, #9EC76A, #8DB557, #7CA344 and #6B9131

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFD97D shade: #AED97C, #C7D97C, #D9D17C, #D9B87C and #D99F7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFD97D shade: #AED97C, #95D97C, #7CD97C, #7CD995 and #7CD9AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFD97D shade matches the following richer shades: #AED97C, #B0E66E and #B1F461

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFD97D shade: #AED97C, #ADCB8A, #ACBD97, #ABB0A5 and #AAA2B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFD97D shade: #D9D17C, #C8D97C, #AFD97C, #96D97C and #7ED97C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFD97D shade: #87C63C, #9BCF5C, #AED97C, #C2E29C and #D6EBBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFD97D shade: #AFD97D, #7CD9B8 and #D97CD4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFD97D shade: #AFD97D, #7CAFD9 and #D97CAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFD97D shade: #AFD97D, #7CD9B8, #A67CD9 and #D97C9C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFD97D shade: #AFD97D, #7CD9D4, #A67CD9 and #D97C81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 42 / 15

HEX #AFD97D

RGB 175 217 125

HSL 87.39, 0.55%, 0.67%

LAB 81.96, -29.12, 40.82

 

Complementary color

CMYK 38 / 71 / 0 / 49

HEX #502682

RGB 80 38 130

HSL 267.39, 0.55%, 0.33%

LAB 25.87, 38.92, -44.46

 

CMYK 17 / 0 / 45 / 15

HEX #B4D978

RGB 180 217 120

HSL 82.89, 0.56%, 0.66%

LAB 82.21, -27.86, 43.67

 

CMYK 16 / 0 / 41 / 8

HEX #C5EB8B

RGB 197 235 139

HSL 83.75, 0.71%, 0.73%

LAB 88.52, -27.9, 42.53

 

CMYK 15 / 0 / 38 / 1

HEX #D6FD9E

RGB 214 253 158

HSL 84.63, 0.96%, 0.81%

LAB 94.74, -27.91, 41.41

 

CMYK 9 / 0 / 31 / 0

HEX #E7FFB1

RGB 231 255 177

HSL 78.46, 1%, 0.85%

LAB 96.69, -20.33, 34.77

 

CMYK 3 / 0 / 23 / 0

HEX #F8FFC4

RGB 248 255 196

HSL 67.12, 1%, 0.88%

LAB 98.22, -11.67, 27.5

 

CMYK 19 / 0 / 42 / 15

HEX #AFD97D

RGB 175 217 125

HSL 87.39, 0.55%, 0.67%

LAB 81.96, -29.12, 40.82

 

CMYK 21 / 0 / 47 / 22

HEX #9EC76A

RGB 158 199 106

HSL 86.45, 0.45%, 0.6%

LAB 75.55, -29.11, 41.98

 

CMYK 22 / 0 / 52 / 29

HEX #8DB557

RGB 141 181 87

HSL 85.53, 0.39%, 0.53%

LAB 69.04, -29.06, 43.14

 

CMYK 24 / 0 / 58 / 36

HEX #7CA344

RGB 124 163 68

HSL 84.63, 0.41%, 0.45%

LAB 62.42, -28.93, 44.23

 

CMYK 26 / 0 / 66 / 43

HEX #6B9131

RGB 107 145 49

HSL 83.75, 0.49%, 0.38%

LAB 55.68, -28.69, 45.11

 

CMYK 20 / 0 / 43 / 15

HEX #AED97C

RGB 174 217 124

HSL 87.74, 0.55%, 0.67%

LAB 81.88, -29.61, 41.21

 

CMYK 8 / 0 / 43 / 15

HEX #C7D97C

RGB 199 217 124

HSL 71.61, 0.55%, 0.67%

LAB 83.56, -20.19, 43.67

 

CMYK 0 / 4 / 43 / 15

HEX #D9D17C

RGB 217 209 124

HSL 54.84, 0.55%, 0.67%

LAB 82.81, -9.12, 43.03

 

CMYK 0 / 15 / 43 / 15

HEX #D9B87C

RGB 217 184 124

HSL 38.71, 0.55%, 0.67%

LAB 76.37, 3.85, 34.84

 

CMYK 0 / 27 / 43 / 15

HEX #D99F7C

RGB 217 159 124

HSL 22.58, 0.55%, 0.67%

LAB 70.18, 17.23, 26.72

 

CMYK 20 / 0 / 43 / 15

HEX #AED97C

RGB 174 217 124

HSL 87.74, 0.55%, 0.67%

LAB 81.88, -29.61, 41.21

 

CMYK 31 / 0 / 43 / 15

HEX #95D97C

RGB 149 217 124

HSL 103.87, 0.55%, 0.67%

LAB 80.44, -38.39, 39.09

 

CMYK 43 / 0 / 43 / 15

HEX #7CD97C

RGB 124 217 124

HSL 120, 0.55%, 0.67%

LAB 79.25, -46.27, 37.32

 

CMYK 43 / 0 / 31 / 15

HEX #7CD995

RGB 124 217 149

HSL 136.13, 0.55%, 0.67%

LAB 79.66, -42.22, 25.08

 

CMYK 43 / 0 / 20 / 15

HEX #7CD9AE

RGB 124 217 174

HSL 152.26, 0.55%, 0.67%

LAB 80.16, -37.42, 12.64

 

CMYK 20 / 0 / 43 / 15

HEX #AED97C

RGB 174 217 124

HSL 87.74, 0.55%, 0.67%

LAB 81.88, -29.61, 41.21

 

CMYK 23 / 0 / 52 / 10

HEX #B0E66E

RGB 176 230 110

HSL 87, 0.71%, 0.67%

LAB 85.48, -36.45, 52.35

 

CMYK 27 / 0 / 60 / 4

HEX #B1F461

RGB 177 244 97

HSL 87.35, 0.87%, 0.67%

LAB 89.35, -43.49, 62.54

 

CMYK 20 / 0 / 43 / 15

HEX #AED97C

RGB 174 217 124

HSL 87.74, 0.55%, 0.67%

LAB 81.88, -29.61, 41.21

 

CMYK 15 / 0 / 32 / 20

HEX #ADCB8A

RGB 173 203 138

HSL 87.69, 0.38%, 0.67%

LAB 78.13, -21.37, 29.21

 

CMYK 9 / 0 / 20 / 26

HEX #ACBD97

RGB 172 189 151

HSL 86.84, 0.22%, 0.67%

LAB 74.45, -12.68, 17.29

 

CMYK 3 / 0 / 6 / 31

HEX #ABB0A5

RGB 171 176 165

HSL 87.27, 0.07%, 0.67%

LAB 71.16, -3.8, 5.01

 

CMYK 5 / 9 / 0 / 30

HEX #AAA2B3

RGB 170 162 179

HSL 268.24, 0.1%, 0.67%

LAB 67.76, 6.14, -7.73

 

CMYK 0 / 4 / 43 / 15

HEX #D9D17C

RGB 217 209 124

HSL 54.84, 0.55%, 0.67%

LAB 82.81, -9.12, 43.03

 

CMYK 8 / 0 / 43 / 15

HEX #C8D97C

RGB 200 217 124

HSL 70.97, 0.55%, 0.67%

LAB 83.63, -19.8, 43.78

 

CMYK 19 / 0 / 43 / 15

HEX #AFD97C

RGB 175 217 124

HSL 87.1, 0.55%, 0.67%

LAB 81.94, -29.24, 41.3

 

CMYK 31 / 0 / 43 / 15

HEX #96D97C

RGB 150 217 124

HSL 103.23, 0.55%, 0.67%

LAB 80.5, -38.05, 39.16

 

CMYK 42 / 0 / 43 / 15

HEX #7ED97C

RGB 126 217 124

HSL 118.71, 0.55%, 0.67%

LAB 79.34, -45.68, 37.45

 

CMYK 32 / 0 / 70 / 22

HEX #87C63C

RGB 135 198 60

HSL 87.39, 0.55%, 0.51%

LAB 73.46, -41.42, 59.72

 

CMYK 25 / 0 / 56 / 19

HEX #9BCF5C

RGB 155 207 92

HSL 87.13, 0.55%, 0.59%

LAB 77.5, -35.44, 50.95

 

CMYK 20 / 0 / 43 / 15

HEX #AED97C

RGB 174 217 124

HSL 87.74, 0.55%, 0.67%

LAB 81.88, -29.61, 41.21

 

CMYK 14 / 0 / 31 / 11

HEX #C2E29C

RGB 194 226 156

HSL 87.43, 0.55%, 0.75%

LAB 86.14, -22.47, 30.85

 

CMYK 9 / 0 / 20 / 8

HEX #D6EBBC

RGB 214 235 188

HSL 86.81, 0.54%, 0.83%

LAB 90.48, -15.05, 20.53

 

CMYK 19 / 0 / 42 / 15

HEX #AFD97D

RGB 175 217 125

HSL 87.39, 0.55%, 0.67%

LAB 81.96, -29.12, 40.82

 

CMYK 43 / 0 / 15 / 15

HEX #7CD9B8

RGB 124 217 184

HSL 158.71, 0.55%, 0.67%

LAB 80.39, -35.3, 7.66

 

CMYK 0 / 43 / 2 / 15

HEX #D97CD4

RGB 217 124 212

HSL 303.23, 0.55%, 0.67%

LAB 64.9, 48.65, -30.05

 

CMYK 19 / 0 / 42 / 15

HEX #AFD97D

RGB 175 217 125

HSL 87.39, 0.55%, 0.67%

LAB 81.96, -29.12, 40.82

 

CMYK 43 / 19 / 0 / 15

HEX #7CAFD9

RGB 124 175 217

HSL 207.1, 0.55%, 0.67%

LAB 69.44, -5.94, -26.49

 

CMYK 0 / 43 / 19 / 15

HEX #D97CAF

RGB 217 124 175

HSL 327.1, 0.55%, 0.67%

LAB 63.56, 42.57, -11.24

 

CMYK 19 / 0 / 42 / 15

HEX #AFD97D

RGB 175 217 125

HSL 87.39, 0.55%, 0.67%

LAB 81.96, -29.12, 40.82

 

CMYK 43 / 0 / 15 / 15

HEX #7CD9B8

RGB 124 217 184

HSL 158.71, 0.55%, 0.67%

LAB 80.39, -35.3, 7.66

 

CMYK 24 / 43 / 0 / 15

HEX #A67CD9

RGB 166 124 217

HSL 267.1, 0.55%, 0.67%

LAB 59.46, 34.66, -41.75

 

CMYK 0 / 43 / 28 / 15

HEX #D97C9C

RGB 217 124 156

HSL 339.35, 0.55%, 0.67%

LAB 62.98, 39.86, -1.27

 

CMYK 19 / 0 / 42 / 15

HEX #AFD97D

RGB 175 217 125

HSL 87.39, 0.55%, 0.67%

LAB 81.96, -29.12, 40.82

 

CMYK 43 / 0 / 2 / 15

HEX #7CD9D4

RGB 124 217 212

HSL 176.77, 0.55%, 0.67%

LAB 81.11, -28.84, -6.2

 

CMYK 24 / 43 / 0 / 15

HEX #A67CD9

RGB 166 124 217

HSL 267.1, 0.55%, 0.67%

LAB 59.46, 34.66, -41.75

 

CMYK 0 / 43 / 41 / 15

HEX #D97C81

RGB 217 124 129

HSL 356.77, 0.55%, 0.67%

LAB 62.3, 36.53, 13.17

 

Description

Color code: HEX #AFD97D | qconv.com Color code: HEX #AFD97D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 217 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 217 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 42 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 42% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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