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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFD113 it is the complementary color #502EEC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFD113. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFD113 shade: #B4D10E, #C5E321, #D6F534, #E7FF47 and #F8FF5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFD113. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFD113 shade: #AFD113, #9EBF00, #8DAD00, #7C9B00 and #6B8900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFD113 shade: #AFD113, #D1C013, #D18D13, #D15913 and #D12613

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFD113 shade: #AFD113, #7CD113, #49D113, #15D113 and #13D144

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFD113 shade matches the following richer shades: #AFD113 and #BBE400

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFD113 shade: #AFD113, #A3BF26, #98AC38, #8C9A4B and #80875D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFD113 shade: #D18C13, #D1BE13, #B2D113, #7FD113 and #4CD113

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFD113 shade: #70860C, #90AC10, #AFD113, #C7EA24 and #D0EE49

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFD113 shade: #AFD113, #13D159 and #A513D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFD113 shade: #AFD113, #13B2D1 and #D113B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFD113 shade: #AFD113, #13D159, #3313D1 and #D1138C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFD113 shade: #AFD113, #13D192, #3313D1 and #D11353

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 91 / 18

HEX #AFD113

RGB 175 209 19

HSL 70.74, 0.83%, 0.45%

LAB 78.9, -32.52, 76.36

 

Complementary color

CMYK 66 / 81 / 0 / 7

HEX #502EEC

RGB 80 46 236

HSL 250.74, 0.83%, 0.55%

LAB 37.33, 64.66, -88.68

 

CMYK 14 / 0 / 93 / 18

HEX #B4D10E

RGB 180 209 14

HSL 68.92, 0.87%, 0.44%

LAB 79.23, -30.56, 77.4

 

CMYK 13 / 0 / 85 / 11

HEX #C5E321

RGB 197 227 33

HSL 69.28, 0.78%, 0.51%

LAB 85.46, -31.65, 79.91

 

CMYK 13 / 0 / 79 / 4

HEX #D6F534

RGB 214 245 52

HSL 69.64, 0.91%, 0.58%

LAB 91.62, -32.57, 81.24

 

CMYK 9 / 0 / 72 / 0

HEX #E7FF47

RGB 231 255 71

HSL 67.83, 1%, 0.64%

LAB 95.57, -29.67, 79.71

 

CMYK 3 / 0 / 65 / 0

HEX #F8FF5A

RGB 248 255 90

HSL 62.55, 1%, 0.68%

LAB 96.91, -21.95, 74.79

 

CMYK 16 / 0 / 91 / 18

HEX #AFD113

RGB 175 209 19

HSL 70.74, 0.83%, 0.45%

LAB 78.9, -32.52, 76.36

 

CMYK 17 / 0 / 100 / 25

HEX #9EBF00

RGB 158 191 0

HSL 70.37, 1%, 0.37%

LAB 72.58, -31.35, 73.11

 

CMYK 18 / 0 / 100 / 32

HEX #8DAD00

RGB 141 173 0

HSL 71.1, 1%, 0.34%

LAB 66.17, -29.93, 67.77

 

CMYK 20 / 0 / 100 / 39

HEX #7C9B00

RGB 124 155 0

HSL 72, 1%, 0.3%

LAB 59.64, -28.48, 62.33

 

CMYK 22 / 0 / 100 / 46

HEX #6B8900

RGB 107 137 0

HSL 73.14, 1%, 0.27%

LAB 52.97, -27.02, 56.77

 

CMYK 16 / 0 / 91 / 18

HEX #AFD113

RGB 175 209 19

HSL 70.74, 0.83%, 0.45%

LAB 78.9, -32.52, 76.36

 

CMYK 0 / 8 / 91 / 18

HEX #D1C013

RGB 209 192 19

HSL 54.63, 0.83%, 0.45%

LAB 76.86, -9.81, 75.88

 

CMYK 0 / 33 / 91 / 18

HEX #D18D13

RGB 209 141 19

HSL 38.53, 0.83%, 0.45%

LAB 63.88, 17.25, 65.98

 

CMYK 0 / 57 / 91 / 18

HEX #D15913

RGB 209 89 19

HSL 22.11, 0.83%, 0.45%

LAB 52.67, 44.38, 57.72

 

CMYK 0 / 82 / 91 / 18

HEX #D12613

RGB 209 38 19

HSL 6, 0.83%, 0.45%

LAB 45.62, 63.51, 52.77

 

CMYK 16 / 0 / 91 / 18

HEX #AFD113

RGB 175 209 19

HSL 70.74, 0.83%, 0.45%

LAB 78.9, -32.52, 76.36

 

CMYK 41 / 0 / 91 / 18

HEX #7CD113

RGB 124 209 19

HSL 86.84, 0.83%, 0.45%

LAB 76.03, -51.65, 72.83

 

CMYK 65 / 0 / 91 / 18

HEX #49D113

RGB 73 209 19

HSL 102.95, 0.83%, 0.45%

LAB 74.23, -65.75, 70.61

 

CMYK 90 / 0 / 91 / 18

HEX #15D113

RGB 21 209 19

HSL 119.37, 0.83%, 0.45%

LAB 73.42, -72.83, 69.6

 

CMYK 91 / 0 / 67 / 18

HEX #13D144

RGB 19 209 68

HSL 135.47, 0.83%, 0.45%

LAB 73.65, -69.89, 55.81

 

CMYK 16 / 0 / 91 / 18

HEX #AFD113

RGB 175 209 19

HSL 70.74, 0.83%, 0.45%

LAB 78.9, -32.52, 76.36

 

CMYK 18 / 0 / 100 / 11

HEX #BBE400

RGB 187 228 0

HSL 70.79, 1%, 0.45%

LAB 85.02, -36.62, 83.32

 

CMYK 16 / 0 / 91 / 18

HEX #AFD113

RGB 175 209 19

HSL 70.74, 0.83%, 0.45%

LAB 78.9, -32.52, 76.36

 

CMYK 15 / 0 / 80 / 25

HEX #A3BF26

RGB 163 191 38

HSL 70.98, 0.67%, 0.45%

LAB 73.02, -28.46, 67.14

 

CMYK 12 / 0 / 67 / 33

HEX #98AC38

RGB 152 172 56

HSL 70.34, 0.51%, 0.45%

LAB 66.87, -22.89, 54.86

 

CMYK 9 / 0 / 51 / 40

HEX #8C9A4B

RGB 140 154 75

HSL 70.63, 0.34%, 0.45%

LAB 60.95, -17.25, 39.4

 

CMYK 5 / 0 / 31 / 47

HEX #80875D

RGB 128 135 93

HSL 70, 0.18%, 0.45%

LAB 54.77, -9.94, 21.78

 

CMYK 0 / 33 / 91 / 18

HEX #D18C13

RGB 209 140 19

HSL 38.21, 0.83%, 0.45%

LAB 63.64, 17.79, 65.8

 

CMYK 0 / 9 / 91 / 18

HEX #D1BE13

RGB 209 190 19

HSL 54, 0.83%, 0.45%

LAB 76.33, -8.79, 75.47

 

CMYK 15 / 0 / 91 / 18

HEX #B2D113

RGB 178 209 19

HSL 69.79, 0.83%, 0.45%

LAB 79.11, -31.3, 76.6

 

CMYK 39 / 0 / 91 / 18

HEX #7FD113

RGB 127 209 19

HSL 85.89, 0.83%, 0.45%

LAB 76.17, -50.64, 73

 

CMYK 64 / 0 / 91 / 18

HEX #4CD113

RGB 76 209 19

HSL 102, 0.83%, 0.45%

LAB 74.31, -65.1, 70.7

 

CMYK 16 / 0 / 91 / 47

HEX #70860C

RGB 112 134 12

HSL 70.82, 0.84%, 0.29%

LAB 52.42, -23.09, 54.35

 

CMYK 16 / 0 / 91 / 33

HEX #90AC10

RGB 144 172 16

HSL 70.77, 0.83%, 0.37%

LAB 66.11, -27.93, 65.69

 

CMYK 16 / 0 / 91 / 18

HEX #AFD113

RGB 175 209 19

HSL 70.74, 0.83%, 0.45%

LAB 78.9, -32.52, 76.36

 

CMYK 15 / 0 / 85 / 8

HEX #C7EA24

RGB 199 234 36

HSL 70.61, 0.83%, 0.53%

LAB 87.54, -33.99, 81.09

 

CMYK 13 / 0 / 69 / 7

HEX #D0EE49

RGB 208 238 73

HSL 70.91, 0.83%, 0.61%

LAB 89.41, -30.78, 72.51

 

CMYK 16 / 0 / 91 / 18

HEX #AFD113

RGB 175 209 19

HSL 70.74, 0.83%, 0.45%

LAB 78.9, -32.52, 76.36

 

CMYK 91 / 0 / 57 / 18

HEX #13D159

RGB 19 209 89

HSL 142.11, 0.83%, 0.45%

LAB 73.84, -67.44, 46.98

 

CMYK 21 / 91 / 0 / 18

HEX #A513D1

RGB 165 19 209

HSL 286.11, 0.83%, 0.45%

LAB 42.87, 76, -63.75

 

CMYK 16 / 0 / 91 / 18

HEX #AFD113

RGB 175 209 19

HSL 70.74, 0.83%, 0.45%

LAB 78.9, -32.52, 76.36

 

CMYK 91 / 15 / 0 / 18

HEX #13B2D1

RGB 19 178 209

HSL 189.79, 0.83%, 0.45%

LAB 66.96, -26.11, -26.16

 

CMYK 0 / 91 / 15 / 18

HEX #D113B2

RGB 209 19 178

HSL 309.79, 0.83%, 0.45%

LAB 48.56, 78.63, -36.14

 

CMYK 16 / 0 / 91 / 18

HEX #AFD113

RGB 175 209 19

HSL 70.74, 0.83%, 0.45%

LAB 78.9, -32.52, 76.36

 

CMYK 91 / 0 / 57 / 18

HEX #13D159

RGB 19 209 89

HSL 142.11, 0.83%, 0.45%

LAB 73.84, -67.44, 46.98

 

CMYK 76 / 91 / 0 / 18

HEX #3313D1

RGB 51 19 209

HSL 250.11, 0.83%, 0.45%

LAB 28.83, 65.08, -87.35

 

CMYK 0 / 91 / 33 / 18

HEX #D1138C

RGB 209 19 140

HSL 321.79, 0.83%, 0.45%

LAB 46.86, 74.18, -16.07

 

CMYK 16 / 0 / 91 / 18

HEX #AFD113

RGB 175 209 19

HSL 70.74, 0.83%, 0.45%

LAB 78.9, -32.52, 76.36

 

CMYK 91 / 0 / 30 / 18

HEX #13D192

RGB 19 209 146

HSL 160.11, 0.83%, 0.45%

LAB 74.71, -57.27, 19.48

 

CMYK 76 / 91 / 0 / 18

HEX #3313D1

RGB 51 19 209

HSL 250.11, 0.83%, 0.45%

LAB 28.83, 65.08, -87.35

 

CMYK 0 / 91 / 60 / 18

HEX #D11353

RGB 209 19 83

HSL 339.79, 0.83%, 0.45%

LAB 45.14, 69.49, 16.62

 

Description

Color code: HEX #AFD113 | qconv.com Color code: HEX #AFD113 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 209 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 209 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 91 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 91% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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