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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFD1FC it is the complementary color #502E03. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFD1FC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFD1FC shade: #B4D1F7, #C5E3FF, #D6F5FF, #E7FFFF and #F8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFD1FC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFD1FC shade: #AFD1FC, #9EBFE9, #8DADD6, #7C9BC3 and #6B89B0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFD1FC shade: #B0D1FC, #B0BDFC, #B7B0FC, #CCB0FC and #E0B0FC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFD1FC shade: #B0D1FC, #B0BDFC and #B0B0FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFD1FC shade matches the following richer shades: #B0D1FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFD1FC shade: #B0D1FC, #B6D2F5, #BDD3EE, #C4D4E8 and #CAD4E1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFD1FC shade: #B0FAFC, #B0E6FC, #B0D2FC, #B0BEFC and #B6B0FC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFD1FC shade: #60A4F9, #88BAFA, #B0D1FC and #D8E8FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFD1FC shade: #AFD1FC, #E9B0FC and #F0FCB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFD1FC shade: #AFD1FC, #FCB0D2 and #D2FCB0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFD1FC shade: #AFD1FC, #E9B0FC, #FCD9B0 and #C3FCB0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFD1FC shade: #AFD1FC, #FCB0F8, #FCD9B0 and #B0FCB4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 17 / 0 / 1

HEX #AFD1FC

RGB 175 209 252

HSL 213.51, 0.93%, 0.84%

LAB 82.78, -1.54, -24.72

 

Complementary color

CMYK 0 / 43 / 96 / 69

HEX #502E03

RGB 80 46 3

HSL 33.51, 0.93%, 0.16%

LAB 22.54, 12.08, 30.74

 

CMYK 27 / 15 / 0 / 3

HEX #B4D1F7

RGB 180 209 247

HSL 214.03, 0.81%, 0.84%

LAB 82.92, -1.3, -21.81

 

CMYK 23 / 11 / 0 / 0

HEX #C5E3FF

RGB 197 227 255

HSL 208.97, 1%, 0.89%

LAB 88.94, -3.93, -16.85

 

CMYK 16 / 4 / 0 / 0

HEX #D6F5FF

RGB 214 245 255

HSL 194.63, 1%, 0.92%

LAB 94.66, -8.01, -8.19

 

CMYK 9 / 0 / 0 / 0

HEX #E7FFFF

RGB 231 255 255

HSL 180, 1%, 0.95%

LAB 98.32, -7.74, -2.66

 

CMYK 3 / 0 / 0 / 0

HEX #F8FFFF

RGB 248 255 255

HSL 180, 1%, 0.99%

LAB 99.49, -2.29, -0.81

 

CMYK 31 / 17 / 0 / 1

HEX #AFD1FC

RGB 175 209 252

HSL 213.51, 0.93%, 0.84%

LAB 82.78, -1.54, -24.72

 

CMYK 32 / 18 / 0 / 9

HEX #9EBFE9

RGB 158 191 233

HSL 213.6, 0.63%, 0.77%

LAB 76.32, -1.33, -24.49

 

CMYK 34 / 19 / 0 / 16

HEX #8DADD6

RGB 141 173 214

HSL 213.7, 0.47%, 0.7%

LAB 69.76, -1.09, -24.27

 

CMYK 36 / 21 / 0 / 24

HEX #7C9BC3

RGB 124 155 195

HSL 213.8, 0.37%, 0.63%

LAB 63.07, -0.82, -24.08

 

CMYK 39 / 22 / 0 / 31

HEX #6B89B0

RGB 107 137 176

HSL 213.91, 0.3%, 0.55%

LAB 56.24, -0.5, -23.91

 

CMYK 30 / 17 / 0 / 1

HEX #B0D1FC

RGB 176 209 252

HSL 213.95, 0.93%, 0.84%

LAB 82.84, -1.26, -24.62

 

CMYK 30 / 25 / 0 / 1

HEX #B0BDFC

RGB 176 189 252

HSL 229.74, 0.93%, 0.84%

LAB 77.67, 9.53, -32.54

 

CMYK 27 / 30 / 0 / 1

HEX #B7B0FC

RGB 183 176 252

HSL 245.53, 0.93%, 0.84%

LAB 74.92, 18.69, -36.75

 

CMYK 19 / 30 / 0 / 1

HEX #CCB0FC

RGB 204 176 252

HSL 262.11, 0.93%, 0.84%

LAB 76.63, 24.83, -33.96

 

CMYK 11 / 30 / 0 / 1

HEX #E0B0FC

RGB 224 176 252

HSL 277.89, 0.93%, 0.84%

LAB 78.42, 30.89, -31.06

 

CMYK 30 / 17 / 0 / 1

HEX #B0D1FC

RGB 176 209 252

HSL 213.95, 0.93%, 0.84%

LAB 82.84, -1.26, -24.62

 

CMYK 30 / 25 / 0 / 1

HEX #B0BDFC

RGB 176 189 252

HSL 229.74, 0.93%, 0.84%

LAB 77.67, 9.53, -32.54

 

CMYK 30 / 30 / 0 / 1

HEX #B0B0FC

RGB 176 176 252

HSL 240, 0.93%, 0.84%

LAB 74.39, 16.7, -37.62

 

CMYK 30 / 17 / 0 / 1

HEX #B0D1FC

RGB 176 209 252

HSL 213.95, 0.93%, 0.84%

LAB 82.84, -1.26, -24.62

 

CMYK 30 / 17 / 0 / 1

HEX #B0D1FC

RGB 176 209 252

HSL 213.95, 0.93%, 0.84%

LAB 82.84, -1.26, -24.62

 

CMYK 26 / 14 / 0 / 4

HEX #B6D2F5

RGB 182 210 245

HSL 213.33, 0.76%, 0.84%

LAB 83.25, -1.71, -20.24

 

CMYK 21 / 11 / 0 / 7

HEX #BDD3EE

RGB 189 211 238

HSL 213.06, 0.59%, 0.84%

LAB 83.75, -1.71, -15.73

 

CMYK 16 / 9 / 0 / 9

HEX #C4D4E8

RGB 196 212 232

HSL 213.33, 0.44%, 0.84%

LAB 84.3, -1.35, -11.66

 

CMYK 10 / 6 / 0 / 12

HEX #CAD4E1

RGB 202 212 225

HSL 213.91, 0.28%, 0.84%

LAB 84.52, -0.85, -7.57

 

CMYK 30 / 1 / 0 / 1

HEX #B0FAFC

RGB 176 250 252

HSL 181.58, 0.93%, 0.84%

LAB 93.72, -22.14, -8.26

 

CMYK 30 / 9 / 0 / 1

HEX #B0E6FC

RGB 176 230 252

HSL 197.37, 0.93%, 0.84%

LAB 88.38, -12.18, -16.24

 

CMYK 30 / 17 / 0 / 1

HEX #B0D2FC

RGB 176 210 252

HSL 213.16, 0.93%, 0.84%

LAB 83.1, -1.79, -24.22

 

CMYK 30 / 25 / 0 / 1

HEX #B0BEFC

RGB 176 190 252

HSL 228.95, 0.93%, 0.84%

LAB 77.93, 8.98, -32.14

 

CMYK 28 / 30 / 0 / 1

HEX #B6B0FC

RGB 182 176 252

HSL 244.74, 0.93%, 0.84%

LAB 74.84, 18.4, -36.88

 

CMYK 61 / 34 / 0 / 2

HEX #60A4F9

RGB 96 164 249

HSL 213.33, 0.93%, 0.68%

LAB 66.43, 3.77, -48.79

 

CMYK 46 / 26 / 0 / 2

HEX #88BAFA

RGB 136 186 250

HSL 213.68, 0.92%, 0.76%

LAB 74.35, 0.16, -36.79

 

CMYK 30 / 17 / 0 / 1

HEX #B0D1FC

RGB 176 209 252

HSL 213.95, 0.93%, 0.84%

LAB 82.84, -1.26, -24.62

 

CMYK 15 / 8 / 0 / 1

HEX #D8E8FD

RGB 216 232 253

HSL 214.05, 0.9%, 0.92%

LAB 91.42, -1.16, -11.96

 

CMYK 31 / 17 / 0 / 1

HEX #AFD1FC

RGB 175 209 252

HSL 213.51, 0.93%, 0.84%

LAB 82.78, -1.54, -24.72

 

CMYK 8 / 30 / 0 / 1

HEX #E9B0FC

RGB 233 176 252

HSL 285, 0.93%, 0.84%

LAB 79.27, 33.67, -29.67

 

CMYK 5 / 0 / 30 / 1

HEX #F0FCB0

RGB 240 252 176

HSL 69.47, 0.93%, 0.84%

LAB 96.53, -15.74, 35.16

 

CMYK 31 / 17 / 0 / 1

HEX #AFD1FC

RGB 175 209 252

HSL 213.51, 0.93%, 0.84%

LAB 82.78, -1.54, -24.72

 

CMYK 0 / 30 / 17 / 1

HEX #FCB0D2

RGB 252 176 210

HSL 333.16, 0.93%, 0.84%

LAB 79.84, 32.55, -5.97

 

CMYK 17 / 0 / 30 / 1

HEX #D2FCB0

RGB 210 252 176

HSL 93.16, 0.93%, 0.84%

LAB 94.51, -26.46, 32.11

 

CMYK 31 / 17 / 0 / 1

HEX #AFD1FC

RGB 175 209 252

HSL 213.51, 0.93%, 0.84%

LAB 82.78, -1.54, -24.72

 

CMYK 8 / 30 / 0 / 1

HEX #E9B0FC

RGB 233 176 252

HSL 285, 0.93%, 0.84%

LAB 79.27, 33.67, -29.67

 

CMYK 0 / 14 / 30 / 1

HEX #FCD9B0

RGB 252 217 176

HSL 32.37, 0.93%, 0.84%

LAB 88.66, 6.32, 24.71

 

CMYK 23 / 0 / 30 / 1

HEX #C3FCB0

RGB 195 252 176

HSL 105, 0.93%, 0.84%

LAB 93.61, -31.58, 30.74

 

CMYK 31 / 17 / 0 / 1

HEX #AFD1FC

RGB 175 209 252

HSL 213.51, 0.93%, 0.84%

LAB 82.78, -1.54, -24.72

 

CMYK 0 / 30 / 2 / 1

HEX #FCB0F8

RGB 252 176 248

HSL 303.16, 0.93%, 0.84%

LAB 81.03, 38.86, -24.67

 

CMYK 0 / 14 / 30 / 1

HEX #FCD9B0

RGB 252 217 176

HSL 32.37, 0.93%, 0.84%

LAB 88.66, 6.32, 24.71

 

CMYK 30 / 0 / 29 / 1

HEX #B0FCB4

RGB 176 252 180

HSL 123.16, 0.93%, 0.84%

LAB 92.64, -37.1, 27.24

 

Description

Color code: HEX #AFD1FC | qconv.com Color code: HEX #AFD1FC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 209 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 209 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 17 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 17% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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