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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFDBBA it is the complementary color #502445. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFDBBA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFDBBA shade: #B4DBB5, #C5EDC8, #D6FFDB, #E7FFEE and #F8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFDBBA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFDBBA shade: #AFDBBA, #9EC9A7, #8DB794, #7CA581 and #6B936E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFDBBA shade: #AEDAB9, #AEDAAE, #BADAAE, #C6DAAE and #D2DAAE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFDBBA shade: #AEDAB9, #AEDAC5, #AEDAD1, #AED8DA and #AECBDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFDBBA shade matches the following richer shades: #AEDAB9, #A4E4B4, #9BEDAF and #91F7AA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFDBBA shade: #AEDAB9, #B7D1BD, #C1C7C2, #CABEC7 and #D4B4CC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFDBBA shade: #BADAAE, #AEDAAE, #AEDAB9, #AEDAC5 and #AEDAD0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFDBBA shade: #75C188, #91CDA0, #AEDAB9, #CAE7D1 and #E7F4EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFDBBA shade: #AFDBBA, #AEC6DA and #DAAEB4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFDBBA shade: #AFDBBA, #B9AEDA and #DAB9AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFDBBA shade: #AFDBBA, #AEC6DA, #DAAECF and #DAC2AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFDBBA shade: #AFDBBA, #AEB9DA, #DAAECF and #DACFAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 15 / 14

HEX #AFDBBA

RGB 175 219 186

HSL 135, 0.38%, 0.77%

LAB 83.61, -20.75, 11.56

 

Complementary color

CMYK 0 / 55 / 14 / 69

HEX #502445

RGB 80 36 69

HSL 315, 0.38%, 0.23%

LAB 21.57, 25.58, -11.43

 

CMYK 18 / 0 / 17 / 14

HEX #B4DBB5

RGB 180 219 181

HSL 121.54, 0.35%, 0.78%

LAB 83.81, -19.99, 14.52

 

CMYK 17 / 0 / 16 / 7

HEX #C5EDC8

RGB 197 237 200

HSL 124.5, 0.53%, 0.85%

LAB 90.14, -19.86, 13.68

 

CMYK 16 / 0 / 14 / 0

HEX #D6FFDB

RGB 214 255 219

HSL 127.32, 1%, 0.92%

LAB 96.38, -19.76, 12.88

 

CMYK 9 / 0 / 7 / 0

HEX #E7FFEE

RGB 231 255 238

HSL 137.5, 1%, 0.95%

LAB 97.91, -10.87, 5.46

 

CMYK 3 / 0 / 0 / 0

HEX #F8FFFF

RGB 248 255 255

HSL 180, 1%, 0.99%

LAB 99.49, -2.29, -0.81

 

CMYK 20 / 0 / 15 / 14

HEX #AFDBBA

RGB 175 219 186

HSL 135, 0.38%, 0.77%

LAB 83.61, -20.75, 11.56

 

CMYK 21 / 0 / 17 / 21

HEX #9EC9A7

RGB 158 201 167

HSL 132.56, 0.28%, 0.7%

LAB 77.18, -20.92, 12.4

 

CMYK 23 / 0 / 19 / 28

HEX #8DB794

RGB 141 183 148

HSL 130, 0.23%, 0.64%

LAB 70.64, -21.1, 13.29

 

CMYK 25 / 0 / 22 / 35

HEX #7CA581

RGB 124 165 129

HSL 127.32, 0.19%, 0.57%

LAB 63.98, -21.31, 14.24

 

CMYK 27 / 0 / 25 / 42

HEX #6B936E

RGB 107 147 110

HSL 124.5, 0.16%, 0.5%

LAB 57.19, -21.54, 15.25

 

CMYK 20 / 0 / 15 / 15

HEX #AEDAB9

RGB 174 218 185

HSL 135, 0.37%, 0.77%

LAB 83.25, -20.77, 11.57

 

CMYK 20 / 0 / 20 / 15

HEX #AEDAAE

RGB 174 218 174

HSL 120, 0.37%, 0.77%

LAB 83.02, -22.73, 17.03

 

CMYK 15 / 0 / 20 / 15

HEX #BADAAE

RGB 186 218 174

HSL 103.64, 0.37%, 0.77%

LAB 83.78, -18.63, 18.21

 

CMYK 9 / 0 / 20 / 15

HEX #C6DAAE

RGB 198 218 174

HSL 87.27, 0.37%, 0.77%

LAB 84.59, -14.41, 19.46

 

CMYK 4 / 0 / 20 / 15

HEX #D2DAAE

RGB 210 218 174

HSL 70.91, 0.37%, 0.77%

LAB 85.45, -10.08, 20.79

 

CMYK 20 / 0 / 15 / 15

HEX #AEDAB9

RGB 174 218 185

HSL 135, 0.37%, 0.77%

LAB 83.25, -20.77, 11.57

 

CMYK 20 / 0 / 10 / 15

HEX #AEDAC5

RGB 174 218 197

HSL 151.36, 0.37%, 0.77%

LAB 83.53, -18.5, 5.62

 

CMYK 20 / 0 / 4 / 15

HEX #AEDAD1

RGB 174 218 209

HSL 167.73, 0.37%, 0.77%

LAB 83.83, -16.11, -0.31

 

CMYK 20 / 1 / 0 / 15

HEX #AED8DA

RGB 174 216 218

HSL 182.73, 0.37%, 0.77%

LAB 83.53, -13.21, -5.52

 

CMYK 20 / 7 / 0 / 15

HEX #AECBDA

RGB 174 203 218

HSL 200.45, 0.37%, 0.77%

LAB 80.05, -6.48, -10.69

 

CMYK 20 / 0 / 15 / 15

HEX #AEDAB9

RGB 174 218 185

HSL 135, 0.37%, 0.77%

LAB 83.25, -20.77, 11.57

 

CMYK 28 / 0 / 21 / 11

HEX #A4E4B4

RGB 164 228 180

HSL 135, 0.54%, 0.77%

LAB 85.34, -29.73, 17.05

 

CMYK 35 / 0 / 26 / 7

HEX #9BEDAF

RGB 155 237 175

HSL 134.63, 0.69%, 0.77%

LAB 87.31, -37.56, 22.31

 

CMYK 41 / 0 / 31 / 3

HEX #91F7AA

RGB 145 247 170

HSL 134.71, 0.86%, 0.77%

LAB 89.6, -45.73, 27.93

 

CMYK 20 / 0 / 15 / 15

HEX #AEDAB9

RGB 174 218 185

HSL 135, 0.37%, 0.77%

LAB 83.25, -20.77, 11.57

 

CMYK 12 / 0 / 10 / 18

HEX #B7D1BD

RGB 183 209 189

HSL 133.85, 0.22%, 0.77%

LAB 81.48, -12.51, 6.99

 

CMYK 3 / 0 / 3 / 22

HEX #C1C7C2

RGB 193 199 194

HSL 130, 0.05%, 0.77%

LAB 79.66, -2.98, 1.77

 

CMYK 0 / 6 / 1 / 21

HEX #CABEC7

RGB 202 190 199

HSL 315, 0.1%, 0.77%

LAB 78.17, 5.83, -3.01

 

CMYK 0 / 15 / 4 / 17

HEX #D4B4CC

RGB 212 180 204

HSL 315, 0.27%, 0.77%

LAB 76.68, 15.59, -7.84

 

CMYK 15 / 0 / 20 / 15

HEX #BADAAE

RGB 186 218 174

HSL 103.64, 0.37%, 0.77%

LAB 83.78, -18.63, 18.21

 

CMYK 20 / 0 / 20 / 15

HEX #AEDAAE

RGB 174 218 174

HSL 120, 0.37%, 0.77%

LAB 83.02, -22.73, 17.03

 

CMYK 20 / 0 / 15 / 15

HEX #AEDAB9

RGB 174 218 185

HSL 135, 0.37%, 0.77%

LAB 83.25, -20.77, 11.57

 

CMYK 20 / 0 / 10 / 15

HEX #AEDAC5

RGB 174 218 197

HSL 151.36, 0.37%, 0.77%

LAB 83.53, -18.5, 5.62

 

CMYK 20 / 0 / 5 / 15

HEX #AEDAD0

RGB 174 218 208

HSL 166.36, 0.37%, 0.77%

LAB 83.81, -16.31, 0.19

 

CMYK 39 / 0 / 30 / 24

HEX #75C188

RGB 117 193 136

HSL 135, 0.38%, 0.61%

LAB 72.03, -35.81, 21.48

 

CMYK 29 / 0 / 22 / 20

HEX #91CDA0

RGB 145 205 160

HSL 135, 0.38%, 0.69%

LAB 77.41, -28.4, 16.36

 

CMYK 20 / 0 / 15 / 15

HEX #AEDAB9

RGB 174 218 185

HSL 135, 0.37%, 0.77%

LAB 83.25, -20.77, 11.57

 

CMYK 13 / 0 / 10 / 9

HEX #CAE7D1

RGB 202 231 209

HSL 134.48, 0.38%, 0.85%

LAB 89.07, -13.64, 7.5

 

CMYK 5 / 0 / 4 / 4

HEX #E7F4EA

RGB 231 244 234

HSL 133.85, 0.37%, 0.93%

LAB 95.01, -6.08, 3.32

 

CMYK 20 / 0 / 15 / 14

HEX #AFDBBA

RGB 175 219 186

HSL 135, 0.38%, 0.77%

LAB 83.61, -20.75, 11.56

 

CMYK 20 / 9 / 0 / 15

HEX #AEC6DA

RGB 174 198 218

HSL 207.27, 0.37%, 0.77%

LAB 78.72, -3.84, -12.67

 

CMYK 0 / 20 / 17 / 15

HEX #DAAEB4

RGB 218 174 180

HSL 351.82, 0.37%, 0.77%

LAB 75.12, 16.92, 3.03

 

CMYK 20 / 0 / 15 / 14

HEX #AFDBBA

RGB 175 219 186

HSL 135, 0.38%, 0.77%

LAB 83.61, -20.75, 11.56

 

CMYK 15 / 20 / 0 / 15

HEX #B9AEDA

RGB 185 174 218

HSL 255, 0.37%, 0.77%

LAB 73.32, 12.63, -20.75

 

CMYK 0 / 15 / 20 / 15

HEX #DAB9AE

RGB 218 185 174

HSL 15, 0.37%, 0.77%

LAB 77.67, 10.1, 9.96

 

CMYK 20 / 0 / 15 / 14

HEX #AFDBBA

RGB 175 219 186

HSL 135, 0.38%, 0.77%

LAB 83.61, -20.75, 11.56

 

CMYK 20 / 9 / 0 / 15

HEX #AEC6DA

RGB 174 198 218

HSL 207.27, 0.37%, 0.77%

LAB 78.72, -3.84, -12.67

 

CMYK 0 / 20 / 5 / 15

HEX #DAAECF

RGB 218 174 207

HSL 315, 0.37%, 0.77%

LAB 75.87, 21.43, -10.61

 

CMYK 0 / 11 / 20 / 15

HEX #DAC2AE

RGB 218 194 174

HSL 27.27, 0.37%, 0.77%

LAB 79.92, 5.32, 13.15

 

CMYK 20 / 0 / 15 / 14

HEX #AFDBBA

RGB 175 219 186

HSL 135, 0.38%, 0.77%

LAB 83.61, -20.75, 11.56

 

CMYK 20 / 15 / 0 / 15

HEX #AEB9DA

RGB 174 185 218

HSL 225, 0.37%, 0.77%

LAB 75.3, 3.13, -17.82

 

CMYK 0 / 20 / 5 / 15

HEX #DAAECF

RGB 218 174 207

HSL 315, 0.37%, 0.77%

LAB 75.87, 21.43, -10.61

 

CMYK 0 / 5 / 20 / 15

HEX #DACFAE

RGB 218 207 174

HSL 45, 0.37%, 0.77%

LAB 83.22, -1.49, 17.79

 

Description

Color code: HEX #AFDBBA | qconv.com Color code: HEX #AFDBBA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 219 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 219 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 15 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 15% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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