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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFDEDC it is the complementary color #502123. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFDEDC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFDEDC shade: #B4DED7, #C5F0EA, #D6FFFD, #E7FFFF and #F8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFDEDC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFDEDC shade: #AFDEDC, #9ECCC9, #8DBAB6, #7CA8A3 and #6B9690

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFDEDC shade: #AFDEDC, #AFDECF, #AFDEC3, #AFDEB6 and #B5DEAF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFDEDC shade: #AFDEDC, #AFD3DE, #AFC7DE, #AFBADE and #AFAFDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFDEDC shade matches the following richer shades: #AFDEDC, #A6E7E4, #9DF0ED and #94F9F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFDEDC shade: #AFDEDC, #B8D5D4, #C1CCCB, #CAC3C3 and #D3BABB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFDEDC shade: #AFDEC2, #AFDECF, #AFDEDC, #AFD4DE and #AFC7DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFDEDC shade: #74C6C3, #92D2CF, #AFDEDC, #CCEAE9 and #E9F6F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFDEDC shade: #AFDEDC, #B6AFDE and #DEC9AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFDEDC shade: #AFDEDC, #DCAFDE and #DEDCAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFDEDC shade: #AFDEDC, #B6AFDE, #DEAFB1 and #D7DEAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFDEDC shade: #AFDEDC, #C4AFDE, #DEAFB1 and #C9DEAF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 1 / 13

HEX #AFDEDC

RGB 175 222 220

HSL 177.45, 0.42%, 0.78%

LAB 85.26, -15.53, -4.03

 

Complementary color

CMYK 0 / 59 / 56 / 69

HEX #502123

RGB 80 33 35

HSL 357.45, 0.42%, 0.22%

LAB 19.7, 22.27, 9.37

 

CMYK 19 / 0 / 3 / 13

HEX #B4DED7

RGB 180 222 215

HSL 170, 0.39%, 0.79%

LAB 85.43, -15.03, -1.1

 

CMYK 18 / 0 / 3 / 6

HEX #C5F0EA

RGB 197 240 234

HSL 171.63, 0.59%, 0.86%

LAB 91.74, -14.96, -1.7

 

CMYK 16 / 0 / 1 / 0

HEX #D6FFFD

RGB 214 255 253

HSL 177.07, 1%, 0.92%

LAB 97.19, -13.41, -3.42

 

CMYK 9 / 0 / 0 / 0

HEX #E7FFFF

RGB 231 255 255

HSL 180, 1%, 0.95%

LAB 98.32, -7.74, -2.66

 

CMYK 3 / 0 / 0 / 0

HEX #F8FFFF

RGB 248 255 255

HSL 180, 1%, 0.99%

LAB 99.49, -2.29, -0.81

 

CMYK 21 / 0 / 1 / 13

HEX #AFDEDC

RGB 175 222 220

HSL 177.45, 0.42%, 0.78%

LAB 85.26, -15.53, -4.03

 

CMYK 23 / 0 / 1 / 20

HEX #9ECCC9

RGB 158 204 201

HSL 176.09, 0.31%, 0.71%

LAB 78.85, -15.61, -3.45

 

CMYK 24 / 0 / 2 / 27

HEX #8DBAB6

RGB 141 186 182

HSL 174.67, 0.25%, 0.64%

LAB 72.33, -15.71, -2.85

 

CMYK 26 / 0 / 3 / 34

HEX #7CA8A3

RGB 124 168 163

HSL 173.18, 0.2%, 0.57%

LAB 65.7, -15.83, -2.22

 

CMYK 29 / 0 / 4 / 41

HEX #6B9690

RGB 107 150 144

HSL 171.63, 0.17%, 0.5%

LAB 58.93, -15.96, -1.57

 

CMYK 21 / 0 / 1 / 13

HEX #AFDEDC

RGB 175 222 220

HSL 177.45, 0.42%, 0.78%

LAB 85.26, -15.53, -4.03

 

CMYK 21 / 0 / 7 / 13

HEX #AFDECF

RGB 175 222 207

HSL 160.85, 0.42%, 0.78%

LAB 84.93, -18.21, 2.35

 

CMYK 21 / 0 / 12 / 13

HEX #AFDEC3

RGB 175 222 195

HSL 145.53, 0.42%, 0.78%

LAB 84.64, -20.56, 8.27

 

CMYK 21 / 0 / 18 / 13

HEX #AFDEB6

RGB 175 222 182

HSL 128.94, 0.42%, 0.78%

LAB 84.35, -22.95, 14.7

 

CMYK 18 / 0 / 21 / 13

HEX #B5DEAF

RGB 181 222 175

HSL 112.34, 0.42%, 0.78%

LAB 84.57, -22.15, 18.74

 

CMYK 21 / 0 / 1 / 13

HEX #AFDEDC

RGB 175 222 220

HSL 177.45, 0.42%, 0.78%

LAB 85.26, -15.53, -4.03

 

CMYK 21 / 5 / 0 / 13

HEX #AFD3DE

RGB 175 211 222

HSL 194.04, 0.42%, 0.78%

LAB 82.37, -9.47, -9.37

 

CMYK 21 / 10 / 0 / 13

HEX #AFC7DE

RGB 175 199 222

HSL 209.36, 0.42%, 0.78%

LAB 79.18, -3.18, -14.14

 

CMYK 21 / 16 / 0 / 13

HEX #AFBADE

RGB 175 186 222

HSL 225.96, 0.42%, 0.78%

LAB 75.76, 3.8, -19.28

 

CMYK 21 / 21 / 0 / 13

HEX #AFAFDE

RGB 175 175 222

HSL 240, 0.42%, 0.78%

LAB 72.92, 9.82, -23.6

 

CMYK 21 / 0 / 1 / 13

HEX #AFDEDC

RGB 175 222 220

HSL 177.45, 0.42%, 0.78%

LAB 85.26, -15.53, -4.03

 

CMYK 28 / 0 / 1 / 9

HEX #A6E7E4

RGB 166 231 228

HSL 177.23, 0.58%, 0.78%

LAB 87.42, -20.92, -5.13

 

CMYK 35 / 0 / 1 / 6

HEX #9DF0ED

RGB 157 240 237

HSL 177.83, 0.73%, 0.78%

LAB 89.67, -25.74, -6.56

 

CMYK 41 / 0 / 2 / 2

HEX #94F9F5

RGB 148 249 245

HSL 177.62, 0.89%, 0.78%

LAB 91.97, -30.44, -7.37

 

CMYK 21 / 0 / 1 / 13

HEX #AFDEDC

RGB 175 222 220

HSL 177.45, 0.42%, 0.78%

LAB 85.26, -15.53, -4.03

 

CMYK 14 / 0 / 0 / 16

HEX #B8D5D4

RGB 184 213 212

HSL 177.93, 0.26%, 0.78%

LAB 83.2, -9.79, -2.76

 

CMYK 5 / 0 / 0 / 20

HEX #C1CCCB

RGB 193 204 203

HSL 174.55, 0.1%, 0.78%

LAB 81.2, -3.92, -0.81

 

CMYK 0 / 3 / 3 / 21

HEX #CAC3C3

RGB 202 195 195

HSL 0, 0.06%, 0.78%

LAB 79.34, 2.44, 0.86

 

CMYK 0 / 12 / 11 / 17

HEX #D3BABB

RGB 211 186 187

HSL 357.6, 0.22%, 0.78%

LAB 77.61, 9.06, 2.75

 

CMYK 21 / 0 / 13 / 13

HEX #AFDEC2

RGB 175 222 194

HSL 144.26, 0.42%, 0.78%

LAB 84.61, -20.75, 8.77

 

CMYK 21 / 0 / 7 / 13

HEX #AFDECF

RGB 175 222 207

HSL 160.85, 0.42%, 0.78%

LAB 84.93, -18.21, 2.35

 

CMYK 21 / 0 / 1 / 13

HEX #AFDEDC

RGB 175 222 220

HSL 177.45, 0.42%, 0.78%

LAB 85.26, -15.53, -4.03

 

CMYK 21 / 5 / 0 / 13

HEX #AFD4DE

RGB 175 212 222

HSL 192.77, 0.42%, 0.78%

LAB 82.63, -9.99, -8.98

 

CMYK 21 / 10 / 0 / 13

HEX #AFC7DE

RGB 175 199 222

HSL 209.36, 0.42%, 0.78%

LAB 79.18, -3.18, -14.14

 

CMYK 41 / 0 / 2 / 22

HEX #74C6C3

RGB 116 198 195

HSL 177.8, 0.42%, 0.62%

LAB 74.85, -25.71, -6.36

 

CMYK 30 / 0 / 1 / 18

HEX #92D2CF

RGB 146 210 207

HSL 177.19, 0.42%, 0.7%

LAB 80.02, -20.83, -5.03

 

CMYK 21 / 0 / 1 / 13

HEX #AFDEDC

RGB 175 222 220

HSL 177.45, 0.42%, 0.78%

LAB 85.26, -15.53, -4.03

 

CMYK 13 / 0 / 0 / 8

HEX #CCEAE9

RGB 204 234 233

HSL 178, 0.42%, 0.86%

LAB 90.58, -9.96, -2.83

 

CMYK 5 / 0 / 0 / 4

HEX #E9F6F5

RGB 233 246 245

HSL 175.38, 0.42%, 0.94%

LAB 95.93, -4.44, -1.01

 

CMYK 21 / 0 / 1 / 13

HEX #AFDEDC

RGB 175 222 220

HSL 177.45, 0.42%, 0.78%

LAB 85.26, -15.53, -4.03

 

CMYK 18 / 21 / 0 / 13

HEX #B6AFDE

RGB 182 175 222

HSL 248.94, 0.42%, 0.78%

LAB 73.47, 12, -22.72

 

CMYK 0 / 9 / 21 / 13

HEX #DEC9AF

RGB 222 201 175

HSL 33.19, 0.42%, 0.78%

LAB 82.05, 3.27, 15.67

 

CMYK 21 / 0 / 1 / 13

HEX #AFDEDC

RGB 175 222 220

HSL 177.45, 0.42%, 0.78%

LAB 85.26, -15.53, -4.03

 

CMYK 1 / 21 / 0 / 13

HEX #DCAFDE

RGB 220 175 222

HSL 297.45, 0.42%, 0.78%

LAB 76.77, 24.3, -17.4

 

CMYK 0 / 1 / 21 / 13

HEX #DEDCAF

RGB 222 220 175

HSL 57.45, 0.42%, 0.78%

LAB 86.9, -6.55, 22.42

 

CMYK 21 / 0 / 1 / 13

HEX #AFDEDC

RGB 175 222 220

HSL 177.45, 0.42%, 0.78%

LAB 85.26, -15.53, -4.03

 

CMYK 18 / 21 / 0 / 13

HEX #B6AFDE

RGB 182 175 222

HSL 248.94, 0.42%, 0.78%

LAB 73.47, 12, -22.72

 

CMYK 0 / 21 / 20 / 13

HEX #DEAFB1

RGB 222 175 177

HSL 357.45, 0.42%, 0.78%

LAB 75.68, 17.39, 5.52

 

CMYK 3 / 0 / 21 / 13

HEX #D7DEAF

RGB 215 222 175

HSL 68.94, 0.42%, 0.78%

LAB 86.89, -10.14, 22.31

 

CMYK 21 / 0 / 1 / 13

HEX #AFDEDC

RGB 175 222 220

HSL 177.45, 0.42%, 0.78%

LAB 85.26, -15.53, -4.03

 

CMYK 12 / 21 / 0 / 13

HEX #C4AFDE

RGB 196 175 222

HSL 266.81, 0.42%, 0.78%

LAB 74.62, 16.46, -20.87

 

CMYK 0 / 21 / 20 / 13

HEX #DEAFB1

RGB 222 175 177

HSL 357.45, 0.42%, 0.78%

LAB 75.68, 17.39, 5.52

 

CMYK 9 / 0 / 21 / 13

HEX #C9DEAF

RGB 201 222 175

HSL 86.81, 0.42%, 0.78%

LAB 85.88, -15.19, 20.77

 

Description

Color code: HEX #AFDEDC | qconv.com Color code: HEX #AFDEDC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 222 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 222 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 1 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 1% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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