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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFF17E it is the complementary color #500E81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFF17E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFF17E shade: #B4F179, #C5FF8C, #D6FF9F, #E7FFB2 and #F8FFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFF17E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFF17E shade: #AFF17E, #9EDF6B, #8DCD58, #7CBB45 and #6BA932

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFF17E shade: #AFF07E, #CDF07E, #ECF07E, #F0D57E and #F0B77E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFF17E shade: #AFF07E, #90F07E, #7EF08B, #7EF0AA and #7EF0C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFF17E shade matches the following richer shades: #AFF07E and #ADFC72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFF17E shade: #AFF07E, #B0E58A, #B2D995, #B4CEA1 and #B5C2AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFF17E shade: #ECF07E, #CEF07E, #AFF07E, #91F07E and #7EF089

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFF17E shade: #81E834, #98EC59, #AFF07E, #C6F4A3 and #DDF8C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFF17E shade: #AFF17E, #7EF0D6 and #F07EDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFF17E shade: #AFF17E, #7EAFF0 and #F07EAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFF17E shade: #AFF17E, #7EF0D6, #BF7EF0 and #F07E99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFF17E shade: #AFF17E, #7EE9F0, #BF7EF0 and #F0867E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 48 / 5

HEX #AFF17E

RGB 175 241 126

HSL 94.43, 0.8%, 0.72%

LAB 88.7, -40.01, 48.74

 

Complementary color

CMYK 38 / 89 / 0 / 49

HEX #500E81

RGB 80 14 129

HSL 274.43, 0.8%, 0.28%

LAB 22.32, 48.6, -49.62

 

CMYK 25 / 0 / 50 / 5

HEX #B4F179

RGB 180 241 121

HSL 90.5, 0.81%, 0.71%

LAB 88.92, -38.82, 51.42

 

CMYK 23 / 0 / 45 / 0

HEX #C5FF8C

RGB 197 255 140

HSL 90.26, 1%, 0.77%

LAB 94.01, -37.01, 48.95

 

CMYK 16 / 0 / 38 / 0

HEX #D6FF9F

RGB 214 255 159

HSL 85.63, 1%, 0.81%

LAB 95.3, -28.73, 41.63

 

CMYK 9 / 0 / 30 / 0

HEX #E7FFB2

RGB 231 255 178

HSL 78.7, 1%, 0.85%

LAB 96.71, -20.2, 34.29

 

CMYK 3 / 0 / 23 / 0

HEX #F8FFC5

RGB 248 255 197

HSL 67.24, 1%, 0.89%

LAB 98.24, -11.53, 27.01

 

CMYK 27 / 0 / 48 / 5

HEX #AFF17E

RGB 175 241 126

HSL 94.43, 0.8%, 0.72%

LAB 88.7, -40.01, 48.74

 

CMYK 29 / 0 / 52 / 13

HEX #9EDF6B

RGB 158 223 107

HSL 93.62, 0.64%, 0.65%

LAB 82.44, -40.03, 49.87

 

CMYK 31 / 0 / 57 / 20

HEX #8DCD58

RGB 141 205 88

HSL 92.82, 0.54%, 0.57%

LAB 76.09, -40, 50.94

 

CMYK 34 / 0 / 63 / 27

HEX #7CBB45

RGB 124 187 69

HSL 92.03, 0.46%, 0.5%

LAB 69.65, -39.87, 51.87

 

CMYK 37 / 0 / 70 / 34

HEX #6BA932

RGB 107 169 50

HSL 91.26, 0.54%, 0.43%

LAB 63.12, -39.6, 52.49

 

CMYK 27 / 0 / 48 / 6

HEX #AFF07E

RGB 175 240 126

HSL 94.21, 0.79%, 0.72%

LAB 88.42, -39.56, 48.4

 

CMYK 15 / 0 / 48 / 6

HEX #CDF07E

RGB 205 240 126

HSL 78.42, 0.79%, 0.72%

LAB 90.23, -28.73, 51.03

 

CMYK 2 / 0 / 48 / 6

HEX #ECF07E

RGB 236 240 126

HSL 62.11, 0.79%, 0.72%

LAB 92.42, -16.85, 54.19

 

CMYK 0 / 11 / 48 / 6

HEX #F0D57E

RGB 240 213 126

HSL 45.79, 0.79%, 0.72%

LAB 85.82, -1.77, 46.21

 

CMYK 0 / 24 / 48 / 6

HEX #F0B77E

RGB 240 183 126

HSL 30, 0.79%, 0.72%

LAB 78.4, 13.84, 36.87

 

CMYK 27 / 0 / 48 / 6

HEX #AFF07E

RGB 175 240 126

HSL 94.21, 0.79%, 0.72%

LAB 88.42, -39.56, 48.4

 

CMYK 40 / 0 / 48 / 6

HEX #90F07E

RGB 144 240 126

HSL 110.53, 0.79%, 0.72%

LAB 86.88, -49.66, 46.15

 

CMYK 48 / 0 / 42 / 6

HEX #7EF08B

RGB 126 240 139

HSL 126.84, 0.79%, 0.72%

LAB 86.32, -52.99, 38.97

 

CMYK 48 / 0 / 29 / 6

HEX #7EF0AA

RGB 126 240 170

HSL 143.16, 0.79%, 0.72%

LAB 86.83, -47.78, 24.03

 

CMYK 48 / 0 / 16 / 6

HEX #7EF0C9

RGB 126 240 201

HSL 159.47, 0.79%, 0.72%

LAB 87.47, -41.55, 8.88

 

CMYK 27 / 0 / 48 / 6

HEX #AFF07E

RGB 175 240 126

HSL 94.21, 0.79%, 0.72%

LAB 88.42, -39.56, 48.4

 

CMYK 31 / 0 / 55 / 1

HEX #ADFC72

RGB 173 252 114

HSL 94.35, 0.96%, 0.72%

LAB 91.56, -46.76, 57.65

 

CMYK 27 / 0 / 48 / 6

HEX #AFF07E

RGB 175 240 126

HSL 94.21, 0.79%, 0.72%

LAB 88.42, -39.56, 48.4

 

CMYK 23 / 0 / 40 / 10

HEX #B0E58A

RGB 176 229 138

HSL 94.95, 0.64%, 0.72%

LAB 85.56, -32.74, 38.97

 

CMYK 18 / 0 / 31 / 15

HEX #B2D995

RGB 178 217 149

HSL 94.41, 0.47%, 0.72%

LAB 82.52, -24.83, 29.42

 

CMYK 13 / 0 / 22 / 19

HEX #B4CEA1

RGB 180 206 161

HSL 94.67, 0.31%, 0.72%

LAB 79.85, -16.85, 19.54

 

CMYK 7 / 0 / 11 / 24

HEX #B5C2AC

RGB 181 194 172

HSL 95.45, 0.15%, 0.72%

LAB 76.91, -8.51, 9.54

 

CMYK 2 / 0 / 48 / 6

HEX #ECF07E

RGB 236 240 126

HSL 62.11, 0.79%, 0.72%

LAB 92.42, -16.85, 54.19

 

CMYK 14 / 0 / 48 / 6

HEX #CEF07E

RGB 206 240 126

HSL 77.89, 0.79%, 0.72%

LAB 90.3, -28.36, 51.12

 

CMYK 27 / 0 / 48 / 6

HEX #AFF07E

RGB 175 240 126

HSL 94.21, 0.79%, 0.72%

LAB 88.42, -39.56, 48.4

 

CMYK 40 / 0 / 48 / 6

HEX #91F07E

RGB 145 240 126

HSL 110, 0.79%, 0.72%

LAB 86.92, -49.36, 46.21

 

CMYK 48 / 0 / 43 / 6

HEX #7EF089

RGB 126 240 137

HSL 125.79, 0.79%, 0.72%

LAB 86.29, -53.28, 39.92

 

CMYK 44 / 0 / 78 / 9

HEX #81E834

RGB 129 232 52

HSL 94.33, 0.8%, 0.56%

LAB 83.25, -57.74, 71.86

 

CMYK 36 / 0 / 62 / 7

HEX #98EC59

RGB 152 236 89

HSL 94.29, 0.79%, 0.64%

LAB 85.7, -49.39, 61.47

 

CMYK 27 / 0 / 48 / 6

HEX #AFF07E

RGB 175 240 126

HSL 94.21, 0.79%, 0.72%

LAB 88.42, -39.56, 48.4

 

CMYK 19 / 0 / 33 / 4

HEX #C6F4A3

RGB 198 244 163

HSL 94.07, 0.79%, 0.8%

LAB 91.39, -28.69, 34.35

 

CMYK 11 / 0 / 19 / 3

HEX #DDF8C8

RGB 221 248 200

HSL 93.75, 0.77%, 0.88%

LAB 94.6, -17.14, 20.17

 

CMYK 27 / 0 / 48 / 5

HEX #AFF17E

RGB 175 241 126

HSL 94.43, 0.8%, 0.72%

LAB 88.7, -40.01, 48.74

 

CMYK 48 / 0 / 11 / 6

HEX #7EF0D6

RGB 126 240 214

HSL 166.32, 0.79%, 0.72%

LAB 87.78, -38.65, 2.53

 

CMYK 0 / 48 / 8 / 6

HEX #F07EDD

RGB 240 126 221

HSL 310, 0.79%, 0.72%

LAB 68.51, 56.01, -29.26

 

CMYK 27 / 0 / 48 / 5

HEX #AFF17E

RGB 175 241 126

HSL 94.43, 0.8%, 0.72%

LAB 88.7, -40.01, 48.74

 

CMYK 48 / 27 / 0 / 6

HEX #7EAFF0

RGB 126 175 240

HSL 214.21, 0.79%, 0.72%

LAB 70.45, 1.02, -37.49

 

CMYK 0 / 48 / 27 / 6

HEX #F07EAF

RGB 240 126 175

HSL 334.21, 0.79%, 0.72%

LAB 66.93, 49.19, -5.9

 

CMYK 27 / 0 / 48 / 5

HEX #AFF17E

RGB 175 241 126

HSL 94.43, 0.8%, 0.72%

LAB 88.7, -40.01, 48.74

 

CMYK 48 / 0 / 11 / 6

HEX #7EF0D6

RGB 126 240 214

HSL 166.32, 0.79%, 0.72%

LAB 87.78, -38.65, 2.53

 

CMYK 20 / 48 / 0 / 6

HEX #BF7EF0

RGB 191 126 240

HSL 274.21, 0.79%, 0.72%

LAB 63.58, 45.73, -47.89

 

CMYK 0 / 48 / 36 / 6

HEX #F07E99

RGB 240 126 153

HSL 345.79, 0.79%, 0.72%

LAB 66.33, 46.46, 5.66

 

CMYK 27 / 0 / 48 / 5

HEX #AFF17E

RGB 175 241 126

HSL 94.43, 0.8%, 0.72%

LAB 88.7, -40.01, 48.74

 

CMYK 48 / 3 / 0 / 6

HEX #7EE9F0

RGB 126 233 240

HSL 183.68, 0.79%, 0.72%

LAB 86.51, -29.08, -12.98

 

CMYK 20 / 48 / 0 / 6

HEX #BF7EF0

RGB 191 126 240

HSL 274.21, 0.79%, 0.72%

LAB 63.58, 45.73, -47.89

 

CMYK 0 / 44 / 48 / 6

HEX #F0867E

RGB 240 134 126

HSL 4.21, 0.79%, 0.72%

LAB 67.34, 39.58, 22.28

 

Description

Color code: HEX #AFF17E | qconv.com Color code: HEX #AFF17E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 241 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 241 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 48 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 48% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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