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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFF207 it is the complementary color #500DF8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFF207. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFF207 shade: #B4F202, #C5FF15, #D6FF28, #E7FF3B and #F8FF4E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFF207. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFF207 shade: #AFF207, #9EE000, #8DCE00, #7CBC00 and #6BAA00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFF207 shade: #AFF207, #EEF207, #F2B607, #F27707 and #F23807

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFF207 shade: #AFF207, #70F207, #30F207, #07F21D and #07F25C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFF207 shade matches the following richer shades: #AFF207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFF207 shade: #AFF207, #A6DE1B, #9EC92F, #95B544 and #8CA158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFF207 shade: #F2B707, #EEF207, #AFF207, #71F207 and #32F207

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFF207 shade: #75A205, #92CA06, #AFF207, #BDF82A and #CAF952

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFF207 shade: #AFF207, #07F279 and #D607F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFF207 shade: #AFF207, #07AFF2 and #F207AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFF207 shade: #AFF207, #07F279, #4A07F2 and #F20780

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFF207 shade: #AFF207, #07F2BF, #4A07F2 and #F2073A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 97 / 5

HEX #AFF207

RGB 175 242 7

HSL 77.11, 0.94%, 0.49%

LAB 88.27, -47.26, 84.93

 

Complementary color

CMYK 68 / 95 / 0 / 3

HEX #500DF8

RGB 80 13 248

HSL 257.11, 0.94%, 0.51%

LAB 35.54, 77.19, -98.44

 

CMYK 26 / 0 / 99 / 5

HEX #B4F202

RGB 180 242 2

HSL 75.5, 0.98%, 0.48%

LAB 88.55, -45.44, 85.66

 

CMYK 23 / 0 / 92 / 0

HEX #C5FF15

RGB 197 255 21

HSL 74.87, 1%, 0.54%

LAB 93.21, -44.39, 88.05

 

CMYK 16 / 0 / 84 / 0

HEX #D6FF28

RGB 214 255 40

HSL 71.44, 1%, 0.58%

LAB 94.3, -37.47, 86.34

 

CMYK 9 / 0 / 77 / 0

HEX #E7FF3B

RGB 231 255 59

HSL 67.35, 1%, 0.62%

LAB 95.51, -30.17, 83.27

 

CMYK 3 / 0 / 69 / 0

HEX #F8FF4E

RGB 248 255 78

HSL 62.37, 1%, 0.65%

LAB 96.83, -22.57, 79.03

 

CMYK 28 / 0 / 97 / 5

HEX #AFF207

RGB 175 242 7

HSL 77.11, 0.94%, 0.49%

LAB 88.27, -47.26, 84.93

 

CMYK 29 / 0 / 100 / 12

HEX #9EE000

RGB 158 224 0

HSL 77.68, 1%, 0.44%

LAB 82.15, -46.03, 80.38

 

CMYK 32 / 0 / 100 / 19

HEX #8DCE00

RGB 141 206 0

HSL 78.93, 1%, 0.4%

LAB 75.95, -44.71, 75.22

 

CMYK 34 / 0 / 100 / 26

HEX #7CBC00

RGB 124 188 0

HSL 80.43, 1%, 0.37%

LAB 69.65, -43.37, 69.97

 

CMYK 37 / 0 / 100 / 33

HEX #6BAA00

RGB 107 170 0

HSL 82.24, 1%, 0.33%

LAB 63.24, -42, 64.64

 

CMYK 28 / 0 / 97 / 5

HEX #AFF207

RGB 175 242 7

HSL 77.11, 0.94%, 0.49%

LAB 88.27, -47.26, 84.93

 

CMYK 2 / 0 / 97 / 5

HEX #EEF207

RGB 238 242 7

HSL 61.02, 0.94%, 0.49%

LAB 92.44, -22.32, 89.93

 

CMYK 0 / 25 / 97 / 5

HEX #F2B607

RGB 242 182 7

HSL 44.68, 0.94%, 0.49%

LAB 77.49, 9.57, 79.23

 

CMYK 0 / 51 / 97 / 5

HEX #F27707

RGB 242 119 7

HSL 28.6, 0.94%, 0.49%

LAB 63.41, 42.29, 69.81

 

CMYK 0 / 77 / 97 / 5

HEX #F23807

RGB 242 56 7

HSL 12.51, 0.94%, 0.49%

LAB 53.73, 68.01, 64.25

 

CMYK 28 / 0 / 97 / 5

HEX #AFF207

RGB 175 242 7

HSL 77.11, 0.94%, 0.49%

LAB 88.27, -47.26, 84.93

 

CMYK 54 / 0 / 97 / 5

HEX #70F207

RGB 112 242 7

HSL 93.19, 0.94%, 0.49%

LAB 85.49, -67.58, 81.55

 

CMYK 80 / 0 / 97 / 5

HEX #30F207

RGB 48 242 7

HSL 109.53, 0.94%, 0.49%

LAB 84.04, -79.76, 79.78

 

CMYK 97 / 0 / 88 / 5

HEX #07F21D

RGB 7 242 29

HSL 125.62, 0.94%, 0.49%

LAB 83.78, -82.02, 76.79

 

CMYK 97 / 0 / 62 / 5

HEX #07F25C

RGB 7 242 92

HSL 141.7, 0.94%, 0.49%

LAB 84.13, -77.47, 57.53

 

CMYK 28 / 0 / 97 / 5

HEX #AFF207

RGB 175 242 7

HSL 77.11, 0.94%, 0.49%

LAB 88.27, -47.26, 84.93

 

CMYK 28 / 0 / 97 / 5

HEX #AFF207

RGB 175 242 7

HSL 77.11, 0.94%, 0.49%

LAB 88.27, -47.26, 84.93

 

CMYK 25 / 0 / 88 / 13

HEX #A6DE1B

RGB 166 222 27

HSL 77.23, 0.78%, 0.49%

LAB 82.07, -41.74, 77.42

 

CMYK 21 / 0 / 77 / 21

HEX #9EC92F

RGB 158 201 47

HSL 76.75, 0.62%, 0.49%

LAB 75.61, -34.77, 66.74

 

CMYK 18 / 0 / 62 / 29

HEX #95B544

RGB 149 181 68

HSL 76.99, 0.45%, 0.49%

LAB 69.37, -27.67, 52.42

 

CMYK 13 / 0 / 45 / 37

HEX #8CA158

RGB 140 161 88

HSL 77.26, 0.29%, 0.49%

LAB 63.15, -19.45, 35.45

 

CMYK 0 / 24 / 97 / 5

HEX #F2B707

RGB 242 183 7

HSL 44.94, 0.94%, 0.49%

LAB 77.73, 9.04, 79.41

 

CMYK 2 / 0 / 97 / 5

HEX #EEF207

RGB 238 242 7

HSL 61.02, 0.94%, 0.49%

LAB 92.44, -22.32, 89.93

 

CMYK 28 / 0 / 97 / 5

HEX #AFF207

RGB 175 242 7

HSL 77.11, 0.94%, 0.49%

LAB 88.27, -47.26, 84.93

 

CMYK 53 / 0 / 97 / 5

HEX #71F207

RGB 113 242 7

HSL 92.94, 0.94%, 0.49%

LAB 85.52, -67.31, 81.59

 

CMYK 79 / 0 / 97 / 5

HEX #32F207

RGB 50 242 7

HSL 109.02, 0.94%, 0.49%

LAB 84.07, -79.53, 79.82

 

CMYK 28 / 0 / 97 / 36

HEX #75A205

RGB 117 162 5

HSL 77.2, 0.94%, 0.33%

LAB 61.34, -34.55, 62.72

 

CMYK 28 / 0 / 97 / 21

HEX #92CA06

RGB 146 202 6

HSL 77.14, 0.94%, 0.41%

LAB 75.05, -41.03, 74.04

 

CMYK 28 / 0 / 97 / 5

HEX #AFF207

RGB 175 242 7

HSL 77.11, 0.94%, 0.49%

LAB 88.27, -47.26, 84.93

 

CMYK 24 / 0 / 83 / 3

HEX #BDF82A

RGB 189 248 42

HSL 77.18, 0.94%, 0.57%

LAB 90.83, -43.91, 82.37

 

CMYK 19 / 0 / 67 / 2

HEX #CAF952

RGB 202 249 82

HSL 76.89, 0.93%, 0.65%

LAB 92.09, -37.59, 71.83

 

CMYK 28 / 0 / 97 / 5

HEX #AFF207

RGB 175 242 7

HSL 77.11, 0.94%, 0.49%

LAB 88.27, -47.26, 84.93

 

CMYK 97 / 0 / 50 / 5

HEX #07F279

RGB 7 242 121

HSL 149.11, 0.94%, 0.49%

LAB 84.45, -73.59, 44.86

 

CMYK 12 / 97 / 0 / 5

HEX #D607F2

RGB 214 7 242

HSL 292.85, 0.94%, 0.49%

LAB 52.79, 89.78, -66.06

 

CMYK 28 / 0 / 97 / 5

HEX #AFF207

RGB 175 242 7

HSL 77.11, 0.94%, 0.49%

LAB 88.27, -47.26, 84.93

 

CMYK 97 / 28 / 0 / 5

HEX #07AFF2

RGB 7 175 242

HSL 197.11, 0.94%, 0.49%

LAB 67.36, -13.52, -43.63

 

CMYK 0 / 97 / 28 / 5

HEX #F207AF

RGB 242 7 175

HSL 317.11, 0.94%, 0.49%

LAB 54.16, 85.64, -25.18

 

CMYK 28 / 0 / 97 / 5

HEX #AFF207

RGB 175 242 7

HSL 77.11, 0.94%, 0.49%

LAB 88.27, -47.26, 84.93

 

CMYK 97 / 0 / 50 / 5

HEX #07F279

RGB 7 242 121

HSL 149.11, 0.94%, 0.49%

LAB 84.45, -73.59, 44.86

 

CMYK 69 / 97 / 0 / 5

HEX #4A07F2

RGB 74 7 242

HSL 257.11, 0.94%, 0.49%

LAB 34.02, 76.37, -97.59

 

CMYK 0 / 97 / 47 / 5

HEX #F20780

RGB 242 7 128

HSL 329.11, 0.94%, 0.49%

LAB 52.5, 81.29, 0.28

 

CMYK 28 / 0 / 97 / 5

HEX #AFF207

RGB 175 242 7

HSL 77.11, 0.94%, 0.49%

LAB 88.27, -47.26, 84.93

 

CMYK 97 / 0 / 21 / 5

HEX #07F2BF

RGB 7 242 191

HSL 166.98, 0.94%, 0.49%

LAB 85.66, -59.65, 11.21

 

CMYK 69 / 97 / 0 / 5

HEX #4A07F2

RGB 74 7 242

HSL 257.11, 0.94%, 0.49%

LAB 34.02, 76.37, -97.59

 

CMYK 0 / 97 / 76 / 5

HEX #F2073A

RGB 242 7 58

HSL 346.98, 0.94%, 0.49%

LAB 51.08, 77.46, 40.57

 

Description

Color code: HEX #AFF207 | qconv.com Color code: HEX #AFF207 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 242 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 242 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 97 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 97% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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