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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFF29B it is the complementary color #500D64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFF29B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFF29B shade: #B4F296, #C5FFA9, #D6FFBC, #E7FFCF and #F8FFE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFF29B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFF29B shade: #AFF29B, #9EE088, #8DCE75, #7CBC62 and #6BAA4F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFF29B shade: #AFF29B, #C6F29B, #DEF29B, #F2EE9B and #F2D79B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFF29B shade: #AFF29B, #9BF29F, #9BF2B6, #9BF2CD and #9BF2E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFF29B shade matches the following richer shades: #AFF29B and #AAFB92

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFF29B shade: #AFF29B, #B4E9A4, #B9DFAD, #BED6B6 and #C3CDC0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFF29B shade: #DDF29B, #C6F29B, #AFF29B, #9BF29E and #9BF2B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFF29B shade: #75E852, #92ED77, #AFF29B, #CCF6C0 and #E9FBE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFF29B shade: #AFF29B, #9BF2EF and #F29BD2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFF29B shade: #AFF29B, #9BAFF2 and #F29BAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFF29B shade: #AFF29B, #9BF2EF, #DD9BF2 and #F29B9E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFF29B shade: #AFF29B, #9BDBF2, #DD9BF2 and #F2B29B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 36 / 5

HEX #AFF29B

RGB 175 242 155

HSL 106.21, 0.77%, 0.78%

LAB 89.39, -36.72, 35.46

 

Complementary color

CMYK 20 / 87 / 0 / 61

HEX #500D64

RGB 80 13 100

HSL 286.21, 0.77%, 0.22%

LAB 19.69, 42.46, -35.18

 

CMYK 26 / 0 / 38 / 5

HEX #B4F296

RGB 180 242 150

HSL 100.43, 0.78%, 0.77%

LAB 89.58, -35.74, 38.26

 

CMYK 23 / 0 / 34 / 0

HEX #C5FFA9

RGB 197 255 169

HSL 100.47, 1%, 0.83%

LAB 94.42, -33.31, 35.36

 

CMYK 16 / 0 / 26 / 0

HEX #D6FFBC

RGB 214 255 188

HSL 96.72, 1%, 0.87%

LAB 95.77, -24.76, 27.81

 

CMYK 9 / 0 / 19 / 0

HEX #E7FFCF

RGB 231 255 207

HSL 90, 1%, 0.91%

LAB 97.23, -16.03, 20.37

 

CMYK 3 / 0 / 11 / 0

HEX #F8FFE2

RGB 248 255 226

HSL 74.48, 1%, 0.94%

LAB 98.82, -7.2, 13.07

 

CMYK 28 / 0 / 36 / 5

HEX #AFF29B

RGB 175 242 155

HSL 106.21, 0.77%, 0.78%

LAB 89.39, -36.72, 35.46

 

CMYK 29 / 0 / 39 / 12

HEX #9EE088

RGB 158 224 136

HSL 105, 0.59%, 0.71%

LAB 83.1, -36.9, 36.6

 

CMYK 32 / 0 / 43 / 19

HEX #8DCE75

RGB 141 206 117

HSL 103.82, 0.48%, 0.63%

LAB 76.73, -37.06, 37.78

 

CMYK 34 / 0 / 48 / 26

HEX #7CBC62

RGB 124 188 98

HSL 102.67, 0.4%, 0.56%

LAB 70.27, -37.19, 38.99

 

CMYK 37 / 0 / 54 / 33

HEX #6BAA4F

RGB 107 170 79

HSL 101.54, 0.37%, 0.49%

LAB 63.7, -37.26, 40.2

 

CMYK 28 / 0 / 36 / 5

HEX #AFF29B

RGB 175 242 155

HSL 106.21, 0.77%, 0.78%

LAB 89.39, -36.72, 35.46

 

CMYK 18 / 0 / 36 / 5

HEX #C6F29B

RGB 198 242 155

HSL 90.34, 0.77%, 0.78%

LAB 90.72, -28.83, 37.47

 

CMYK 8 / 0 / 36 / 5

HEX #DEF29B

RGB 222 242 155

HSL 73.79, 0.77%, 0.78%

LAB 92.31, -20.11, 39.84

 

CMYK 0 / 2 / 36 / 5

HEX #F2EE9B

RGB 242 238 155

HSL 57.24, 0.77%, 0.78%

LAB 92.75, -10.62, 40.69

 

CMYK 0 / 11 / 36 / 5

HEX #F2D79B

RGB 242 215 155

HSL 41.38, 0.77%, 0.78%

LAB 86.92, 1, 33.06

 

CMYK 28 / 0 / 36 / 5

HEX #AFF29B

RGB 175 242 155

HSL 106.21, 0.77%, 0.78%

LAB 89.39, -36.72, 35.46

 

CMYK 36 / 0 / 34 / 5

HEX #9BF29F

RGB 155 242 159

HSL 122.76, 0.77%, 0.78%

LAB 88.44, -42.46, 32.01

 

CMYK 36 / 0 / 25 / 5

HEX #9BF2B6

RGB 155 242 182

HSL 138.62, 0.77%, 0.78%

LAB 88.85, -38.57, 20.84

 

CMYK 36 / 0 / 15 / 5

HEX #9BF2CD

RGB 155 242 205

HSL 154.48, 0.77%, 0.78%

LAB 89.34, -34.15, 9.63

 

CMYK 36 / 0 / 5 / 5

HEX #9BF2E5

RGB 155 242 229

HSL 171.03, 0.77%, 0.78%

LAB 89.92, -29.04, -2.03

 

CMYK 28 / 0 / 36 / 5

HEX #AFF29B

RGB 175 242 155

HSL 106.21, 0.77%, 0.78%

LAB 89.39, -36.72, 35.46

 

CMYK 32 / 0 / 42 / 2

HEX #AAFB92

RGB 170 251 146

HSL 106.29, 0.93%, 0.78%

LAB 91.51, -43.59, 42.61

 

CMYK 28 / 0 / 36 / 5

HEX #AFF29B

RGB 175 242 155

HSL 106.21, 0.77%, 0.78%

LAB 89.39, -36.72, 35.46

 

CMYK 23 / 0 / 30 / 9

HEX #B4E9A4

RGB 180 233 164

HSL 106.09, 0.61%, 0.78%

LAB 87.32, -29.54, 28.2

 

CMYK 17 / 0 / 22 / 13

HEX #B9DFAD

RGB 185 223 173

HSL 105.6, 0.44%, 0.78%

LAB 85.05, -21.61, 20.49

 

CMYK 11 / 0 / 15 / 16

HEX #BED6B6

RGB 190 214 182

HSL 105, 0.28%, 0.78%

LAB 83.14, -13.89, 13.13

 

CMYK 5 / 0 / 6 / 20

HEX #C3CDC0

RGB 195 205 192

HSL 106.15, 0.12%, 0.78%

LAB 81.33, -5.79, 5.28

 

CMYK 9 / 0 / 36 / 5

HEX #DDF29B

RGB 221 242 155

HSL 74.48, 0.77%, 0.78%

LAB 92.24, -20.49, 39.73

 

CMYK 18 / 0 / 36 / 5

HEX #C6F29B

RGB 198 242 155

HSL 90.34, 0.77%, 0.78%

LAB 90.72, -28.83, 37.47

 

CMYK 28 / 0 / 36 / 5

HEX #AFF29B

RGB 175 242 155

HSL 106.21, 0.77%, 0.78%

LAB 89.39, -36.72, 35.46

 

CMYK 36 / 0 / 35 / 5

HEX #9BF29E

RGB 155 242 158

HSL 122.07, 0.77%, 0.78%

LAB 88.42, -42.62, 32.49

 

CMYK 36 / 0 / 25 / 5

HEX #9BF2B5

RGB 155 242 181

HSL 137.93, 0.77%, 0.78%

LAB 88.83, -38.75, 21.33

 

CMYK 50 / 0 / 65 / 9

HEX #75E852

RGB 117 232 82

HSL 106, 0.77%, 0.62%

LAB 82.97, -59.17, 60.91

 

CMYK 38 / 0 / 50 / 7

HEX #92ED77

RGB 146 237 119

HSL 106.27, 0.77%, 0.7%

LAB 86.01, -48.66, 48.42

 

CMYK 28 / 0 / 36 / 5

HEX #AFF29B

RGB 175 242 155

HSL 106.21, 0.77%, 0.78%

LAB 89.39, -36.72, 35.46

 

CMYK 17 / 0 / 22 / 4

HEX #CCF6C0

RGB 204 246 192

HSL 106.67, 0.75%, 0.86%

LAB 92.82, -23.24, 21.62

 

CMYK 7 / 0 / 9 / 2

HEX #E9FBE4

RGB 233 251 228

HSL 106.96, 0.74%, 0.94%

LAB 96.79, -9.96, 9.01

 

CMYK 28 / 0 / 36 / 5

HEX #AFF29B

RGB 175 242 155

HSL 106.21, 0.77%, 0.78%

LAB 89.39, -36.72, 35.46

 

CMYK 36 / 0 / 1 / 5

HEX #9BF2EF

RGB 155 242 239

HSL 177.93, 0.77%, 0.78%

LAB 90.19, -26.76, -6.86

 

CMYK 0 / 36 / 13 / 5

HEX #F29BD2

RGB 242 155 210

HSL 322.07, 0.77%, 0.78%

LAB 74.17, 40.18, -14.54

 

CMYK 28 / 0 / 36 / 5

HEX #AFF29B

RGB 175 242 155

HSL 106.21, 0.77%, 0.78%

LAB 89.39, -36.72, 35.46

 

CMYK 36 / 28 / 0 / 5

HEX #9BAFF2

RGB 155 175 242

HSL 226.21, 0.77%, 0.78%

LAB 72.25, 8.93, -35.63

 

CMYK 0 / 36 / 28 / 5

HEX #F29BAF

RGB 242 155 175

HSL 346.21, 0.77%, 0.78%

LAB 73.16, 35.03, 3.26

 

CMYK 28 / 0 / 36 / 5

HEX #AFF29B

RGB 175 242 155

HSL 106.21, 0.77%, 0.78%

LAB 89.39, -36.72, 35.46

 

CMYK 36 / 0 / 1 / 5

HEX #9BF2EF

RGB 155 242 239

HSL 177.93, 0.77%, 0.78%

LAB 90.19, -26.76, -6.86

 

CMYK 9 / 36 / 0 / 5

HEX #DD9BF2

RGB 221 155 242

HSL 285.52, 0.77%, 0.78%

LAB 73.04, 39.25, -33.97

 

CMYK 0 / 36 / 35 / 5

HEX #F29B9E

RGB 242 155 158

HSL 357.93, 0.77%, 0.78%

LAB 72.75, 32.86, 12.06

 

CMYK 28 / 0 / 36 / 5

HEX #AFF29B

RGB 175 242 155

HSL 106.21, 0.77%, 0.78%

LAB 89.39, -36.72, 35.46

 

CMYK 36 / 10 / 0 / 5

HEX #9BDBF2

RGB 155 219 242

HSL 195.86, 0.77%, 0.78%

LAB 83.99, -14.64, -17.69

 

CMYK 9 / 36 / 0 / 5

HEX #DD9BF2

RGB 221 155 242

HSL 285.52, 0.77%, 0.78%

LAB 73.04, 39.25, -33.97

 

CMYK 0 / 26 / 36 / 5

HEX #F2B29B

RGB 242 178 155

HSL 15.86, 0.77%, 0.78%

LAB 77.92, 20.35, 20.91

 

Description

Color code: HEX #AFF29B | qconv.com Color code: HEX #AFF29B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 242 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 242 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 36 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 36% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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