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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFFD06 it is the complementary color #5002F9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFFD06. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFFD06 shade: #B4FD01, #C5FF14, #D6FF27, #E7FF3A and #F8FF4D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFFD06. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFFD06 shade: #AFFD06, #9EEB00, #8DD900, #7CC700 and #6BB500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFFD06 shade: #AFFC07, #F1FC07, #FCC507, #FC8307 and #FC4107

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFFD06 shade: #AFFC07, #6DFC07, #2BFC07, #07FC26 and #07FC68

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFFD06 shade matches the following richer shades: #AFFC07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFFD06 shade: #AFFC07, #A7E81B, #A0D430, #98BF44 and #91AB58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFFD06 shade: #FCC307, #F4FC07, #B3FC07, #71FC07 and #30FC07

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFFD06 shade: #78AF01, #94D802, #AFFC07, #BCFC30 and #C9FD59

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFFD06 shade: #AFFD06, #07FC82 and #E407FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFFD06 shade: #AFFD06, #07B3FC and #FC07B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFFD06 shade: #AFFD06, #07FC82, #5107FC and #FC0782

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFFD06 shade: #AFFD06, #07FCCB, #5107FC and #FC0738

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 98 / 1

HEX #AFFD06

RGB 175 253 6

HSL 78.95, 0.98%, 0.51%

LAB 91.4, -51.83, 87.44

 

Complementary color

CMYK 68 / 99 / 0 / 2

HEX #5002F9

RGB 80 2 249

HSL 258.95, 0.98%, 0.49%

LAB 35.18, 78.9, -99.6

 

CMYK 29 / 0 / 100 / 1

HEX #B4FD01

RGB 180 253 1

HSL 77.38, 0.99%, 0.5%

LAB 91.67, -50.08, 88.12

 

CMYK 23 / 0 / 92 / 0

HEX #C5FF14

RGB 197 255 20

HSL 74.81, 1%, 0.54%

LAB 93.21, -44.41, 88.16

 

CMYK 16 / 0 / 85 / 0

HEX #D6FF27

RGB 214 255 39

HSL 71.39, 1%, 0.58%

LAB 94.3, -37.5, 86.54

 

CMYK 9 / 0 / 77 / 0

HEX #E7FF3A

RGB 231 255 58

HSL 67.31, 1%, 0.61%

LAB 95.5, -30.21, 83.54

 

CMYK 3 / 0 / 70 / 0

HEX #F8FF4D

RGB 248 255 77

HSL 62.36, 1%, 0.65%

LAB 96.83, -22.62, 79.37

 

CMYK 31 / 0 / 98 / 1

HEX #AFFD06

RGB 175 253 6

HSL 78.95, 0.98%, 0.51%

LAB 91.4, -51.83, 87.44

 

CMYK 33 / 0 / 100 / 8

HEX #9EEB00

RGB 158 235 0

HSL 79.66, 1%, 0.46%

LAB 85.35, -50.6, 82.84

 

CMYK 35 / 0 / 100 / 15

HEX #8DD900

RGB 141 217 0

HSL 81.01, 1%, 0.43%

LAB 79.21, -49.29, 77.73

 

CMYK 38 / 0 / 100 / 22

HEX #7CC700

RGB 124 199 0

HSL 82.61, 1%, 0.39%

LAB 72.98, -47.95, 72.55

 

CMYK 41 / 0 / 100 / 29

HEX #6BB500

RGB 107 181 0

HSL 84.53, 1%, 0.35%

LAB 66.65, -46.56, 67.29

 

CMYK 31 / 0 / 97 / 1

HEX #AFFC07

RGB 175 252 7

HSL 78.86, 0.98%, 0.51%

LAB 91.12, -51.41, 87.15

 

CMYK 4 / 0 / 97 / 1

HEX #F1FC07

RGB 241 252 7

HSL 62.69, 0.98%, 0.51%

LAB 95.3, -25.81, 92.16

 

CMYK 0 / 22 / 97 / 1

HEX #FCC507

RGB 252 197 7

HSL 46.53, 0.98%, 0.51%

LAB 82.19, 6.06, 83.03

 

CMYK 0 / 48 / 97 / 1

HEX #FC8307

RGB 252 131 7

HSL 30.37, 0.98%, 0.51%

LAB 67.23, 40.23, 72.92

 

CMYK 0 / 74 / 97 / 1

HEX #FC4107

RGB 252 65 7

HSL 14.2, 0.98%, 0.51%

LAB 56.58, 68.23, 66.73

 

CMYK 31 / 0 / 97 / 1

HEX #AFFC07

RGB 175 252 7

HSL 78.86, 0.98%, 0.51%

LAB 91.12, -51.41, 87.15

 

CMYK 57 / 0 / 97 / 1

HEX #6DFC07

RGB 109 252 7

HSL 95.02, 0.98%, 0.51%

LAB 88.39, -71.71, 83.83

 

CMYK 83 / 0 / 97 / 1

HEX #2BFC07

RGB 43 252 7

HSL 111.18, 0.98%, 0.51%

LAB 87.07, -83.02, 82.21

 

CMYK 97 / 0 / 85 / 1

HEX #07FC26

RGB 7 252 38

HSL 127.59, 0.98%, 0.51%

LAB 86.9, -84.31, 77.81

 

CMYK 97 / 0 / 59 / 1

HEX #07FC68

RGB 7 252 104

HSL 143.76, 0.98%, 0.51%

LAB 87.32, -78.97, 56.06

 

CMYK 31 / 0 / 97 / 1

HEX #AFFC07

RGB 175 252 7

HSL 78.86, 0.98%, 0.51%

LAB 91.12, -51.41, 87.15

 

CMYK 31 / 0 / 97 / 1

HEX #AFFC07

RGB 175 252 7

HSL 78.86, 0.98%, 0.51%

LAB 91.12, -51.41, 87.15

 

CMYK 28 / 0 / 88 / 9

HEX #A7E81B

RGB 167 232 27

HSL 79.02, 0.82%, 0.51%

LAB 85, -45.68, 79.86

 

CMYK 25 / 0 / 77 / 17

HEX #A0D430

RGB 160 212 48

HSL 79.02, 0.66%, 0.51%

LAB 78.91, -38.91, 69.55

 

CMYK 20 / 0 / 64 / 25

HEX #98BF44

RGB 152 191 68

HSL 79.02, 0.49%, 0.51%

LAB 72.46, -31.23, 55.82

 

CMYK 15 / 0 / 49 / 33

HEX #91AB58

RGB 145 171 88

HSL 78.8, 0.33%, 0.51%

LAB 66.41, -22.5, 39.53

 

CMYK 0 / 23 / 97 / 1

HEX #FCC307

RGB 252 195 7

HSL 46.04, 0.98%, 0.51%

LAB 81.7, 7.09, 82.68

 

CMYK 3 / 0 / 97 / 1

HEX #F4FC07

RGB 244 252 7

HSL 61.96, 0.98%, 0.51%

LAB 95.53, -24.59, 92.43

 

CMYK 29 / 0 / 97 / 1

HEX #B3FC07

RGB 179 252 7

HSL 77.88, 0.98%, 0.51%

LAB 91.33, -49.97, 87.4

 

CMYK 55 / 0 / 97 / 1

HEX #71FC07

RGB 113 252 7

HSL 94.04, 0.98%, 0.51%

LAB 88.52, -70.7, 83.98

 

CMYK 81 / 0 / 97 / 1

HEX #30FC07

RGB 48 252 7

HSL 109.96, 0.98%, 0.51%

LAB 87.13, -82.52, 82.28

 

CMYK 31 / 0 / 99 / 31

HEX #78AF01

RGB 120 175 1

HSL 78.97, 0.99%, 0.35%

LAB 65.48, -39.26, 66.54

 

CMYK 31 / 0 / 99 / 15

HEX #94D802

RGB 148 216 2

HSL 79.07, 0.98%, 0.43%

LAB 79.28, -46.32, 77.75

 

CMYK 31 / 0 / 97 / 1

HEX #AFFC07

RGB 175 252 7

HSL 78.86, 0.98%, 0.51%

LAB 91.12, -51.41, 87.15

 

CMYK 25 / 0 / 81 / 1

HEX #BCFC30

RGB 188 252 48

HSL 78.82, 0.97%, 0.59%

LAB 91.92, -45.8, 81.9

 

CMYK 21 / 0 / 65 / 1

HEX #C9FD59

RGB 201 253 89

HSL 79.02, 0.98%, 0.67%

LAB 93.18, -39.3, 70.3

 

CMYK 31 / 0 / 98 / 1

HEX #AFFD06

RGB 175 253 6

HSL 78.95, 0.98%, 0.51%

LAB 91.4, -51.83, 87.44

 

CMYK 97 / 0 / 48 / 1

HEX #07FC82

RGB 7 252 130

HSL 150.12, 0.98%, 0.51%

LAB 87.62, -75.32, 44.55

 

CMYK 10 / 97 / 0 / 1

HEX #E407FC

RGB 228 7 252

HSL 294.12, 0.98%, 0.51%

LAB 55.76, 93.35, -66.75

 

CMYK 31 / 0 / 98 / 1

HEX #AFFD06

RGB 175 253 6

HSL 78.95, 0.98%, 0.51%

LAB 91.4, -51.83, 87.44

 

CMYK 97 / 29 / 0 / 1

HEX #07B3FC

RGB 7 179 252

HSL 197.88, 0.98%, 0.51%

LAB 68.98, -12.12, -46.52

 

CMYK 0 / 97 / 29 / 1

HEX #FC07B3

RGB 252 7 179

HSL 317.88, 0.98%, 0.51%

LAB 56.19, 88, -24.24

 

CMYK 31 / 0 / 98 / 1

HEX #AFFD06

RGB 175 253 6

HSL 78.95, 0.98%, 0.51%

LAB 91.4, -51.83, 87.44

 

CMYK 97 / 0 / 48 / 1

HEX #07FC82

RGB 7 252 130

HSL 150.12, 0.98%, 0.51%

LAB 87.62, -75.32, 44.55

 

CMYK 68 / 97 / 0 / 1

HEX #5107FC

RGB 81 7 252

HSL 258.12, 0.98%, 0.51%

LAB 35.85, 78.98, -100.17

 

CMYK 0 / 97 / 48 / 1

HEX #FC0782

RGB 252 7 130

HSL 329.88, 0.98%, 0.51%

LAB 54.51, 83.6, 2.25

 

CMYK 31 / 0 / 98 / 1

HEX #AFFD06

RGB 175 253 6

HSL 78.95, 0.98%, 0.51%

LAB 91.4, -51.83, 87.44

 

CMYK 97 / 0 / 19 / 1

HEX #07FCCB

RGB 7 252 203

HSL 168, 0.98%, 0.51%

LAB 88.91, -60.56, 9.62

 

CMYK 68 / 97 / 0 / 1

HEX #5107FC

RGB 81 7 252

HSL 258.12, 0.98%, 0.51%

LAB 35.85, 78.98, -100.17

 

CMYK 0 / 97 / 78 / 1

HEX #FC0738

RGB 252 7 56

HSL 348, 0.98%, 0.51%

LAB 53.09, 79.77, 44.47

 

Description

Color code: HEX #AFFD06 | qconv.com Color code: HEX #AFFD06 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 253 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 253 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 98 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 98% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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