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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3B8E5 it is the complementary color #4C471A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3B8E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3B8E5 shade: #B8B8E0, #C9CAF3, #DADCFF, #EBEEFF and #FCFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3B8E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3B8E5 shade: #B3B8E5, #A2A6D2, #9194BF, #8082AC and #6F7099

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3B8E5 shade: #B3B8E4, #BBB3E4, #C8B3E4, #D6B3E4 and #E3B3E4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3B8E5 shade: #B3B8E4 and #B3B3E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3B8E5 shade matches the following richer shades: #B3B8E4, #AAB1ED, #A2AAF5 and #9AA4FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3B8E5 shade: #B3B8E4, #BBBEDC, #C3C5D4, #CBCBCC and #D4D2C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3B8E5 shade: #B3D2E4, #B3C5E4, #B3B8E4, #BBB3E4 and #C8B3E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3B8E5 shade: #757ECF, #949BDA, #B3B8E4, #D1D4EF and #F0F1FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3B8E5 shade: #B3B8E5, #E4B3DF and #CCE4B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3B8E5 shade: #B3B8E5, #E4B3B8 and #B8E4B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3B8E5 shade: #B3B8E5, #E4B3DF, #E4DFB3 and #B3E4B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3B8E5 shade: #B3B8E5, #E4B3D0, #E4DFB3 and #B3E4C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 20 / 0 / 10

HEX #B3B8E5

RGB 179 184 229

HSL 234, 0.49%, 0.8%

LAB 75.77, 7.71, -23.03

 

Complementary color

CMYK 0 / 7 / 66 / 70

HEX #4C471A

RGB 76 71 26

HSL 54, 0.49%, 0.2%

LAB 29.71, -4.56, 27.18

 

CMYK 18 / 18 / 0 / 12

HEX #B8B8E0

RGB 184 184 224

HSL 240, 0.39%, 0.8%

LAB 75.98, 8.14, -19.98

 

CMYK 17 / 17 / 0 / 5

HEX #C9CAF3

RGB 201 202 243

HSL 238.57, 0.64%, 0.87%

LAB 82.45, 7.85, -20.26

 

CMYK 15 / 14 / 0 / 0

HEX #DADCFF

RGB 218 220 255

HSL 236.76, 1%, 0.93%

LAB 88.6, 6.12, -17.21

 

CMYK 8 / 7 / 0 / 0

HEX #EBEEFF

RGB 235 238 255

HSL 231, 1%, 0.96%

LAB 94.33, 2.15, -8.53

 

CMYK 1 / 0 / 0 / 0

HEX #FCFFFF

RGB 252 255 255

HSL 180, 1%, 0.99%

LAB 99.78, -0.98, -0.36

 

CMYK 22 / 20 / 0 / 10

HEX #B3B8E5

RGB 179 184 229

HSL 234, 0.49%, 0.8%

LAB 75.77, 7.71, -23.03

 

CMYK 23 / 21 / 0 / 18

HEX #A2A6D2

RGB 162 166 210

HSL 235, 0.35%, 0.73%

LAB 69.19, 8.03, -22.81

 

CMYK 24 / 23 / 0 / 25

HEX #9194BF

RGB 145 148 191

HSL 236.09, 0.26%, 0.66%

LAB 62.47, 8.39, -22.61

 

CMYK 26 / 24 / 0 / 33

HEX #8082AC

RGB 128 130 172

HSL 237.27, 0.21%, 0.59%

LAB 55.62, 8.78, -22.44

 

CMYK 27 / 27 / 0 / 40

HEX #6F7099

RGB 111 112 153

HSL 238.57, 0.17%, 0.52%

LAB 48.6, 9.23, -22.31

 

CMYK 21 / 19 / 0 / 11

HEX #B3B8E4

RGB 179 184 228

HSL 233.88, 0.48%, 0.8%

LAB 75.74, 7.48, -22.54

 

CMYK 18 / 21 / 0 / 11

HEX #BBB3E4

RGB 187 179 228

HSL 249.8, 0.48%, 0.8%

LAB 75.08, 12.69, -23.49

 

CMYK 12 / 21 / 0 / 11

HEX #C8B3E4

RGB 200 179 228

HSL 265.71, 0.48%, 0.8%

LAB 76.14, 16.8, -21.78

 

CMYK 6 / 21 / 0 / 11

HEX #D6B3E4

RGB 214 179 228

HSL 282.86, 0.48%, 0.8%

LAB 77.36, 21.32, -19.81

 

CMYK 0 / 21 / 0 / 11

HEX #E3B3E4

RGB 227 179 228

HSL 298.78, 0.48%, 0.8%

LAB 78.56, 25.57, -17.88

 

CMYK 21 / 19 / 0 / 11

HEX #B3B8E4

RGB 179 184 228

HSL 233.88, 0.48%, 0.8%

LAB 75.74, 7.48, -22.54

 

CMYK 21 / 21 / 0 / 11

HEX #B3B3E4

RGB 179 179 228

HSL 240, 0.48%, 0.8%

LAB 74.46, 10.22, -24.49

 

CMYK 21 / 19 / 0 / 11

HEX #B3B8E4

RGB 179 184 228

HSL 233.88, 0.48%, 0.8%

LAB 75.74, 7.48, -22.54

 

CMYK 28 / 25 / 0 / 7

HEX #AAB1ED

RGB 170 177 237

HSL 233.73, 0.65%, 0.8%

LAB 73.61, 10.76, -30.73

 

CMYK 34 / 31 / 0 / 4

HEX #A2AAF5

RGB 162 170 245

HSL 234.22, 0.81%, 0.8%

LAB 71.57, 14.41, -38.28

 

CMYK 39 / 35 / 0 / 1

HEX #9AA4FD

RGB 154 164 253

HSL 233.94, 0.96%, 0.8%

LAB 69.83, 17.79, -45.38

 

CMYK 21 / 19 / 0 / 11

HEX #B3B8E4

RGB 179 184 228

HSL 233.88, 0.48%, 0.8%

LAB 75.74, 7.48, -22.54

 

CMYK 15 / 14 / 0 / 14

HEX #BBBEDC

RGB 187 190 220

HSL 234.55, 0.32%, 0.8%

LAB 77.61, 4.97, -15.32

 

CMYK 8 / 7 / 0 / 17

HEX #C3C5D4

RGB 195 197 212

HSL 232.94, 0.17%, 0.8%

LAB 79.78, 2.19, -7.72

 

CMYK 0 / 0 / 0 / 20

HEX #CBCBCC

RGB 203 203 204

HSL 240, 0.01%, 0.8%

LAB 81.71, 0.19, -0.51

 

CMYK 0 / 1 / 8 / 17

HEX #D4D2C3

RGB 212 210 195

HSL 52.94, 0.17%, 0.8%

LAB 83.98, -1.92, 7.67

 

CMYK 21 / 8 / 0 / 11

HEX #B3D2E4

RGB 179 210 228

HSL 202.04, 0.48%, 0.8%

LAB 82.53, -6.42, -12.3

 

CMYK 21 / 14 / 0 / 11

HEX #B3C5E4

RGB 179 197 228

HSL 217.96, 0.48%, 0.8%

LAB 79.11, 0.45, -17.44

 

CMYK 21 / 19 / 0 / 11

HEX #B3B8E4

RGB 179 184 228

HSL 233.88, 0.48%, 0.8%

LAB 75.74, 7.48, -22.54

 

CMYK 18 / 21 / 0 / 11

HEX #BBB3E4

RGB 187 179 228

HSL 249.8, 0.48%, 0.8%

LAB 75.08, 12.69, -23.49

 

CMYK 12 / 21 / 0 / 11

HEX #C8B3E4

RGB 200 179 228

HSL 265.71, 0.48%, 0.8%

LAB 76.14, 16.8, -21.78

 

CMYK 43 / 39 / 0 / 19

HEX #757ECF

RGB 117 126 207

HSL 234, 0.48%, 0.64%

LAB 55.29, 17.55, -42.99

 

CMYK 32 / 29 / 0 / 15

HEX #949BDA

RGB 148 155 218

HSL 234, 0.49%, 0.72%

LAB 65.59, 12.03, -32.85

 

CMYK 21 / 19 / 0 / 11

HEX #B3B8E4

RGB 179 184 228

HSL 233.88, 0.48%, 0.8%

LAB 75.74, 7.48, -22.54

 

CMYK 13 / 11 / 0 / 6

HEX #D1D4EF

RGB 209 212 239

HSL 234, 0.48%, 0.88%

LAB 85.44, 4.21, -13.58

 

CMYK 4 / 4 / 0 / 2

HEX #F0F1FA

RGB 240 241 250

HSL 234, 0.5%, 0.96%

LAB 95.3, 1.3, -4.45

 

CMYK 22 / 20 / 0 / 10

HEX #B3B8E5

RGB 179 184 229

HSL 234, 0.49%, 0.8%

LAB 75.77, 7.71, -23.03

 

CMYK 0 / 21 / 2 / 11

HEX #E4B3DF

RGB 228 179 223

HSL 306.12, 0.48%, 0.8%

LAB 78.5, 24.99, -15.27

 

CMYK 11 / 0 / 21 / 11

HEX #CCE4B3

RGB 204 228 179

HSL 89.39, 0.48%, 0.8%

LAB 87.77, -16.49, 21.32

 

CMYK 22 / 20 / 0 / 10

HEX #B3B8E5

RGB 179 184 229

HSL 234, 0.49%, 0.8%

LAB 75.77, 7.71, -23.03

 

CMYK 0 / 21 / 19 / 11

HEX #E4B3B8

RGB 228 179 184

HSL 353.88, 0.48%, 0.8%

LAB 77.4, 18.5, 4.27

 

CMYK 19 / 0 / 21 / 11

HEX #B8E4B3

RGB 184 228 179

HSL 113.88, 0.48%, 0.8%

LAB 86.47, -23.4, 19.33

 

CMYK 22 / 20 / 0 / 10

HEX #B3B8E5

RGB 179 184 229

HSL 234, 0.49%, 0.8%

LAB 75.77, 7.71, -23.03

 

CMYK 0 / 21 / 2 / 11

HEX #E4B3DF

RGB 228 179 223

HSL 306.12, 0.48%, 0.8%

LAB 78.5, 24.99, -15.27

 

CMYK 0 / 2 / 21 / 11

HEX #E4DFB3

RGB 228 223 179

HSL 53.88, 0.48%, 0.8%

LAB 88.22, -5.3, 22.22

 

CMYK 21 / 0 / 19 / 11

HEX #B3E4B8

RGB 179 228 184

HSL 126.12, 0.48%, 0.8%

LAB 86.27, -24.2, 16.4

 

CMYK 22 / 20 / 0 / 10

HEX #B3B8E5

RGB 179 184 229

HSL 234, 0.49%, 0.8%

LAB 75.77, 7.71, -23.03

 

CMYK 0 / 21 / 9 / 11

HEX #E4B3D0

RGB 228 179 208

HSL 324.49, 0.48%, 0.8%

LAB 78.04, 22.36, -7.82

 

CMYK 0 / 2 / 21 / 11

HEX #E4DFB3

RGB 228 223 179

HSL 53.88, 0.48%, 0.8%

LAB 88.22, -5.3, 22.22

 

CMYK 21 / 0 / 13 / 11

HEX #B3E4C7

RGB 179 228 199

HSL 144.49, 0.48%, 0.8%

LAB 86.6, -21.48, 9.01

 

Description

Color code: HEX #B3B8E5 | qconv.com Color code: HEX #B3B8E5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 184 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 184 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 20 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 20% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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