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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3BB25 it is the complementary color #4C44DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3BB25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3BB25 shade: #B8BB20, #C9CD33, #DADF46, #EBF159 and #FCFF6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3BB25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3BB25 shade: #B3BB25, #A2A912, #919700, #808500 and #6F7300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3BB25 shade: #B3BB25, #BB9A25, #BB7225, #BB4925 and #BB2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3BB25 shade: #B3BB25, #8ABB25, #62BB25, #39BB25 and #25BB38

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3BB25 shade matches the following richer shades: #B3BB25, #C3CD12 and #D3DF00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3BB25 shade: #B3BB25, #A3A937, #929749, #82845B and #72726D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3BB25 shade: #BB7225, #BB9A25, #B3BB25, #8BBB25 and #63BB25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3BB25 shade: #717617, #92981E, #B3BB25, #CDD632 and #D6DD55

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3BB25 shade: #B3BB25, #25BB4A and #8625BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3BB25 shade: #B3BB25, #25B3BB and #BB25B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3BB25 shade: #B3BB25, #25BB4A, #2C25BB and #BB2595

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3BB25 shade: #B3BB25, #25BB77, #2C25BB and #BB2568

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 80 / 27

HEX #B3BB25

RGB 179 187 37

HSL 63.2, 0.67%, 0.44%

LAB 73.06, -19.81, 67.9

 

Complementary color

CMYK 65 / 69 / 0 / 15

HEX #4C44DA

RGB 76 68 218

HSL 243.2, 0.67%, 0.56%

LAB 39.13, 47.93, -75.46

 

CMYK 2 / 0 / 83 / 27

HEX #B8BB20

RGB 184 187 32

HSL 61.16, 0.71%, 0.43%

LAB 73.44, -17.82, 69.67

 

CMYK 2 / 0 / 75 / 20

HEX #C9CD33

RGB 201 205 51

HSL 61.56, 0.61%, 0.5%

LAB 79.8, -18.88, 70.49

 

CMYK 2 / 0 / 69 / 13

HEX #DADF46

RGB 218 223 70

HSL 61.96, 0.71%, 0.57%

LAB 86.07, -19.77, 70.5

 

CMYK 2 / 0 / 63 / 5

HEX #EBF159

RGB 235 241 89

HSL 62.37, 0.84%, 0.65%

LAB 92.26, -20.51, 70.04

 

CMYK 1 / 0 / 58 / 0

HEX #FCFF6C

RGB 252 255 108

HSL 61.22, 1%, 0.71%

LAB 97.35, -19.23, 68.17

 

CMYK 4 / 0 / 80 / 27

HEX #B3BB25

RGB 179 187 37

HSL 63.2, 0.67%, 0.44%

LAB 73.06, -19.81, 67.9

 

CMYK 4 / 0 / 89 / 34

HEX #A2A912

RGB 162 169 18

HSL 62.78, 0.81%, 0.37%

LAB 66.6, -18.65, 66.29

 

CMYK 4 / 0 / 100 / 41

HEX #919700

RGB 145 151 0

HSL 62.38, 1%, 0.3%

LAB 60.03, -17.29, 63.32

 

CMYK 4 / 0 / 100 / 48

HEX #808500

RGB 128 133 0

HSL 62.26, 1%, 0.26%

LAB 53.35, -15.6, 57.76

 

CMYK 3 / 0 / 100 / 55

HEX #6F7300

RGB 111 115 0

HSL 62.09, 1%, 0.23%

LAB 46.5, -13.87, 52.07

 

CMYK 4 / 0 / 80 / 27

HEX #B3BB25

RGB 179 187 37

HSL 63.2, 0.67%, 0.44%

LAB 73.06, -19.81, 67.9

 

CMYK 0 / 18 / 80 / 27

HEX #BB9A25

RGB 187 154 37

HSL 46.8, 0.67%, 0.44%

LAB 64.81, 0.89, 60.89

 

CMYK 0 / 39 / 80 / 27

HEX #BB7225

RGB 187 114 37

HSL 30.8, 0.67%, 0.44%

LAB 54.8, 22.9, 51.79

 

CMYK 0 / 61 / 80 / 27

HEX #BB4925

RGB 187 73 37

HSL 14.4, 0.67%, 0.44%

LAB 46.26, 44.15, 43.69

 

CMYK 0 / 80 / 80 / 27

HEX #BB2525

RGB 187 37 37

HSL 0, 0.67%, 0.44%

LAB 41.25, 57.83, 38.72

 

CMYK 4 / 0 / 80 / 27

HEX #B3BB25

RGB 179 187 37

HSL 63.2, 0.67%, 0.44%

LAB 73.06, -19.81, 67.9

 

CMYK 26 / 0 / 80 / 27

HEX #8ABB25

RGB 138 187 37

HSL 79.6, 0.67%, 0.44%

LAB 70.23, -36.69, 64.31

 

CMYK 48 / 0 / 80 / 27

HEX #62BB25

RGB 98 187 37

HSL 95.6, 0.67%, 0.44%

LAB 68.22, -50.8, 61.73

 

CMYK 70 / 0 / 80 / 27

HEX #39BB25

RGB 57 187 37

HSL 112, 0.67%, 0.44%

LAB 66.93, -61.11, 60.06

 

CMYK 80 / 0 / 70 / 27

HEX #25BB38

RGB 37 187 56

HSL 127.6, 0.67%, 0.44%

LAB 66.69, -62.8, 53.19

 

CMYK 4 / 0 / 80 / 27

HEX #B3BB25

RGB 179 187 37

HSL 63.2, 0.67%, 0.44%

LAB 73.06, -19.81, 67.9

 

CMYK 5 / 0 / 91 / 20

HEX #C3CD12

RGB 195 205 18

HSL 63.21, 0.84%, 0.44%

LAB 79.22, -22.33, 77.36

 

CMYK 5 / 0 / 100 / 13

HEX #D3DF00

RGB 211 223 0

HSL 63.23, 1%, 0.44%

LAB 85.31, -24.5, 84.28

 

CMYK 4 / 0 / 80 / 27

HEX #B3BB25

RGB 179 187 37

HSL 63.2, 0.67%, 0.44%

LAB 73.06, -19.81, 67.9

 

CMYK 4 / 0 / 67 / 34

HEX #A3A937

RGB 163 169 55

HSL 63.16, 0.51%, 0.44%

LAB 66.85, -16.76, 55.51

 

CMYK 3 / 0 / 52 / 41

HEX #929749

RGB 146 151 73

HSL 63.85, 0.35%, 0.44%

LAB 60.54, -13.34, 40.03

 

CMYK 2 / 0 / 31 / 48

HEX #82845B

RGB 130 132 91

HSL 62.93, 0.18%, 0.44%

LAB 54.03, -7.74, 21.95

 

CMYK 0 / 0 / 4 / 55

HEX #72726D

RGB 114 114 109

HSL 60, 0.02%, 0.44%

LAB 47.9, -0.99, 2.76

 

CMYK 0 / 39 / 80 / 27

HEX #BB7225

RGB 187 114 37

HSL 30.8, 0.67%, 0.44%

LAB 54.8, 22.9, 51.79

 

CMYK 0 / 18 / 80 / 27

HEX #BB9A25

RGB 187 154 37

HSL 46.8, 0.67%, 0.44%

LAB 64.81, 0.89, 60.89

 

CMYK 4 / 0 / 80 / 27

HEX #B3BB25

RGB 179 187 37

HSL 63.2, 0.67%, 0.44%

LAB 73.06, -19.81, 67.9

 

CMYK 26 / 0 / 80 / 27

HEX #8BBB25

RGB 139 187 37

HSL 79.2, 0.67%, 0.44%

LAB 70.29, -36.3, 64.38

 

CMYK 47 / 0 / 80 / 27

HEX #63BB25

RGB 99 187 37

HSL 95.2, 0.67%, 0.44%

LAB 68.26, -50.49, 61.78

 

CMYK 4 / 0 / 81 / 54

HEX #717617

RGB 113 118 23

HSL 63.16, 0.67%, 0.28%

LAB 47.66, -13.89, 47.45

 

CMYK 4 / 0 / 80 / 40

HEX #92981E

RGB 146 152 30

HSL 62.95, 0.67%, 0.36%

LAB 60.48, -16.66, 57.79

 

CMYK 4 / 0 / 80 / 27

HEX #B3BB25

RGB 179 187 37

HSL 63.2, 0.67%, 0.44%

LAB 73.06, -19.81, 67.9

 

CMYK 4 / 0 / 77 / 16

HEX #CDD632

RGB 205 214 50

HSL 63.29, 0.67%, 0.52%

LAB 82.54, -21.66, 73.41

 

CMYK 3 / 0 / 62 / 13

HEX #D6DD55

RGB 214 221 85

HSL 63.09, 0.67%, 0.6%

LAB 85.33, -19.56, 63.84

 

CMYK 4 / 0 / 80 / 27

HEX #B3BB25

RGB 179 187 37

HSL 63.2, 0.67%, 0.44%

LAB 73.06, -19.81, 67.9

 

CMYK 80 / 0 / 60 / 27

HEX #25BB4A

RGB 37 187 74

HSL 134.8, 0.67%, 0.44%

LAB 66.85, -60.85, 45.72

 

CMYK 28 / 80 / 0 / 27

HEX #8625BB

RGB 134 37 187

HSL 278.8, 0.67%, 0.44%

LAB 37.81, 62.79, -59.36

 

CMYK 4 / 0 / 80 / 27

HEX #B3BB25

RGB 179 187 37

HSL 63.2, 0.67%, 0.44%

LAB 73.06, -19.81, 67.9

 

CMYK 80 / 4 / 0 / 27

HEX #25B3BB

RGB 37 179 187

HSL 183.2, 0.67%, 0.44%

LAB 66.69, -32.46, -14.41

 

CMYK 0 / 80 / 4 / 27

HEX #BB25B3

RGB 187 37 179

HSL 303.2, 0.67%, 0.44%

LAB 45.83, 71.23, -41.29

 

CMYK 4 / 0 / 80 / 27

HEX #B3BB25

RGB 179 187 37

HSL 63.2, 0.67%, 0.44%

LAB 73.06, -19.81, 67.9

 

CMYK 80 / 0 / 60 / 27

HEX #25BB4A

RGB 37 187 74

HSL 134.8, 0.67%, 0.44%

LAB 66.85, -60.85, 45.72

 

CMYK 76 / 80 / 0 / 27

HEX #2C25BB

RGB 44 37 187

HSL 242.8, 0.67%, 0.44%

LAB 27.97, 51.67, -75.88

 

CMYK 0 / 80 / 20 / 27

HEX #BB2595

RGB 187 37 149

HSL 315.2, 0.67%, 0.44%

LAB 44.32, 66.99, -25.78

 

CMYK 4 / 0 / 80 / 27

HEX #B3BB25

RGB 179 187 37

HSL 63.2, 0.67%, 0.44%

LAB 73.06, -19.81, 67.9

 

CMYK 80 / 0 / 36 / 27

HEX #25BB77

RGB 37 187 119

HSL 152.8, 0.67%, 0.44%

LAB 67.48, -53.45, 23.97

 

CMYK 76 / 80 / 0 / 27

HEX #2C25BB

RGB 44 37 187

HSL 242.8, 0.67%, 0.44%

LAB 27.97, 51.67, -75.88

 

CMYK 0 / 80 / 44 / 27

HEX #BB2568

RGB 187 37 104

HSL 333.2, 0.67%, 0.44%

LAB 42.59, 61.95, -0.73

 

Description

Color code: HEX #B3BB25 | qconv.com Color code: HEX #B3BB25 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 187 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 187 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 80 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 80% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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