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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3BCC5 it is the complementary color #4C433A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3BCC5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3BCC5 shade: #B8BCC0, #C9CED3, #DAE0E6, #EBF2F9 and #FCFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3BCC5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3BCC5 shade: #B3BCC5, #A2AAB2, #91989F, #80868C and #6F7479

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3BCC5 shade: #B4BCC5, #B4B8C5, #B4B4C5, #B9B4C5 and #BEB4C5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3BCC5 shade: #B4BCC5, #B4B8C5 and #B4B4C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3BCC5 shade matches the following richer shades: #B4BCC5, #A9BCD0, #9EBCDA, #93BCE5 and #89BCF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3BCC5 shade: #B4BCC5, #BEBCBA, #C9BCAF, #D4BCA5 and #DEBC9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3BCC5 shade: #B4C5C4, #B4C1C5, #B4BCC5, #B4B8C5 and #B4B4C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3BCC5 shade: #8593A1, #9CA8B3, #B4BCC5, #CBD1D7 and #E2E5E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3BCC5 shade: #B3BCC5, #C0B4C5 and #C3C5B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3BCC5 shade: #B3BCC5, #C5B4BC and #BCC5B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3BCC5 shade: #B3BCC5, #C0B4C5, #C5BCB4 and #B9C5B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3BCC5 shade: #B3BCC5, #C5B4C5, #C5BCB4 and #B4C5B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 5 / 0 / 23

HEX #B3BCC5

RGB 179 188 197

HSL 210, 0.13%, 0.74%

LAB 75.81, -1.33, -5.61

 

Complementary color

CMYK 0 / 12 / 24 / 70

HEX #4C433A

RGB 76 67 58

HSL 30, 0.13%, 0.26%

LAB 29.05, 2.13, 6.87

 

CMYK 4 / 2 / 0 / 25

HEX #B8BCC0

RGB 184 188 192

HSL 210, 0.06%, 0.74%

LAB 76.05, -0.62, -2.51

 

CMYK 5 / 2 / 0 / 17

HEX #C9CED3

RGB 201 206 211

HSL 210, 0.1%, 0.81%

LAB 82.52, -0.76, -3.08

 

CMYK 5 / 3 / 0 / 10

HEX #DAE0E6

RGB 218 224 230

HSL 210, 0.19%, 0.88%

LAB 88.89, -0.89, -3.64

 

CMYK 6 / 3 / 0 / 2

HEX #EBF2F9

RGB 235 242 249

HSL 210, 0.54%, 0.95%

LAB 95.16, -1.02, -4.18

HEX #EBF2F9

CMYK 1 / 0 / 0 / 0

HEX #FCFFFF

RGB 252 255 255

HSL 180, 1%, 0.99%

LAB 99.78, -0.98, -0.36

HEX #FCFFFF

CMYK 9 / 5 / 0 / 23

HEX #B3BCC5

RGB 179 188 197

HSL 210, 0.13%, 0.74%

LAB 75.81, -1.33, -5.61

 

CMYK 9 / 4 / 0 / 30

HEX #A2AAB2

RGB 162 170 178

HSL 210, 0.09%, 0.67%

LAB 69.22, -1.21, -5.08

 

CMYK 9 / 4 / 0 / 38

HEX #91989F

RGB 145 152 159

HSL 210, 0.07%, 0.6%

LAB 62.49, -1.08, -4.54

 

CMYK 9 / 4 / 0 / 45

HEX #80868C

RGB 128 134 140

HSL 210, 0.05%, 0.53%

LAB 55.62, -0.95, -3.99

 

CMYK 8 / 4 / 0 / 53

HEX #6F7479

RGB 111 116 121

HSL 210, 0.04%, 0.45%

LAB 48.57, -0.82, -3.41

 

CMYK 9 / 5 / 0 / 23

HEX #B4BCC5

RGB 180 188 197

HSL 211.76, 0.13%, 0.74%

LAB 75.89, -1, -5.5

 

CMYK 9 / 7 / 0 / 23

HEX #B4B8C5

RGB 180 184 197

HSL 225.88, 0.13%, 0.74%

LAB 74.83, 1.15, -7.05

 

CMYK 9 / 9 / 0 / 23

HEX #B4B4C5

RGB 180 180 197

HSL 240, 0.13%, 0.74%

LAB 73.79, 3.31, -8.6

 

CMYK 6 / 9 / 0 / 23

HEX #B9B4C5

RGB 185 180 197

HSL 257.65, 0.13%, 0.74%

LAB 74.18, 5, -7.98

 

CMYK 4 / 9 / 0 / 23

HEX #BEB4C5

RGB 190 180 197

HSL 275.29, 0.13%, 0.74%

LAB 74.59, 6.71, -7.33

 

CMYK 9 / 5 / 0 / 23

HEX #B4BCC5

RGB 180 188 197

HSL 211.76, 0.13%, 0.74%

LAB 75.89, -1, -5.5

 

CMYK 9 / 7 / 0 / 23

HEX #B4B8C5

RGB 180 184 197

HSL 225.88, 0.13%, 0.74%

LAB 74.83, 1.15, -7.05

 

CMYK 9 / 9 / 0 / 23

HEX #B4B4C5

RGB 180 180 197

HSL 240, 0.13%, 0.74%

LAB 73.79, 3.31, -8.6

 

CMYK 9 / 5 / 0 / 23

HEX #B4BCC5

RGB 180 188 197

HSL 211.76, 0.13%, 0.74%

LAB 75.89, -1, -5.5

 

CMYK 19 / 10 / 0 / 18

HEX #A9BCD0

RGB 169 188 208

HSL 210.77, 0.29%, 0.74%

LAB 75.42, -2.27, -12.24

 

CMYK 28 / 14 / 0 / 15

HEX #9EBCDA

RGB 158 188 218

HSL 210, 0.45%, 0.74%

LAB 75.01, -3.35, -18.36

 

CMYK 36 / 18 / 0 / 10

HEX #93BCE5

RGB 147 188 229

HSL 210, 0.61%, 0.74%

LAB 74.72, -3.76, -24.84

 

CMYK 43 / 22 / 0 / 6

HEX #89BCF0

RGB 137 188 240

HSL 210.29, 0.77%, 0.74%

LAB 74.56, -3.46, -31.08

 

CMYK 9 / 5 / 0 / 23

HEX #B4BCC5

RGB 180 188 197

HSL 211.76, 0.13%, 0.74%

LAB 75.89, -1, -5.5

 

CMYK 0 / 1 / 2 / 25

HEX #BEBCBA

RGB 190 188 186

HSL 30, 0.03%, 0.74%

LAB 76.35, 0.34, 1.25

 

CMYK 0 / 6 / 13 / 21

HEX #C9BCAF

RGB 201 188 175

HSL 30, 0.19%, 0.74%

LAB 76.97, 2.39, 8.21

 

CMYK 0 / 11 / 22 / 17

HEX #D4BCA5

RGB 212 188 165

HSL 29.36, 0.35%, 0.74%

LAB 77.69, 4.93, 14.76

 

CMYK 0 / 15 / 31 / 13

HEX #DEBC9A

RGB 222 188 154

HSL 30, 0.51%, 0.74%

LAB 78.36, 7.23, 21.73

 

CMYK 9 / 0 / 1 / 23

HEX #B4C5C4

RGB 180 197 196

HSL 176.47, 0.13%, 0.74%

LAB 78.24, -5.97, -1.49

 

CMYK 9 / 2 / 0 / 23

HEX #B4C1C5

RGB 180 193 197

HSL 194.12, 0.13%, 0.74%

LAB 77.21, -3.66, -3.55

 

CMYK 9 / 5 / 0 / 23

HEX #B4BCC5

RGB 180 188 197

HSL 211.76, 0.13%, 0.74%

LAB 75.89, -1, -5.5

 

CMYK 9 / 7 / 0 / 23

HEX #B4B8C5

RGB 180 184 197

HSL 225.88, 0.13%, 0.74%

LAB 74.83, 1.15, -7.05

 

CMYK 9 / 9 / 0 / 23

HEX #B4B4C5

RGB 180 180 197

HSL 240, 0.13%, 0.74%

LAB 73.79, 3.31, -8.6

 

CMYK 17 / 9 / 0 / 37

HEX #8593A1

RGB 133 147 161

HSL 210, 0.13%, 0.58%

LAB 60.27, -1.96, -9.07

 

CMYK 13 / 6 / 0 / 30

HEX #9CA8B3

RGB 156 168 179

HSL 208.7, 0.13%, 0.66%

LAB 68.26, -1.94, -7.1

 

CMYK 9 / 5 / 0 / 23

HEX #B4BCC5

RGB 180 188 197

HSL 211.76, 0.13%, 0.74%

LAB 75.89, -1, -5.5

 

CMYK 6 / 3 / 0 / 16

HEX #CBD1D7

RGB 203 209 215

HSL 210, 0.13%, 0.82%

LAB 83.55, -0.9, -3.68

 

CMYK 3 / 2 / 0 / 9

HEX #E2E5E9

RGB 226 229 233

HSL 214.29, 0.14%, 0.9%

LAB 90.82, -0.27, -2.3

 

CMYK 9 / 5 / 0 / 23

HEX #B3BCC5

RGB 179 188 197

HSL 210, 0.13%, 0.74%

LAB 75.81, -1.33, -5.61

 

CMYK 3 / 9 / 0 / 23

HEX #C0B4C5

RGB 192 180 197

HSL 282.35, 0.13%, 0.74%

LAB 74.75, 7.39, -7.07

 

CMYK 1 / 0 / 9 / 23

HEX #C3C5B4

RGB 195 197 180

HSL 67.06, 0.13%, 0.74%

LAB 78.94, -3.71, 8.28

 

CMYK 9 / 5 / 0 / 23

HEX #B3BCC5

RGB 179 188 197

HSL 210, 0.13%, 0.74%

LAB 75.81, -1.33, -5.61

 

CMYK 0 / 9 / 5 / 23

HEX #C5B4BC

RGB 197 180 188

HSL 331.76, 0.13%, 0.74%

LAB 74.92, 7.47, -1.87

 

CMYK 5 / 0 / 9 / 23

HEX #BCC5B4

RGB 188 197 180

HSL 91.76, 0.13%, 0.74%

LAB 78.41, -6.2, 7.45

 

CMYK 9 / 5 / 0 / 23

HEX #B3BCC5

RGB 179 188 197

HSL 210, 0.13%, 0.74%

LAB 75.81, -1.33, -5.61

 

CMYK 3 / 9 / 0 / 23

HEX #C0B4C5

RGB 192 180 197

HSL 282.35, 0.13%, 0.74%

LAB 74.75, 7.39, -7.07

 

CMYK 0 / 5 / 9 / 23

HEX #C5BCB4

RGB 197 188 180

HSL 28.24, 0.13%, 0.74%

LAB 76.76, 1.77, 5.16

 

CMYK 6 / 0 / 9 / 23

HEX #B9C5B4

RGB 185 197 180

HSL 102.35, 0.13%, 0.74%

LAB 78.19, -7.25, 7.11

 

CMYK 9 / 5 / 0 / 23

HEX #B3BCC5

RGB 179 188 197

HSL 210, 0.13%, 0.74%

LAB 75.81, -1.33, -5.61

 

CMYK 0 / 9 / 0 / 23

HEX #C5B4C5

RGB 197 180 197

HSL 300, 0.13%, 0.74%

LAB 75.17, 9.11, -6.41

 

CMYK 0 / 5 / 9 / 23

HEX #C5BCB4

RGB 197 188 180

HSL 28.24, 0.13%, 0.74%

LAB 76.76, 1.77, 5.16

 

CMYK 9 / 0 / 9 / 23

HEX #B4C5B4

RGB 180 197 180

HSL 120, 0.13%, 0.74%

LAB 77.83, -9, 6.54

 

Description

Color code: HEX #B3BCC5 | qconv.com Color code: HEX #B3BCC5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 188 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 188 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 5 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 5% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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