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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3BE35 it is the complementary color #4C41CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3BE35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3BE35 shade: #B8BE30, #C9D043, #DAE256, #EBF469 and #FCFF7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3BE35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3BE35 shade: #B3BE35, #A2AC22, #919A0F, #808800 and #6F7600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3BE35 shade: #B3BE35, #BEA435, #BE8035, #BE5B35 and #BE3635

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3BE35 shade: #B3BE35, #8EBE35, #69BE35, #45BE35 and #35BE4B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3BE35 shade matches the following richer shades: #B3BE35, #C4D222 and #D5E60E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3BE35 shade: #B3BE35, #A3AB49, #92975D, #828371 and #716F85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3BE35 shade: #BE7E35, #BEA335, #B5BE35, #91BE35 and #6CBE35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3BE35 shade: #777E23, #959E2C, #B3BE35, #C3CD50 and #CED670

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3BE35 shade: #B3BE35, #35BE5A and #9135BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3BE35 shade: #B3BE35, #35B5BE and #BE35B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3BE35 shade: #B3BE35, #35BE5A, #3E35BE and #BE359A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3BE35 shade: #B3BE35, #35BE83, #3E35BE and #BE3571

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 72 / 25

HEX #B3BE35

RGB 179 190 53

HSL 64.82, 0.56%, 0.48%

LAB 73.98, -20.63, 63.73

 

Complementary color

CMYK 62 / 68 / 0 / 21

HEX #4C41CA

RGB 76 65 202

HSL 244.82, 0.56%, 0.52%

LAB 37.08, 44.56, -69.58

 

CMYK 3 / 0 / 75 / 25

HEX #B8BE30

RGB 184 190 48

HSL 62.54, 0.6%, 0.47%

LAB 74.34, -18.75, 65.9

 

CMYK 3 / 0 / 68 / 18

HEX #C9D043

RGB 201 208 67

HSL 62.98, 0.6%, 0.54%

LAB 80.7, -19.6, 65.83

 

CMYK 4 / 0 / 62 / 11

HEX #DAE256

RGB 218 226 86

HSL 63.43, 0.71%, 0.61%

LAB 86.98, -20.3, 65.28

 

CMYK 4 / 0 / 57 / 4

HEX #EBF469

RGB 235 244 105

HSL 63.88, 0.86%, 0.68%

LAB 93.18, -20.89, 64.46

 

CMYK 1 / 0 / 51 / 0

HEX #FCFF7C

RGB 252 255 124

HSL 61.37, 1%, 0.74%

LAB 97.5, -18.04, 61.4

 

CMYK 6 / 0 / 72 / 25

HEX #B3BE35

RGB 179 190 53

HSL 64.82, 0.56%, 0.48%

LAB 73.98, -20.63, 63.73

 

CMYK 6 / 0 / 80 / 33

HEX #A2AC22

RGB 162 172 34

HSL 64.35, 0.67%, 0.4%

LAB 67.5, -19.72, 63.34

 

CMYK 6 / 0 / 90 / 40

HEX #919A0F

RGB 145 154 15

HSL 63.88, 0.82%, 0.33%

LAB 60.93, -18.57, 61.73

 

CMYK 6 / 0 / 100 / 47

HEX #808800

RGB 128 136 0

HSL 63.53, 1%, 0.27%

LAB 54.24, -17.18, 58.42

 

CMYK 6 / 0 / 100 / 54

HEX #6F7600

RGB 111 118 0

HSL 63.56, 1%, 0.23%

LAB 47.41, -15.49, 52.74

 

CMYK 6 / 0 / 72 / 25

HEX #B3BE35

RGB 179 190 53

HSL 64.82, 0.56%, 0.48%

LAB 73.98, -20.63, 63.73

 

CMYK 0 / 14 / 72 / 25

HEX #BEA435

RGB 190 164 53

HSL 48.61, 0.56%, 0.48%

LAB 67.84, -2.47, 58.07

 

CMYK 0 / 33 / 72 / 25

HEX #BE8035

RGB 190 128 53

HSL 32.85, 0.56%, 0.48%

LAB 58.64, 17.17, 48.76

 

CMYK 0 / 52 / 72 / 25

HEX #BE5B35

RGB 190 91 53

HSL 16.64, 0.56%, 0.48%

LAB 50.32, 37.13, 39.86

 

CMYK 0 / 72 / 72 / 25

HEX #BE3635

RGB 190 54 53

HSL 0.44, 0.56%, 0.48%

LAB 44.01, 53.82, 32.72

 

CMYK 6 / 0 / 72 / 25

HEX #B3BE35

RGB 179 190 53

HSL 64.82, 0.56%, 0.48%

LAB 73.98, -20.63, 63.73

 

CMYK 25 / 0 / 72 / 25

HEX #8EBE35

RGB 142 190 53

HSL 81.02, 0.56%, 0.48%

LAB 71.44, -35.68, 60.4

 

CMYK 45 / 0 / 72 / 25

HEX #69BE35

RGB 105 190 53

HSL 97.23, 0.56%, 0.48%

LAB 69.53, -48.82, 57.86

 

CMYK 64 / 0 / 72 / 25

HEX #45BE35

RGB 69 190 53

HSL 112.99, 0.56%, 0.48%

LAB 68.28, -58.56, 56.18

 

CMYK 72 / 0 / 61 / 25

HEX #35BE4B

RGB 53 190 75

HSL 129.64, 0.56%, 0.48%

LAB 68.09, -59.45, 46.77

 

CMYK 6 / 0 / 72 / 25

HEX #B3BE35

RGB 179 190 53

HSL 64.82, 0.56%, 0.48%

LAB 73.98, -20.63, 63.73

 

CMYK 7 / 0 / 84 / 18

HEX #C4D222

RGB 196 210 34

HSL 64.77, 0.72%, 0.48%

LAB 80.71, -24, 75.7

 

CMYK 7 / 0 / 94 / 10

HEX #D5E60E

RGB 213 230 14

HSL 64.72, 0.89%, 0.48%

LAB 87.37, -26.87, 84.71

 

CMYK 6 / 0 / 72 / 25

HEX #B3BE35

RGB 179 190 53

HSL 64.82, 0.56%, 0.48%

LAB 73.98, -20.63, 63.73

 

CMYK 5 / 0 / 57 / 33

HEX #A3AB49

RGB 163 171 73

HSL 64.9, 0.4%, 0.48%

LAB 67.57, -16.53, 48.48

 

CMYK 3 / 0 / 38 / 41

HEX #92975D

RGB 146 151 93

HSL 65.17, 0.24%, 0.48%

LAB 60.81, -11.17, 29.96

 

CMYK 1 / 0 / 14 / 49

HEX #828371

RGB 130 131 113

HSL 63.33, 0.07%, 0.48%

LAB 54.21, -3.73, 9.62

 

CMYK 15 / 17 / 0 / 48

HEX #716F85

RGB 113 111 133

HSL 245.45, 0.09%, 0.48%

LAB 47.72, 5.56, -11.8

 

CMYK 0 / 34 / 72 / 25

HEX #BE7E35

RGB 190 126 53

HSL 31.97, 0.56%, 0.48%

LAB 58.16, 18.27, 48.26

 

CMYK 0 / 14 / 72 / 25

HEX #BEA335

RGB 190 163 53

HSL 48.18, 0.56%, 0.48%

LAB 67.57, -1.94, 57.81

 

CMYK 5 / 0 / 72 / 25

HEX #B5BE35

RGB 181 190 53

HSL 63.94, 0.56%, 0.48%

LAB 74.13, -19.79, 63.94

 

CMYK 24 / 0 / 72 / 25

HEX #91BE35

RGB 145 190 53

HSL 79.71, 0.56%, 0.48%

LAB 71.63, -34.51, 60.64

 

CMYK 43 / 0 / 72 / 25

HEX #6CBE35

RGB 108 190 53

HSL 95.91, 0.56%, 0.48%

LAB 69.66, -47.85, 58.03

 

CMYK 6 / 0 / 72 / 51

HEX #777E23

RGB 119 126 35

HSL 64.62, 0.57%, 0.32%

LAB 50.65, -14.85, 46.07

 

CMYK 6 / 0 / 72 / 38

HEX #959E2C

RGB 149 158 44

HSL 64.74, 0.56%, 0.4%

LAB 62.53, -17.8, 55.09

 

CMYK 6 / 0 / 72 / 25

HEX #B3BE35

RGB 179 190 53

HSL 64.82, 0.56%, 0.48%

LAB 73.98, -20.63, 63.73

 

CMYK 5 / 0 / 61 / 20

HEX #C3CD50

RGB 195 205 80

HSL 64.8, 0.56%, 0.56%

LAB 79.52, -19.79, 59.26

 

CMYK 4 / 0 / 48 / 16

HEX #CED670

RGB 206 214 112

HSL 64.71, 0.55%, 0.64%

LAB 83.12, -17.18, 49.07

 

CMYK 6 / 0 / 72 / 25

HEX #B3BE35

RGB 179 190 53

HSL 64.82, 0.56%, 0.48%

LAB 73.98, -20.63, 63.73

 

CMYK 72 / 0 / 53 / 25

HEX #35BE5A

RGB 53 190 90

HSL 136.2, 0.56%, 0.48%

LAB 68.26, -57.46, 39.9

 

CMYK 24 / 72 / 0 / 25

HEX #9135BE

RGB 145 53 190

HSL 280.29, 0.56%, 0.48%

LAB 41.66, 59.58, -54.79

 

CMYK 6 / 0 / 72 / 25

HEX #B3BE35

RGB 179 190 53

HSL 64.82, 0.56%, 0.48%

LAB 73.98, -20.63, 63.73

 

CMYK 72 / 5 / 0 / 25

HEX #35B5BE

RGB 53 181 190

HSL 183.94, 0.56%, 0.48%

LAB 67.67, -30.79, -14.56

 

CMYK 0 / 72 / 5 / 25

HEX #BE35B5

RGB 190 53 181

HSL 303.94, 0.56%, 0.48%

LAB 48.04, 67.56, -38.93

 

CMYK 6 / 0 / 72 / 25

HEX #B3BE35

RGB 179 190 53

HSL 64.82, 0.56%, 0.48%

LAB 73.98, -20.63, 63.73

 

CMYK 72 / 0 / 53 / 25

HEX #35BE5A

RGB 53 190 90

HSL 136.2, 0.56%, 0.48%

LAB 68.26, -57.46, 39.9

 

CMYK 67 / 72 / 0 / 25

HEX #3E35BE

RGB 62 53 190

HSL 243.94, 0.56%, 0.48%

LAB 32.45, 45.78, -70.2

 

CMYK 0 / 72 / 19 / 25

HEX #BE359A

RGB 190 53 154

HSL 315.77, 0.56%, 0.48%

LAB 46.75, 63.58, -24.97

 

CMYK 6 / 0 / 72 / 25

HEX #B3BE35

RGB 179 190 53

HSL 64.82, 0.56%, 0.48%

LAB 73.98, -20.63, 63.73

 

CMYK 72 / 0 / 31 / 25

HEX #35BE83

RGB 53 190 131

HSL 154.16, 0.56%, 0.48%

LAB 68.91, -50.07, 19.55

 

CMYK 67 / 72 / 0 / 25

HEX #3E35BE

RGB 62 53 190

HSL 243.94, 0.56%, 0.48%

LAB 32.45, 45.78, -70.2

 

CMYK 0 / 72 / 41 / 25

HEX #BE3571

RGB 190 53 113

HSL 333.72, 0.56%, 0.48%

LAB 45.2, 58.64, -2.42

 

Description

Color code: HEX #B3BE35 | qconv.com Color code: HEX #B3BE35 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 190 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 190 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 72 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 72% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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