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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3C425 it is the complementary color #4C3BDA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3C425. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3C425 shade: #B8C420, #C9D633, #DAE846, #EBFA59 and #FCFF6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3C425. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3C425 shade: #B3C425, #A2B212, #91A000, #808E00 and #6F7C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3C425 shade: #B3C525, #C5AB25, #C58025, #C55525 and #C52A25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3C425 shade: #B3C525, #88C525, #5DC525, #32C525 and #25C543

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3C425 shade matches the following richer shades: #B3C525 and #C2D812

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3C425 shade: #B3C525, #A5B238, #969F4B, #878C5E and #787971

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3C425 shade: #C57F25, #C5AA25, #B5C525, #8AC525 and #60C525

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3C425 shade: #747F18, #94A21E, #B3C525, #C8D93A and #D2E05C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3C425 shade: #B3C425, #25C555 and #9525C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3C425 shade: #B3C425, #25B5C5 and #C525B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3C425 shade: #B3C425, #25C555, #3525C5 and #C52595

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3C425 shade: #B3C425, #25C585, #3525C5 and #C52565

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 81 / 23

HEX #B3C425

RGB 179 196 37

HSL 66.42, 0.68%, 0.46%

LAB 75.57, -24.24, 70.1

 

Complementary color

CMYK 65 / 73 / 0 / 15

HEX #4C3BDA

RGB 76 59 218

HSL 246.42, 0.68%, 0.54%

LAB 37.35, 52.87, -78.39

 

CMYK 6 / 0 / 84 / 23

HEX #B8C420

RGB 184 196 32

HSL 64.39, 0.72%, 0.45%

LAB 75.93, -22.28, 71.78

 

CMYK 6 / 0 / 76 / 16

HEX #C9D633

RGB 201 214 51

HSL 64.79, 0.67%, 0.52%

LAB 82.24, -23.28, 72.73

 

CMYK 6 / 0 / 70 / 9

HEX #DAE846

RGB 218 232 70

HSL 65.19, 0.78%, 0.59%

LAB 88.48, -24.11, 72.88

 

CMYK 6 / 0 / 64 / 2

HEX #EBFA59

RGB 235 250 89

HSL 65.59, 0.94%, 0.66%

LAB 94.63, -24.8, 72.52

 

CMYK 1 / 0 / 58 / 0

HEX #FCFF6C

RGB 252 255 108

HSL 61.22, 1%, 0.71%

LAB 97.35, -19.23, 68.17

 

CMYK 9 / 0 / 81 / 23

HEX #B3C425

RGB 179 196 37

HSL 66.42, 0.68%, 0.46%

LAB 75.57, -24.24, 70.1

 

CMYK 9 / 0 / 90 / 30

HEX #A2B212

RGB 162 178 18

HSL 66, 0.82%, 0.38%

LAB 69.16, -23.15, 68.35

 

CMYK 9 / 0 / 100 / 37

HEX #91A000

RGB 145 160 0

HSL 65.63, 1%, 0.31%

LAB 62.64, -21.87, 65.25

 

CMYK 10 / 0 / 100 / 44

HEX #808E00

RGB 128 142 0

HSL 65.92, 1%, 0.28%

LAB 56.02, -20.29, 59.74

 

CMYK 10 / 0 / 100 / 51

HEX #6F7C00

RGB 111 124 0

HSL 66.29, 1%, 0.24%

LAB 49.25, -18.67, 54.1

 

CMYK 9 / 0 / 81 / 23

HEX #B3C525

RGB 179 197 37

HSL 66.75, 0.68%, 0.46%

LAB 75.85, -24.72, 70.34

 

CMYK 0 / 13 / 81 / 23

HEX #C5AB25

RGB 197 171 37

HSL 50.25, 0.68%, 0.46%

LAB 70.27, -3.75, 66.06

 

CMYK 0 / 35 / 81 / 23

HEX #C58025

RGB 197 128 37

HSL 34.13, 0.68%, 0.46%

LAB 59.38, 19.55, 56.45

 

CMYK 0 / 57 / 81 / 23

HEX #C55525

RGB 197 85 37

HSL 18, 0.68%, 0.46%

LAB 50.1, 42.18, 47.93

 

CMYK 0 / 79 / 81 / 23

HEX #C52A25

RGB 197 42 37

HSL 1.88, 0.68%, 0.46%

LAB 43.74, 59.35, 41.85

 

CMYK 9 / 0 / 81 / 23

HEX #B3C525

RGB 179 197 37

HSL 66.75, 0.68%, 0.46%

LAB 75.85, -24.72, 70.34

 

CMYK 31 / 0 / 81 / 23

HEX #88C525

RGB 136 197 37

HSL 82.88, 0.68%, 0.46%

LAB 73.09, -41.87, 66.84

 

CMYK 53 / 0 / 81 / 23

HEX #5DC525

RGB 93 197 37

HSL 99, 0.68%, 0.46%

LAB 71.14, -56.04, 64.35

 

CMYK 75 / 0 / 81 / 23

HEX #32C525

RGB 50 197 37

HSL 115.13, 0.68%, 0.46%

LAB 70, -65.48, 62.87

 

CMYK 81 / 0 / 66 / 23

HEX #25C543

RGB 37 197 67

HSL 131.25, 0.68%, 0.46%

LAB 69.99, -64.84, 52.29

 

CMYK 9 / 0 / 81 / 23

HEX #B3C525

RGB 179 197 37

HSL 66.75, 0.68%, 0.46%

LAB 75.85, -24.72, 70.34

 

CMYK 10 / 0 / 92 / 15

HEX #C2D812

RGB 194 216 18

HSL 66.67, 0.85%, 0.46%

LAB 82.18, -28.03, 79.64

 

CMYK 9 / 0 / 81 / 23

HEX #B3C525

RGB 179 197 37

HSL 66.75, 0.68%, 0.46%

LAB 75.85, -24.72, 70.34

 

CMYK 7 / 0 / 69 / 30

HEX #A5B238

RGB 165 178 56

HSL 66.39, 0.52%, 0.46%

LAB 69.56, -20.41, 57.91

 

CMYK 6 / 0 / 53 / 38

HEX #969F4B

RGB 150 159 75

HSL 66.43, 0.36%, 0.46%

LAB 63.17, -15.64, 42.21

 

CMYK 4 / 0 / 33 / 45

HEX #878C5E

RGB 135 140 94

HSL 66.52, 0.2%, 0.46%

LAB 56.8, -9.65, 24.01

 

CMYK 1 / 0 / 7 / 53

HEX #787971

RGB 120 121 113

HSL 67.5, 0.03%, 0.46%

LAB 50.52, -1.94, 4.25

 

CMYK 0 / 36 / 81 / 23

HEX #C57F25

RGB 197 127 37

HSL 33.75, 0.68%, 0.46%

LAB 59.14, 20.09, 56.23

 

CMYK 0 / 14 / 81 / 23

HEX #C5AA25

RGB 197 170 37

HSL 49.88, 0.68%, 0.46%

LAB 70, -3.22, 65.83

 

CMYK 8 / 0 / 81 / 23

HEX #B5C525

RGB 181 197 37

HSL 66, 0.68%, 0.46%

LAB 76, -23.89, 70.53

 

CMYK 30 / 0 / 81 / 23

HEX #8AC525

RGB 138 197 37

HSL 82.13, 0.68%, 0.46%

LAB 73.2, -41.12, 66.98

 

CMYK 51 / 0 / 81 / 23

HEX #60C525

RGB 96 197 37

HSL 97.88, 0.68%, 0.46%

LAB 71.25, -55.19, 64.49

 

CMYK 9 / 0 / 81 / 50

HEX #747F18

RGB 116 127 24

HSL 66.41, 0.68%, 0.3%

LAB 50.64, -17.29, 49.91

 

CMYK 9 / 0 / 81 / 36

HEX #94A21E

RGB 148 162 30

HSL 66.36, 0.69%, 0.38%

LAB 63.53, -20.89, 60.55

 

CMYK 9 / 0 / 81 / 23

HEX #B3C525

RGB 179 197 37

HSL 66.75, 0.68%, 0.46%

LAB 75.85, -24.72, 70.34

 

CMYK 8 / 0 / 73 / 15

HEX #C8D93A

RGB 200 217 58

HSL 66.42, 0.68%, 0.54%

LAB 83.03, -24.84, 71.23

 

CMYK 6 / 0 / 59 / 12

HEX #D2E05C

RGB 210 224 92

HSL 66.36, 0.68%, 0.62%

LAB 85.9, -22.15, 61.43

 

CMYK 9 / 0 / 81 / 23

HEX #B3C425

RGB 179 196 37

HSL 66.42, 0.68%, 0.46%

LAB 75.57, -24.24, 70.1

 

CMYK 81 / 0 / 57 / 23

HEX #25C555

RGB 37 197 85

HSL 138, 0.68%, 0.46%

LAB 70.16, -62.69, 44.52

 

CMYK 24 / 81 / 0 / 23

HEX #9525C5

RGB 149 37 197

HSL 282, 0.68%, 0.46%

LAB 40.81, 67.33, -60.24

 

CMYK 9 / 0 / 81 / 23

HEX #B3C425

RGB 179 196 37

HSL 66.42, 0.68%, 0.46%

LAB 75.57, -24.24, 70.1

 

CMYK 81 / 8 / 0 / 23

HEX #25B5C5

RGB 37 181 197

HSL 186, 0.68%, 0.46%

LAB 67.63, -30.32, -18.51

 

CMYK 0 / 81 / 8 / 23

HEX #C525B5

RGB 197 37 181

HSL 306, 0.68%, 0.46%

LAB 47.66, 73.53, -39.45

 

CMYK 9 / 0 / 81 / 23

HEX #B3C425

RGB 179 196 37

HSL 66.42, 0.68%, 0.46%

LAB 75.57, -24.24, 70.1

 

CMYK 81 / 0 / 57 / 23

HEX #25C555

RGB 37 197 85

HSL 138, 0.68%, 0.46%

LAB 70.16, -62.69, 44.52

 

CMYK 73 / 81 / 0 / 23

HEX #3525C5

RGB 53 37 197

HSL 246, 0.68%, 0.46%

LAB 29.69, 55.33, -78.9

 

CMYK 0 / 81 / 24 / 23

HEX #C52595

RGB 197 37 149

HSL 318, 0.68%, 0.46%

LAB 46.13, 69.25, -22.83

 

CMYK 9 / 0 / 81 / 23

HEX #B3C425

RGB 179 196 37

HSL 66.42, 0.68%, 0.46%

LAB 75.57, -24.24, 70.1

 

CMYK 81 / 0 / 32 / 23

HEX #25C585

RGB 37 197 133

HSL 156, 0.68%, 0.46%

LAB 70.88, -54.3, 21.14

 

CMYK 73 / 81 / 0 / 23

HEX #3525C5

RGB 53 37 197

HSL 246, 0.68%, 0.46%

LAB 29.69, 55.33, -78.9

 

CMYK 0 / 81 / 49 / 23

HEX #C52565

RGB 197 37 101

HSL 336, 0.68%, 0.46%

LAB 44.42, 64.28, 4.04

 

Description

Color code: HEX #B3C425 | qconv.com Color code: HEX #B3C425 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 196 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 196 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 81 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 81% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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