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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3CBDC it is the complementary color #4C3423. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3CBDC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3CBDC shade: #B8CBD7, #C9DDEA, #DAEFFD, #EBFFFF and #FCFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3CBDC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3CBDC shade: #B3CBDC, #A2B9C9, #91A7B6, #8095A3 and #6F8390

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3CBDC shade: #B2CADB, #B2BFDB, #B2B4DB, #BBB2DB and #C6B2DB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3CBDC shade: #B2CADB, #B2BFDB, #B2B4DB and #B2B2DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3CBDC shade matches the following richer shades: #B2CADB, #A9CBE4, #9FCDED and #96CFF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3CBDC shade: #B2CADB, #BBC8D2, #C4C7C9, #CDC5C0 and #D6C4B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3CBDC shade: #B2DBD6, #B2D6DB, #B2CBDB, #B2BFDB and #B2B4DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3CBDC shade: #79A3C1, #95B7CE, #B2CADB, #CEDDE8 and #EAF1F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3CBDC shade: #B3CBDC, #CBB2DB and #DBDBB2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3CBDC shade: #B3CBDC, #DBB2CB and #CBDBB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3CBDC shade: #B3CBDC, #CBB2DB, #DBC2B2 and #C2DBB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3CBDC shade: #B3CBDC, #D7B2DB, #DBC2B2 and #B6DBB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 8 / 0 / 14

HEX #B3CBDC

RGB 179 203 220

HSL 204.88, 0.37%, 0.78%

LAB 80.44, -4.49, -11.15

 

Complementary color

CMYK 0 / 32 / 54 / 70

HEX #4C3423

RGB 76 52 35

HSL 24.88, 0.37%, 0.22%

LAB 24.04, 8.44, 15.01

 

CMYK 14 / 6 / 0 / 16

HEX #B8CBD7

RGB 184 203 215

HSL 203.23, 0.28%, 0.78%

LAB 80.63, -3.97, -8.15

 

CMYK 14 / 6 / 0 / 8

HEX #C9DDEA

RGB 201 221 234

HSL 203.64, 0.44%, 0.85%

LAB 87.03, -4.05, -8.62

 

CMYK 14 / 6 / 0 / 1

HEX #DAEFFD

RGB 218 239 253

HSL 204, 0.9%, 0.92%

LAB 93.33, -4.13, -9.09

 

CMYK 8 / 0 / 0 / 0

HEX #EBFFFF

RGB 235 255 255

HSL 180, 1%, 0.96%

LAB 98.59, -6.47, -2.24

 

CMYK 1 / 0 / 0 / 0

HEX #FCFFFF

RGB 252 255 255

HSL 180, 1%, 0.99%

LAB 99.78, -0.98, -0.36

 

CMYK 19 / 8 / 0 / 14

HEX #B3CBDC

RGB 179 203 220

HSL 204.88, 0.37%, 0.78%

LAB 80.44, -4.49, -11.15

 

CMYK 19 / 8 / 0 / 21

HEX #A2B9C9

RGB 162 185 201

HSL 204.62, 0.27%, 0.71%

LAB 73.93, -4.42, -10.71

 

CMYK 20 / 8 / 0 / 29

HEX #91A7B6

RGB 145 167 182

HSL 204.32, 0.2%, 0.64%

LAB 67.3, -4.34, -10.28

 

CMYK 21 / 9 / 0 / 36

HEX #8095A3

RGB 128 149 163

HSL 204, 0.16%, 0.57%

LAB 60.54, -4.26, -9.84

 

CMYK 23 / 9 / 0 / 44

HEX #6F8390

RGB 111 131 144

HSL 203.64, 0.13%, 0.5%

LAB 53.63, -4.19, -9.4

 

CMYK 19 / 8 / 0 / 14

HEX #B2CADB

RGB 178 202 219

HSL 204.88, 0.36%, 0.78%

LAB 80.08, -4.49, -11.16

 

CMYK 19 / 13 / 0 / 14

HEX #B2BFDB

RGB 178 191 219

HSL 220.98, 0.36%, 0.78%

LAB 77.19, 1.36, -15.49

 

CMYK 19 / 18 / 0 / 14

HEX #B2B4DB

RGB 178 180 219

HSL 237.07, 0.36%, 0.78%

LAB 74.33, 7.33, -19.8

 

CMYK 15 / 19 / 0 / 14

HEX #BBB2DB

RGB 187 178 219

HSL 253.17, 0.36%, 0.78%

LAB 74.52, 11.29, -19.45

 

CMYK 10 / 19 / 0 / 14

HEX #C6B2DB

RGB 198 178 219

HSL 269.27, 0.36%, 0.78%

LAB 75.43, 14.84, -17.99

 

CMYK 19 / 8 / 0 / 14

HEX #B2CADB

RGB 178 202 219

HSL 204.88, 0.36%, 0.78%

LAB 80.08, -4.49, -11.16

 

CMYK 19 / 13 / 0 / 14

HEX #B2BFDB

RGB 178 191 219

HSL 220.98, 0.36%, 0.78%

LAB 77.19, 1.36, -15.49

 

CMYK 19 / 18 / 0 / 14

HEX #B2B4DB

RGB 178 180 219

HSL 237.07, 0.36%, 0.78%

LAB 74.33, 7.33, -19.8

 

CMYK 19 / 19 / 0 / 14

HEX #B2B2DB

RGB 178 178 219

HSL 240, 0.36%, 0.78%

LAB 73.82, 8.43, -20.58

 

CMYK 19 / 8 / 0 / 14

HEX #B2CADB

RGB 178 202 219

HSL 204.88, 0.36%, 0.78%

LAB 80.08, -4.49, -11.16

 

CMYK 26 / 11 / 0 / 11

HEX #A9CBE4

RGB 169 203 228

HSL 205.42, 0.52%, 0.78%

LAB 80.04, -5.75, -16.1

 

CMYK 33 / 14 / 0 / 7

HEX #9FCDED

RGB 159 205 237

HSL 204.62, 0.68%, 0.78%

LAB 80.26, -7.53, -20.64

 

CMYK 39 / 16 / 0 / 4

HEX #96CFF6

RGB 150 207 246

HSL 204.38, 0.84%, 0.78%

LAB 80.61, -8.72, -24.96

 

CMYK 19 / 8 / 0 / 14

HEX #B2CADB

RGB 178 202 219

HSL 204.88, 0.36%, 0.78%

LAB 80.08, -4.49, -11.16

 

CMYK 11 / 5 / 0 / 18

HEX #BBC8D2

RGB 187 200 210

HSL 206.09, 0.2%, 0.78%

LAB 79.91, -2.44, -6.51

 

CMYK 2 / 1 / 0 / 21

HEX #C4C7C9

RGB 196 199 201

HSL 204, 0.04%, 0.78%

LAB 80.07, -0.65, -1.37

 

CMYK 0 / 4 / 6 / 20

HEX #CDC5C0

RGB 205 197 192

HSL 23.08, 0.12%, 0.78%

LAB 80.02, 1.91, 3.49

 

CMYK 0 / 8 / 14 / 16

HEX #D6C4B7

RGB 214 196 183

HSL 25.16, 0.27%, 0.78%

LAB 80.29, 4.17, 8.8

 

CMYK 19 / 0 / 2 / 14

HEX #B2DBD6

RGB 178 219 214

HSL 172.68, 0.36%, 0.78%

LAB 84.48, -14.34, -1.99

 

CMYK 19 / 2 / 0 / 14

HEX #B2D6DB

RGB 178 214 219

HSL 187.32, 0.36%, 0.78%

LAB 83.27, -10.74, -6.42

 

CMYK 19 / 7 / 0 / 14

HEX #B2CBDB

RGB 178 203 219

HSL 203.41, 0.36%, 0.78%

LAB 80.34, -5.02, -10.76

 

CMYK 19 / 13 / 0 / 14

HEX #B2BFDB

RGB 178 191 219

HSL 220.98, 0.36%, 0.78%

LAB 77.19, 1.36, -15.49

 

CMYK 19 / 18 / 0 / 14

HEX #B2B4DB

RGB 178 180 219

HSL 237.07, 0.36%, 0.78%

LAB 74.33, 7.33, -19.8

 

CMYK 37 / 16 / 0 / 24

HEX #79A3C1

RGB 121 163 193

HSL 205, 0.37%, 0.62%

LAB 65.05, -6.63, -19.95

 

CMYK 28 / 11 / 0 / 19

HEX #95B7CE

RGB 149 183 206

HSL 204.21, 0.37%, 0.7%

LAB 72.7, -6.19, -15.37

 

CMYK 19 / 8 / 0 / 14

HEX #B2CADB

RGB 178 202 219

HSL 204.88, 0.36%, 0.78%

LAB 80.08, -4.49, -11.16

 

CMYK 11 / 5 / 0 / 9

HEX #CEDDE8

RGB 206 221 232

HSL 205.38, 0.36%, 0.86%

LAB 87.32, -2.86, -7.1

 

CMYK 4 / 2 / 0 / 4

HEX #EAF1F5

RGB 234 241 245

HSL 201.82, 0.35%, 0.94%

LAB 94.74, -1.58, -2.74

 

CMYK 19 / 8 / 0 / 14

HEX #B3CBDC

RGB 179 203 220

HSL 204.88, 0.37%, 0.78%

LAB 80.44, -4.49, -11.15

 

CMYK 7 / 19 / 0 / 14

HEX #CBB2DB

RGB 203 178 219

HSL 276.59, 0.36%, 0.78%

LAB 75.86, 16.48, -17.3

 

CMYK 0 / 0 / 19 / 14

HEX #DBDBB2

RGB 219 219 178

HSL 60, 0.36%, 0.78%

LAB 86.47, -6.71, 20.22

 

CMYK 19 / 8 / 0 / 14

HEX #B3CBDC

RGB 179 203 220

HSL 204.88, 0.37%, 0.78%

LAB 80.44, -4.49, -11.15

 

CMYK 0 / 19 / 7 / 14

HEX #DBB2CB

RGB 219 178 203

HSL 323.41, 0.36%, 0.78%

LAB 76.81, 18.92, -7.03

 

CMYK 7 / 0 / 19 / 14

HEX #CBDBB2

RGB 203 219 178

HSL 83.41, 0.36%, 0.78%

LAB 85.29, -12.5, 18.39

 

CMYK 19 / 8 / 0 / 14

HEX #B3CBDC

RGB 179 203 220

HSL 204.88, 0.37%, 0.78%

LAB 80.44, -4.49, -11.15

 

CMYK 7 / 19 / 0 / 14

HEX #CBB2DB

RGB 203 178 219

HSL 276.59, 0.36%, 0.78%

LAB 75.86, 16.48, -17.3

 

CMYK 0 / 11 / 19 / 14

HEX #DBC2B2

RGB 219 194 178

HSL 23.41, 0.36%, 0.78%

LAB 80.1, 6.29, 11.27

 

CMYK 11 / 0 / 19 / 14

HEX #C2DBB2

RGB 194 219 178

HSL 96.59, 0.36%, 0.78%

LAB 84.66, -15.68, 17.42

 

CMYK 19 / 8 / 0 / 14

HEX #B3CBDC

RGB 179 203 220

HSL 204.88, 0.37%, 0.78%

LAB 80.44, -4.49, -11.15

 

CMYK 2 / 19 / 0 / 14

HEX #D7B2DB

RGB 215 178 219

HSL 294.15, 0.36%, 0.78%

LAB 76.92, 20.46, -15.59

 

CMYK 0 / 11 / 19 / 14

HEX #DBC2B2

RGB 219 194 178

HSL 23.41, 0.36%, 0.78%

LAB 80.1, 6.29, 11.27

 

CMYK 17 / 0 / 19 / 14

HEX #B6DBB2

RGB 182 219 178

HSL 114.15, 0.36%, 0.78%

LAB 83.87, -19.83, 16.2

 

Description

Color code: HEX #B3CBDC | qconv.com Color code: HEX #B3CBDC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 203 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 203 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 8 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 8% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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