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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3DAE5 it is the complementary color #4C251A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3DAE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3DAE5 shade: #B8DAE0, #C9ECF3, #DAFEFF, #EBFFFF and #FCFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3DAE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3DAE5 shade: #B3DAE5, #A2C8D2, #91B6BF, #80A4AC and #6F9299

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3DAE5 shade: #B3D9E4, #B3CCE4, #B3BFE4, #B4B3E4 and #C1B3E4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3DAE5 shade: #B3D9E4, #B3CCE4, #B3BFE4 and #B3B3E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3DAE5 shade matches the following richer shades: #B3D9E4, #AADEED, #A2E3F5 and #9AE7FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3DAE5 shade: #B3D9E4, #BBD5DC, #C3D0D4, #CBCCCC and #D4C7C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3DAE5 shade: #B3E4D5, #B3E4E2, #B3DAE4, #B3CCE4 and #B3BFE4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3DAE5 shade: #75BCCF, #94CBDA, #B3D9E4, #D1E8EF and #F0F7FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3DAE5 shade: #B3DAE5, #C7B3E4 and #E4DBB3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3DAE5 shade: #B3DAE5, #E4B3DA and #DAE4B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3DAE5 shade: #B3DAE5, #C7B3E4, #E4BDB3 and #D0E4B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3DAE5 shade: #B3DAE5, #D6B3E4, #E4BDB3 and #C1E4B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 5 / 0 / 10

HEX #B3DAE5

RGB 179 218 229

HSL 193.2, 0.49%, 0.8%

LAB 84.68, -10.35, -9.62

 

Complementary color

CMYK 0 / 51 / 66 / 70

HEX #4C251A

RGB 76 37 26

HSL 13.2, 0.49%, 0.2%

LAB 19.78, 17.18, 15.49

 

CMYK 18 / 3 / 0 / 12

HEX #B8DAE0

RGB 184 218 224

HSL 189, 0.39%, 0.8%

LAB 84.85, -9.89, -6.69

 

CMYK 17 / 3 / 0 / 5

HEX #C9ECF3

RGB 201 236 243

HSL 190, 0.64%, 0.87%

LAB 91.18, -9.89, -7.2

 

CMYK 15 / 0 / 0 / 0

HEX #DAFEFF

RGB 218 254 255

HSL 181.62, 1%, 0.93%

LAB 97.23, -11.3, -4.37

 

CMYK 8 / 0 / 0 / 0

HEX #EBFFFF

RGB 235 255 255

HSL 180, 1%, 0.96%

LAB 98.59, -6.47, -2.24

 

CMYK 1 / 0 / 0 / 0

HEX #FCFFFF

RGB 252 255 255

HSL 180, 1%, 0.99%

LAB 99.78, -0.98, -0.36

 

CMYK 22 / 5 / 0 / 10

HEX #B3DAE5

RGB 179 218 229

HSL 193.2, 0.49%, 0.8%

LAB 84.68, -10.35, -9.62

 

CMYK 23 / 5 / 0 / 18

HEX #A2C8D2

RGB 162 200 210

HSL 192.5, 0.35%, 0.73%

LAB 78.25, -10.35, -9.15

 

CMYK 24 / 5 / 0 / 25

HEX #91B6BF

RGB 145 182 191

HSL 191.74, 0.26%, 0.66%

LAB 71.72, -10.36, -8.67

 

CMYK 26 / 5 / 0 / 33

HEX #80A4AC

RGB 128 164 172

HSL 190.91, 0.21%, 0.59%

LAB 65.06, -10.38, -8.17

 

CMYK 27 / 5 / 0 / 40

HEX #6F9299

RGB 111 146 153

HSL 190, 0.17%, 0.52%

LAB 58.26, -10.4, -7.66

 

CMYK 21 / 5 / 0 / 11

HEX #B3D9E4

RGB 179 217 228

HSL 193.47, 0.48%, 0.8%

LAB 84.39, -10.05, -9.53

 

CMYK 21 / 11 / 0 / 11

HEX #B3CCE4

RGB 179 204 228

HSL 209.39, 0.48%, 0.8%

LAB 80.94, -3.27, -14.68

 

CMYK 21 / 16 / 0 / 11

HEX #B3BFE4

RGB 179 191 228

HSL 225.31, 0.48%, 0.8%

LAB 77.55, 3.68, -19.8

 

CMYK 21 / 21 / 0 / 11

HEX #B4B3E4

RGB 180 179 228

HSL 241.22, 0.48%, 0.8%

LAB 74.54, 10.53, -24.37

 

CMYK 15 / 21 / 0 / 11

HEX #C1B3E4

RGB 193 179 228

HSL 257.14, 0.48%, 0.8%

LAB 75.56, 14.58, -22.71

 

CMYK 21 / 5 / 0 / 11

HEX #B3D9E4

RGB 179 217 228

HSL 193.47, 0.48%, 0.8%

LAB 84.39, -10.05, -9.53

 

CMYK 21 / 11 / 0 / 11

HEX #B3CCE4

RGB 179 204 228

HSL 209.39, 0.48%, 0.8%

LAB 80.94, -3.27, -14.68

 

CMYK 21 / 16 / 0 / 11

HEX #B3BFE4

RGB 179 191 228

HSL 225.31, 0.48%, 0.8%

LAB 77.55, 3.68, -19.8

 

CMYK 21 / 21 / 0 / 11

HEX #B3B3E4

RGB 179 179 228

HSL 240, 0.48%, 0.8%

LAB 74.46, 10.22, -24.49

 

CMYK 21 / 5 / 0 / 11

HEX #B3D9E4

RGB 179 217 228

HSL 193.47, 0.48%, 0.8%

LAB 84.39, -10.05, -9.53

 

CMYK 28 / 6 / 0 / 7

HEX #AADEED

RGB 170 222 237

HSL 193.43, 0.65%, 0.8%

LAB 85.45, -13.24, -12.76

 

CMYK 34 / 7 / 0 / 4

HEX #A2E3F5

RGB 162 227 245

HSL 193.01, 0.81%, 0.8%

LAB 86.61, -16.12, -15.29

 

CMYK 39 / 9 / 0 / 1

HEX #9AE7FD

RGB 154 231 253

HSL 193.33, 0.96%, 0.8%

LAB 87.54, -18.25, -18.14

 

CMYK 21 / 5 / 0 / 11

HEX #B3D9E4

RGB 179 217 228

HSL 193.47, 0.48%, 0.8%

LAB 84.39, -10.05, -9.53

 

CMYK 15 / 3 / 0 / 14

HEX #BBD5DC

RGB 187 213 220

HSL 192.73, 0.32%, 0.8%

LAB 83.61, -7.2, -6.38

 

CMYK 8 / 2 / 0 / 17

HEX #C3D0D4

RGB 195 208 212

HSL 194.12, 0.17%, 0.8%

LAB 82.63, -3.61, -3.5

 

CMYK 0 / 0 / 0 / 20

HEX #CBCCCC

RGB 203 204 204

HSL 180, 0.01%, 0.8%

LAB 81.97, -0.34, -0.13

 

CMYK 0 / 6 / 8 / 17

HEX #D4C7C3

RGB 212 199 195

HSL 14.12, 0.17%, 0.8%

LAB 81.17, 3.84, 3.62

 

CMYK 21 / 0 / 7 / 11

HEX #B3E4D5

RGB 179 228 213

HSL 161.63, 0.48%, 0.8%

LAB 86.94, -18.75, 2.14

 

CMYK 21 / 0 / 1 / 11

HEX #B3E4E2

RGB 179 228 226

HSL 177.55, 0.48%, 0.8%

LAB 87.27, -16.07, -4.21

 

CMYK 21 / 4 / 0 / 11

HEX #B3DAE4

RGB 179 218 228

HSL 192.24, 0.48%, 0.8%

LAB 84.65, -10.57, -9.14

 

CMYK 21 / 11 / 0 / 11

HEX #B3CCE4

RGB 179 204 228

HSL 209.39, 0.48%, 0.8%

LAB 80.94, -3.27, -14.68

 

CMYK 21 / 16 / 0 / 11

HEX #B3BFE4

RGB 179 191 228

HSL 225.31, 0.48%, 0.8%

LAB 77.55, 3.68, -19.8

 

CMYK 43 / 9 / 0 / 19

HEX #75BCCF

RGB 117 188 207

HSL 192.67, 0.48%, 0.64%

LAB 72.4, -17.32, -16.55

 

CMYK 32 / 7 / 0 / 15

HEX #94CBDA

RGB 148 203 218

HSL 192.86, 0.49%, 0.72%

LAB 78.5, -14.14, -13.17

 

CMYK 21 / 5 / 0 / 11

HEX #B3D9E4

RGB 179 217 228

HSL 193.47, 0.48%, 0.8%

LAB 84.39, -10.05, -9.53

 

CMYK 13 / 3 / 0 / 6

HEX #D1E8EF

RGB 209 232 239

HSL 194, 0.48%, 0.88%

LAB 90.55, -6.17, -5.98

 

CMYK 4 / 1 / 0 / 2

HEX #F0F7FA

RGB 240 247 250

HSL 198, 0.5%, 0.96%

LAB 96.8, -1.76, -2.25

 

CMYK 22 / 5 / 0 / 10

HEX #B3DAE5

RGB 179 218 229

HSL 193.2, 0.49%, 0.8%

LAB 84.68, -10.35, -9.62

 

CMYK 13 / 21 / 0 / 11

HEX #C7B3E4

RGB 199 179 228

HSL 264.49, 0.48%, 0.8%

LAB 76.06, 16.48, -21.91

 

CMYK 0 / 4 / 21 / 11

HEX #E4DBB3

RGB 228 219 179

HSL 48.98, 0.48%, 0.8%

LAB 87.2, -3.26, 20.81

 

CMYK 22 / 5 / 0 / 10

HEX #B3DAE5

RGB 179 218 229

HSL 193.2, 0.49%, 0.8%

LAB 84.68, -10.35, -9.62

 

CMYK 0 / 21 / 4 / 11

HEX #E4B3DA

RGB 228 179 218

HSL 312.24, 0.48%, 0.8%

LAB 78.34, 24.1, -12.79

 

CMYK 4 / 0 / 21 / 11

HEX #DAE4B3

RGB 218 228 179

HSL 72.24, 0.48%, 0.8%

LAB 88.76, -11.48, 22.84

 

CMYK 22 / 5 / 0 / 10

HEX #B3DAE5

RGB 179 218 229

HSL 193.2, 0.49%, 0.8%

LAB 84.68, -10.35, -9.62

 

CMYK 13 / 21 / 0 / 11

HEX #C7B3E4

RGB 199 179 228

HSL 264.49, 0.48%, 0.8%

LAB 76.06, 16.48, -21.91

 

CMYK 0 / 17 / 21 / 11

HEX #E4BDB3

RGB 228 189 179

HSL 12.24, 0.48%, 0.8%

LAB 79.7, 12.42, 10.27

 

CMYK 9 / 0 / 21 / 11

HEX #D0E4B3

RGB 208 228 179

HSL 84.49, 0.48%, 0.8%

LAB 88.04, -15.07, 21.75

 

CMYK 22 / 5 / 0 / 10

HEX #B3DAE5

RGB 179 218 229

HSL 193.2, 0.49%, 0.8%

LAB 84.68, -10.35, -9.62

 

CMYK 6 / 21 / 0 / 11

HEX #D6B3E4

RGB 214 179 228

HSL 282.86, 0.48%, 0.8%

LAB 77.36, 21.32, -19.81

 

CMYK 0 / 17 / 21 / 11

HEX #E4BDB3

RGB 228 189 179

HSL 12.24, 0.48%, 0.8%

LAB 79.7, 12.42, 10.27

 

CMYK 15 / 0 / 21 / 11

HEX #C1E4B3

RGB 193 228 179

HSL 102.86, 0.48%, 0.8%

LAB 87.04, -20.33, 20.2

 

Description

Color code: HEX #B3DAE5 | qconv.com Color code: HEX #B3DAE5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 218 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 218 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 5 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 5% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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