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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3DDEA it is the complementary color #4C2215. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3DDEA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3DDEA shade: #B8DDE5, #C9EFF8, #DAFFFF, #EBFFFF and #FCFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3DDEA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3DDEA shade: #B3DDEA, #A2CBD7, #91B9C4, #80A7B1 and #6F959E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3DDEA shade: #B2DDEA, #B2CEEA, #B2BFEA, #B5B2EA and #C4B2EA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3DDEA shade: #B2DDEA, #B2CEEA, #B2BFEA and #B2B2EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3DDEA shade matches the following richer shades: #B2DDEA, #ABE1F2 and #A3E5F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3DDEA shade: #B2DDEA, #BAD8E2, #C2D4DA, #CAD0D2 and #D2CCCA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3DDEA shade: #B2EAD9, #B2EAE8, #B2DDEA, #B2CEEA and #B2BFEA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3DDEA shade: #72C0D8, #92CEE1, #B2DDEA, #D3EBF3 and #F3F9FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3DDEA shade: #B3DDEA, #CAB2EA and #EAE0B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3DDEA shade: #B3DDEA, #EAB2DD and #DDEAB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3DDEA shade: #B3DDEA, #CAB2EA, #EABFB2 and #D2EAB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3DDEA shade: #B3DDEA, #DBB2EA, #EABFB2 and #C1EAB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 6 / 0 / 8

HEX #B3DDEA

RGB 179 221 234

HSL 194.18, 0.57%, 0.81%

LAB 85.62, -10.79, -10.87

 

Complementary color

CMYK 0 / 55 / 72 / 70

HEX #4C2215

RGB 76 34 21

HSL 14.18, 0.57%, 0.19%

LAB 18.95, 18.63, 17.78

 

CMYK 20 / 3 / 0 / 10

HEX #B8DDE5

RGB 184 221 229

HSL 190.67, 0.46%, 0.81%

LAB 85.79, -10.37, -7.95

 

CMYK 19 / 4 / 0 / 3

HEX #C9EFF8

RGB 201 239 248

HSL 191.49, 0.77%, 0.88%

LAB 92.1, -10.37, -8.44

 

CMYK 15 / 0 / 0 / 0

HEX #DAFFFF

RGB 218 255 255

HSL 180, 1%, 0.93%

LAB 97.49, -11.79, -3.99

 

CMYK 8 / 0 / 0 / 0

HEX #EBFFFF

RGB 235 255 255

HSL 180, 1%, 0.96%

LAB 98.59, -6.47, -2.24

 

CMYK 1 / 0 / 0 / 0

HEX #FCFFFF

RGB 252 255 255

HSL 180, 1%, 0.99%

LAB 99.78, -0.98, -0.36

 

CMYK 24 / 6 / 0 / 8

HEX #B3DDEA

RGB 179 221 234

HSL 194.18, 0.57%, 0.81%

LAB 85.62, -10.79, -10.87

 

CMYK 25 / 6 / 0 / 16

HEX #A2CBD7

RGB 162 203 215

HSL 193.58, 0.4%, 0.74%

LAB 79.21, -10.79, -10.41

 

CMYK 26 / 6 / 0 / 23

HEX #91B9C4

RGB 145 185 196

HSL 192.94, 0.3%, 0.67%

LAB 72.7, -10.8, -9.94

 

CMYK 28 / 6 / 0 / 31

HEX #80A7B1

RGB 128 167 177

HSL 192.24, 0.24%, 0.6%

LAB 66.06, -10.81, -9.47

 

CMYK 30 / 6 / 0 / 38

HEX #6F959E

RGB 111 149 158

HSL 191.49, 0.2%, 0.53%

LAB 59.29, -10.82, -8.98

 

CMYK 24 / 6 / 0 / 8

HEX #B2DDEA

RGB 178 221 234

HSL 193.93, 0.57%, 0.81%

LAB 85.56, -11.09, -10.96

 

CMYK 24 / 12 / 0 / 8

HEX #B2CEEA

RGB 178 206 234

HSL 210, 0.57%, 0.81%

LAB 81.59, -3.29, -16.91

 

CMYK 24 / 18 / 0 / 8

HEX #B2BFEA

RGB 178 191 234

HSL 226.07, 0.57%, 0.81%

LAB 77.68, 4.74, -22.84

 

CMYK 23 / 24 / 0 / 8

HEX #B5B2EA

RGB 181 178 234

HSL 243.21, 0.57%, 0.81%

LAB 74.58, 12.75, -27.56

 

CMYK 16 / 24 / 0 / 8

HEX #C4B2EA

RGB 196 178 234

HSL 259.29, 0.57%, 0.81%

LAB 75.77, 17.36, -25.62

 

CMYK 24 / 6 / 0 / 8

HEX #B2DDEA

RGB 178 221 234

HSL 193.93, 0.57%, 0.81%

LAB 85.56, -11.09, -10.96

 

CMYK 24 / 12 / 0 / 8

HEX #B2CEEA

RGB 178 206 234

HSL 210, 0.57%, 0.81%

LAB 81.59, -3.29, -16.91

 

CMYK 24 / 18 / 0 / 8

HEX #B2BFEA

RGB 178 191 234

HSL 226.07, 0.57%, 0.81%

LAB 77.68, 4.74, -22.84

 

CMYK 24 / 24 / 0 / 8

HEX #B2B2EA

RGB 178 178 234

HSL 240, 0.57%, 0.81%

LAB 74.35, 11.85, -27.93

 

CMYK 24 / 6 / 0 / 8

HEX #B2DDEA

RGB 178 221 234

HSL 193.93, 0.57%, 0.81%

LAB 85.56, -11.09, -10.96

 

CMYK 29 / 7 / 0 / 5

HEX #ABE1F2

RGB 171 225 242

HSL 194.37, 0.73%, 0.81%

LAB 86.46, -13.34, -13.88

 

CMYK 35 / 8 / 0 / 2

HEX #A3E5F9

RGB 163 229 249

HSL 193.95, 0.88%, 0.81%

LAB 87.32, -15.91, -16.32

 

CMYK 24 / 6 / 0 / 8

HEX #B2DDEA

RGB 178 221 234

HSL 193.93, 0.57%, 0.81%

LAB 85.56, -11.09, -10.96

 

CMYK 18 / 4 / 0 / 11

HEX #BAD8E2

RGB 186 216 226

HSL 195, 0.41%, 0.81%

LAB 84.51, -7.82, -8.25

 

CMYK 11 / 3 / 0 / 15

HEX #C2D4DA

RGB 194 212 218

HSL 195, 0.24%, 0.81%

LAB 83.77, -4.84, -5.03

 

CMYK 4 / 1 / 0 / 18

HEX #CAD0D2

RGB 202 208 210

HSL 195, 0.08%, 0.81%

LAB 83.08, -1.66, -1.71

HEX #CAD0D2

CMYK 0 / 3 / 4 / 18

HEX #D2CCCA

RGB 210 204 202

HSL 15, 0.08%, 0.81%

LAB 82.46, 1.72, 1.72

HEX #D2CCCA

CMYK 24 / 0 / 7 / 8

HEX #B2EAD9

RGB 178 234 217

HSL 161.79, 0.57%, 0.81%

LAB 88.6, -21.21, 2.45

 

CMYK 24 / 0 / 1 / 8

HEX #B2EAE8

RGB 178 234 232

HSL 177.86, 0.57%, 0.81%

LAB 88.99, -18.09, -4.84

 

CMYK 24 / 6 / 0 / 8

HEX #B2DDEA

RGB 178 221 234

HSL 193.93, 0.57%, 0.81%

LAB 85.56, -11.09, -10.96

 

CMYK 24 / 12 / 0 / 8

HEX #B2CEEA

RGB 178 206 234

HSL 210, 0.57%, 0.81%

LAB 81.59, -3.29, -16.91

 

CMYK 24 / 18 / 0 / 8

HEX #B2BFEA

RGB 178 191 234

HSL 226.07, 0.57%, 0.81%

LAB 77.68, 4.74, -22.84

 

CMYK 47 / 11 / 0 / 15

HEX #72C0D8

RGB 114 192 216

HSL 194.12, 0.57%, 0.65%

LAB 73.7, -17.69, -19.49

 

CMYK 35 / 8 / 0 / 12

HEX #92CEE1

RGB 146 206 225

HSL 194.43, 0.57%, 0.73%

LAB 79.44, -14.54, -15.53

 

CMYK 24 / 6 / 0 / 8

HEX #B2DDEA

RGB 178 221 234

HSL 193.93, 0.57%, 0.81%

LAB 85.56, -11.09, -10.96

 

CMYK 13 / 3 / 0 / 5

HEX #D3EBF3

RGB 211 235 243

HSL 195, 0.57%, 0.89%

LAB 91.57, -6.28, -6.55

 

CMYK 3 / 1 / 0 / 2

HEX #F3F9FB

RGB 243 249 251

HSL 195, 0.5%, 0.97%

LAB 97.54, -1.61, -1.66

 

CMYK 24 / 6 / 0 / 8

HEX #B3DDEA

RGB 179 221 234

HSL 194.18, 0.57%, 0.81%

LAB 85.62, -10.79, -10.87

 

CMYK 14 / 24 / 0 / 8

HEX #CAB2EA

RGB 202 178 234

HSL 265.71, 0.57%, 0.81%

LAB 76.28, 19.24, -24.81

 

CMYK 0 / 4 / 24 / 8

HEX #EAE0B2

RGB 234 224 178

HSL 49.29, 0.57%, 0.81%

LAB 88.93, -3.74, 23.8

 

CMYK 24 / 6 / 0 / 8

HEX #B3DDEA

RGB 179 221 234

HSL 194.18, 0.57%, 0.81%

LAB 85.62, -10.79, -10.87

 

CMYK 0 / 24 / 6 / 8

HEX #EAB2DD

RGB 234 178 221

HSL 313.93, 0.57%, 0.81%

LAB 78.78, 27.18, -13.7

 

CMYK 6 / 0 / 24 / 8

HEX #DDEAB2

RGB 221 234 178

HSL 73.93, 0.57%, 0.81%

LAB 90.52, -13.54, 25.82

 

CMYK 24 / 6 / 0 / 8

HEX #B3DDEA

RGB 179 221 234

HSL 194.18, 0.57%, 0.81%

LAB 85.62, -10.79, -10.87

 

CMYK 14 / 24 / 0 / 8

HEX #CAB2EA

RGB 202 178 234

HSL 265.71, 0.57%, 0.81%

LAB 76.28, 19.24, -24.81

 

CMYK 0 / 18 / 24 / 8

HEX #EABFB2

RGB 234 191 178

HSL 13.93, 0.57%, 0.81%

LAB 80.72, 13.44, 12.34

 

CMYK 10 / 0 / 24 / 8

HEX #D2EAB2

RGB 210 234 178

HSL 85.71, 0.57%, 0.81%

LAB 89.75, -17.48, 24.64

 

CMYK 24 / 6 / 0 / 8

HEX #B3DDEA

RGB 179 221 234

HSL 194.18, 0.57%, 0.81%

LAB 85.62, -10.79, -10.87

 

CMYK 6 / 24 / 0 / 8

HEX #DBB2EA

RGB 219 178 234

HSL 283.93, 0.57%, 0.81%

LAB 77.78, 24.65, -22.38

 

CMYK 0 / 18 / 24 / 8

HEX #EABFB2

RGB 234 191 178

HSL 13.93, 0.57%, 0.81%

LAB 80.72, 13.44, 12.34

 

CMYK 18 / 0 / 24 / 8

HEX #C1EAB2

RGB 193 234 178

HSL 103.93, 0.57%, 0.81%

LAB 88.64, -23.42, 22.93

 

Description

Color code: HEX #B3DDEA | qconv.com Color code: HEX #B3DDEA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 221 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 221 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 6 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 6% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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