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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3E784 it is the complementary color #4C187B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3E784. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3E784 shade: #B8E77F, #C9F992, #DAFFA5, #EBFFB8 and #FCFFCB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3E784. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3E784 shade: #B3E784, #A2D571, #91C35E, #80B14B and #6F9F38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3E784 shade: #B2E683, #CDE683, #E6E583, #E6CA83 and #E6AF83

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3E784 shade: #B2E683, #97E683, #83E689, #83E6A4 and #83E6BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3E784 shade matches the following richer shades: #B2E683, #B1F277 and #B1FE6B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3E784 shade: #B2E683, #B3DA8F, #B3CE9B, #B4C2A7 and #B4B6B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3E784 shade: #E6E483, #CDE683, #B3E683, #98E683 and #83E688

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3E784 shade: #87D83E, #9DDF61, #B2E683, #C7EDA5 and #DDF4C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3E784 shade: #B3E784, #83E6CA and #E683DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3E784 shade: #B3E784, #83B3E6 and #E683B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3E784 shade: #B3E784, #83E6CA, #B683E6 and #E6839F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3E784 shade: #B3E784, #83E4E6, #B683E6 and #E68583

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 43 / 9

HEX #B3E784

RGB 179 231 132

HSL 91.52, 0.67%, 0.71%

LAB 86.21, -33.37, 42.8

 

Complementary color

CMYK 38 / 80 / 0 / 52

HEX #4C187B

RGB 76 24 123

HSL 271.52, 0.67%, 0.29%

LAB 22.37, 43, -45.75

 

CMYK 20 / 0 / 45 / 9

HEX #B8E77F

RGB 184 231 127

HSL 87.12, 0.68%, 0.7%

LAB 86.44, -32.17, 45.59

 

CMYK 19 / 0 / 41 / 2

HEX #C9F992

RGB 201 249 146

HSL 87.96, 0.9%, 0.77%

LAB 92.68, -32.16, 44.45

 

CMYK 15 / 0 / 35 / 0

HEX #DAFFA5

RGB 218 255 165

HSL 84.67, 1%, 0.82%

LAB 95.64, -26.54, 39.18

 

CMYK 8 / 0 / 28 / 0

HEX #EBFFB8

RGB 235 255 184

HSL 76.9, 1%, 0.86%

LAB 97.08, -17.96, 31.84

 

CMYK 1 / 0 / 20 / 0

HEX #FCFFCB

RGB 252 255 203

HSL 63.46, 1%, 0.9%

LAB 98.64, -9.26, 24.58

 

CMYK 23 / 0 / 43 / 9

HEX #B3E784

RGB 179 231 132

HSL 91.52, 0.67%, 0.71%

LAB 86.21, -33.37, 42.8

 

CMYK 24 / 0 / 47 / 16

HEX #A2D571

RGB 162 213 113

HSL 90.6, 0.54%, 0.64%

LAB 79.88, -33.41, 43.95

 

CMYK 26 / 0 / 52 / 24

HEX #91C35E

RGB 145 195 94

HSL 89.7, 0.46%, 0.57%

LAB 73.45, -33.4, 45.1

 

CMYK 28 / 0 / 58 / 31

HEX #80B14B

RGB 128 177 75

HSL 88.82, 0.4%, 0.49%

LAB 66.93, -33.33, 46.19

 

CMYK 30 / 0 / 65 / 38

HEX #6F9F38

RGB 111 159 56

HSL 87.96, 0.48%, 0.42%

LAB 60.3, -33.16, 47.1

 

CMYK 23 / 0 / 43 / 10

HEX #B2E683

RGB 178 230 131

HSL 91.52, 0.66%, 0.71%

LAB 85.85, -33.38, 42.83

 

CMYK 11 / 0 / 43 / 10

HEX #CDE683

RGB 205 230 131

HSL 75.15, 0.66%, 0.71%

LAB 87.59, -23.45, 45.37

 

CMYK 0 / 0 / 43 / 10

HEX #E6E583

RGB 230 229 131

HSL 59.39, 0.66%, 0.71%

LAB 89.16, -13.32, 47.73

 

CMYK 0 / 12 / 43 / 10

HEX #E6CA83

RGB 230 202 131

HSL 43.03, 0.66%, 0.71%

LAB 82.22, 0.38, 39

 

CMYK 0 / 24 / 43 / 10

HEX #E6AF83

RGB 230 175 131

HSL 26.67, 0.66%, 0.71%

LAB 75.53, 14.58, 30.3

 

CMYK 23 / 0 / 43 / 10

HEX #B2E683

RGB 178 230 131

HSL 91.52, 0.66%, 0.71%

LAB 85.85, -33.38, 42.83

 

CMYK 34 / 0 / 43 / 10

HEX #97E683

RGB 151 230 131

HSL 107.88, 0.66%, 0.71%

LAB 84.39, -42.55, 40.66

 

CMYK 43 / 0 / 40 / 10

HEX #83E689

RGB 131 230 137

HSL 123.64, 0.66%, 0.71%

LAB 83.56, -47.78, 36.44

 

CMYK 43 / 0 / 29 / 10

HEX #83E6A4

RGB 131 230 164

HSL 140, 0.66%, 0.71%

LAB 84.02, -43.27, 23.3

 

CMYK 43 / 0 / 17 / 10

HEX #83E6BF

RGB 131 230 191

HSL 156.36, 0.66%, 0.71%

LAB 84.58, -37.96, 10

 

CMYK 23 / 0 / 43 / 10

HEX #B2E683

RGB 178 230 131

HSL 91.52, 0.66%, 0.71%

LAB 85.85, -33.38, 42.83

 

CMYK 27 / 0 / 51 / 5

HEX #B1F277

RGB 177 242 119

HSL 91.71, 0.83%, 0.71%

LAB 89.01, -40.53, 52.42

 

CMYK 30 / 0 / 58 / 0

HEX #B1FE6B

RGB 177 254 107

HSL 91.43, 0.99%, 0.71%

LAB 92.26, -46.91, 61.57

 

CMYK 23 / 0 / 43 / 10

HEX #B2E683

RGB 178 230 131

HSL 91.52, 0.66%, 0.71%

LAB 85.85, -33.38, 42.83

 

CMYK 18 / 0 / 34 / 15

HEX #B3DA8F

RGB 179 218 143

HSL 91.2, 0.5%, 0.71%

LAB 82.76, -25.81, 32.83

 

CMYK 13 / 0 / 25 / 19

HEX #B3CE9B

RGB 179 206 155

HSL 91.76, 0.34%, 0.71%

LAB 79.67, -18.16, 22.44

 

CMYK 7 / 0 / 14 / 24

HEX #B4C2A7

RGB 180 194 167

HSL 91.11, 0.18%, 0.71%

LAB 76.73, -9.72, 11.96

 

CMYK 1 / 0 / 2 / 29

HEX #B4B6B3

RGB 180 182 179

HSL 100, 0.02%, 0.71%

LAB 73.81, -1.26, 1.27

 

CMYK 0 / 1 / 43 / 10

HEX #E6E483

RGB 230 228 131

HSL 58.79, 0.66%, 0.71%

LAB 88.9, -12.82, 47.41

 

CMYK 11 / 0 / 43 / 10

HEX #CDE683

RGB 205 230 131

HSL 75.15, 0.66%, 0.71%

LAB 87.59, -23.45, 45.37

 

CMYK 22 / 0 / 43 / 10

HEX #B3E683

RGB 179 230 131

HSL 90.91, 0.66%, 0.71%

LAB 85.91, -33.03, 42.92

 

CMYK 34 / 0 / 43 / 10

HEX #98E683

RGB 152 230 131

HSL 107.27, 0.66%, 0.71%

LAB 84.44, -42.23, 40.73

 

CMYK 43 / 0 / 41 / 10

HEX #83E688

RGB 131 230 136

HSL 123.03, 0.66%, 0.71%

LAB 83.55, -47.93, 36.92

 

CMYK 38 / 0 / 71 / 15

HEX #87D83E

RGB 135 216 62

HSL 91.56, 0.66%, 0.55%

LAB 78.82, -48.89, 64.41

 

CMYK 30 / 0 / 57 / 13

HEX #9DDF61

RGB 157 223 97

HSL 91.43, 0.66%, 0.63%

LAB 82.27, -41.4, 54.24

 

CMYK 23 / 0 / 43 / 10

HEX #B2E683

RGB 178 230 131

HSL 91.52, 0.66%, 0.71%

LAB 85.85, -33.38, 42.83

 

CMYK 16 / 0 / 30 / 7

HEX #C7EDA5

RGB 199 237 165

HSL 91.67, 0.67%, 0.79%

LAB 89.59, -24.73, 30.95

 

CMYK 9 / 0 / 18 / 4

HEX #DDF4C8

RGB 221 244 200

HSL 91.36, 0.67%, 0.87%

LAB 93.56, -15.18, 18.71

 

CMYK 23 / 0 / 43 / 9

HEX #B3E784

RGB 179 231 132

HSL 91.52, 0.67%, 0.71%

LAB 86.21, -33.37, 42.8

 

CMYK 43 / 0 / 12 / 10

HEX #83E6CA

RGB 131 230 202

HSL 163.03, 0.66%, 0.71%

LAB 84.83, -35.58, 4.58

 

CMYK 0 / 43 / 5 / 10

HEX #E683DB

RGB 230 131 219

HSL 306.67, 0.66%, 0.71%

LAB 68.15, 50.23, -28.81

 

CMYK 23 / 0 / 43 / 9

HEX #B3E784

RGB 179 231 132

HSL 91.52, 0.67%, 0.71%

LAB 86.21, -33.37, 42.8

 

CMYK 43 / 22 / 0 / 10

HEX #83B3E6

RGB 131 179 230

HSL 210.91, 0.66%, 0.71%

LAB 71.4, -2.79, -30.54

 

CMYK 0 / 43 / 22 / 10

HEX #E683B3

RGB 230 131 179

HSL 330.91, 0.66%, 0.71%

LAB 66.76, 43.9, -8.55

 

CMYK 23 / 0 / 43 / 9

HEX #B3E784

RGB 179 231 132

HSL 91.52, 0.67%, 0.71%

LAB 86.21, -33.37, 42.8

 

CMYK 43 / 0 / 12 / 10

HEX #83E6CA

RGB 131 230 202

HSL 163.03, 0.66%, 0.71%

LAB 84.83, -35.58, 4.58

 

CMYK 21 / 43 / 0 / 10

HEX #B683E6

RGB 182 131 230

HSL 270.91, 0.66%, 0.71%

LAB 63.25, 38.29, -42.94

 

CMYK 0 / 43 / 31 / 10

HEX #E6839F

RGB 230 131 159

HSL 343.03, 0.66%, 0.71%

LAB 66.18, 41.18, 1.89

 

CMYK 23 / 0 / 43 / 9

HEX #B3E784

RGB 179 231 132

HSL 91.52, 0.67%, 0.71%

LAB 86.21, -33.37, 42.8

 

CMYK 43 / 1 / 0 / 10

HEX #83E4E6

RGB 131 228 230

HSL 181.21, 0.66%, 0.71%

LAB 85.01, -28.06, -9.93

 

CMYK 21 / 43 / 0 / 10

HEX #B683E6

RGB 182 131 230

HSL 270.91, 0.66%, 0.71%

LAB 63.25, 38.29, -42.94

 

CMYK 0 / 42 / 43 / 10

HEX #E68583

RGB 230 133 131

HSL 1.21, 0.66%, 0.71%

LAB 65.93, 36.88, 17.35

 

Description

Color code: HEX #B3E784 | qconv.com Color code: HEX #B3E784 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 231 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 231 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 43 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 43% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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