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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3E0C9 it is the complementary color #4C1F36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3E0C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3E0C9 shade: #B8E0C4, #C9F2D7, #DAFFEA, #EBFFFD and #FCFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3E0C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3E0C9 shade: #B3E0C9, #A2CEB6, #91BCA3, #80AA90 and #6F987D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3E0C9 shade: #B2DFC8, #B2DFBC, #B5DFB2, #C1DFB2 and #CDDFB2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3E0C9 shade: #B2DFC8, #B2DFD5, #B2DEDF, #B2D2DF and #B2C6DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3E0C9 shade matches the following richer shades: #B2DFC8, #AAE8C8, #A1F1C8 and #98F9C8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3E0C9 shade: #B2DFC8, #BBD7C9, #C4CEC9, #CCC5C9 and #D5BDC9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3E0C9 shade: #B5DFB2, #B2DFBC, #B2DFC8, #B2DFD4 and #B2DFDF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3E0C9 shade: #78C89F, #95D3B4, #B2DFC8, #D0EBDD and #EDF7F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3E0C9 shade: #B3E0C9, #B2C1DF and #DFB6B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3E0C9 shade: #B3E0C9, #C8B2DF and #DFC8B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3E0C9 shade: #B3E0C9, #B2C1DF, #DFB2CA and #DFD1B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3E0C9 shade: #B3E0C9, #B2B3DF, #DFB2CA and #DFDFB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 10 / 12

HEX #B3E0C9

RGB 179 224 201

HSL 149.33, 0.42%, 0.79%

LAB 85.56, -19.12, 6.47

 

Complementary color

CMYK 0 / 59 / 29 / 70

HEX #4C1F36

RGB 76 31 54

HSL 329.33, 0.42%, 0.21%

LAB 19.15, 24.35, -4.8

 

CMYK 18 / 0 / 13 / 12

HEX #B8E0C4

RGB 184 224 196

HSL 138, 0.39%, 0.8%

LAB 85.75, -18.45, 9.41

 

CMYK 17 / 0 / 11 / 5

HEX #C9F2D7

RGB 201 242 215

HSL 140.49, 0.61%, 0.87%

LAB 92.06, -18.33, 8.66

 

CMYK 15 / 0 / 8 / 0

HEX #DAFFEA

RGB 218 255 234

HSL 145.95, 1%, 0.93%

LAB 96.97, -15.79, 6.06

 

CMYK 8 / 0 / 1 / 0

HEX #EBFFFD

RGB 235 255 253

HSL 174, 1%, 0.96%

LAB 98.54, -6.85, -1.29

 

CMYK 1 / 0 / 0 / 0

HEX #FCFFFF

RGB 252 255 255

HSL 180, 1%, 0.99%

LAB 99.78, -0.98, -0.36

 

CMYK 20 / 0 / 10 / 12

HEX #B3E0C9

RGB 179 224 201

HSL 149.33, 0.42%, 0.79%

LAB 85.56, -19.12, 6.47

 

CMYK 21 / 0 / 12 / 19

HEX #A2CEB6

RGB 162 206 182

HSL 147.27, 0.31%, 0.72%

LAB 79.16, -19.27, 7.22

 

CMYK 23 / 0 / 13 / 26

HEX #91BCA3

RGB 145 188 163

HSL 145.12, 0.24%, 0.65%

LAB 72.65, -19.43, 8

 

CMYK 25 / 0 / 15 / 33

HEX #80AA90

RGB 128 170 144

HSL 142.86, 0.2%, 0.58%

LAB 66.02, -19.62, 8.84

 

CMYK 27 / 0 / 18 / 40

HEX #6F987D

RGB 111 152 125

HSL 140.49, 0.17%, 0.52%

LAB 59.27, -19.84, 9.73

 

CMYK 20 / 0 / 10 / 13

HEX #B2DFC8

RGB 178 223 200

HSL 149.33, 0.41%, 0.79%

LAB 85.21, -19.14, 6.48

 

CMYK 20 / 0 / 16 / 13

HEX #B2DFBC

RGB 178 223 188

HSL 133.33, 0.41%, 0.79%

LAB 84.93, -21.38, 12.4

 

CMYK 19 / 0 / 20 / 13

HEX #B5DFB2

RGB 181 223 178

HSL 116, 0.41%, 0.79%

LAB 84.9, -22.14, 17.63

 

CMYK 13 / 0 / 20 / 13

HEX #C1DFB2

RGB 193 223 178

HSL 100, 0.41%, 0.79%

LAB 85.67, -18.03, 18.82

 

CMYK 8 / 0 / 20 / 13

HEX #CDDFB2

RGB 205 223 178

HSL 84, 0.41%, 0.79%

LAB 86.49, -13.8, 20.08

 

CMYK 20 / 0 / 10 / 13

HEX #B2DFC8

RGB 178 223 200

HSL 149.33, 0.41%, 0.79%

LAB 85.21, -19.14, 6.48

 

CMYK 20 / 0 / 4 / 13

HEX #B2DFD5

RGB 178 223 213

HSL 166.67, 0.41%, 0.79%

LAB 85.53, -16.56, 0.08

 

CMYK 20 / 0 / 0 / 13

HEX #B2DEDF

RGB 178 222 223

HSL 181.33, 0.41%, 0.79%

LAB 85.52, -13.98, -5.21

 

CMYK 20 / 6 / 0 / 13

HEX #B2D2DF

RGB 178 210 223

HSL 197.33, 0.41%, 0.79%

LAB 82.32, -7.82, -9.96

 

CMYK 20 / 11 / 0 / 13

HEX #B2C6DF

RGB 178 198 223

HSL 213.33, 0.41%, 0.79%

LAB 79.15, -1.5, -14.7

 

CMYK 20 / 0 / 10 / 13

HEX #B2DFC8

RGB 178 223 200

HSL 149.33, 0.41%, 0.79%

LAB 85.21, -19.14, 6.48

 

CMYK 27 / 0 / 14 / 9

HEX #AAE8C8

RGB 170 232 200

HSL 149.03, 0.57%, 0.79%

LAB 87.21, -26.04, 9.29

 

CMYK 33 / 0 / 17 / 5

HEX #A1F1C8

RGB 161 241 200

HSL 149.25, 0.74%, 0.79%

LAB 89.23, -32.98, 12.11

 

CMYK 39 / 0 / 20 / 2

HEX #98F9C8

RGB 152 249 200

HSL 149.69, 0.89%, 0.79%

LAB 91.05, -39.17, 14.63

 

CMYK 20 / 0 / 10 / 13

HEX #B2DFC8

RGB 178 223 200

HSL 149.33, 0.41%, 0.79%

LAB 85.21, -19.14, 6.48

 

CMYK 13 / 0 / 7 / 16

HEX #BBD7C9

RGB 187 215 201

HSL 150, 0.26%, 0.79%

LAB 83.64, -11.99, 3.76

 

CMYK 5 / 0 / 2 / 19

HEX #C4CEC9

RGB 196 206 201

HSL 150, 0.09%, 0.79%

LAB 81.89, -4.33, 1.29

 

CMYK 0 / 3 / 1 / 20

HEX #CCC5C9

RGB 204 197 201

HSL 325.71, 0.06%, 0.79%

LAB 80.17, 3.16, -1.14

 

CMYK 0 / 11 / 6 / 16

HEX #D5BDC9

RGB 213 189 201

HSL 330, 0.22%, 0.79%

LAB 78.9, 10.56, -2.92

 

CMYK 19 / 0 / 20 / 13

HEX #B5DFB2

RGB 181 223 178

HSL 116, 0.41%, 0.79%

LAB 84.9, -22.14, 17.63

 

CMYK 20 / 0 / 16 / 13

HEX #B2DFBC

RGB 178 223 188

HSL 133.33, 0.41%, 0.79%

LAB 84.93, -21.38, 12.4

 

CMYK 20 / 0 / 10 / 13

HEX #B2DFC8

RGB 178 223 200

HSL 149.33, 0.41%, 0.79%

LAB 85.21, -19.14, 6.48

 

CMYK 20 / 0 / 5 / 13

HEX #B2DFD4

RGB 178 223 212

HSL 165.33, 0.41%, 0.79%

LAB 85.5, -16.77, 0.57

 

CMYK 20 / 0 / 0 / 13

HEX #B2DFDF

RGB 178 223 223

HSL 180, 0.41%, 0.79%

LAB 85.79, -14.49, -4.82

 

CMYK 40 / 0 / 21 / 22

HEX #78C89F

RGB 120 200 159

HSL 149.25, 0.42%, 0.63%

LAB 74.7, -33.74, 12.9

 

CMYK 29 / 0 / 15 / 17

HEX #95D3B4

RGB 149 211 180

HSL 150, 0.41%, 0.71%

LAB 79.77, -26.22, 9.06

 

CMYK 20 / 0 / 10 / 13

HEX #B2DFC8

RGB 178 223 200

HSL 149.33, 0.41%, 0.79%

LAB 85.21, -19.14, 6.48

 

CMYK 11 / 0 / 6 / 8

HEX #D0EBDD

RGB 208 235 221

HSL 148.89, 0.4%, 0.87%

LAB 90.8, -11.47, 3.79

 

CMYK 4 / 0 / 2 / 3

HEX #EDF7F2

RGB 237 247 242

HSL 150, 0.38%, 0.95%

LAB 96.38, -4.18, 1.24

 

CMYK 20 / 0 / 10 / 12

HEX #B3E0C9

RGB 179 224 201

HSL 149.33, 0.42%, 0.79%

LAB 85.56, -19.12, 6.47

 

CMYK 20 / 13 / 0 / 13

HEX #B2C1DF

RGB 178 193 223

HSL 220, 0.41%, 0.79%

LAB 77.84, 1.17, -16.67

 

CMYK 0 / 18 / 20 / 13

HEX #DFB6B2

RGB 223 182 178

HSL 5.33, 0.41%, 0.79%

LAB 77.49, 14.16, 7.6

 

CMYK 20 / 0 / 10 / 12

HEX #B3E0C9

RGB 179 224 201

HSL 149.33, 0.42%, 0.79%

LAB 85.56, -19.12, 6.47

 

CMYK 10 / 20 / 0 / 13

HEX #C8B2DF

RGB 200 178 223

HSL 269.33, 0.41%, 0.79%

LAB 75.73, 16.31, -19.69

 

CMYK 0 / 10 / 20 / 13

HEX #DFC8B2

RGB 223 200 178

HSL 29.33, 0.41%, 0.79%

LAB 81.95, 4.6, 13.94

 

CMYK 20 / 0 / 10 / 12

HEX #B3E0C9

RGB 179 224 201

HSL 149.33, 0.42%, 0.79%

LAB 85.56, -19.12, 6.47

 

CMYK 20 / 13 / 0 / 13

HEX #B2C1DF

RGB 178 193 223

HSL 220, 0.41%, 0.79%

LAB 77.84, 1.17, -16.67

 

CMYK 0 / 20 / 9 / 13

HEX #DFB2CA

RGB 223 178 202

HSL 328, 0.41%, 0.79%

LAB 77.16, 20.14, -5.93

 

CMYK 0 / 6 / 20 / 13

HEX #DFD1B2

RGB 223 209 178

HSL 41.33, 0.41%, 0.79%

LAB 84.23, -0.1, 17.14

 

CMYK 20 / 0 / 10 / 12

HEX #B3E0C9

RGB 179 224 201

HSL 149.33, 0.42%, 0.79%

LAB 85.56, -19.12, 6.47

 

CMYK 20 / 20 / 0 / 13

HEX #B2B3DF

RGB 178 179 223

HSL 238.67, 0.41%, 0.79%

LAB 74.21, 8.78, -22.16

 

CMYK 0 / 20 / 9 / 13

HEX #DFB2CA

RGB 223 178 202

HSL 328, 0.41%, 0.79%

LAB 77.16, 20.14, -5.93

 

CMYK 0 / 0 / 20 / 13

HEX #DFDFB2

RGB 223 223 178

HSL 60, 0.41%, 0.79%

LAB 87.81, -7.28, 22.12

 

Description

Color code: HEX #B3E0C9 | qconv.com Color code: HEX #B3E0C9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 224 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 224 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 10 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 10% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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