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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3EA71 it is the complementary color #4C158E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3EA71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3EA71 shade: #B8EA6C, #C9FC7F, #DAFF92, #EBFFA5 and #FCFFB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3EA71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3EA71 shade: #B3EA71, #A2D85E, #91C64B, #80B438 and #6FA225

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3EA71 shade: #B2E971, #D3E971, #E9DF71, #E9BE71 and #E99E71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3EA71 shade: #B2E971, #92E971, #71E971, #71E990 and #71E9B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3EA71 shade matches the following richer shades: #B2E971 and #B4F663

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3EA71 shade: #B2E971, #B1DC7E, #B0CF8B, #AFC298 and #AEB4A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3EA71 shade: #E9DF71, #D3E971, #B3E971, #93E971 and #73E971

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3EA71 shade: #8CDF29, #9FE44D, #B2E971, #C6EF94 and #D9F4B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3EA71 shade: #B3EA71, #71E9BF and #E971E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3EA71 shade: #B3EA71, #71B3E9 and #E971B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3EA71 shade: #B3EA71, #71E9BF, #A771E9 and #E9719B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3EA71 shade: #B3EA71, #71E9E3, #A771E9 and #E97177

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 52 / 8

HEX #B3EA71

RGB 179 234 113

HSL 87.27, 0.74%, 0.68%

LAB 86.81, -36.87, 52.59

 

Complementary color

CMYK 46 / 85 / 0 / 44

HEX #4C158E

RGB 76 21 142

HSL 267.27, 0.74%, 0.32%

LAB 23.76, 48.95, -55.44

 

CMYK 21 / 0 / 54 / 8

HEX #B8EA6C

RGB 184 234 108

HSL 83.81, 0.75%, 0.67%

LAB 87.06, -35.53, 55.24

 

CMYK 20 / 0 / 50 / 1

HEX #C9FC7F

RGB 201 252 127

HSL 84.48, 0.95%, 0.74%

LAB 93.26, -35.64, 54.17

 

CMYK 15 / 0 / 43 / 0

HEX #DAFF92

RGB 218 255 146

HSL 80.37, 1%, 0.79%

LAB 95.37, -28.81, 48.07

 

CMYK 8 / 0 / 35 / 0

HEX #EBFFA5

RGB 235 255 165

HSL 73.33, 1%, 0.82%

LAB 96.78, -20.39, 40.88

 

CMYK 1 / 0 / 28 / 0

HEX #FCFFB8

RGB 252 255 184

HSL 62.54, 1%, 0.86%

LAB 98.3, -11.8, 33.69

 

CMYK 24 / 0 / 52 / 8

HEX #B3EA71

RGB 179 234 113

HSL 87.27, 0.74%, 0.68%

LAB 86.81, -36.87, 52.59

 

CMYK 25 / 0 / 56 / 15

HEX #A2D85E

RGB 162 216 94

HSL 86.56, 0.61%, 0.61%

LAB 80.52, -36.77, 53.63

 

CMYK 27 / 0 / 62 / 22

HEX #91C64B

RGB 145 198 75

HSL 85.85, 0.52%, 0.54%

LAB 74.14, -36.6, 54.54

 

CMYK 29 / 0 / 69 / 29

HEX #80B438

RGB 128 180 56

HSL 85.16, 0.53%, 0.46%

LAB 67.66, -36.3, 55.18

 

CMYK 31 / 0 / 77 / 36

HEX #6FA225

RGB 111 162 37

HSL 84.48, 0.63%, 0.39%

LAB 61.09, -35.85, 55.27

 

CMYK 24 / 0 / 52 / 9

HEX #B2E971

RGB 178 233 113

HSL 87.5, 0.73%, 0.68%

LAB 86.47, -36.78, 52.17

 

CMYK 9 / 0 / 52 / 9

HEX #D3E971

RGB 211 233 113

HSL 71, 0.73%, 0.68%

LAB 88.6, -24.38, 55.21

 

CMYK 0 / 4 / 52 / 9

HEX #E9DF71

RGB 233 223 113

HSL 55, 0.73%, 0.68%

LAB 87.63, -10.78, 54.48

 

CMYK 0 / 18 / 52 / 9

HEX #E9BE71

RGB 233 190 113

HSL 38.5, 0.73%, 0.68%

LAB 79.24, 6.14, 44.4

 

CMYK 0 / 32 / 52 / 9

HEX #E99E71

RGB 233 158 113

HSL 22.5, 0.73%, 0.68%

LAB 71.53, 23.1, 34.74

 

CMYK 24 / 0 / 52 / 9

HEX #B2E971

RGB 178 233 113

HSL 87.5, 0.73%, 0.68%

LAB 86.47, -36.78, 52.17

 

CMYK 37 / 0 / 52 / 9

HEX #92E971

RGB 146 233 113

HSL 103.5, 0.73%, 0.68%

LAB 84.78, -47.69, 49.74

 

CMYK 52 / 0 / 52 / 9

HEX #71E971

RGB 113 233 113

HSL 120, 0.73%, 0.68%

LAB 83.43, -57.27, 47.79

 

CMYK 52 / 0 / 38 / 9

HEX #71E990

RGB 113 233 144

HSL 135.5, 0.73%, 0.68%

LAB 83.86, -52.7, 33.19

 

CMYK 52 / 0 / 24 / 9

HEX #71E9B1

RGB 113 233 177

HSL 152, 0.73%, 0.68%

LAB 84.46, -46.59, 17.06

 

CMYK 24 / 0 / 52 / 9

HEX #B2E971

RGB 178 233 113

HSL 87.5, 0.73%, 0.68%

LAB 86.47, -36.78, 52.17

 

CMYK 27 / 0 / 60 / 4

HEX #B4F663

RGB 180 246 99

HSL 86.94, 0.89%, 0.68%

LAB 90.1, -43.13, 62.58

 

CMYK 24 / 0 / 52 / 9

HEX #B2E971

RGB 178 233 113

HSL 87.5, 0.73%, 0.68%

LAB 86.47, -36.78, 52.17

 

CMYK 20 / 0 / 43 / 14

HEX #B1DC7E

RGB 177 220 126

HSL 87.45, 0.57%, 0.68%

LAB 82.93, -29.68, 41.59

 

CMYK 15 / 0 / 33 / 19

HEX #B0CF8B

RGB 176 207 139

HSL 87.35, 0.41%, 0.68%

LAB 79.45, -22.1, 30.48

 

CMYK 10 / 0 / 22 / 24

HEX #AFC298

RGB 175 194 152

HSL 87.14, 0.26%, 0.68%

LAB 76.05, -14, 19.01

 

CMYK 3 / 0 / 8 / 29

HEX #AEB4A5

RGB 174 180 165

HSL 84, 0.09%, 0.68%

LAB 72.47, -4.86, 6.92

 

CMYK 0 / 4 / 52 / 9

HEX #E9DF71

RGB 233 223 113

HSL 55, 0.73%, 0.68%

LAB 87.63, -10.78, 54.48

 

CMYK 9 / 0 / 52 / 9

HEX #D3E971

RGB 211 233 113

HSL 71, 0.73%, 0.68%

LAB 88.6, -24.38, 55.21

 

CMYK 23 / 0 / 52 / 9

HEX #B3E971

RGB 179 233 113

HSL 87, 0.73%, 0.68%

LAB 86.53, -36.41, 52.26

 

CMYK 37 / 0 / 52 / 9

HEX #93E971

RGB 147 233 113

HSL 103, 0.73%, 0.68%

LAB 84.83, -47.37, 49.81

 

CMYK 51 / 0 / 52 / 9

HEX #73E971

RGB 115 233 113

HSL 119, 0.73%, 0.68%

LAB 83.5, -56.74, 47.89

 

CMYK 37 / 0 / 82 / 13

HEX #8CDF29

RGB 140 223 41

HSL 87.36, 0.74%, 0.52%

LAB 81.02, -51.14, 72.99

 

CMYK 30 / 0 / 66 / 11

HEX #9FE44D

RGB 159 228 77

HSL 87.42, 0.74%, 0.6%

LAB 83.65, -44.55, 64.18

 

CMYK 24 / 0 / 52 / 9

HEX #B2E971

RGB 178 233 113

HSL 87.5, 0.73%, 0.68%

LAB 86.47, -36.78, 52.17

 

CMYK 17 / 0 / 38 / 6

HEX #C6EF94

RGB 198 239 148

HSL 87.03, 0.74%, 0.76%

LAB 89.8, -28.32, 39.75

 

CMYK 11 / 0 / 25 / 4

HEX #D9F4B8

RGB 217 244 184

HSL 87, 0.73%, 0.84%

LAB 92.98, -19.02, 26.06

 

CMYK 24 / 0 / 52 / 8

HEX #B3EA71

RGB 179 234 113

HSL 87.27, 0.74%, 0.68%

LAB 86.81, -36.87, 52.59

 

CMYK 52 / 0 / 18 / 9

HEX #71E9BF

RGB 113 233 191

HSL 159, 0.73%, 0.68%

LAB 84.77, -43.62, 10.18

 

CMYK 0 / 52 / 3 / 9

HEX #E971E3

RGB 233 113 227

HSL 303, 0.73%, 0.68%

LAB 65.5, 61.22, -37.33

 

CMYK 24 / 0 / 52 / 8

HEX #B3EA71

RGB 179 234 113

HSL 87.27, 0.74%, 0.68%

LAB 86.81, -36.87, 52.59

 

CMYK 52 / 23 / 0 / 9

HEX #71B3E9

RGB 113 179 233

HSL 207, 0.73%, 0.68%

LAB 70.62, -6.18, -33.46

 

CMYK 0 / 52 / 23 / 9

HEX #E971B3

RGB 233 113 179

HSL 327, 0.73%, 0.68%

LAB 63.66, 53.82, -13.14

 

CMYK 24 / 0 / 52 / 8

HEX #B3EA71

RGB 179 234 113

HSL 87.27, 0.74%, 0.68%

LAB 86.81, -36.87, 52.59

 

CMYK 52 / 0 / 18 / 9

HEX #71E9BF

RGB 113 233 191

HSL 159, 0.73%, 0.68%

LAB 84.77, -43.62, 10.18

 

CMYK 28 / 52 / 0 / 9

HEX #A771E9

RGB 167 113 233

HSL 267, 0.73%, 0.68%

LAB 57.95, 44.84, -53.09

 

CMYK 0 / 52 / 33 / 9

HEX #E9719B

RGB 233 113 155

HSL 339, 0.73%, 0.68%

LAB 62.93, 50.72, -0.52

 

CMYK 24 / 0 / 52 / 8

HEX #B3EA71

RGB 179 234 113

HSL 87.27, 0.74%, 0.68%

LAB 86.81, -36.87, 52.59

 

CMYK 52 / 0 / 3 / 9

HEX #71E9E3

RGB 113 233 227

HSL 177, 0.73%, 0.68%

LAB 85.67, -35.12, -7.43

 

CMYK 28 / 52 / 0 / 9

HEX #A771E9

RGB 167 113 233

HSL 267, 0.73%, 0.68%

LAB 57.95, 44.84, -53.09

 

CMYK 0 / 52 / 49 / 9

HEX #E97177

RGB 233 113 119

HSL 357, 0.73%, 0.68%

LAB 62.05, 46.92, 18.88

 

Description

Color code: HEX #B3EA71 | qconv.com Color code: HEX #B3EA71 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 234 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 234 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 52 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 52% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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