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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3ED6C it is the complementary color #4C1293. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3ED6C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3ED6C shade: #B8ED67, #C9FF7A, #DAFF8D, #EBFFA0 and #FCFFB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3ED6C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3ED6C shade: #B3ED6C, #A2DB59, #91C946, #80B733 and #6FA520

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3ED6C shade: #B3ED6D, #D6ED6D, #EDE16D, #EDBF6D and #ED9C6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3ED6C shade: #B3ED6D, #91ED6D, #6FED6D, #6DED8E and #6DEDB1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3ED6C shade matches the following richer shades: #B3ED6D and #B5FA60

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3ED6C shade: #B3ED6D, #B2DF7A, #B1D288, #AFC595 and #AEB8A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3ED6C shade: #EDE06D, #D7ED6D, #B5ED6D, #93ED6D and #71ED6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3ED6C shade: #8DE324, #A0E849, #B3ED6D, #C6F192 and #D9F6B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3ED6C shade: #B3ED6C, #6DEDBE and #ED6DE8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3ED6C shade: #B3ED6C, #6DB5ED and #ED6DB5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3ED6C shade: #B3ED6C, #6DEDBE, #A46DED and #ED6D9C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3ED6C shade: #B3ED6C, #6DEDE4, #A46DED and #ED6D76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 54 / 7

HEX #B3ED6C

RGB 179 237 108

HSL 86.98, 0.78%, 0.68%

LAB 87.6, -38.71, 55.8

 

Complementary color

CMYK 48 / 88 / 0 / 42

HEX #4C1293

RGB 76 18 147

HSL 266.98, 0.78%, 0.32%

LAB 23.92, 51.2, -58.27

 

CMYK 22 / 0 / 57 / 7

HEX #B8ED67

RGB 184 237 103

HSL 83.73, 0.79%, 0.67%

LAB 87.84, -37.35, 58.37

 

CMYK 21 / 0 / 52 / 0

HEX #C9FF7A

RGB 201 255 122

HSL 84.36, 1%, 0.74%

LAB 94.03, -37.49, 57.37

 

CMYK 15 / 0 / 45 / 0

HEX #DAFF8D

RGB 218 255 141

HSL 79.47, 1%, 0.78%

LAB 95.31, -29.36, 50.37

 

CMYK 8 / 0 / 37 / 0

HEX #EBFFA0

RGB 235 255 160

HSL 72.63, 1%, 0.81%

LAB 96.71, -20.97, 43.24

 

CMYK 1 / 0 / 30 / 0

HEX #FCFFB3

RGB 252 255 179

HSL 62.37, 1%, 0.85%

LAB 98.22, -12.43, 36.08

 

CMYK 24 / 0 / 54 / 7

HEX #B3ED6C

RGB 179 237 108

HSL 86.98, 0.78%, 0.68%

LAB 87.6, -38.71, 55.8

 

CMYK 26 / 0 / 59 / 14

HEX #A2DB59

RGB 162 219 89

HSL 86.31, 0.64%, 0.6%

LAB 81.33, -38.57, 56.76

 

CMYK 28 / 0 / 65 / 21

HEX #91C946

RGB 145 201 70

HSL 85.65, 0.55%, 0.53%

LAB 74.97, -38.34, 57.54

 

CMYK 30 / 0 / 72 / 28

HEX #80B733

RGB 128 183 51

HSL 85, 0.56%, 0.46%

LAB 68.53, -37.99, 57.95

 

CMYK 33 / 0 / 81 / 35

HEX #6FA520

RGB 111 165 32

HSL 84.36, 0.68%, 0.39%

LAB 61.99, -37.44, 57.67

 

CMYK 24 / 0 / 54 / 7

HEX #B3ED6D

RGB 179 237 109

HSL 87.19, 0.78%, 0.68%

LAB 87.61, -38.61, 55.36

 

CMYK 10 / 0 / 54 / 7

HEX #D6ED6D

RGB 214 237 109

HSL 70.78, 0.78%, 0.68%

LAB 89.84, -25.47, 58.53

 

CMYK 0 / 5 / 54 / 7

HEX #EDE16D

RGB 237 225 109

HSL 54.38, 0.78%, 0.68%

LAB 88.43, -10.49, 57.34

 

CMYK 0 / 19 / 54 / 7

HEX #EDBF6D

RGB 237 191 109

HSL 38.44, 0.78%, 0.68%

LAB 79.82, 6.92, 47.18

 

CMYK 0 / 34 / 54 / 7

HEX #ED9C6D

RGB 237 156 109

HSL 22.03, 0.78%, 0.68%

LAB 71.48, 25.42, 36.88

 

CMYK 24 / 0 / 54 / 7

HEX #B3ED6D

RGB 179 237 109

HSL 87.19, 0.78%, 0.68%

LAB 87.61, -38.61, 55.36

 

CMYK 39 / 0 / 54 / 7

HEX #91ED6D

RGB 145 237 109

HSL 103.13, 0.78%, 0.68%

LAB 85.85, -50.13, 52.85

 

CMYK 53 / 0 / 54 / 7

HEX #6FED6D

RGB 111 237 109

HSL 119.06, 0.78%, 0.68%

LAB 84.51, -59.79, 50.93

 

CMYK 54 / 0 / 40 / 7

HEX #6DED8E

RGB 109 237 142

HSL 135.47, 0.78%, 0.68%

LAB 84.88, -55.59, 35.51

 

CMYK 54 / 0 / 25 / 7

HEX #6DEDB1

RGB 109 237 177

HSL 151.88, 0.78%, 0.68%

LAB 85.5, -49.18, 18.49

 

CMYK 24 / 0 / 54 / 7

HEX #B3ED6D

RGB 179 237 109

HSL 87.19, 0.78%, 0.68%

LAB 87.61, -38.61, 55.36

 

CMYK 28 / 0 / 62 / 2

HEX #B5FA60

RGB 181 250 96

HSL 86.88, 0.94%, 0.68%

LAB 91.25, -44.75, 65.11

 

CMYK 24 / 0 / 54 / 7

HEX #B3ED6D

RGB 179 237 109

HSL 87.19, 0.78%, 0.68%

LAB 87.61, -38.61, 55.36

 

CMYK 20 / 0 / 45 / 13

HEX #B2DF7A

RGB 178 223 122

HSL 86.73, 0.61%, 0.68%

LAB 83.78, -31.2, 44.62

 

CMYK 16 / 0 / 35 / 18

HEX #B1D288

RGB 177 210 136

HSL 86.76, 0.45%, 0.68%

LAB 80.3, -23.61, 33.16

 

CMYK 11 / 0 / 24 / 23

HEX #AFC595

RGB 175 197 149

HSL 87.5, 0.29%, 0.68%

LAB 76.81, -16, 21.66

 

CMYK 5 / 0 / 12 / 28

HEX #AEB8A2

RGB 174 184 162

HSL 87.27, 0.13%, 0.68%

LAB 73.47, -7.51, 9.99

 

CMYK 0 / 5 / 54 / 7

HEX #EDE06D

RGB 237 224 109

HSL 53.91, 0.78%, 0.68%

LAB 88.17, -9.99, 57.05

 

CMYK 9 / 0 / 54 / 7

HEX #D7ED6D

RGB 215 237 109

HSL 70.31, 0.78%, 0.68%

LAB 89.91, -25.08, 58.62

 

CMYK 24 / 0 / 54 / 7

HEX #B5ED6D

RGB 181 237 109

HSL 86.25, 0.78%, 0.68%

LAB 87.73, -37.89, 55.52

 

CMYK 38 / 0 / 54 / 7

HEX #93ED6D

RGB 147 237 109

HSL 102.19, 0.78%, 0.68%

LAB 85.94, -49.49, 52.98

 

CMYK 52 / 0 / 54 / 7

HEX #71ED6D

RGB 113 237 109

HSL 118.13, 0.78%, 0.68%

LAB 84.58, -59.29, 51.03

 

CMYK 38 / 0 / 84 / 11

HEX #8DE324

RGB 141 227 36

HSL 87.02, 0.77%, 0.52%

LAB 82.23, -52.6, 75.25

 

CMYK 31 / 0 / 69 / 9

HEX #A0E849

RGB 160 232 73

HSL 87.17, 0.78%, 0.6%

LAB 84.83, -46.18, 66.93

 

CMYK 24 / 0 / 54 / 7

HEX #B3ED6D

RGB 179 237 109

HSL 87.19, 0.78%, 0.68%

LAB 87.61, -38.61, 55.36

 

CMYK 18 / 0 / 39 / 5

HEX #C6F192

RGB 198 241 146

HSL 87.16, 0.77%, 0.76%

LAB 90.32, -29.51, 41.4

 

CMYK 12 / 0 / 26 / 4

HEX #D9F6B7

RGB 217 246 183

HSL 87.62, 0.78%, 0.84%

LAB 93.49, -20.14, 27.27

 

CMYK 24 / 0 / 54 / 7

HEX #B3ED6C

RGB 179 237 108

HSL 86.98, 0.78%, 0.68%

LAB 87.6, -38.71, 55.8

 

CMYK 54 / 0 / 20 / 7

HEX #6DEDBE

RGB 109 237 190

HSL 157.97, 0.78%, 0.68%

LAB 85.77, -46.45, 12.11

 

CMYK 0 / 54 / 2 / 7

HEX #ED6DE8

RGB 237 109 232

HSL 302.34, 0.78%, 0.68%

LAB 65.57, 64.97, -39.96

 

CMYK 24 / 0 / 54 / 7

HEX #B3ED6C

RGB 179 237 108

HSL 86.98, 0.78%, 0.68%

LAB 87.6, -38.71, 55.8

 

CMYK 54 / 24 / 0 / 7

HEX #6DB5ED

RGB 109 181 237

HSL 206.25, 0.78%, 0.68%

LAB 71.15, -6.95, -34.82

 

CMYK 0 / 54 / 24 / 7

HEX #ED6DB5

RGB 237 109 181

HSL 326.25, 0.78%, 0.68%

LAB 63.57, 57.21, -14.36

 

CMYK 24 / 0 / 54 / 7

HEX #B3ED6C

RGB 179 237 108

HSL 86.98, 0.78%, 0.68%

LAB 87.6, -38.71, 55.8

 

CMYK 54 / 0 / 20 / 7

HEX #6DEDBE

RGB 109 237 190

HSL 157.97, 0.78%, 0.68%

LAB 85.77, -46.45, 12.11

 

CMYK 31 / 54 / 0 / 7

HEX #A46DED

RGB 164 109 237

HSL 265.78, 0.78%, 0.68%

LAB 57.02, 47.23, -56.83

 

CMYK 0 / 54 / 34 / 7

HEX #ED6D9C

RGB 237 109 156

HSL 337.97, 0.78%, 0.68%

LAB 62.8, 54.05, -1.22

 

CMYK 24 / 0 / 54 / 7

HEX #B3ED6C

RGB 179 237 108

HSL 86.98, 0.78%, 0.68%

LAB 87.6, -38.71, 55.8

 

CMYK 54 / 0 / 4 / 7

HEX #6DEDE4

RGB 109 237 228

HSL 175.78, 0.78%, 0.68%

LAB 86.71, -37.5, -6.44

 

CMYK 31 / 54 / 0 / 7

HEX #A46DED

RGB 164 109 237

HSL 265.78, 0.78%, 0.68%

LAB 57.02, 47.23, -56.83

 

CMYK 0 / 54 / 50 / 7

HEX #ED6D76

RGB 237 109 118

HSL 355.78, 0.78%, 0.68%

LAB 61.87, 50.16, 19.3

 

Description

Color code: HEX #B3ED6C | qconv.com Color code: HEX #B3ED6C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 237 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 237 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 54 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 54% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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